Sartre: a Life by Annie Cohen-Solal , Solal Annie Cohen , Anna

Total Page:16

File Type:pdf, Size:1020Kb

Sartre: a Life by Annie Cohen-Solal , Solal Annie Cohen , Anna Read and Download Ebook Sartre: A Life... Sartre: A Life Annie Cohen-Solal , Solal Annie Cohen , Anna Cancongi (Translator) PDF File: Sartre: A Life... 1 Read and Download Ebook Sartre: A Life... Sartre: A Life Annie Cohen-Solal , Solal Annie Cohen , Anna Cancongi (Translator) Sartre: A Life Annie Cohen-Solal , Solal Annie Cohen , Anna Cancongi (Translator) One of the major accomplishments of Cohen-Solal's book is not only to place Sartre in the context of history, but to reopen the question of his role and to reassess the full import of his literary and political accomplishments. Discovering untold aspects of Sartre's private and political life, Cohen-Solal weaves together all the elements of an exceptional career. From the description of his previously unknown father to the painful last moments of Sartre's own declining years, this is biography on the grandest scale. Sartre: A Life Details Date : Published August 12th 1988 by Pantheon (first published 1985) ISBN : 9780394756622 Author : Annie Cohen-Solal , Solal Annie Cohen , Anna Cancongi (Translator) Format : Paperback 0 pages Genre : Biography, Philosophy, Nonfiction, History, Cultural, France Download Sartre: A Life ...pdf Read Online Sartre: A Life ...pdf Download and Read Free Online Sartre: A Life Annie Cohen-Solal , Solal Annie Cohen , Anna Cancongi (Translator) PDF File: Sartre: A Life... 2 Read and Download Ebook Sartre: A Life... From Reader Review Sartre: A Life for online ebook Aberjhani says Biography Presents Compelling Portrait of Life, Times, and Mind of Jean-Paul Sartre The rich flow of historical details, intellectual insights, and political dynamics that make up the powerful pages of Annie Cohen-Solal’s “Sartre: A Life” are both is primary assets and, for some, its principle liabilities. In the afterword to the Sartre Centennial 1905-2005 edition of the book, the authors lets us in on her adopted goals and methodology: “I adopted from the beginning, a different perspective, that of interactionist micro-sociology, which tries to understand society from the subjective side of its actors, proposing to trace the process of intellectual creation and cultural production through an articulation of the individual with the intellectual milieu. Above all, I sought to shed light on the conditions of possibility of a subversive discourse which inversed power relationships by bringing historical and sociological interpretations together… Within this framework, I decided on the following methodological principles: I would adopt a triple approach—phenomenological, generative, and holistic…” (Cohen-Solal, p. 531) It is a brilliant strategy superbly executed. The outstanding aspect of it for this reader was the propositions to “trace the process of intellectual creation and cultural production through an articulation of the individual with the intellectual milieu.” And: on the dynamics of possibility pertaining to a sociologically- and historically-informed subversive discourse. That Annie Cohen-Solal was only 32 when she dared tackle the job of writing a biography on Jean Paul- Sartre and stuck with it through the completion of some 524 pages half a decade later was worthy of a literary prize in itself. Her chosen framework, however, generates some of the same intimidating challenges as certain of Sartre’s tomes themselves––say, for example, his Critique of Dialectical Reason, Vol 2, or the nuclear astonishment known as The Family Idiot 1: Gustave Flaubert 1821-1857, which enraptured his soul throughout his later years. Just as the intellectually-uninitiated––as well as many who have crossed said threshold––are bound to find themselves confused and frustrated attempting to hold on to the thread of Sartre’s reasoning and non- reasoning, so are they likely to experience the same clinging to the hem of Cohen-Solal’s virtuosity as she constructs, deconstructs, analyzes, reconstructs, labels, and defines the mass of public and private components that comprised her subject’s phenomenal life. None of that should discourage readers from enjoying the mind-stimulating ride. What makes this book so mesmerizingly extraordinary is the succession of dual portraits of Sartre as a flawed and at times wounded soul in contrast to him as the emerging-and-then-dominant French intellectual of his time. He was the litterateur par excellence who could simultaneously advance is working theses in multiple formats: as journalism, plays, lectures, philosophy, novels, and movie scripts. Yet he was also the doting son who saw to his mother’s well-being, as well as, the pied-piper mentor to aspiring writers, hopeful actresses, and political activists who would follow in his footsteps. In addition–– whereas he may have been properly lauded as a prominent member of the French resistance and unexpected author of Being and Nothingness, he was also an unlikely kind of Casanova and a borderline drug addict. Capable of deep loyalty to either an individual (as he was for a time to fellow Nobel Laureate PDF File: Sartre: A Life... 3 Read and Download Ebook Sartre: A Life... Albert Camus) or a cause (per the Cuban Revolution) he could quickly and brutally eject them from his public and private embrace. In short, his was a unique personality unleashed during one of the most volatile periods of modern history and how the prolific author interacted with it on multiple levels is fascinating almost beyond belief. Were it not for Cohen-Solal’s insistence on balancing the great man’s achievements with his human shortcomings one would be tempted to say he was nearly larger-than-life. PLEASE NOTE: This is the first half of my official essay review of Sartre: A Life; for the second part please visit this url: http://www.author-poet-aberjhani.info... Aberjhani author of Encyclopedia of the Harlem Renaissance and The Wisdom of W.E.B. Du Bois david says okay. I give up. annie cohen-solal writes well. she really researches her subject. but I gave up halfway through the book. of course I like satre, but it was too much information on his life for me. so I yield to anyone to has the patience to read this tome. Harry Allagree says For all its 600 or so pages, I'd be hard pressed to think of a book which I've enjoyed reading more than this one! In a very surface way I've been intrigued with Jean-Paul Sartre since the late 1950's when we were introduced to him & his thought in our seminary Contemporary Philosophy course. We spent some time on his writings, but were never challenged, nor did I ever take the initiative, to read any of his works. We relied on snippets from them. I wish now that I'd pursued him more vigorously. It would've prevented me from some very unwarranted assumptions about him & what he was about, which have lasted until I read this astounding biography. Annie Cohen-Solal presents an incredible portrait of a man whom I think I would have very much enjoyed meeting & speaking with. Perhaps a quote of Sartre's, spoken in 1978, two years before he died at age 74, with which Cohen-Solal concludes the biography in a way summarizes what Sartre was all about: "One day, my life will end, but I don't want it to be burdened with death. I want that my death never enter my life, nor define it, that I be always a call to life." The author's account details how very much Sartre was "a call to life" as a philosopher, novelist, playwright, political figure, and most of all the global champion of causes of those oppressed. He valued truth, knowledge & generosity. He was ever thirsty for new insights from other people. He was also offbeat & quirky as a human being, often even contradictory. He was also humble. His way with women was legendary & it's remarkable that, for never marrying, he was able to sustain multiple close relationships/friendships for more years than many marriages last! He drank, he smoked: he actually was his own worst enemy & ruined his eyesight & health ultimately. He was personable. He loved young people. And was indefatigable in his fighting for human rights & dignity. Many have called him the greatest intellectual of the 20th century. We could profit from such a one today! John Wilson says PDF File: Sartre: A Life... 4 Read and Download Ebook Sartre: A Life... A very detailed and comprehensive biography on the life of Sartre. Full of information I knew nothing about, going through each period with all of his activites and acquaintances. Well worth reading. Shahram Keivani says ???? ?? ?? ??? ???? ????? ?? ?? ????? ? ???? ????? ??? ?? ???? ?????? ????? ???? ??? ?? ?? ???? ??? ?? ?? ????? ??? ???. ???? ??? ???? ???? ???? ???? ????? ?? ?? ???? ??? ???? ?????? ??? ???? ?????? ????. Jonathan says Although very insightful, detailed and rich in its articulation of the inhumane number of events, articles, political happenings etc JP participated in, I missed more time spent analyzing Sartre's way of thinking, his intuition, his philosophy as a whole. Frank says Sartre is veel sympathieker dan ik dacht, maar wat werd hij op een verkeerd moment communist. Goed geschreven bio, met uitschieters naar beneden. Güis Guerrero-Enterría says Buena biografía de Sartre, buena explicación de su pensamiento. Laura Van says Ik ben met dit boek gestopt, ongeveer halverwege. Misschien leuk als je in de jaren zestig in Frankrijk woonde, maar voor iemand die geboren werd in het jaar dat Sartre stierf, is het te gedetailleerd. Al die franse 'intellectuels' uit de '68 en daar voor en na zeiden mij vaak niets meer. Ofwel: gedateerde biografie, helaas. Thomas Strömquist says Amazing work on the great man, tremendous attention to details and not a stone left unturned. PDF File: Sartre: A Life... 5.
Recommended publications
  • A Time to Heal: Using Art As an Aid to Trauma Recovery
    Handbook of Trauma and Loss !1 A Time to Heal: Using Art as an Aid to Trauma Recovery The ultimate goal of all art is relief from suffering and the rising above it. Gustav Mahler Since the beginning of time, the arts have always been indispensable voices for both protest and solace of trauma. In every era artists — be they poets, dancers, musi- cians, sculptors, painters, cartoonists, filmmakers —have crafted in various forms or me- dia, their responses to tragic events. At the time of this writing, terrorist attacks are ram- pant all over the world. In explicit detail, television, newspapers and social media report breaking news of disasters man-made and natural. Here in Boston, we endured the marathon bombing, following the trauma connected to the national 9/11 event. (Two of the hijacked flights that slammed into the World Trade Center towers originated in Bos- ton.) In responses to such events, and as a way to help people cope with what hap- pened, spontaneously conceived art forms were offered to the public. For example, out- side their offices in downtown Boston, architects placed wooden blocks, colored markers and other art supplies on the sidewalk inviting passersby to help design and construct the block sculpture memorial evolving in the building’s lobby (Figure 1). ! ! Figure 1 Figure 2A Handbook of Trauma and Loss !2 Figure 1. © CBT Architects, Inc., 110 Canal St., Boston, MA 02114. Used with permis- sion. Initially published in “Public Tragedy and the Arts,” in Living With Grief Coping with Public Tragedy, Lattanzi-Licht, M, Doka, K, (Eds), NY: Hospice Foundation of America/Brunner Routledge, 2003.
    [Show full text]
  • The Black Women's Contribution to the Harlem Renaissance 1919-1940
    People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research University Abd El Hamid Ibn Badis Faculty of Foreign Languages English Language The Black Women's Contribution to the Harlem Renaissance 1919-1940 Dissertation Submitted in Partial Fulfillment for the Degree of Master in Literature and Interdisciplinary Approaches Presented By: Rahma ZIAT Board of Examiners: Chairperson: Dr. Belghoul Hadjer Supervisor: Djaafri Yasmina Examiner: Dr. Ghaermaoui Amel Academic Year: 2019-2020 i Dedication At the outset, I have to thank “Allah” who guided and gave me the patience and capacity for having conducted this research. I would like to dedicate this dissertation to my family and my friends. A very special feeling of gratitude to my loving father, and mother whose words of encouragement and push for tenacity ring in my ears. To my grand-mother, for her eternal love. Also, my sisters and brother, Khadidja, Bouchra and Ahmed who inspired me to be strong despite many obstacles in life. To a special person, my Moroccan friend Sami, whom I will always appreciate his support and his constant inspiration. To my best friend Fethia who was always there for me with her overwhelming love. Acknowledgments Foremost, I would like to express my sincere gratitude to my supervisor Mrs.Djaafri for her continuous support in my research, for her patience, motivation, enthusiasm, and immense knowledge. Her guidance helped me in all the time of research and writing of this thesis. I could not have imagined having a better advisor and mentor for dissertation. I would like to deeply thank Mr.
    [Show full text]
  • The Great Migration and Women in Jazz
    Breaking Boundaries: The Great Migration and Women in Jazz Works Cited Abdul-Jabbar, Kareem, and Raymond Obstfeld. On the Shoulders of Giants: My Journey through the Harlem Renaissance. New York: Simon, 2007. Print. Aberjhani,, and Sandra L. West. Encyclopedia of the Harlem Renaissance. New York: Facts On File, 2003. Print. Angelou, Maya. I Know Why the Caged Bird Sings. Bantam ed. New York: Bantam, 1971. Print. Armstrong, Louis. Louis Armstrong, in His Own Words: Selected Writings. Ed. Thomas David Brothers. Oxford: Oxford UP, 1999. Print. Armstrong, Louis, Rudy Vallee, and Dan Morgenstern. Swing That Music. Ed. Horace Gerlach. New York: Da Capo, 1993. Print. Arnesen, Eric. Black Protest and the Great Migration: A Brief History with Documents. Boston: Bedford/St. Martin's, 2003. Print. "Art History and Black Memory: Toward a 'Blues Aesthetic.'" The Jazz Cadence of American Culture. Ed. Robert G. O'Meally. New York: Columbia UP, 1998. 182-95. Print. Baldwin, Neil. The American Revelation: Ten Ideals That Shaped Our Country from the Puritans to the Cold War. New York: St. Martin's, 2005. Print. Bascom, Lionel C., ed. A Renaissance in Harlem: Lost Voices of an American Community. New York: Bard, 1999. Print. Bergreen, Laurence. Louis Armstrong: An Extravagant Life. New York: Broadway, 1997. Print. Blackmon, Douglas A. Slavery by Another Name: The Re-enslavement of Black Americans from the Civil War to World War II. New York: Doubleday, 2008. Print. Bronson, Eric. "Sixth Inning: Where Have You Gone, Jackie Robinson?" Baseball and Philosophy: Thinking outside the Batter's Box. Chicago: Open Court, 2004. 169-200. Print.
    [Show full text]
  • Unveiling Christian Motifs in Select Writers of Harlem Renaissance Literature
    UNVEILING CHRISTIAN MOTIFS IN SELECT WRITERS OF HARLEM RENAISSANCE LITERATURE A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Joycelyn Laverne Collins May 2007 © 2007 Joycelyn Laverne Collins ABSTRACT Prior to the early 1900s, much of the artistic expression of African American writers and artists was strongly steeped in a Christian tradition. With the Harlem Renaissance (roughly 1917-1934), the paradigm shifted to some degree. An examination of several books and articles written during and about the Harlem Renaissance revealed that very few emphasized religion as a major theme of influence on Renaissance artists. This would suggest that African American intelligentsia in the first three decades of the twentieth century were free of the strong ties to church and Christianity that had been a lifeline to so many for so long. However, this writer suggests that, as part of an African American community deeply rooted in Christianity, writers and artists of the Harlem Renaissance period must have had some roots in and expression of that same experience. The major focus of this research, therefore, is to discover and document the extent to which Christianity influenced the Harlem Renaissance. The research is intended to answer the following questions concerning the relationship of Christianity to the Harlem Renaissance: 1. What was the historical and religious context of the Harlem Renaissance? 2. To what extent did Christianity influence the writers and artists of the Harlem Renaissance? 3. Did the tone of their artistry change greatly from the previous century? If so, what were the catalysts? 4.
    [Show full text]
  • The D.A.P. Catalog Mid-Winter 2019
    THE D.A.P. CATALOG MID-WINTER 2019 William Powhida, A Solipsistic Artist’s Map of the World, 2015, from Genealogies of Art, or the History of Art as Visual Arte, published by Fundación Juan March. See page 10. Featured Releases 2 Limited Editions 22 CATALOG EDITOR Mid-Winter Highlights 25 Thomas Evans Photography 24 CATALOG DESIGNER Art 29 Martha Ormiston Writings 44 COPY WRITING Arthur Cañedo, Thomas Evan Architecture & Design 46 FRONT COVER IMAGE Specialty Books 48 Cecilia Vicuña, Leopardo de nieve [Snow Leopard], 1969. From Cecilia Vicuña: Seehearing Art 48 the Enlightened Failure, published by Witte de With Publishers. See page 35. Photography 59 JR: Chronicles A comprehensive overview on the French artist who has transformed cities worldwide with his epic portraits of their inhabitants Over the past two decades, French artist JR has massively expanded the impact of public art through his ambitious projects that give visibility and agency to people around the world. Showcasing the full scope of the artist’s career, JR: Chronicles accompanies the first major exhibition in North America of works by the French-born artist. Working at the intersections of photography, social engagement and street art, JR collaborates with communities by taking individual portraits, reproducing them at a monumental scale and wheat pasting them—sometimes illegally—in nearby public spaces. This superbly produced volume traces JR’s career from his early documentation of graffiti artists as a teenager in Paris to his large-scale architectural interventions in cities worldwide, to his more recent digitally collaged murals that create collective portraits of diverse publics.
    [Show full text]
  • Devlin2017.Pdf (1.307Mb)
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Trickle Down Effect: The 1911/1912 Abbey Theatre Tour of America and its impact on early African American Theatre Luke Devlin Degree of Doctor of Philosophy The University of Edinburgh 2017 Abstract This thesis will examine the direct and indirect impact the Irish National theatre had upon American theatre in general and the African American theatre in particular. It discusses the relationship between the Irish theatrical movement during the Irish Literary Renaissance and the drama that was produced during the Harlem Renaissance. To do this Rorty’s concepts of the ‘strong poet’ and ‘ironist’ will be utilized. The bleeding and cross contamination of culture, it is contended, was due to the American tour that the Irish Players undertook in 1911/12. The tour, although staged in white theatre houses and attended by a mainly white audience, had a sizeable impact on the American theatrical landscape.
    [Show full text]
  • 06.04.08: Soul to Spirit to Speak to Writers: Poetry and Song
    Soul to Spirit to Speak to Writers: Poetry and Song Bonnee L. Breese Overbrook High School Contents of Curriculum Unit • Rationale • Introduction • Objectives • Strategies • Black Poets - Historical data • Harlem Renaissance Poets • Black Power Poets - The 60’s • To Be Black and a Poet? • Poet Rappers - Present Day • Poetry Form & Technique • Lesson Plan (1) • Lesson Plan (2) • Lesson Plan (3) • Student Reading List • Annotated Bibliography/Resources • Appendix/Standards Rationale This curriculum unit has been prepared for use in the School District of Philadelphia (SDP) English Language Arts classroom. The unit can be used in a high school setting, regular and advanced classes. It also reflects strategies that can be used to adapt for teaching in a learning support classroom. The unit satisfies the need to expand the limitations of classroom texts to meet new SDP African-American curricular requirement additions in the English Language Arts frameworks. Introduction The unit represents the past, present and future essence of the African-American writer, more specifically the poet, and the ways they are represented in society today. Poets simply do their work, which is a way to have their voice heard and recognized but critics, readers, and publishers are perhaps more central in constructing a representation for poets. The unit’s focus begins its undertaking with the introduction of Phillis Wheatley and Paul Lawrence Dunbar; more closely at the presumed origins of African-American poets amidst the emergence of Black writers and artists of the Harlem Renaissance era. In remembering the historical context during and between the works of Wheatley and Dunbar, students will become familiar with and reminded of the historical ramifications concerning Blacks and nonexistent race relations in America during the lives of these poets.
    [Show full text]
  • Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
    Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies.
    [Show full text]
  • APRIL 2013 Public
    Poetry Programs Sponsored by Other Community Organizations Greensboro Josephus is on WNAA radio “Poetry Café” • Tuesdays from 6 - 7 pm Public Library Squared Ciphers Open Mic • Wednesdays at 9 pm • Sweet Shop • 631 South Elm St. Open Mic for performing artists: comedians, poets, singers, rappers, mimes and actors. Admission: $5. A. Van Jordan Poetry Reading • Thursday, April 4 at 7 pm • Faculty Center, UNCG • College Ave. The MFA Writing Program, The Greensboro Review, and the UNCG Center for Creative Writing in the Arts will host a poetry reading by A. Van Jordan. Jordan’s collections of poetry include Rise, M-A-C-N-O-L-I-A, and Quantum Lyrics. A reception and book signing will follow the reading. This event is free and open to the public. Poetry Reading by NC Poet Laureate Joseph Bathanti • Wednesday, April 3 at 7 pm • North Carolina A&T State University, Academic Classroom Building Auditorium Free and open to the public. Alumni Poetry Reading with Kathryn Stripling Byer • Hodges Reading Room, Jackson Library, UNCG Byer’s books of poetry include Catching Light, Black Shawl, Wildwood Flower and The Girl in the Midst of the Harvest. This event is free and open to the public. Front Porch Party • Friday, April 26 • Music at 4 pm, Poetry & Art at 5 pm • UNCG, Center for Creativity, 127 McIver St. This event is free and open to the public. Gate City Youth Slam • Friday, April 26 at 7 pm • Triad Stage Cabaret, 232 South Elm St. Watch teens from area schools compete for a spot on the 2013 Gate City Youth Slam Team.
    [Show full text]
  • Poetry Entries
    Shelter-in-Place ------------------------------------- A POETRY CONTEST APRIL 2020 A Publication of the UCSF Department of Medicine Page | 1 CONTENTS Themes “POETRY EMPOWERS THE SIMPLEST OF LIVES TO CONFRONT THE MOST EXTREME SORROWS WITH COURAGE, 15 Awarded Entries 2 AND MOTIVATES THE MIGHTIEST OF Sheltering 8 OFFICES TO HUMBLY HEED LESSONS IN COMPASSION.” Connections 10 ― ABERJHANI Distance 12 Longing & Losses 14 Virtual Life 15 March 2020 brought to our community – and our entire world – a challenging and frightening pandemic. The UCSF Department of Medicine Nature 17 (DOM) mobilized its entire workforce of staff, faculty, and trainees to prepare for the worst as shelter-in-place orders were issued and our Coping & Courage 18 healthcare facilities geared up to meet the need. Heroes & Hope 22 As the weeks marched forward and our community worked long hours, we put out a call to activate some of our higher senses – our artistic heritage. We Laughter 25 invited all members of the DOM community to engage in the work of Reflections 27 resilience through the creation of poetry. Acknowledgements 30 The 2020 Shelter-in-Poetry contest inspired the submission of 121 poems that spoke to the unique and shared experiences of our lives in the time of COVID-19. We are proud to share the results of our literary-minded colleagues in this first-of-its-kind magazine for the DOM. Authors’ thematic intentions are known only to themselves, but in order to facilitate a logical presentation, we have taken the liberty to group the poems into themes. We hope you enjoy each of these contributions and thank each and every brave member of the Department of Medicine who reached inside their hearts and minds to share everything from levity to catharsis in our ongoing journey together.
    [Show full text]
  • Diplomová Práce
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Ústav cizích jazyků Diplomová práce Bc. Gabriela Novotná Učitelství českého jazyka pro 2. stupeň základních škol, učitelství anglického jazyka pro 2. stupeň základních škol The Concept of Black Womanhood in Toni Morrison's Fiction vedoucí práce: Mgr. Petr Anténe, M.A., Ph.D. Olomouc 2019 Prohlášení: Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím literatury a pra- menů uvedených v bibliografii. …………….. V Brodku u Přerova 5.6.2019 Podpis ABSTRACT The diploma thesis deals with the concept of black womanhood in Toni Morrison’s fiction. The theoretical part introduces Toni Morrison in context of African-American literature. The main themes and topics of her novels are explored as well. The analytical part focuses on individual female characters in Morrison’s three novels - The Bluest Eye, Sula and Be- loved. Key words: Toni Morrison, black womanhood, analysis, Beloved, Sula, The Bluest Eye I would like to thank Mgr. Petr Anténe, M.A., Ph.D. for his comments and guidance throughout the writing process. CONTENT INTRODUCTION ........................................................................................................... 2 1 AFRICAN-AMERICAN WOMEN WRITERS .................................................... 4 2 TONI MORRISON - LIFE AND LITERARY WORK ........................................ 9 3 MAIN TOPICS OF MORRISON'S NOVELS .................................................... 11 3.1 BLACKNESS AND RACISM .................................................................................
    [Show full text]
  • Aberjhani, the River of Winged Dreams
    Quotes About Famous Poets Quotes tagged as "famous-poets" ―This is what our love is––a sacred pattern of unbroken unity sewn flawlessly invisible inside all other images, thoughts, smells, and sounds.‖ ― Aberjhani, The River of Winged Dreams ―Your pain is a school unto itself–– and your joy a lovely temple.‖ ― Aberjhani, The River of Winged Dreams ―Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives.‖ ― Aberjhani, Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry ―Know yourself fearlessly (even quietly) for all the things you are.‖ ― Aberjhani, Visions of a Skylark Dressed in Black ―In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace.‖ ― Aberjhani, Elemental: The Power of Illuminated Love ―In honor of Oprah Winfrey: Even greater than the ability to inspire others with hope is the power to motivate them to give as much to the lives of others as they would give to their own; and to empower them to confront the worst in themselves in order to discover and claim the best in themselves.‖ ― Aberjhani, Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry ―Then came the healing time, hearts started to shine, soul felt so fine, oh what a freeing time it was.‖ ― Aberjhani, Christmas When Music Almost Killed the World ―I called it a baptism in flaming ink that forced me to shed my shyness about recognizing myself as a poet and to accept the fact that life had never given me any choice in the matter.
    [Show full text]