Volume 1 Chapter 1 – Topicwise Index
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
ADVAITA-SAADHANAA (Kanchi Maha-Swamigal's Discourses)
ADVAITA-SAADHANAA (Kanchi Maha-Swamigal’s Discourses) Acknowledgement of Source Material: Ra. Ganapthy’s ‘Deivathin Kural’ (Vol.6) in Tamil published by Vanathi Publishers, 4th edn. 1998 URL of Tamil Original: http://www.kamakoti.org/tamil/dk6-74.htm to http://www.kamakoti.org/tamil/dk6-141.htm English rendering : V. Krishnamurthy 2006 CONTENTS 1. Essence of the philosophical schools......................................................................... 1 2. Advaita is different from all these. ............................................................................. 2 3. Appears to be easy – but really, difficult .................................................................... 3 4. Moksha is by Grace of God ....................................................................................... 5 5. Takes time but effort has to be started........................................................................ 7 8. ShraddhA (Faith) Necessary..................................................................................... 12 9. Eligibility for Aatma-SAdhanA................................................................................ 14 10. Apex of Saadhanaa is only for the sannyAsi !........................................................ 17 11. Why then tell others,what is suitable only for Sannyaasis?.................................... 21 12. Two different paths for two different aspirants ...................................................... 21 13. Reason for telling every one .................................................................................. -
Chicago Calling
1. Sri Ramakrishna’s home at Kamarpukur with Shiva Temple 8. Sri Ramakrishna’s room 2. Sri Ramakrishna’s room at Cossipore at Kamarpukur CHICAGO CALLING 7. Sri Ramakrishna’s room and 3. Sri Ramakrishna’s room Nahabat, Sri Sarada Devi’s room, at Dakshineshwar at Dashineshwar A Spiritual & Cultural Quarterly eZine of Vivekananda Vedanta Society of Chicago No. 13, 2017 6. Panchavati at Dashineshwar 4. Sri Ramakrishna’s room at Dakshineshwar (view from the temple side) 5. Dakshineshwar Temple: An Illustration Table of Contents Pag e EDITORIAL 3 SWAMI VIVEKANANDA’S INSPIRED TEACHINGS 5 SWAMI KRIPAMAYANANDA SWAMI VIVEKANANDA ON COURAGE 7 SWAMI TYAGANANDA ARISE, AWAKE AND STOP NOT 10 MAHAVAKYAS 11 SWAMI ISHATMANANDA INTRODUCTION TO THE COVER PAGE 15 ADVERTISEMENTS 17 Editor: Swami Ishatmananda Vivekananda Vedanta Society of Chicago 14630 Lemont Road, Homer Glen. 60491 email: [email protected] chicagovedanta.org ©Copyright: Minister-in-Charge Vivekananda Vedanta Society of Chicago NO 13. 2017 Chicago Calling 2 On February 28, 2017 millions of people all Avatara is a reservoir of great spiritual power. over the world celebrated the 182nd Tithi Puja (Birth Anniversary) of Bhagavan Sri Ramakrishna. Sri Ramakrishna showed through his life how to inculcate the divinity already in every human Hindus believe and the scriptures support the being. His boyhood was full of mystical idea that every time the culture and religion of experiences. The whole of his youth was spent in India (Bharat-Varsha) face the danger of being various spiritual practices. The intensity and overpowered by hostile forces the Supreme Being diversity of his practices have no parallel in the takes form and ascends to earth to save them. -
Carnatic Music Theory Year I
CARNATIC MUSIC THEORY YEAR I BASED ON THE SYLLABUS FOLLOWED BY GOVERNMENT MUSIC COLLEGES IN ANDHRA PRADESH AND TELANGANA FOR CERTIFICATE EXAMS HELD BY POTTI SRIRAMULU TELUGU UNIVERSITY ANANTH PATTABIRAMAN EDITION: 2.6 Latest edition can be downloaded from https://beautifulnote.com/theory Preface This text covers topics on Carnatic music required to clear the first year exams in Government music colleges in Andhra Pradesh and Telangana. Also, this is the first of four modules of theory as per Certificate in Music (Carnatic) examinations conducted by Potti Sriramulu Telugu University. So, if you are a music student from one of the above mentioned colleges, or preparing to appear for the university exam as a private candidate, you’ll find this useful. Though attempts are made to keep this text up-to-date with changes in the syllabus, students are strongly advised to consult the college or univer- sity and make sure all necessary topics are covered. This might also serve as an easy-to-follow introduction to Carnatic music for those who are generally interested in the system but not appearing for any particular examination. I’m grateful to my late guru, veteran violinist, Vidwan. Peri Srirama- murthy, for his guidance in preparing this document. Ananth Pattabiraman Editions First published in 2009, editions 2–2.2 in 2017, 2.3–2.5 in 2018, 2.6 in 2019. Latest edition available at https://beautifulnote.com/theory Copyright This work is copyrighted and is distributed under Creative Commons BY-NC-ND 4.0 license. You can make copies and share freely. -
Professional 1.1 PADARTHA VIGYAN EVUM AYURVEDA ITIHAS
D.Y.Patil Deemed to be University School of Ayurveda, Nerul Navi Mumbai. Syllabus of Ayurvedacharya (BAMS) st 1 Professional 1.1 PADARTHA VIGYAN EVUM AYURVEDA ITIHAS (Philosophy and History of Ayurveda) Theory- Two papers– 200 marks (100 each paper) Total teaching hours: 150 hours PAPER-I Padartha Vigyanam 100marks PART A 50 marks 1.Ayurveda Nirupana 1.1 Lakshana of Ayu, composition of Ayu. 1.2 Lakshana of Ayurveda. 1.3 Lakshana and classification of Siddhanta. 1.4 Introduction to basic principles of Ayurveda and their significance. 2. Ayurveda Darshana Nirupana 2.1 Philosophical background of fundamentals of Ayurveda. 2.2 Etymological derivation of the word “Darshana”. Classification and general introduction to schools of Indian Philosophy with an emphasis on: Nyaya, Vaisheshika, Sankhya and Yoga. 2.3 Ayurveda as unique and independent school of thought (philosophical individuality of Ayurveda). 2.4 Padartha: Lakshana, enumeration and classification, Bhava and Abhava padartha, Padartha according to Charaka (Karana-Padartha). 3. Dravya Vigyaniyam 3.1 Dravya: Lakshana, classification and enumeration. 3.2 Panchabhuta: Various theories regarding the creation (theories of Taittiriyopanishad, Nyaya-Vaisheshika, Sankhya-Yoga, Sankaracharya, Charaka and Susruta), Lakshana and qualities of each Bhoota. 3.3 Kaala: Etymological derivation, Lakshana and division / units, significance in Ayurveda. 3.4 Dik: Lakshana and division, significance in Ayurveda. 3.5 Atma:Lakshana, classification, seat, Gunas, Linga according to Charaka, the method / process of knowledge formation (atmanah jnasya pravrittih). 3.6 Purusha: as mentioned in Ayurveda - Ativahikapurusha/ Sukshmasharira/ Rashipurusha/ Chikitsapurusha/ Karmapurusha/ Shaddhatvatmakapurusha. 3.7 Manas: Lakshana, synonyms, qualities, objects, functions, dual nature of mind (ubhayaatmakatvam), as a substratum of diseases, penta-elemental nature (panchabhutatmakatvam). -
Sri Rama Gita
SRI RAMA GITA Chanting by Video by Swami Paramatmananda Swami Bodhatmananda Volume 1 INDEX S. No. Topic Page No. I Summary (a) Summary Chart 1 (b) Topic 1 2 (c) Topic 2 4 (d) Topic 3 8 (e) Topic 4 9 (f) Topic 5 13 (g) Topic 6 14 II Introduction 15 III Class Notes (1) Verse 1 16 (2) Verse 2 19 (3) Verse 3 21 (4) Verse 4 22 [i] S. No. Topic Page No. (5) Verse 5 25 (6) Verse 6 27 (7) Verse 7 30 (8) Verse 8 38 (9) Verse 9 42 (10) Verse 10 44 (11) Verse 11 48 (12) Verse 12 54 (13) Verse 13 57 (14) Verse 14 59 (15) Verse 15 68 (16) Verse 16 74 (17) Verse 17 80 (18) Verse 18 86 (19) Verse 19 92 [i] S. No. Topic Page No. (20) Verse 20 96 (21) Verse 21 98 (22) Verse 22 and 23 102 (23) Verse 24 113 (24) Verse 25 121 (25) Verse 26 126 (26) Verse 27 131 (27) Verse 28 147 (28) Verse 29 150 (29) Verse 30 154 (30) Verse 31 157 (31) Verse 32 160 (32) Verse 33 169 (33) Verse 34 183 IV Video Duration - [ii] Summary Sri Rama Gita 62 Verses – 6 Topics Verse 1 – 5 Verse 11 – 23 Verse 52 – 57 Upaothgatha Samuchaya Vada Jnana Phalam benefit of Khandanam knowledge Verse 6 – 10 Verse 24 – 51 Verse 58 – 62 Vedanta Sara Vedanta Vichara main part of Upasamhara text Conclusion 1 Topic 1 : Verse 1 – 5 – Introduction : • Rama Gita condenses Vedantic teaching in the form of a dialogue between Sri Rama and Lakshmana. -
Atma – Anatma Viveka - Claim, I Am Not Anatma
Miscellaneous Texts Index S. No. Topics Author No. of Verses Page No. 1. Dakshinamurthi Stotram Adi Shankaracharya 10 1 2. Sri Rama Gita Veda Vyasa 62 4 3. Advaita Makaranda Sri Lakshmidhara Kavi 28 19 4. Baja Govindam Adi Shankaracharya 33 26 5. Atma Bodha Adi Shankaracharya 68 35 6. Upadesa Sara Ramana Maharishi 30 48 7. Naishkarmya Siddhi Sureshvaracharya 423 50 8. Aparoksha Anubuti Adi Sankaracharya 144 81 9. Drg Drsya Viveka Adi Sankaracharya 46 115 10. Sruti Sara Samudharanam Sri Totaka Bhagavatpada 179 126 11. Pratah Smaranam Adi Sankaracharya 3 135 12. Tattva Bodha Adi Sankaracharya 38 136 13. Sad Darshanam Ramana Maharishi 43 163 14. Ashtavakra Samhita Ashtavakra 298 165 15. Vivekachudamani Adi Sankaracharya 581 174 DAKSHINAMURTHY STOTRAM Summary - 10 Verses Verse 1 – 4 Verse 5 Verse 8 Essence of Vedanta - 4 Deficiencies in - Sakshi puts Vesham of intellect. Pitru – Putra, Guru – - Stree, Bala, Andah, Jada. Sishya. Sat : - Unreleased, - Essence of Paramatma. undeveloped, unaided, Chit : unintelligent. Verse 9 - Essence of Jivatma. - Deha, prana, Indriya, - I Sat Chit Atma am Buddhi Sunya Vadis - Sarvatma Bava. essence of whole Enumerated. - Ashtada Prakrti. creation. - Creation rises, rests in Verse 6 me. Verse 10 Kaivalya Upanishad : - Refutation of Shunya - Mei Eva Sakalam… Vada. Phalam : [Verse 19] - Important Sloka - Jeevan Mukti - Videha Mukti. - Attributed Ahamkara, Verse 7 attributeless Sakshi. 1 Introduction : • 10 Verses, text composed by Shankaracharya to glorify Adiguru Devata Dakshinamurti. • Laya Karta resolves Dvaita Prapancha into unmanifest condition during sleep, Death and Pralayam. • Resolution of duality happens when Agyanam goes away. • Upadesa Vakyam are like waves of transmission towers TV stations, which converts Vritti into Jnanam. -
Brahma Sutras
BRAHMA SUTRAS BRAHMA SUTRAS TEXT, WORD-TO-WORD MEANING, TRASLATION AND COMMENTARY BY Sri Swami Sivananda Published by THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR—249 192 Tehri-Garhwal, Uttarakhand, Himalayas, India Price ] 2008 [ Rs. 230/- First Edition: 1949 Second Edition: 1977 Third Edition: 1999 Fourth Edition: 2008 [ 1,000 Copies ] ©The Divine Life Trust Society ISBN 81-7052-151-3 ES22 Published by Swami Vimalananda for The Divine Life Society, Shivanandanagar, and printed by him at the Yoga Vedanta Forest Academy Press, P.O. Shivanandanagar, Distt. Tehri-Garhwal, Uttarakhand, Himalayas, India TO Sri Vyasa Bhagavan Sri Jagadguru Sankaracharya and Srimad Appayya Dikshitar SRI SWAMI SIVANANDA Born on the 8th Septem ber , 1887, in the illus trious family of Sage Appayya Dikshitar and several other renowned saints and sa vants, Sri Swami Sivananda had a natu ral flair for a life de voted to the study and prac tice of Vedanta. Added to this was an inborn eager ness to serve all and an in nate feeling of unity with all mankind. His pas sion for ser vice drew him to the medi cal ca reer; and soon he gravi tated to where he thought that his service was most needed. Malaya claimed him. He had earlier been ed it ing a health jour nal and wrote exten sively on health prob- lems. He discov ered that people needed right knowledge most of all; dis semi na tion of that knowledge he es poused as his own mission. It was divine dispen sa tion and the bless ing of God upon mankind that the doc tor of body and mind re nounced his ca reer and took to a life of renun ci ation to qualify for min is tering to the soul of man. -
KATHA UPANISHAD Parts 1 & 2
MüPûÉåmÉÌlÉwÉiÉç KATHA UPANISHAD Parts 1 & 2 A Leap into the Beyond “THE SANDEEPANY EXPERIENCE” TEXT Reflections by SWAMI GURUBHAKTANANDA 20 Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: Text TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11 Viveka Choodamani 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36 Taittiriya Upanishad 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad – Parts 1 & 2 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge A NOTE ABOUT SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities. -
VIVEKA CHOODAMANI PART 7 of 9
|| ÌuÉuÉåMücÉÔQûÉqÉÍhÉÈ || VIVEKA CHOODAMANI PART 7 of 9 The Crest Jewel of Discrimination PART 7: JIVANMUKTI – Liberation While Living “THE SANDEEPANY EXPERIENCE” Reflections by TEXT SWAMI GURUBHAKTANANDA 11.7 star Sandeepany’s Vedanta Course List of All the Course Texts in Chronological Sequence: Text TITLE OF TEXT Text TITLE OF TEXT No. No. 1 Sadhana Panchakam 24 Hanuman Chalisa 2 Tattwa Bodha 25 Vakya Vritti 3 Atma Bodha 26 Advaita Makaranda 4 Bhaja Govindam 27 Kaivalya Upanishad 5 Manisha Panchakam 28 Bhagavad Geeta (Discourse -- ) 6 Forgive Me 29 Mundaka Upanishad 7 Upadesha Sara 30 Amritabindu Upanishad 8 Prashna Upanishad 31 Mukunda Mala (Bhakti Text) 9 Dhanyashtakam 32 Tapovan Shatkam 10 Bodha Sara 33 The Mahavakyas, Panchadasi 5 11.7 Viveka Choodamani – Part 7/9 34 Aitareya Upanishad 12 Jnana Sara 35 Narada Bhakti Sutras 13 Drig-Drishya Viveka 36 Taittiriya Upanishad 14 “Tat Twam Asi” – Chand Up 6 37 Jivan Sutrani (Tips for Happy Living) 15 Dhyana Swaroopam 38 Kena Upanishad 16 “Bhoomaiva Sukham” Chand Up 7 39 Aparoksha Anubhuti (Meditation) 17 Manah Shodhanam 40 108 Names of Pujya Gurudev 18 “Nataka Deepa” – Panchadasi 10 41 Mandukya Upanishad 19 Isavasya Upanishad 42 Dakshinamurty Ashtakam 20 Katha Upanishad 43 Shad Darshanaah 21 “Sara Sangrah” – Yoga Vasishtha 44 Brahma Sootras 22 Vedanta Sara 45 Jivanmuktananda Lahari 23 Mahabharata + Geeta Dhyanam 46 Chinmaya Pledge AUTHOR’S ACKNOWLEDGEMENT TO SANDEEPANY Sandeepany Sadhanalaya is an institution run by the Chinmaya Mission in Powai, Mumbai, teaching a 2-year Vedanta Course. It has a very balanced daily programme of basic Samskrit, Vedic chanting, Vedanta study, Bhagavatam, Ramacharitmanas, Bhajans, meditation, sports and fitness exercises, team-building outings, games and drama, celebration of all Hindu festivals, weekly Gayatri Havan and Guru Paduka Pooja, and Karma Yoga activities. -
Profound Q & a on Vedanta
PROFOUND Q & A ON VEDANTA By Swami Paramarthananda Complied by Sri R. Ramgopal Transcribed by Sri D. Natarajan Edited by Sri Praveen Bhat NOTE: 1. Swami Paramarthananda has not verified the transcription of talks. The transcriptions have been done with Swamiji’s blessings by his disciple. 2. We will add one Question and Answer every week in this book. 3. The new Question and Answer added will also appear every week in the Face Book Group- Swami Dayananda Followers Published by : Arsha Avinash Foundation 104 Third Street, Tatabad, Coimbatore 641012, India Phone: +91 9487373635 E mail: [email protected] www.arshaavinash.in 1 PROFOUND Q&A ON VEDANTA BY SWAMI PARAMARTHANANDA Question No:1 What is the role of Isvara in Advaita? A: Advaita means ‘One without a second’ – ‘ekameva advitiyam. It is the declaration of the Ultimate Truth that Brahman exists at all times as the Existence/ Consciousness principle in all living beings. Mahavakya vichara helps a sadhaka to grasp this Truth and claim his Brahman status. This is the knowledge which liberates a samsari from his wrong notion of samsaritva. Who reveals this spiritual knowledge? Brahman being totally actionless cannot reveal this knowledge. It is the Sastras which reveal this truth. All the Sastras have come out of the mouth of Isvara himself and hence considered very sacred and valid at all times. Brahman associated with the creative power called Maya is called Isvara. He is the srishti-sthiti-laya-karta. All Sastras and Vedas are the words of Isvara himself. All that is seen, observed and experienced are nothing but Isvara. -
Tamil Nadu Government Gazette
© [Regd. No. TN/CCN/467/2009-11. GOVERNMENT OF TAMIL NADU [R. Dis. No. 197/2009. 2011 [Price: Rs. 20.00 Paise. TAMIL NADU GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY No. 7] CHENNAI, WEDNESDAY, FEBRUARY 23, 2011 Maasi 11, Thiruvalluvar Aandu–2042 Part VI—Section 4 Advertisements by private individuals and private institutions CONTENTS PRIVATE ADVERTISEMENTS Pages Change of Names .. 1327-373 Notices .. 374-375 NOTICE NO LEGAL RESPONSIBILITY IS ACCEPTED FOR THE PUBLICATION OF ADVERTISEMENTS REGARDING CHANGE OF NAME IN THE TAMIL NADU GOVERNMENT GAZETTE. PERSONS NOTIFYING THE CHANGES WILL REMAIN SOLELY RESPONSIBLE FOR THE LEGAL CONSEQUENCES AND ALSO FOR ANY OTHER MISREPRESENTATION, ETC. (By Order) Director of Stationery and Printing. CHANGE OF NAMES My daughter, E. Roshini, born on 1st August 2006 I, Fathuma Nachiar, wife of Thiru Abdul Rahim, born on (native district: Chennai), residing at No. 3/432, Rajiv Gandhi 13th December 1965 (native district: Nagapattinam), residing Salai (OMR), Mettukuppam, Chennai-600 097, shall at No. 3/115, South Street, Kattumavady, Thitachery, Nagapattinam-609 701, shall henceforth be known henceforth be known as E. ARIVAZHAGI. as FARITHA BEGUM. K. EKAMBARAM. FATHUMA NACHIAR. Chennai, 14th February 2011. (Father.) Nagapattinam, 14th February 2011. My son, E. Neeraj, born on 2nd July 2003 (native district: My Grand daughter, H. Reshma Farhana, daughter of Chennai), residing at No. 3/432, Rajiv Gandhi Salai (OMR), Thirumathi M.I. Sheerin Banu, born on 11th May 1995 Mettukuppam, Chennai-600 097, shall henceforth be known (native district: Chennai), residing at Old No. 24, New as E. TAMIL SELVAN. No. 26, T.K.S. Nagar, Thiruvottiyur, Chennai-600 019, shall henceforth be known as S. -
The Journal of the Music Academy Devoted to the Advancement of the Science and Art of Music
THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LXIV 1993 arsr nrafcr a s farstfa s r 3 ii “I dwell not in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!” Edited by T.S. PARTHASARATHY The Music Academy, Madras 306, T.T.K. Road, Madras - 600 014 Annual Subscription -- Inland Rs.40: Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor Journal of the Music Academy, 306, T.T.K. Road, Madras - 600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, typewrittern (dounle-spaced and on one side of the paper only) and should be signed by the writer (giving his or her address in full.) The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS S.No. Page 1. 66th Madras Music Conference - Official Report 1 2. Advisory Committee Meetings 20 3. The Sadas 47 4. Tyagaraja and the Bhakti Community - William Jackson 70 Princess Rukinini Bai - B.Pushpa 79 6. Indian classical Music - T.S.Parthasarathy 83 Tagore’s Dance concept - Gayatri Chatterjce 97 From Sarn^adeva to Govinda 101 Literary and Prosodical Beauties - T.S. Parthasarathy 107 10.