Bass Talk Multi String Bass Master GARRY GOODMAN
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2013 Full Line Catalog 2013
Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2013 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com 1726 Winchester Road, Bensalem, PA 19020 · U.S.A. · ©2012 Printed in Japan NOV12928 (U) For Authorized Dealers Only - All finishes shown are as close as four-color printing allows. CATALOG - All specifications and prices are subject to change without notice. 2013 FULL LINE Table of Contents Solid Body Electric Guitars Signature Models 6-10 Iron Label RG/S 11-13 RG/GRG/GRX/MIKRO 13-26 RGA 26 RGD 27 S 28-31 X 32-33 FR 33 ARZ 34 AR 34-35 ART 35-36 Jumpstart 37 Hollow Body Electric Guitars Signature Models 40-41 Artstar 41 Artcore Expressionist 42-44 Artcore 44-47 Electric Basses Signature Models 50-51 SR 51-61 Grooveline 62-63 BTB 64-65 ATK 66-67 Artcore 67-68 GSR/MIKRO 68-73 Jumpstart 73 Acoustic Guitars Signature Models 76 Artwood 77-81 PF 82-85 SAGE 85 AEG 86 AEL 87 AEF 88-89 EW 90-91 Talman 91-92 AEB 92 SAGE Bass 93 Classical 93-95 Ukulele 95-96 Banjo 96 Resonator 96 Mandolin 97 Jampack 98 Amplifiers/Effects/Accessories Tube Screamer Amplifier 100-101 Wholetone 101 Promethean 102-103 Sound Wave 103 Troubadour 104-105 IBZ 105 Tube Screamer 106 9 Series 107 Echo Shifter 108 Signature Effect Pedal 109 Wah Pedals 109 Tuners 110 Cables & Adapter 110 Stand 111 Tremolo Arm 111 Picks 111 Cases/Straps 112 Bags/Microphone Stand 113 02 for more information visit www.Ibanez.com for more information visit www.Ibanez.com 03 04 for more information visit www.Ibanez.com -
Strategies for Managing Timbre and Interaction in Automatic
Strategies for Managing Timbre and Interaction in Automatic Improvisation Systems a b s t r a c t Earlier interactive improvisa- tion systems have mostly worked with note-level musical William Hsu events such as pitch, loudness and duration. Timbre is an integral component of the musi- cal language of many improvis- ers; some recent systems use timbral information in a variety of ways to enhance interactiv- ity. This article describes the imbre is an important structural element in tried to identify simple behavioral timbre-aware ARHS improvi- T mechanics that one might con- sation system, designed in free improvisation. When working with a saxophonist or other instrumentalist whose practice incorporates extended tech- sider desirable in a human im- collaboration with saxophonist John Butcher, in the context of niques and timbre variations, it is important to go beyond proviser and emulate them with recent improvisation systems note-level MIDI-like events when constructing useful descrip- some straightforward strategies. that incorporate timbral informa- tions of a performance. For example, a long tone may be held One novel aspect of my work is tion. Common practices in audio on a saxophone, with fairly stable pitch and loudness, but the the integral and dynamic part that feature extraction, performance state characterization and intensity of multiphonics is increased through embouchure timbre plays in sensing, analysis, management, response synthe- control. An experienced human improviser would perceive material generation and interaction sis and control of improvising and respond to this variation. decision-making. agents are summarized and In this paper, I will focus on systems designed to improvise Collins [9] observed that a ma- compared. -
MB1 Easy Touch-Style Bassics 20070929
Easy Touch-Style Bassics The Rapid Route to ‘Rhythm Bass’ and more ASDFASDF FDSAFDSA An original method for rapid learning of two-handed tapping on electric bass guitar*1 and megatar*2-type instruments by Henri DuPont and Traktor Topaz _____________________________________________________________ MOBIUS MEGATAR, LTD. *1 electric bass guitar must have six to eight strings to effectively utilize the method of play presented in this instructional book. *2 megatar, noun An instrument designed for two-handed touch-style play with one group of strings for bass and another group of strings for melody. page 2 Easy Touch-Style Bassics Mobius Megatar, Ltd. USA Contact: Mobius Megatar USA Post Office Box 989 Mount Shasta, CA 96067 (530) 926-1961 www.megatar.com ______________________________________ First Published in USA by Mobius Megatar USA 1999 Copyright 1999 by Action Marketing, Carson City Nevada, on behalf of Mobius Megatar, Ltd. All rights reserved. PUBLISHER’S NOTE: This publication is designed to provide an easy and accessible method for playing the ‘touch-style’ or ‘two-handed tapping’ method on amplified electric fretted instruments such as guitar or bass or the ‘megatar’ type instruments which have two groups of strings on one fretboard. This method is designed specifically for instruments which have eight or more strings, and can only be adapted to instruments with lesser numbers of strings by means of diligent effort on the part of the student. This method is provided ‘as-is’ and is believed to be a reliable method providing musical results in typical musicians, and providing compara- tively rapid advancement in mastering useful and musical technique. -
Rr E a Ng Hist T O I Inwn A
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Downbeat.Com July 2015 U.K. £4.00
JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Appendix I. Search Strategy Ovid MEDLINE(R) and Epub
BMJ Publishing Group Limited (BMJ) disclaims all liability and responsibility arising from any reliance Supplemental material placed on this supplemental material which has been supplied by the author(s) BMJ Open Appendix I. Search Strategy Ovid MEDLINE(R) and Epub Ahead of Print, In-Process & Other Non-Indexed Citations and Daily <1946 to July 12, 2019> Results =12 # Search Statement Results (((music or musical or harp or harps or recorder or recorders or synthesi?er* or tuba or tubas) adj3 (performer* or artist* or player* or student* or teacher* or instructor*)).mp. or ((Musician* or instrumentalist* or accordionist* or bagpiper* or bassist* or bassoonist or cellist* or conguera* or conguero* or drummer* or fiddler* or Flautist* or flutist or harpist* or guitarist* or keyboardist* or keytarist* or organist or organists or percussionist* or pipers or saxaphonist* or trumpeter or trumpeters or tubaist or tubist or vibraphonist* or vibraharpist* or violinist* or (Accordion* or alphorn* or alpenhorn* or alpine horn* or Bagpipe* or Balalaika or (Bandura* not (Bandura* adj4 (self efficacy or theor*))) or Banjo* or Bariton* or Bass guitar* or Bassoon* or Berimbau or Bongo or Bongos or Boom whacker* or boomwhacker* or Bouzouki* or Bugle* or Cello or Cellos or Chapman Stick* or Cimbalom or Clarinet* or Clavichord or Concertina* or (Conga not glycemi*) or Contrabass* or Cor anglais* or Cornet* or Cymbal or Cymbals or Didgeridoo* or Djembe or Double bass* or Drum or Drums or Dulcimer* or Euphoni* or Fiddle or Fiddles or Fifes or Flute or Flutes -
Bass Inside Magazine 2/1/04 2:16 PM
Garry Goodman in Bass Inside Magazine 2/1/04 2:16 PM No 18 February 2004 Garry Goodman Has He Created a Whole New Way of Doing Things? One of the by- products or effects of doing this magazine has had on me this past few years is that I have developed a strong hunger to find people who are actually doing something different, something innovative. Meeting that wish has not been easy. The Slap Technique is on 90% of all CD's we receive. As is the Yngwie Effect, with 6000 notes a minute, and of course the ever popular ‘Look How Very Smokin’ I Am Syndrome’. It is an old argument, stretching back to Paginini and beyond, I am sure. The pursuit for blinding technique and speed has throttled compositional skills. Attention and effort in trying to outplay everybody else, crowded out just plain fine song writing. And then along comes Garry Goodman. Has this gentleman perhaps developed a new way of doing things? Garry has a different way of playing bass that combines left hand tapping with http://www.bassinside.com/2004/february/garry.htm Page 1 of 11 Garry Goodman in Bass Inside Magazine 2/1/04 2:16 PM right hand tapping harmonics in an unsual fashion. The end reslt is different enough to take a serious look. Is the end effect of this technique the next step in the evolution of bass playing? Bass Inside: Would you say there are similarities between the touchstyle method of playing employed by players of the Chapman Stick and what you have developed here with Percussive Harmonics? If not, how is it different and how has it been adapted to the very different layout of the bass in comparison to the Stick itself? Garry: The technique I’ve developed is really nothing like the touch-style I would use on a Chapman Stick. -
Sam Ash Catalog 2009
GREAT GIFT IDEAS! Epiphone DR90 Acoustic Player Pack $169.99 EPPGREA9D • List: $282.00 Ibanez JV50 Quick Start Acoustic Pack Daisy Rock $99.99 IJV50XXXX Debutante Junior Miss LIST: $249.99 Acoustic Guitar Pack • $99.00 D147210XX • List: $169.00 Disney licensed instruments for Hannah Montana fans! Washburn HMDA34/E34 Hannah Montana Acoustic • $79.99 Electric • $99.99 Designed to fit emerging stars, these guitars are 3/4 size, perfect for kids 6+ years old. “Sweet niblets,” you know the kids will love this! Cases not included. WHMDA34XX ACOUSTIC WHMDE34XX ELECTRIC Remo Kids Bongos $36.99. RKD540001 LIST: $50.00 Solid Top! Fender DG8S Premium Acoustic Pack $199.99 Great Quality! F0801100X Jumbie Jam LIST: $349.99 Student Steel Drum $199.99 Remo Kids JUMBiEJAM • List: $249.95 Floor Tom $36.99 RKD508001 LIST: $57.25 Epiphone EB0 Bass Player Pack $299.99 EPPBGEBG0 • List: $499.00 Ibanez IJXB190 Squier Affinity Jazz Jumpstart Bass Pack Bass and Rumble 15 Amp $289.99 Bass Pack $299.99 IJXB190BK BLACK, IJXB190TR TRANS RED F1675006X • List: $499.99 LIST: $427.99 2 GREAT GIFT IdEAS! Squier SE Special Epiphone Les Paul Stratocaster Pack Special II Player Pack $199.99 $259.99 EPPEGENJV • List: $432.00 F1600006X BLACK, F1600080X whITE LIST: $349.99 Ibanez JX40 Jumpstart Electric Pack $249.99 IJX40BKNX BLACK, IJX40MRXX RED LIST: $362.50 Remo Kids Squier Affinity Strat HSS and Bongos Bullet 150 Pack • $299.99 $36.99. F1610006X BLACK, RKD540001 F1610025X RED, LIST: $50.00 F1610095X BLUE • List: $499.99 Groove Percussion PVT16 5-Piece Drum Set with Hardware and Cymbals • $399.99 GPVt16BLK • List: $799.99 Groove Percussion 5-Piece Children’s Drum Set with Hardware and Cymbals $229.99 G1045XXXX • List: $424.99 Bonus FREE PA5D Power Supply Yamaha NP30 Stage Digital Piano WITH YNP30 Package • $299.99 YNP30PACK • List: $488.95 3 HOLIDAY SPECIALS Dunlop Hootenanny Jacquard Weave Guitar Straps • $19.99 each 2” “60’s Hootenanny” jacquard weave guitar strap with polypropylene backing. -
PERFORMER ROLE CODES Role Code
PERFORMER ROLE CODES To help calculate the share of revenues that individual performers should receive from use of a sound recording, a performer is assigned a contributor category and role code. Role codes are split into a number of types – not all of which are eligible for payment. Each type is further sorted into different instrumental, vocal or studio personnel performances, so that it is easy to identify what each performer contributed to a sound recording. Payable roles are generally ones which provide an audible contribution to the final sound recording. Non-payable roles are generally studio activities which add no audible contribution to the final sound recording. PAYABLE ROLES There are a number of payable roles. These are broken down into groups depending on the activity or instrument being played. See below all of the roles within each group. BRASS Role Code Alphorn ALP Alto Horn ALH Alto Trombone ATR Alto Valve Trombone AVT Bankia BKA Bass Trombone BTR Bass Trumpet BTP Bass Tuba BTB Brass Bass BRB Bugle BUE Cornet CTO Corno Da Caccia CDC Dung-Chen DUN Euphonium EUP FanfareTrumpet FFT Flugelhorn FLH French Horn FRH Horn HRN Horn HOR Hunting Horn (Valved) HHN Piccolo Trumpet PCT Sackbut SCK Slide Trumpet STP Sousaphone SOU Tenor Horn TNH Trombone TRM Trompeta TOA Trumpet TRU Trumpet (Eflat) TEF Tuba TUB ValveTrombone VTR ELECTRONICS Role Code Barrel Organ BRO Barrel Piano BPN Beat Box BBX DJ D_J DJ (Scratcher) SCT Emulator EMU Fairground Organ FGO Hurdy Gurdy HUR Musical Box BOX Ondioline OND Optigan OPG Polyphon PPN Programmer -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 7pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 7pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Ibanez Bass Artist Roster
Ibanez Bass Artist Roster Roger Alcantara – Eternal Now, Barbie Almalbis Jason Jones – Oceano Adrian Alimic – Vanishing Point Louis Jucker – THE OCEAN Sean Andrews – Redemption Jari Kainulainen – Symfonia, Devil's Train Stefan Aschauer – Replica Linus Klausenitzer – Obscura Riccardo eRiK Atzeni – Dominici Kyle Koelsch – Greeley Estates Alexander Avduevsky – Boroff Band Jukka Koskinen – Wintersun, Norther, Amberian Dawn 2012 Bass Catalog Karin Axelsson – Sonic Syndicate Steinar Krokmo – Pagan's Mind Ralph Bach – J.B.O. Hans J Kullock Bagus – Netral Tommi Kuri Chris Ball – Ignominious Incarceration Dan Kurtz – Dragonette, The New Deal Stephane Barbe – Kataklysm Fredrik Larsson – HammerFall, DEATHDESTRUCTION Alexander Basstard – Ecliptica Brandon Leitru – For Today Glen Benton – Deicide, Vital Remains Mario Lochert – Emergency Gate Jett Beres – Sister Hazel Chris Lollis – Nile J.R. Bermuda – Sleeping Giant Michael Low – Thy Art is Murder Adam Blackstone – Eminem, Kanye West, Janet Jackson Kay Lutter – IN EXTREMO Troy Bleich – Into Eternity John 'Slo' Maggard – Unearth Guido Block – Noize Machine Wojciech Mazolewski – Pink Freud Alberto Bollati "El Guapo" – UTEZ, Wine Spirit Jaap Melman – ReVamp Dennis Bradley – Beneath the Massacre Alonso Milano – Cultura Tres Nelson Braxton – The Braxton Brothers, Michael Bolton Tom Murphy – Periphery Stephen "Thundercat" Bruner NA – Street Funk Rollers Raymond Bürgin – P.M.T. - Pre Menstrual Tension Johan Niemann – Evergrey Buzzard – 36 Crazyfists Adam Nitti – Solo Artist Jason C – LOVEX Anders Odden – -
OH Completed List
OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.