To Perfom Here on Friday

Total Page:16

File Type:pdf, Size:1020Kb

To Perfom Here on Friday Page 8 • THE VILLANOVAN • January 28, 1966 ^Cats Drop Heartbreakers By Bob Mclntyre, l^rry Bruderle, and John DiGennoro Villanova court men played The final score in this topsy- The 'Cats trailed only r»t 2-0 :i. against a so-so Arnny team in the turvy battle of border-state rivals before opening up a 20-10 lead in first round of the Christmas tourn- was 68-63, Bill Melchionni chipped the first half. Joe Crews, a 16 ament at Madison Square Garden in 27 points as he tried desperately points producer, hit three jumpers in New York, on December 27. to beat the team that nipped last in a row to keep Villanova in front The Black Knights of the Hud- year's 'Cat entry in the NIT finals. 42-36 at the half, son handed the Cats a jolt as they Perhaps Villanova's greatest Bernie Schaffer scored 13 tough won easily, 89-68, Army's best, game of the year was played on points and grabbed 1 1 rebounds al- center Mike Silliman, poured in January 16 at the Palestra. Only though the taller Musketeers con- 27 points to lead his team, as did a blind jump shot at the buzzer trolled the boards 52-41. Bill Melchionni continued his tor- by a guy named Donches prevent The 'Cats continue to play better rid shooting pace with 30 big points the 'Cats from knocking off the ball on the road (5 -5) than they do at for the 'Cats to keep the game third-rank Hawksof St. Joe's. They home (1-4), Vol. 41, No. 13 VILLANOVA UNIVERSITY, VILLANOVA. PA. FEBRUARY 9, 1966 from being a complete runaway. lost instead, 71-69, DETROIT The speech now famous by Jack Seven players for Villanova Villanova, hoping to escape the Kraft to the team after the Army played and all were excellent. Not plague of the Hawk, took off for the loss was probably the turning point a bad shot was taken and hustle midwest, and Memorial Field- Major Elections Amendment in Villanova' s season, as can be was the keynote. Mr. Kraft's magic house, home of the University of seen throughout later games* almost returned, except for that Detroit's talented Titans. U of The Wildcats proved all was not guy named? D entered the game as the nation's I On SGA Program Tonight wasted when they lost to Army by top rebounding club, and also, in By Bill McCloskey bouncing back the next day against VSXAVIER co-captains Dorie Murrey and Lou A niajor amendment to the SGA In explaining the motion, Valva Colorado State, 68-57. Villanova's Bill Melchionni re- Hyatt, boasting one of the toughest cwistitution will be read to the noted that very few classes are Again, to the delight of the New turned to the Xavier Field House inside -outside combinations in the .\ Congress tonight befbre debate on held at that time (10:30 Monday). York fans. Bill Melchionni showed where he starred two years ago as college ranks. two motions. It is hoped, Valva said, "that his class and dropped in 32 points, a sophomore, and once again led True to form, Hyatt's 33, and One motion calls for a free this will point up the importance while Schaffer and Crews both hit the 'Cats to a high-scoring, hard- Murrey's 29 led the hot shooting Kevin Troynor has route to the basket cut off by Detroit's Lorry period at 10:30 a.m., Monday, of student elections to the student for 12 points apiece. fought victory over the Musketeers Motowners to an 101-94 victory; Salci* Refs did not catch Iggy's subtle elbow, and called foul March 21 icv presidential debates. body and the Administration." On December 30 Villanova made 90-82. uping their record to 11-3, while at on Salci* (PHOTO BY JOHN BREGER) This was among seven motions In the same area, Jim Griffin the sports writers who counted Two years ago Melchionni came the same time dropping the Cats 4 presented at last week's Senate asked what had happened to an them out eat a bit of crow when games under .500 with a 5-9 mark. off the bench to score 22 points meeting. earlier motion, passed by the SGA, they knocked off a strong George- and team with Wally Jones and The Wildcats, led by Bernie Wildcot Mermen Win Easily The debates would kick off the calling for a second weekly ac- town team, 81-72, and finished Schaffer' s 9-10 from the floor, Richie Moore in defeating Xavier campaigning for the various offices tivities period. Steve Freind said fifth in the tournament. In this 90-88 and some fine back-up work by Joe before a sellout crowd. up for graps in the campus elec- this is still l>eing pursued. game all five starters hit for Crews, took a 51-45 lead into the This time there were only 1153 Over Roms, Tougli Army Next tions this spring. A lengthy debate followed on a double figures and played l^ke a dressing room at half time. With sutxiued fans present but Billy George Valva, elections com- judicial reform motion presented well-oiled machine, Pete Cole- the 'Cats shooting 64.9 percent as By Aurel Villari put on one of his finest shooting mittee chairman, joined with John by Ward Williams, SGA Secretary man hitting a team -high of as scoring a team, only the hot hand of Lou 18, displays of the season, Last Saturday the Villanova a strong possibility that the future Graziano in offering the motion. (see box). both and Melchionni ended for 21 Hyatt (9-11), mostly long range Crews 37 points and shooting 15 swimmers, led by sophomore holds even greater success in This is one of several changes Another constitutional change, with 17. Schaffer had 12 and l)est jumpers, kept the Titans that close. Frank from the field. He saved his Richie Lamb, defeated local rival store for the Wildcats. contemplated by the committee to which will be considered by the The second half was a dif- Gaidjunas had 13 rebounds and 11 for the second half when Villanova West Chester State, 66-29, copping FUTURE BRIGHT improve campus elections therby SGA at their next meeting, will '' >', vT'op,^ ferent story, Hyatt was held to points. needed it, hitting 9 out of 10 to seven out of eight events. After losing the likes of Rick Increasii^ interest. ask that 2.25 cumulative average • the only 4 field goals, but Murrey, tThe second Big Five game of stifle a Xavier rally. Lamb was the only double win- Girdler, the swimming answer to At WWVU, engineers are already 1)0 made sufficient for qualification Bruce Rodwan, and Larry Salci season with Temple University After trailing most of the game, ner of the day, taking the 200 Bill Bradley, one may think that at work preparing a tote-board for all offices except SGA rep- George Szell leads the Cleveland Symphony Orchestra. His Orchestra will appear in the more than for it. was a real cliff-hanger and, as Xavier took the lead 63-62 midway made up Rod- and 500- yard freestyles in 1:56.8 the future won't be as successful which will be used to "flash" resentative. Field House Friday night. noted later, was a prediction through the second half as Bob wan turned tiger underneath, hit- and 5:51 respectively. Several as the past. Not so. The swimmers results cf the important races A motion by Steve Freind, re- of what was to come in the fu- Quick (29 points) started to find ting the boards for 19 rebounds Wildcats turned in strong perform- began the difficult task of working as they develop. This year's elec- questing a plaque with a gavaf and ture. Both teams battled it out, the range. The lead see -sawed back coming through with 22 hard ances in the event held on the themselves into shape in mid- tions will have another first, run- mounted on it, to be presented earned points. the September, and in good con- with the Wildcats coming back and forth until it was 67-66 with At same time, Main Liners' campus, with Paul were ning results starting in early after- to Frank Eck, "in recognition strong after leading scorer Dorie Hornsleth, Chip Friday, Biese, dition to participate in organized Orchestra being down 12 points Xavier in front. Then Melchionni Murrey got Bob noon. Under this plan, candidates of his service to the SGA last Famed Cleveland tough, chipping in and Ken also contributing workouts by October 11, with man- at the half, only to lose, 57-56. In hit two freak throws and the 'Cats 15 second half Herr and voters will know l)efore ttie semester," is expected to meet this game sophomore Joe Crews outscored the Musketeers 14-2 points, while claiming 16 bounds. fine performances. agers Ray Curran and Tim Wahl polls close how the election stands. little if any opposition. a fine in helping the came of age by letting the ball opening up an 80-69 advantage. The real knife twister, however, Today the Wildcats play host to doing job This will eliminate much of the The final motion was presented fly for 20 points Army, who is flying high after team towork themselves into shape Class Presi- Friday and also grabbing off the was Salci, 6-1, soph, Jim Griffin, Senior Here McGuire came Larry a needless suspense that normally by To Perfom On Terry ..>^'-;,':^'..-' their recent defeat of Yale, ranked to cope with the rough schedule ten rebounds.
Recommended publications
  • African-American Bassoonists and Their Representation Within the Classical Music Environment
    African-American Bassoonists and Their Representation within the Classical Music Environment D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Ian Anthony Bell, M.M. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Karen Pierson, Advisor Doctor Arved Ashby Professor Katherine Borst Jones Doctor Russel Mikkelson Copyrighted by Ian Anthony Bell 2019 Abstract This paper is the culmination of a research study to gauge the representation of professional African-American orchestral bassoonists. Are they adequately represented? If they are not adequately represented, what is the cause? Within a determined set of parameters, prominent orchestras and opera companies were examined. Of the 342 orchestral and opera companies studied, there are 684 positions for bassoonists. Sixteen of these jobs are currently held by African-Americans. Some of these musicians hold positions in more than one organization reducing the study to twelve black bassoonists. Translated to a percentage, .022% of the professional bassoonists within these groups are African-American, leading the author to believe that the African-American bassoon community is underrepresented in American orchestras and opera companies. This study also contains a biography of each of the twelve bassoonists. In addition, four interviews and five questionnaires were completed by prominent African- American bassoonists. Commonalities were identified, within their lives and backgrounds, illuminating some of the reasons for their success. Interview participants included Rufus Olivier Jr. (San Francisco Opera), Joshua Hood (Charlotte Symphony Orchestra), Monica Ellis (Imani Winds), Alexander Davis (fellowship recipient), and Andrew Brady (Atlanta Symphony Orchestra).
    [Show full text]
  • July 17 Cleveland Orchestra Concert at Blossom to Mark Centennial of National Park Service by Neil Mccalmont, Mike Telin & Daniel Hathaway
    July 17 Cleveland Orchestra Concert at Blossom to mark centennial of National Park Service by Neil McCalmont, Mike Telin & Daniel Hathaway On August 25, one hundred years ago, President Woodrow Wilson signed into law the Organic Act of 1916 that established the National Park Service, building on the conservationist legacy pioneered in 1872 with the creation of the first National Park at Yellowstone. Since 1933, the Service has also managed National Memorials, Military Parks, Cemeteries, and Historical Areas. A latecomer to the national parks family in 2000, Cuyahoga Valley National Park is the only national park in the state of Ohio, a large chunk of land that includes sites not owned by the federal government — including the Blossom Music Center. On Sunday, July 17 at 7:30 pm, The Cleveland Orchestra will mark the centenary of the National Park Service with a special concert conducted by Bramwell Tovey. In a recent interview with this publication, the Orchestra’s centennial of the National Park Service ​ with a special concert conducted by artistic administrator Ilya Gidalevich noted that the Cuyahoga Valley National Park has played an important role in the history of Blossom Music Center. “We wanted to make sure that we celebrate the National Park Centennial in a special way,” he said. The American­influenced program will include Ravel’s Rapsodie espagnole, Copland’s Suite from Appalachian Spring, and Gershwin’s An ​ ​ ​ ​ American in Paris. Spanish pianist Javier Perianes will make his TCO debut in Ravel’s ​ jazz­inspired Piano Concerto in G. ​ ​ Franz Welser­Möst and The Cleveland Orchestra, July 9, 2016.
    [Show full text]
  • Rac Research Reports
    ROCKEFELLER ARCHIVE CENTER RESEARCH REPO RTS ‘To Stabilize the Financial Position of the Leading American Orchestras’: The Impact of the Ford Foundation's $80 million Program for Symphony Orchestras by Ben Negley University of California, Santa Cruz © 2016 by Ben Negley Note: This research report is presented here with the author’s permission, but should not be cited or quoted without the author’s consent. Rockefeller Archive Center Research Reports Online is an ongoing publication of the Rockefeller Archive Center (RAC) under the general direction of James Allen Smith, Vice President of the RAC and Director of Research and Education. Research Reports Online is intended to foster the network of scholarship in the history of philanthropy and to highlight the diverse range of materials and subjects covered in the collections at the RAC. These reports are drawn from essays submitted by researchers who have visited the Archive Center, most of whom have received grants-in-aid from the Archive Center to support their research. The ideas and opinions expressed in this report are those of the author and not of the Rockefeller Archive Center. In 1966, the Ford Foundation began its ten year, eighty million dollar program for American symphony orchestras. Through a combination of matched endowment fund contributions and unconditionally distributed expendable funds, the Ford Foundation dramatically altered the condition of the professional orchestral community in the United States by encouraging longer seasons, more concerts, higher pay for musicians, and an improved artistic product. Considered quantitatively, the Ford Foundation’s Program for Symphony Orchestras— including the matching funds raised by the orchestras themselves—resulted in an outlay of more than $160 million for symphony orchestras.
    [Show full text]
  • Mbb Media Guide 11-12 Layout 1
    QUICK FACTS School: La Salle University Location: Philadelphia, PA Earl Total Enrollment: 7,331 (4,673 undergraduates) Pettis Founded: 1863 President: Brother Michael J. McGinniss, F.S.C., Ph.D. Web Site: www.lasalle.edu Athletic Web Site: www.goexplorers.com Athletic Phone: 215-951-1425 Nickname: Explorers Colors: Blue (540) and Gold (7406) Home Court/Capacity: Tom Gola Arena (3,400) Athletic Director: Dr. Thomas Brennan Senior Associate Athletic Director: John Lyons Associate Athletic Director: Kale Beers Assistant Athletic Director: Mary Ellen Wydan Assistant Athletic Director: Chris Kane Basketball Information Head Coach (alma mater/year): Dr. John Giannini (North Central College ’84) Record at School (years): 98-115/8th Overall Record (years): 395-264/22nd Assistants (alma mater/years at La Salle): Horace Owens (Rhode Island ’83/8th) Harris Adler (Univ. of the Sciences ’98/8th) Will Bailey (UAB ‘98/2nd) Director of Operations: Sean Neal (La Salle ’07/4th) Video Coordinator: Terrence Stewart (Rowan ’96/3rd) Basketball Office Phone: 215-951-1518 Best Time to Reach Coach: Contact SID 2010-11 Record (Conference Record/Finish): 15-18 (6-10/T-10th) All-Time NCAA Tournament Record: 11-10 (11 appearances) All-Time NIT Record: 9-10 (11 appearances) Letterwinners Returning/Lost: 6/5 Starters Returning/Lost: 2/3 Media Information WHY WE ARE THE EXPLORERS La Salle University’s nickname – the Explorers – Assistant AD/Communications: Kevin Bonner was announced by the Collegian in March 1932 as Office Phone: 215-951-1513 the winning entry to a student contest. However, in the fall of 1931, a Baltimore sportswriter cover- Cell Phone: 484-880-3382 ing the La Salle/St.
    [Show full text]
  • Raising the Demand Curve for Symphony Orchestras
    HarmonyTM FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE NUMBER 10 • APRIL 2000 Raising the Demand Curve for Symphony Orchestras by Joseph Robinson To subscribe to Harmony or provide support to the Institute, contact: Symphony Orchestra Institute 1618 Orrington Avenue, Suite 318 Evanston, IL 60201 Tel: 847.475.5001 Fax: 847.475.2460 e-mail: [email protected] www.soi.org ©2000 by the Symphony Orchestra Institute. All rights reserved. Harmony: FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE 99 Editor’s Digest Raising the Demand Curve for Symphony Orchestras oseph Robinson has been an active participant and keen observer of the J worldwide orchestral scene for more than a quarter-century. He admits to coming of age during the “culture boom” of the 1960s, and has been principal oboe of the New York Philharmonic since 1978. He has given a great deal of thought to what it might take to rekindle strong interest in symphonic music. His ideas may surprise you. The Attack on Classical The essay opens with the question, “Who cares about our orchestra?” Joe’s answer: “Not that many people.” Robinson leads readers through a discussion of supply- and demand-side views of American orchestras and suggests that “classical anything” is currently under attack. Following an explication of the ways in which orchestras present conflicting impressions to the public, he suggests a rather novel approach to the situation. Classical Competition Positing that the resounding success of the “Three Tenors” concerts should be attributed to the inherent competition among the soloists, Robinson offers the suggestion that well-organized performance competitions between orchestras would help rejuvenate interest in classical music performance.
    [Show full text]
  • New York Philharmonic
    ELPHI_Logo_Bild- marke_1C_W NEW YORK STORIES NEW YORK PHILHARMONIC 4. APRIL 2017 ELBPHILHARMONIE GROSSER SAAL Dienstag, 4. April 2017 | 20 Uhr | Elbphilharmonie Großer Saal NEW YORK STORIES: DIRIGENT.DER NEUE BMW 7er MIT GESTIKSTEUERUNG. DER ANSPRUCH VON MORGEN. NEW YORK PHILHARMONIC NEW YORK PHILHARMONIC STRING QUARTET FRANK HUANG VIOLINE SHERYL STAPLES VIOLINE CYNTHIA PHELPS VIOLA CARTER BREY VIOLONCELLO DIRIGENT ALAN GILBERT John Adams (1947) Absolute Jest / für Streichquartett und Orchester (2012) ca. 25 Min. Pause John Adams (1947) Harmonielehre (1984–1985) Ohne Titel The Anfortas Wound Meister Eckhardt and Quackie ca. 40 Min. Mit einem Einführungsgespräch des Komponisten zu Beginn des Konzerts Principal Sponsor der Elbphilharmonie BMW BMW Hamburg Niederlassung www.bmw-hamburg.de Hamburg www.bmw- hamburg.de Freude am Fahren Abbildung zeigt Sonderausstattungen. 5978 BMW 7er Kultur Engagements DIRIGENT 2016 148x210 NL Hamburg Abendprogramm 20160812.indd 1 01.08.16 16:20 WILLKOMMEN Wir gratulieren der Nach Jazz, Pop und Hip-Hop folgt zum Abschluss des Festivals »New York Stories« Stadt Hamburg, noch eine weitere bedeutende Facette der ihren Bürgern und New Yorker Musikszene: die Klassik. Mit allen Beteiligten dem New York Philharmonic nimmt nicht irgendein Orchester auf dem Podium der Elbphilharmonie Platz, sondern eines der zur gelungenen großartigen Komposition der »Big Five«, der fünf besten Orchester der USA. Chefdirigent Alan Gilbert ist zudem ein Sohn der Stadt – der erste New Yorker Elbphilharmonie, überhaupt in dieser Position. Rein ameri- dem Konzerthaus von kanisch ist auch das Programm, das zwei weltweiter Bedeutung. große Werke des Minimal-Music-Pioniers John Adams präsentiert. Im Gespräch zu Beginn des Konzerts gibt sich der Meister sogar persönlich die Ehre.
    [Show full text]
  • Gender Bias Among the Big Five Orchestras - As Illustrated in Hiring Practices of Women Instrumentalists
    Please do not remove this page Gender Bias Among the Big Five Orchestras - As Illustrated in Hiring Practices of Women Instrumentalists Gutierrez, Sheena https://scholarship.miami.edu/discovery/delivery/01UOML_INST:ResearchRepository/12379289290002976?l#13379289280002976 Gutierrez, S. (2021). Gender Bias Among the Big Five Orchestras - As Illustrated in Hiring Practices of Women Instrumentalists [University of Miami]. https://scholarship.miami.edu/discovery/fulldisplay/alma991031572783502976/01UOML_INST:ResearchR epository Open Downloaded On 2021/09/27 08:36:18 -0400 Please do not remove this page UNIVERSITY OF MIAMI GENDER BIAS AMONG THE BIG FIVE ORCHESTRAS – AS ILLUSTRATED IN HIRING PRACTICES OF WOMEN INSTRUMENTALISTS By Sheena Gutierrez A DOCTORAL ESSAY Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts Coral Gables, Florida May 2021 ©2021 Sheena Gutierrez All Rights Reserved UNIVERSITY OF MIAMI A doctoral essay submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts GENDER BIAS AMONG THE BIG FIVE ORCHESTRAS – AS ILLUSTRATED IN HIRING PRACTICES OF WOMEN STRING PLAYERS Sheena Gutierrez Approved: ________________ ________________ Charles Castleman Jennifer Grim Professor of Instrumental Performance Associate Professor of Instrumental Performance ________________ _________________ Gerard Schwarz Guillermo Prado, Ph.D. Professor of Music, Conducting and Dean of the Graduate School Orchestral Studies ________________ Valerie Coleman Assistant Professor of Performance, Chamber Music and Entrepreneurship GUTIERREZ, SHEENA (D.M.A., Instrumental Performance) (May 2021) Gender Bias Among the Big Five Orchestras – As Illustrated in Hiring Practices of Women Instrumentalists. Abstract of a doctoral essay at the University of Miami. Doctoral essay supervised by Professor Charles Castleman.
    [Show full text]
  • Understanding Cleveland As a Sports Destination
    ! UNDERSTANDING CLEVELAND AS A SPORTS DESTINATION: AN EMPIRICAL STUDY OF BRAND PERSONALITY THEORY A thesis submitted to the Kent State University College and Graduate School of Education, Health, and Human Services in partial fulfillment of the requirements for the degree of Master of Science by Jiayi Wang May 2016 ! ! ! Thesis written by Jiayi Wang B.A., Shanghai Normal University, 2013 M.S., Kent State University, 2016 Approved by _______________________, Director, Master’s Thesis Committee Phillip Wang _______________________, Member, Master’s Thesis Committee Theresa Walton-Fisette _______________________, Member, Master’s Thesis Committee Ju Yup Lee Accepted by _______________________, Director, School of Foundations Leadership Kimberly Schimmel and Administration _______________________, Dean, College of Education, Health and Human Mark Kretovics Services ii! ! ! WANG, JIAYI, M.S., May 2016 Hospitality and Tourism Management UNDERSTANDING CLEVELAND AS A SPORTS DESTIONATION: AN EMPIRICAL STUDY OF BRAND PERSONALITY THEORY (76 pp.) Director of Thesis: Phillip Wang, PhD In this globalizing world, sporting events play an important role in improving the attractiveness and competitiveness of a city. Sports tourism and sporting events are viewed as a growing niche market. This is reflected by the contribution that sports tourism brings to a destination. As a consequence of sports being attractions or activities that tourists seek to experience in the destination, it is paramount for a destination to be able to offer them. Cleveland’s continuously increasing sports offering is making the city an appealing tourist destination to wider groups of tourists. Brand personality theory provides the theoretical support for the present study. The purpose of the study is to test the brand personality framework in the context of sports tourism, explore the brand personality of Cleveland as a sports destination, and apply the theory into destination marketing.
    [Show full text]
  • Developing Classical Music Audiences Through Community
    Knotts 1 Accessibility over Appeal: Developing Classical Music Audiences through Community Knotts 2 Introduction Modern orchestras are experiencing a crisis of reduced funding and rising expenses. The unique audience for classical music has declined 13 percent since 2002, and although some organizations have maintained steady ticket sales, fewer audience members are returning (League of American Orchestras 11; Midgette). Rather than buying subscription tickets, people purchase tickets per concert with fewer purchases overall (Rosen 2011b). Broader trends over the preceding 20 years show a decline both in classical music subscription purchases and charitable donations. For an industry that has long depended on subscribers as the core audience, depletion of the subscription audience is troubling (Tommasini). The philanthropic support structure for orchestras, too, is losing stability, particularly for corporate donors (Fleishman 2015a). Performing arts organizations rely heavily on charitable donation in order to pay their workers a living wage, regardless of other necessary expenses, but donors have begun to question their continued funding of orchestras, if they have not stopped altogether (Botstein, Kennicott). According to the League of American Orchestras, the average orchestra deficit more than tripled over a recent five-year period, while the number of orchestras reporting deficits had reached two-thirds (Rosen 2011b). When the subscription rate decreases, costs to orchestras go up as they are forced to market concerts individually. This is most problematic when attempts to hold more concerts in the interest of reaching wider audiences have had the adverse effect of increasing costs without attracting and retaining more audience members (Kennicott). A common response to this crisis is for orchestras to focus on appealing to broader audiences, either by changing concert formatting or by altering the type of music they perform.
    [Show full text]
  • CONDUCTING and the GREAT CONDUCTORS: the COLLECTION of an OPINIONATED, ARDENT FAN and TOO-INFREQUENT PRACTITIONER (1990- Present) by James D
    1 CONDUCTING AND THE GREAT CONDUCTORS: THE COLLECTION OF AN OPINIONATED, ARDENT FAN AND TOO-INFREQUENT PRACTITIONER (1990- present) By James D. Siranovich, Class of ’22 (born ’74) To do this, you know, you really have to be a bit of maniac. –Sir Georg Solti (Chicago Symphony; Royal Opera House, Covent Garden) You have to conduct an opera four or five times, really, just to know what the hell’s going on. ---Herbert von Karajan (Berlin Philharmonic; Salzburg Festival) A conductor is forever a student.---Leonard Bernstein (New York Philharmonic, Vienna Philharmonic) It’s the strangest thing—you make a gesture, and suddenly, sound comes out. Everyone should try it. ---Riccardo Muti (La Scala, Milan; Philadelphia Orchestra; Chicago Symphony) Conducting is the strongest evidence I’ve yet seen that telepathy, in one form or another, exists. ---Hugh Bean, violinist (London Symphony) There is this mistaken notion that the right hand beats the time, and the left hand is there for expression. NO. The expression must be IN the time-beating ITSELF. – Leonard Bernstein You know, the bars are nothing but the boxes the REAL music comes in! –Sir Thomas Beecham (London Symphony, Royal Philharmonic) Welcome to my collection of books on the Great Conductors and the art of conducting. This collection has grown out of my fervent belief that the full-sized symphony orchestra of the mid-19th to mid-20th centuries is the greatest instrument ever created, that the greatest privilege in music is conducting a fine orchestra, and that the greatest pleasure in music is playing in or listening to one.
    [Show full text]
  • Collective Bargaining in Major Orchestras Arthur S
    digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 1974 Collective Bargaining in Major Orchestras Arthur S. Leonard New York Law School Follow this and additional works at: http://digitalcommons.nyls.edu/fac_articles_chapters Recommended Citation 10 Indus. & Lab. Rel. F. 386 (1974) This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. 386 COLLECTIVE BARGAINING IN MAJOR ORCHESTRAS By Arthur S. Leonard Although collective bargaining has existed among major orches- tras in the United States since the turn of the century, its power- ful role as a primary determinant of wages, hours, and working conditions for classical musicians had not been fully realized un- til the latter part of the 1960s. Consequently, a wealth of quantita- tive data had failed to warrant rigorous analysib until Leon Lunden had undertaken and completed a survey of labor relations among major symphony orchestras in 1967. The present work is an attempt to expand upon the framework developed by Lundev, particularly in the recently emerging area ofstrike activity, and to update the types of data which he compiled. While the fate of orchestra bar- gaining is admittedly less than essential to the welfare of a commu- nity, the author contends that the lessons derived from major or- chestra experiences can be applied to discussions of other white collar unions and professional employee organizations. Whether dealing with the historical detting or his own data, the author considers the major issues of collectie bargaining among orchestras to be wages and length of seasons.
    [Show full text]
  • Orchestrating Impartiality: the Impact of “Blind” Auditions on Female Musicians
    Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Goldin, Claudia, and Cecilia Rouse. 2000. “Orchestrating Impartiality: The Impact of ‘Blind’ Auditions on Female Musicians.” American Economic Review 90 (4) (September): 715–741. doi:10.1257/aer.90.4.715. Published Version doi:10.1257/aer.90.4.715 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:30703974 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians By CLAUDIA GOLDIN AND CECILIA ROUSE* A change in the audition procedures of symphony orchestras—adoption of “blind” auditions with a “screen” to conceal the candidate’s identity from the jury— provides a test for sex-biased hiring. Using data from actual auditions, in an individual fixed-effects framework, we find that the screen increases the probability a woman will be advanced and hired. Although some of our estimates have large standard errors and there is one persistent effect in the opposite direction, the weight of the evidence suggests that the blind audition procedure fostered im- partiality in hiring and increased the proportion women in symphony orchestras. (JEL J7, J16) Sex-biased hiring has been alleged for many riving from the seminal contributions of Gary occupations but is extremely difficult to prove.
    [Show full text]