DOCSLIB.ORG

Phantom Tail Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Phantom Tail Credits Directed by Simon Wincer Written by Jeffrey Boam Based on the Phantom characters created by Lee Falk Produced by Robert Evans and Alan Ladd, Jr. Executive Producers Dick Joe Vane Dante Co-producer Jeffrey Boam Executive Producers Graham Burke Greg Coote Peter Sjoquist Bruce Sherlock Director of Photography David Burr Production Designer Paul Peters Edited by O. Nicholas Brown and Bryan H. Carroll Costume Designer Marlene Stewart Music by David Newman Billy Zane Kristy Swanson Treat Williams Catherine Zeta Jones James Remar Jon Tenney Cary-Hiroyuki Tagawa and Patrick McGoohan Bill Smitrovich Casey Siemaszko David Proval Joseph Ragno Samantha Eggar Robert Coleby Casting by Deborah Aquila, C.S.A. Jane Shannon Smith, C.S.A. Paramount Pictures Presents in association with Robert Evans and The Ladd Company A Village Roadshow Pictures Production A Simon Wincer Film In Association with Boam Productions Associate Producer Bonnie Abaunza Unit Production Manager Steven Felder First Assistant Director Robert J. Donaldson Second Assistant Director Simon Warnock Supervising Art Director Lisette Thomas Set Decorator Amy Wells Stunt Coordinator Billy Burton Camera Operator Louis Irving First Assistant Photographers Colin Deane Katrina Crook Second Assistant Photographer Nick Watt B Camera/Steadicam Operators Brad Shield Paul Taylor Camera Technician Laurence Rooney Script Supervisor Judy Whitehead Still Photographer Andrew Cooper Sound Mixer Ben Osmo Boom Operator Gerry Nucifora Video Assistant Technician Abe Elshaikh Construction Coordinator John Villarino Property Master Bill Petrotta Assistant Property Master Michael R. Gannon Set Dressers Jeffrey Debell James D. Bishop Chief Lighting Technician Brian Bansgrove Assistant Chief Lighting Technician Colin Chase Lighting Technicians Grant Atkinson Justin Plummer First Company Grip Lester Bishop Second Company Grip Terry C. Cook Dolly Grip Gary "Dickie" Burdett Grip Paul Smith Key Make-up Artist Judy Lovell Make-up Artists Angela Moos Maree McDonald Key Hair Stylist Arturo Rojas Costume Supervisors Bruce Hogard Lisa Lovaas Speciality Costumer Michael Tereschuk Key Costumer Sean Gundlach Aerial Coordinator Kevin La Rosa Pilots Corky Fornof Pat Magie Helicopter Pilots Kevin La Rosa Terry Lee Aerial Photographer Philip Pastuhov First Assistant Aerial Photographer Vance Piper Animal Coordinator Mark Harden Wild Animal Trainer Julian Sylvester Horse Trainer Trevor "Bobby" Lovegren Assistant Horse Trainers De Ann Zarkowski Gene Walker Animals Supplied by Animals R Us Swordmaster Robert Anderson Special Effects Coordinator Alan E. Lorimer Special Effects Forepersons Dave L. Simmons Paul H. Stewart Special Effects Technicians Mark Lilienthal Arthur Spink Floyd van Wey Jeremy Sparks Daniel Oliver Bob Wenger Assistant Film Editor Brett De Carroll Apprentice Film Editor Gina Carroll Supervising Sound Editor Tim Chau, M.P.S.E. Co-supervising Sound Editors Cameron Frankley Donald J. Malouf Sound Effects Editors Albert Gasser David B. Cohn Nils C. Jensen Jeff Clark David F. Van Slyke Supervising Dialogue Editor Carin Rogers Dialogue Editors Gloria D'Alessandro Karen Wilson Supervising Foley Editor Pamela Bentkowski Foley Editors Tom Small Scott Curtis Supervising ADR Editor Larry Singer ADR Editor Thomas Whiting First Assistant Sound Editors Carmen Hocson Baker Anne Couk Assistant Sound Editors Rod Rogers Robert Morrisey Daniel Irwin Re-recording Mixers Robert J. Litt Elliot Tyson Michael Herbick Recordists Jack Heller David Behle Foley Artists Ken Dufva, M.P.S.E. Sarah Hammond David Lee Fein, M. P.S.E. Robin Harlan Foley Mixer Randall K. Singer ADR Mixer Bob Baron Voice Casting Barbara Harris Digital Sound Editing Paramount Pictures Music Editors Tom Villano George A. Martin Music Scoring Mixer Robert Fernandez Orchestrators David Newman Xandy Janko Steven Scott Smalley Synthesizer Programming Marty Frasu Assistant to Mr. Newman Krystyna Newman Music Production Supervisor Graham Walker Music Coordinator Liz Schrek Performed by The London Metropolitan Orchestra Orchestra Leader Jonathan Rees Recording Studio CTS Studios, Wembley, Middlesex England Music Preparation Vic Fraser Orchestra Contractor Andy Brown Publicist Vic Heutschy Assistant to Mr. Wincer April Fitzsimmons Assistant to Mr. Vane Valerie Flueger Assistant to Mr. Ladd Anne Mitchell Assistant to Mr. Evans Sherri Hopeman Production Office Coordinator Christine A. Baer Assistant Production Office Coordinator Christine Zavala Production Auditor Elton Macpherson Assistant Production Auditors Russell Steele Darren Waters Third Assistant Director Debbie Atkins Casting Associate Alex Rosenberg Production Painter Des Keena Special Creative Props and Puppets Designed and Created by Chris Walas, Inc. Michelle Lyman Tristan Maduro Bruce Barlow Second Unit Director Victor M. Armstrong SECOND UNIT Director of Photography Conrad Hall, Jr. Unit Production Manager Frederic B. Blankfein First Assistant Director Patrick Regan Second Assistant Director Sharon Gerhard Script Supervisor Jules Mann-Stewart Assistant Photographers John Breslin Leah Ashenhurst Clapper Loaders Rebecca Steele Ben Jasper B Camera Operator Brian Breheny Chief Lighting Technician Shaun Conway First Company Grip Warren Grieef Dolly Grip Dave Shaw Second Company Grip Toby Churchill-Brown Rigging Grip Andy Glasser Make-up Artist and Hair Stylist Tina Gordon Costume Supervisor Julie Middleton Thai Production Manager Pairoj Rojlertjanya Production Office Coordinator Carole Keith Production Accountant Maureen Holmes Greensperson Greg Thomas Special Effects Foreperson Dewey Gene Grigg LOS ANGELES UNIT Unit Production Manager Patrick Kehoe First Assistant Director Nilo Otero Second Assistant Director Frank Davis Production Supervisor Steph Benseman Second Second Assistant Director Stuart Hagen Camera Operators Conrad Hall, Jr. Daniel C. Gold First Assistant Photographers Reggie Newkirk Lou Niemeyer Second Assistant Photographer Dennis Lynch Sound Mixer David Macmillan Boom Operator Steve Boweman Video Assistant Technician Stan Harrison Lead persons Michele Poulik Ken Turek Set Dressers Erik Poczwartek Wendy Murray Chief Lighting Technician Tom Stern Lighting Technicians Andy Ryan Jim Clark Jeff White Paul Avery Assistant Chief Lighting Technician Brian Evans First Company Grip Alexander LaVerde Second Company Grip Ty Suehiro Dolly Grip Clay Wilson Rigging Grip Rick Pratt Assistant Costume Designer Salvador Perez, Jr. DGA Trainee Richard Sickler Supervising Art Director Richard Holland Set Designers Robert Fechtman Steven Schwartz Patricia Klawonn Storyboard Artist Richard Newsome Illustrators Joseph Griffith, Jr. James Martin Art Department Coordinator Laurie Stevens General foreperson Mike Villarino Paint foreperson Patrick Gomes Propmaker foreperson Larry Clause Chief Sculptor Fred Arbegast Special Effects Technician John Peyser Location Manager Erick Klosterman Assistant Location Manager Ellen Gessert Transportation Coordinator Greg van Dyke Transportation Captain James Frear THAILAND UNIT Production Supervisor Santa Pestonji Unit Production Manager Piya Pestonji First Assistant Director Charlie Sungkhawess Second Assistant Director Cherdpong Laoyont B Camera Clapper Loader Jules Wurm Locations Manager Somchai Santitharangkun Production Office Coordinators Dawn Murphy Riley Urai 'Toey" Sureekamolchai Smith "O" Tinsawat Assistant Production Coordinator Cathy Chapple Head Auditor Cleve Reinhard Art Director Scott Ritenour Assistant Art Director Kuladee Suchartanun Asia Casting Patricia pao Casting Assistant Raweeporn "Non" Srimonju Paint Supervisor John Roberts Construction Foreperson Donald Hardenburg Grip Danny Lockett Chief Lighting Technician Pop Smithsuth Lead Person Wayne Shepherd Safety Officer Arthur Hoadley Special Effects Technicians Steve Courtley Dave Rohrer Jan Aaris Herman Bron Peter Keane David Hartley Gary Cruise Tom Lantz Rodney Burke David Pride Marine Coordinator Lance Julian Property Person Edel "Eddie" Pestonji Specialist Riggers David Hird Gavin Wild Warren Jones David Hartley Carly Thomas Grant Fletcher Assistant Transport Coordinator Mark Pestonji Transportation Coordinator Leroy Reed Transportation Captan Booriboon "Boon" Jarurongkawatana AUSTRALIAN UNIT Unit Production Manager Brian Burgess Village Roadshow Productions Consultant Michael Lake Assistant Office Production Coordinator Jo Suna Production Secretary Victoria Pope Production Assistant Scott Cruse Art Department Assistant Joe Ippolito Draughtsperson Jacinta Leong Art Department Assistant Joe Ippolito Second Assistant Photographer Brett Matthews Camera Department Trainer Pip Wincer Second Assistant Photographer Brett Matthews Casting Maura Fay & Associates Projected-FX by William Hansard, Jr. (H.E.I.) Assistant Construction Manager Kim Howard Construction Manager Andrew Gardiner Assistant Construction Manager Kim Howard Construction Coordinator Lisa Radcliffe Scenic Artists Ray Pedlar John Hatton Sculptors John Michael Johnson Adrian Ashenden Leadpersons Bruce Fletcher Wayne Porter Mark Radcliff Stand-by Carpenter Graham Dunn Lead Set Finisher Greg Yates Atlab Film Processing Gary Keir Assistant Editor Geoff Lamb Grip Aaron Walker Pre-Rig Lighting Technician Mick Morris Lighting Technicians Sam Bienstock Gary Hill Bernard "Boo" Slattery Leon Schuster Location Manager David Suttor Property Person Harry Zettle Set Dressers Rebecca Cohen Felicity Rulikowski Matt Sloan Robert Wood Richard Dehne Nick Hartigan Armourer Alan Mowbray Set Decorator Lesley Crawford Special Effects Technicians James Lorimer William Schirmer
Load more

Recommended publications
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • 88Th Oscars® Nominations Announced
    MEDIA CONTACT Natalie Kojen [email protected] January 14, 2016 FOR IMMEDIATE RELEASE 88TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, Guillermo del Toro, John Krasinski and Ang Lee announced the 88th Academy Awards® nominations today (January 14). Del Toro and Lee announced the nominees in 11 categories at 5:30 a.m. PT, followed by Boone Isaacs and Krasinski for the remaining 13 categories at 5:38 a.m. PT, at the live news conference attended by more than 400 international media representatives. For a complete list of nominees, visit the official Oscars® website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Official screenings of all motion pictures with one or more nominations will begin for members on Saturday, January 23, at the Academy’s Samuel Goldwyn Theater. Screenings also will be held at the Academy’s Linwood Dunn Theater in Hollywood and in London, New York and the San Francisco Bay Area. Active members of the Academy are eligible to vote for the winners in all 24 categories. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 88th Oscars will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m.
    [Show full text]
  • Tortured and Beyond a Reasonable Doubt, Opposite Michael Douglas
    ‘CHESAPEAKE SHORES’ Cast Bios JESSE METCALFE (Trace Riley) – One of the busiest actors in Hollywood, Jesse Metcalfe is clearly among its most coveted stars. Most recently, Metcalfe was seen as the lead in the action-packed thriller Hard Kill opposite Bruce Willis, which released globally on August 25th. Metcalfe stars and executive produces the “Martha’s Vineyard Mysteries” movie franchise for Hallmark Movies & Mysteries and also starred in Hallmark Channel’s “Christmas Under the Stars” opposite Autumn Reeser and Clark Peters in 2019. In 2018, his presence drew audiences to two action films: the enjoyable Lionsgate thriller Escape Plan 2: Hades with Sylvester Stallone, and the horror flick The Ninth Passenger. As an actor and producer, Metcalfe currently has two other projects in the pipeline, the family drama In Stranger Company alongside Danny Trejo and the forthcoming New York City drama Steps. Metcalfe recently reprised his role as a gritty investigative reporter turned zombie-apocalypse vigilante in Dead Rising: Endgame, the sequel to the 2015 cult classic Dead Rising: Watchtower. He previously starred in the indie film Destined and the critically acclaimed God’s Not Dead 2. In 2006, Metcalfe showcased his comedy chops as the title character in the 20th Century Fox feature John Tucker Must Die. The film, which stars Sophia Bush, Brittany Snow and Ashanti, follows three friends who set out to break the heart of a serial cheater by setting him up with the new girl in town. His other film roles include Insanitarium, The Other End of the Line, The Tortured and Beyond a Reasonable Doubt, opposite Michael Douglas.
    [Show full text]
  • Steinhart Runaway Hollywood Chapter3
    Chapter 3 Lumière, Camera, Azione! the personnel and practices of hollywood’s mode of international production as hollywood filmmakers gained more experience abroad over the years, they devised various production strategies that could be shared with one another. A case in point: in May 1961, Vincente Minnelli was preparing the production of Two Weeks in Another Town (1962), part of which he planned to shoot in Rome. Hollywood flmmaker Jean Negulesco communicated with Minnelli, ofering some advice on work- ing in Italy, where Negulesco had directed portions of Tree Coins in the Fountain (1954) and Boy on a Dolphin (1957) and at the time was producing his next flm, Jessica (1962): I would say that the most difcult and the most important condition of mak- ing a picture in Italy is to adapt yourself to their spirit, to their way of life, to their way of working. A small example: Tis happened to me on location. As I arrive on the set and everything is ready to be done at 9 o’clock—the people are having cofee. Now, your assistant also is having cofee—and if you are foolish enough to start to shout and saying you want to work, right away you’ll have an unhappy crew and not the cooperation needed for the picture. But if you have cofee with them, they will work for you with no time limit or no extra expense.1 Negulesco’s letter underscores a key lesson that Hollywood moviemakers learned overseas when confronted with diferent working hours, production practices, and cultural customs.
    [Show full text]
  • Usc Sca Ctpr 507 Production I -‐ Fall 2011
    USC SCA CTPR 507 PRODUCTION I - FALL 2011 COURSE DESCRIPTION and OUTLINE (Section 18603 – Pollard/KositcHek) 4 units INSTRUCTORS: Cinematography: Robert KositcHek Email: [email protected] Phone: (310) 315-9465 Day/Time: Mon, 2:00 – 5:00 Location: SCA Stage 2 Producing/Directing: StU Pollard Email: [email protected] Phone: (310) 344-9380 Day/Time: Mon/Wed, UsUallY 2:00pM – 5:50pm (see Course Outline below) Location: SCA 362 Office Hours: By AppointMent OnlY SA: Christine Moitoso Phone: (209) 484-7508 Email: [email protected] WitH facUltY gUests: Editing: Reine-Claire Dousarkissian / 310-435-8216 / [email protected] SoUnd: Midge Costin / 310-890-2353 / [email protected] SoUnd: Doug Vaughan / 310-413-9181 / [email protected] Required text book: Voice & Vision, Second Edition: A Creative Approach to Narrative Film and DV Production by Mick Hurbis-Cherrier AtHletic SHoes and long pants MUST be worn to all CineMatograpHY classes USE OF LAPTOPS, CELL PHONES, TABLETS, ETC. NOT ALLOWED DURING CLASS Hello and welcome to 507! There is no better way to learn how to make a picture, than actually going through the process of doing it… Be patient and open to new ideas as you embark on this creative and personal journey of discovery. OVERVIEW: Production I (CTPR 507) is about ideas and your ability to communicate effectively through the language of cinema. It combines introductions to the five major disciplines within the cinematic arts: producing, directing, editing, cinematography, and sound with guided opportunities to create individual and small group projects. Students will make two short HD projects as part of an exploration of visual storytelling, as well as shoot a directing an exercise in the Fundaments of Directing (production students only).
    [Show full text]
  • Glossary of Filmmaker Terms
    Above the Line Clapboard Generally the portion of a film's budget that covers A small black or white board with a hinged stick on the costs associated with major creative talent: the top that displays identifying information for each shot stars, the director, the producer(s) and the writer(s). in the movie. Assists with organizing shots during (See also Below the Line) editing process; the clap of the stick allows easier Art Director synchronization of sound and video within each shot. The crew member responsible for the design, look Construction Coordinator and feel of a film's set. Includes props, furniture, sets, Also known as the construction manager, this person etc. Reports to the production designer. supervises and manages the physical construction of Assistant Director (A.D.) sets and reports to the art director and production Carries out the director’s instructions and runs the set. designer. The first A.D. is responsible for preparing the Dailies production schedule and script breakdown, making The rough shots viewed immediately after shooting sure shooting stays on schedule and on budget. The each day by the director, along with the second A.D. is responsible for distributing information cinematographer or editor. Used to help ensure and cast notifications, keeping track of hours worked proper coverage and the quality of the shots gathered. by cast and crew, management of extras, signing Director actors in and out and preparing call sheets. The The person in charge of the overall cinematic vision of second A.D. is also in charge of the production the film and the performance of the actors.
    [Show full text]
  • Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
    BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.
    [Show full text]
  • Scheduling and Budgeting Your Film 1St Edition Ebook
    SCHEDULING AND BUDGETING YOUR FILM 1ST EDITION PDF, EPUB, EBOOK Paula Landry | 9781136039782 | | | | | Scheduling and Budgeting Your Film 1st edition PDF Book In most cases, I may be an affiliate for products that I recommend within any of my blog posts, video blogs, and audio podcasts. The Oxford Handbook of the Economics of the Biopha This is the first article in a short series on basic scheduling and budgeting for your TV show, web series, or movie. Where will be shot and by Whom? Intuitive select-and-tag system when breaking down a script. If you have any questions about the course of require further information, feel free to contact our team at the above email address. By Quentin Thornton. In addition to producer, credits relating to this subject are line producer LP , or production manager PM , or unit production manager - UPM. Contact Me. Creative Producers School does just that. Get more information. In order to know how much you need to spend on marketing and which channels you should target, you need to learn about the landscape of digital marketing within your industry. In this video, they give us an introduction to film breaking down a script. This series of blog posts will dive more deeply into each aspect of the process. This book gives the reader new knowledge and experience. Visit the state elections site Register to Vote. Then download it. However, it can be useful to consider some marketing budget benchmarks and see how your projected spending compares. Format it nevertheless you intend! Terms Privacy Policy. Go to Studio Binder.
    [Show full text]
  • QUEBEC FILM SOURCEBOOK 2016 Update 2015-12
    QUEBEC FILM SOURCEBOOK 2016 Update 2015-12 WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM QUEBEC FILM AND TELEVISION COUNCIL TOLL FREE: 1 866 320 FILM (3456) Telephone: 514 499-7070 Fax: 514 499-7018 [email protected] www.qftc.ca For the e-book version go to www.quebecfilmsourcebook.com DISCLAIMER Although every effort has been made to ensure that this information is correct, the publisher cannot guarantee accuracy. Please take note that the information herein is meant to be used as a guide only. © Copyright 2015, Quebec Film and Televison Council. 2015 Edition Published by Quebec Film and Television Council It is a pleasure for us to provide you with this invaluable tool that is the Quebec Film SourceBook (QFSB), the annual directory of the Quebec film and television industry. Now in its 5th edition, the QFSB is a comprehensive guide to the best of what Quebec has to offer in terms of labor, services, resources and infrastructures to help you film your production in our province. In it, you will also find all you need to know about our generous tax incentives, our unions and guilds, as well as our regional and municipal film offices – everything to ensure your film or TV shoot runs as smoothly as possible, from pre-produc- tion to the production, post-production and VFX stages.
    [Show full text]
  • Almost an Angel Tail Credits
    Cast of Characters Terry Dean Paul Hogan Steve Elias Koteas Rose Garner Linda Kozlowski Mrs Garner Doreen Lang Father Douglas Seale Irene Bealeman Ruth Warshawsky George Bealeman Parley Baer Sergeant Freebody Michael Alldredge Detective Bill David Alan Grier Teller Larry Miller Bubba Travis Venable Guido Robert Sutton Reverend Barton Ben Slack Tom the Guard Troy Curvey, Jr, Young Guard Trainee Eddie Frias Thug Peter Mark Vasquez Thug’s Crony Lyle J. Omori Prisoner #1 Joseph Walton 2nd Male Teller Steven Brill Uniformed Cop Richard Grove Mother Susie Duff Small Boy Justin Murphy Driver (Van) Greg Barnett Doctor Ray Reinhardt Young Nurse Laurie Souza Pop Hank Worden Bank Customer #1 Vickilyn Reynolds Bank Customer #2 Shawn Schepps Bank Teller Candi Milo Hood Nervo at Bank Randy Vasquez Hood Driver at Bank Mike Runyard Wino in Lane Tony Veneto Man with “T” Shirt Doug Ford Homeless Man Charles David Richards Bonzo Burger Server Brian Frank Female TV Reporter Linda Kurimoto Diner Waitress Stephanie Hodge Moses Bros. Truck Driver Bob Minor Paradise Bar Bartender Leslie Morris Man at Bar Don G. Ross Paradise Bar Local Hal Landon, Jr. Paradise Bar Pool Player Steph Duvall Small Town Older Hood William DeAcutis Small Town Younger Hood Sean Faro Boxing Boy Christian Benz Belnavis Girl Jeri Windom Boy #1 E’Lon Boy #2 Jason Marsden Boy #3 Bert David DeFrancis Boy #4 Anthony Trujillo Terry’s Hit Truck Driver Peter Stader Paramedic Joey LeMond Special Appearance by Joe Dallesandro as Bank Hood Leader Stunt Players Noon Orsatti Jack Gill Ernie Orsatti James Halty Rawn Hutchinson Andy Gill Gene LaBelle Ronnie Rondell Mike DeLuna Chris Nielsen R.
    [Show full text]
  • Reminder List of Productions Eligible for the 88Th Academy Awards
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir.
    [Show full text]
  • Movie Data Analysis.Pdf
    FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.
    [Show full text]