Recreational Use Attainability Analysis of Buffalo/White Oak Bayou
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Bayou Place Houston, Texas
Bayou Place Houston, Texas Project Type: Commercial/Industrial Case No: C031001 Year: 2001 SUMMARY A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements Bayou Place Houston, Texas Project Type: Adaptive Use/Entertainment Volume 31 Number 01 January-March 2001 Case Number: C031001 PROJECT TYPE A rehabilitation of an obsolete convention center into a 160,000-square-foot entertainment complex in the heart of Houston’s theater district. Responding to an international request for proposals (RFP), the developer persevered through development difficulties to create a pioneering, multiuse, pure entertainment destination that has been one of the catalysts for the revitalization of Houston’s entire downtown. SPECIAL FEATURES Rehabilitation of a "white elephant" Cornerstone of a downtown-wide renaissance that has reintroduced nighttime and weekend activity Maximized leasable floor area to accommodate financial pro forma requirements DEVELOPER The Cordish Company 601 East Pratt Street, Sixth Floor Baltimore, Maryland 21202 410-752-5444 www.cordish.com ARCHITECT Gensler 700 Milam Street, Suite 400 Houston, Texas 77002 713-228-8050 www.gensler.com CONTRACTOR Tribble & Stephens 8580 Katy Freeway, Suite 320 Houston, Texas 77024 713-465-8550 www.tribblestephens.com GENERAL DESCRIPTION Bayou Place occupies the shell of the former Albert Thomas Convention Center in downtown Houston’s theater district. -
Senator Borris Miles Texas Senate District: 13
Senator Borris Miles Texas Senate District: 13 Arts and Cultural Grants Listed by Texas Senate District Fiscal Year 2020 Alley Theatre Arts Create - Operational Support $12,500 To advance the creative economy of Texas by investing in the operations of this arts organization. Arts Respond Education $3,000 To support Staging STEM, a two-week theater residency program for K-8th grade students in the Houston metropolitan area. Arts Respond Public Safety & Criminal Justice $4,000 To support the Slam Poetry at Alley Theatre program, offering two eight-week poetry workshops for incarcerated youth at Harris County Juvenile Probation Department facilities. Commission Initiative-Texas CARES Act $1,361 To provide Texas CARES Act relief support to arts organizations impacted by the COVID-19 virus. Designated Funding-Texas Women for the Arts $2,500 To support the Alley Character Education Series, designed to educate and entertain students in the Houston area. High Quality Arts Programming $100,000 To support the production of 'A Christmas Carol - A Ghost Story of Christmas' in the Houston Theater District in conjunction with the annual tree lighting ceremony to attract visitors during the holiday season. Asia Society Texas Center Arts Create - Operational Support $7,500 To advance the creative economy of Texas by investing in the operations of this arts organization. Arts Respond Economic Development $3,000 To support Night Market, celebrating Houston's arts and food scene and engaging participants in a variety of activities and thought-provoking exhibitions of work by Vicky Roy and Tsuruya Kokei. Commission Initiative-Texas CARES Act $1,361 To provide Texas CARES Act relief support to arts organizations impacted by the COVID-19 virus. -
FARRAR-DISSERTATION-2020.Pdf (13.02Mb)
THE MILAM STREET BRIDGE ARTIFACT ASSEMBLAGE: HOUSTONIANS JOINED BY THE COMMON THREAD OF ARTIFACTS – A STORY SPANNING FROM THE CIVIL WAR TO MODERN DAY A Dissertation by JOSHUA ROBERT FARRAR Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Luis F. M. Vieira De Castro Committee Members, Donny L. Hamilton Christopher M. Dostal Joseph G. Dawson III Anthony M. Filippi Head of Department, Darryl J. De Ruiter May 2020 Major Subject: Anthropology Copyright 2020 Joshua R. Farrar ABSTRACT Buffalo Bayou has connected Houston, Texas to Galveston Bay and the Gulf of Mexico since Houston’s founding in 1837. During the American Civil War of 1861-65, Houston served as a storehouse for weapons, ammunition, food, clothing, and other supplies destined for the war effort in Galveston and the rest of the Confederacy. Near the end or soon after the Civil War ended, Confederate material supplies were lost or abandoned in Buffalo Bayou under the Milam Street Bridge in Houston. In 1968, the Southwestern Historical Exploration Society (SHES) recovered around 1000 artifacts with an 80-ton dragline crane operated off the Milam Street Bridge. About 650 artifacts from this collection were rediscovered by the Houston Archeological Society in 2015, stored in filing boxes at the Heritage Society at Sam Houston Park. This dissertation serves as an artifact and document-based study using newspaper accounts, sworn statements, and archaeological reports to assemble and detail the history of the Milam Street Artifact Assemblage – from abandonment in the bayou to rediscovery at the Heritage Society. -
Buffalo Bayou Community Plan Lit Tle Cyp Res S 1960 Upper Cypress Creek G a Watershed Rn E
S p ri ng C re ek k Sp e ring re C C re 2920 e w k Will o 99 Buffalo Bayou Community Plan Lit tle Cyp res s 1960 Upper Cypress Creek G a Watershed rn e r Land protection, restoration, s shallow storage B Cypres ayo s C u ree k Greens Bayou Addicks Watershed G Retention, r e e creekside storage n s Addicks ReservoirWhite Oak Ba B Excavate y a o Ha y l o u ls B 75,000 acre feet ayo u C u a r p 99 e B n e t a e r r C Tunnel interceptors H s r u e B e to help reduce flooding 40-Foot n k t along Bualo Bayou in a g y Flood Tunnel 10,000 cfs B o a u y o u B u Barker Reservoir u o al y Excavate o B a 86,000 acre feet FLOOD PROTECTION PLAN COSTS ou Brays Bay Construct additional storage in the Cypress u Stream yo a 45 Reservoir boundary S B ¨¦§ Creek over�low/upper Addicks watershed $ 0.20 B i ms County Line Restore/offset Addicks storage capacity* $ 0.60 B ¤£90A Restore/offset Barker storage capacity* $ 0.90 B FEMA Flood Type )"288 Construct Buffalo Bayou Bypass Tunnel** $ 4.20 B * Provide storage to offset previously available volume Total Cost $ 6.00 B Floodway )"35 Mitigate/restore wetlands $ 0.10 B 100-year Floodplain ** on private property. Lower �lowline of reservoirs so that excavated areas drain by gravity to �lood tunnel. -
Buffalo and Whiteoak Bayou Tmdl
Total Maximum Daily Loads for Fecal Pathogens in Buffalo Bayou and Whiteoak Bayou Contract No. 582-6-70860 Work Order No. 582-6-70860-21 TECHNICAL SUPPORT DOCUMENT FOR BUFFALO AND WHITEOAK BAYOU TMDL Prepared by University of Houston CDM Principal Investigator Hanadi Rifai Prepared for Total Maximum Daily Load Program Texas Commission on Environmental Quality P.O. Box 13087, MC - 150 Austin, Texas 78711-3087 TCEQ Contact: Ronald Stein TMDL Team (MC-203) P.O. Box 13087, MC - 203 Austin, Texas 78711-3087 [email protected] MAY 2008 Contract #- -582-6-70860/ Work Order # 582-6-70860-21 –Technical Support Document TABLE OF CONTENTS LIST OF TABLES ……………………………………………………………..……………..….vi LIST OF FIGURES ………………………………………………………………..……… ... ….ix CHAPTER 1 : PROBLEM DEFINITION...................................................................................... 1 1.1 WATERSHED DESCRIPTION................................................................................. 1 1.2 ENDPOINT DESIGNATION.................................................................................... 5 1.3 CRITICAL CONDITION........................................................................................... 8 1.4 MARGIN OF SAFETY.............................................................................................. 8 CHAPTER 2 : SUMMARY OF EXISTING DATA...................................................................... 9 2.1 WATERSHED CHARACTERISTICS...................................................................... 9 2.1.1 LAND USE........................................................................................................ -
National Register of Historic Places REGISTRATION FORM NPS Form 10-900 OMB No
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National RegisterSBR of Historic Places Registration Draft Form 1. Name of Property Historic Name: Houses at 1217 and 1219 Tulane Street Other name/site number: NA Name of related multiple property listing: Historic Resources of Houston Heights MRA 2. Location Street & number: 1217 Tulane Street City or town: Houston State: Texas County: Harris Not for publication: Vicinity: 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this ( nomination request for determination of eligibility) meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ( meets does not meet) the National Register criteria. I recommend that this property be considered significant at the following levels of significance: national statewide local Applicable National Register Criteria: A B C D State Historic Preservation Officer ___________________________ Signature of certifying official / Title Date Texas Historical Commission State or Federal agency / bureau or Tribal Government In my opinion, the property meets does not meet the National Register criteria. _______________________________________________________________________ __________________________ Signature of commenting or other official Date ____________________________________________________________ -
CITY of HOUSTON Archaeological & Historical Commission Planning and Development Department
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department PROTECTED LANDMARK DESIGNATION REPORT LANDMARK NAME: Mr. and Mrs. S.I. Morris House AGENDA ITEM: D.1 OWNER: S.I. Morris Interests, Ltd. HPO FILE NO.: 15PL124 APPLICANT: David K. Morris DATE ACCEPTED: Apr-15-2015 LOCATION: 2 Waverly Court – Museum District HAHC HEARING DATE: May-21-2015 SITE INFORMATION Lot 2, Waverly Court, City of Houston, Harris County, Texas. The site includes a historic two-story, contemporary style single-family residence facing west on Waverly Court at the corner of Bissonnet Street. TYPE OF APPROVAL REQUESTED: Protected Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Mr. and Mrs. S.I. Morris House is a contemporary residence at 2 Waverly Court in the Museum District south of downtown Houston. The house was designed by prominent Houston architect Seth Irwin “S.I.” Morris, Jr. (1914-2006) and completed in 1952 as his family’s home. Morris’ firms – Wilson, Morris & Crain, AIA; Wilson, Morris, Crain & Anderson, AIA; S.I. Morris Associates; Morris*Aubry Architects and Morris Architects – left a timeless imprint on Houston through their crucial roles in creating such treasured landmarks as the Astrodome (1965), Pennzoil Place (1976), Transco (now Williams) Tower (1983) and Gus S. Wortham Theater Center (1987), among many others. In Building A Houston Practice: The Career of S.I. Morris, Barry Moore notes that Morris insisted the only building he had ever personally designed was the house built at the corner of Waverly Court and Bissonnet in the 1950s. That house remains in the Morris family and is home to the architect’s widow, Mrs. -
| the Houston Theater District
20 C i t I 34 S p r i n g 1 9 9 6 C • I 3 4 S p ' • wn\p \m* M ik % ^ Sww bin k youthful extra imports loke flake; covering the tldewolk in front ol Jonej Hall, jtonding in for Lincoln Ctnler during the filming of lorry McMuitry's ir*mgStm. Y e xe> _ fa fa | The Houston Theater District DREXEL T U R N E R IT IS A STRANGE THINCR THE LIKE OF WHICH, I THINK WILL OCCUR TO ONE N HARDLY ANYWHERE ELSE THAN IN TEXASR TO HEAR TEAMSTERS WITH THEIR CA TTLE STAKED AROUND THEM ON THEPRAIRIER HUMMING AIRS FROM "DON CIOYANNIn. Frederick Law Olmsted, New-York Daily Times, 24 April 1854 21 Mnjeslk Thtol! r Mouron I Russell, architects, 1911. When I redcnck law Olmsted, rhen a 12- Camp Logan d u r i n g the First W o r l d W a r . season in the Music H a l l in 1955), the year-old jonnialisr, visited I louston on In the early 1950s my parents watched I louston Ballet Foundation , and the rIn return leg of his journey through the t o u r i n g c o m p a n y of South Pacific in Society for the Performing Arts (SPA), Texas in spring IK54, he observed that un-air-conditioned c o m f o r t in the a u d i t o - a n o n p r o f i t presenter f o r m e d to fill the the town of not yet 5,000 showed "many rium, w h i c h was also the site of Friday gap left by the death of the impresaria agreeable signs o f . -
Central Houston Brochure
Downtown and the central core are the heartbeat of the city and the region. photo by Bryan Malloch Bryan by photo Quality of Place Over the past 15 years, Downtown has experienced what is arguably the greatest resurgence in the city’s history. Central Houston has fostered more than $9 billion of development across a broad mix of urban uses: new parks and public spaces, new and renovated hotels, new multi-family residential devel- opments, new and renovated office towers, renovations and expansions to convention and theater facilities and continued investments in government facilities, infrastructure and transit. As a result, space management, operations and programming have become an even larger priority. Streetscape amenities such as lighting, banners and vehicular and pedestrian wayfind- ing systems as well as community programming and events are integral in creating a quality place to live, work and visit. Founded in 1983 by Downtown business leaders to ensure that the central city remains a vital and progressive place for commerce, culture and living, for more than 36 years the organization has conceived and implemented remarkable solutions for the complex challenges of our city. A booming Downtown is the soul of a great metropolitan area: Central Houston’s photo by Morris Malakoff Morris by photo focus is long term and big picture. Big Results 5 CENTRAL HOUSTON CENTRAL HOUSTON 6 Disruptive Leadership With the long-term outlook as a principle focus, Central Houston coordinates and collaborates with public and private entities to ensure responses to issues and implementation of projects result in a stronger Downtown and central core. -
Buffalo Bayou and Tributaries Flood Control Project Addicks & Barker Dams & Reservoirs 101 Past, Present & Future
1 BUFFALO BAYOU AND TRIBUTARIES FLOOD CONTROL PROJECT ADDICKS & BARKER DAMS & RESERVOIRS 101 PAST, PRESENT & FUTURE “The views, opinions and findings contained in this report are those of the authors(s) and should not be construed as an official Department of the Army position, policy or decision, unless so designated by other official documentation.” Location 2 Piney Point Gage Houston Average Annual Rainfall – 49.77 inches ADDICKS, BARKER AND BUFFALO BAYOU WATERSHEDS 3 Early Houston Floods 4 31 May-2 June 1929 and 7-10 December 1935 Buffalo Bayou & Tributaries 1940’s Original Plan 5 Ungated Conduits 6 at Addicks and Barker Dams Jan. 20, 1945 Houston 1950, 1992, 2016 7 GATING OF UNGATED CONDUITS 8 9 CHANGES AND THEIR IMPACTS Project Modifications • Deletion of South Canal = Results of Changes • Deletion of Cypress Creek Levee • Gating of the Structures • More Frequent Pools • Faster Rising Pools + Downstream Changes • Larger Pools • Increased Development • Decreased Releases • Longer Lasting Pools – + Upstream Changes • Increased Development • Increased Run-off • More Rapid Run-off Top Ten Pools – Addicks and Barker Reservoirs 10 ADDICKS DAM & RESERVOIR BARKER DAM & RESERVOIR SURFACE AREA CAPACITY IN % CAPACITY % CAPACITY OF SURFACE AREA CAPACITY IN % CAPACITY % CAPACITY OF DATE ELEV. (1) IN ACRES ACRE-FEET (2) MAX. POOL (3) GOL (4) DATE ELEV. (1) IN ACRES ACRE-FEET (2) MAX. POOL (3) GOL (4) 30 Aug '17 109.09 16,982 217,726 100.0+ 100.0 30 AUG '17 101.56 15,149 170,941 81.6 100.0 23 APR '16 102.65 12,834 123,067 61.1 96.5 25 APR '16 -
Park Sector 16
PARK SECTOR 16 Parks Master Plan Phase II - December 2015 | 351 352 | Parks Master Plan Phase II - December 2015 PARK SECTOR 16 SUMMARY PARK SECTOR 16 PRIORITIES These priorities were developed by using condition assessment information from site visits, standard-based needs analysis (NRPA standards and data provided by the Trust for Public Land ParkScore™ Project), and public input via an online survey, park user interviews, community events and Capital Improvement Plan (CIP) meetings. 1. Develop Neighborhood connections to parks and trails 2. Revitalize existing parks 3. Acquire new parkland 4. Develop partnerships with the school system and other entities 5. Preserve environmentally sensitive areas 6. Develop new park facilities RECOMMENDATIONS One (1) acre of parkland is needed in this Park Sector. While the majority of the Park Sector is served by parks within half a mile, there are some areas of need in the eastern portions of the Park Sector. Furthermore, residential multi- family development is increasing in the downtown area. There are few parks in the southern and eastern portions of the Park Sector and land acquisition should be pursued in these areas. Schools not participating in the SPARK School Park Program (Non-SPARK schools) should be explored as potential future partnerships for park space. This Park Sector is deicient in tennis courts, volleyball courts, skate parks, community centers, swimming pools, and baseball, softball and soccer ields. While there is no skate park in Park Sector 16, there is the Lee & Joe Jamail Skatepark in neighboring Park Sector 14 that is a world-class, in-ground skate park that serves the entire City. -
“Just What Was It That Made U.S. Art So Different, So Appealing?”
“JUST WHAT WAS IT THAT MADE U.S. ART SO DIFFERENT, SO APPEALING?”: CASE STUDIES OF THE CRITICAL RECEPTION OF AMERICAN AVANT-GARDE PAINTING IN LONDON, 1950-1964 by FRANK G. SPICER III Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Adviser: Dr. Ellen G. Landau Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May, 2009 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Frank G. Spicer III ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Dr. Ellen G. Landau (signed)_______________________________________________ (chair of the committee) ________________________________________________Dr. Anne Helmreich Dr. Henry Adams ________________________________________________ Dr. Kurt Koenigsberger ________________________________________________ ________________________________________________ ________________________________________________ December 18, 2008 (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents List of Figures 2 Acknowledgements 7 Abstract 12 Introduction 14 Chapter I. Historiography of Secondary Literature 23 II. The London Milieu 49 III. The Early Period: 1946/1950-55 73 IV. The Middle Period: 1956-59: Part 1, The Tate 94 V. The Middle Period: 1956-59: Part 2 127 VI. The Later Period: 1960-1962 171 VII. The Later Period: 1963-64: Part 1 213 VIII. The Later Period: 1963-64: Part 2 250 Concluding Remarks 286 Figures 299 Bibliography 384 1 List of Figures Fig. 1 Richard Hamilton Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956) Fig. 2 Modern Art in the United States Catalogue Cover Fig. 3 The New American Painting Catalogue Cover Fig.