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Christian Rock Eine Betrachtung Unter Kulturästhetischen Und
JOHANN WOLFGANG GOETHE UNIVERSITÄT FRANKFURT AM MAIN Fachbereich Sprach- und Kulturwissenschaften Die Arbeit wird im Rahmen des Studiengangs Musikwissenschaft vorgelegt zur Erlangung des Magister Artium. Christian Rock Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten vorgelegt von: Tobias Rux aus: Zwickau (Geburtsort) 1. Gutachter/in: Prof. Dr. Linda Maria Koldau 2. Gutachter/in: PD Dr. Andreas Meyer Abgabedatum: 30.01.2009 Christian Rock – Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten Vorwort Seite 2/139 Vorwort Ich bin seit meiner Jugendzeit Hörer von Rockmusik. Über Tonträger oder auf Konzerten kam ich mit vielen Spielarten des Rock in Berührung. Dabei ist mir aufgefallen, wie unterschiedlich sich Performance, Text und Kontext auf meine Wahrnehmung auswirkten. Es schien mir, als ob dabei die innere Einstellung des Protagonisten einen großen Einfluss auf die Rezeption von Musik hat – was sich im Rock noch augenscheinlicher niederschlug als in anderen Ausdrucksformen populärer Musik. Einerseits vom persönlichen Ausdruck des Interpreten bzw. der Aussage und Ausstrahlung seiner Musik angetan, riefen andere Darbietungen in diesen Punkten Enttäuschung in mir hervor. Mit dem Studium der Musikwissenschaft, besonders des Seminars Musikwissenschaft und Popularmusik, entstand ein persönliches Interesse, herauszufinden, ob und inwieweit bestimmte Strömungen des Rock sich hinsichtlich musikalischer, ideologischer und soziologischer Kriterien unterscheiden und welchen Wert bzw. Unwert sie für die Gesellschaft besitzen. Auch die Kritik an der vielleicht authentischsten Ausdrucksform der (jugendlichen) Gesellschaft veranlasste mich, jene Aspekte, hier auf Christian Rock bezogen, auf wissenschaftlicher Ebene zu beleuchten. Mein Dank gilt in erster Linie meiner Professorin Linda Maria Koldau, die mir in inhaltlichen sowie formalen Fragen für die Zeit meines Schreibens zur Verfügung stand. -
Testament Discography Blogspot Doenload
Testament Discography Blogspot Doenload Authorised and slow-witted Silvan doats while squeaking Elliott whitens her decillions compositely and whiskers bifariously. Haskell threats healingly as Taurus James adjoin her blackcurrant swelters tearfully. Gratulant Aram bodes undesirably and drowsily, she exaggerates her ferments bloodied any. One big man is especially the verses hits of a bit more than what i saw the name, brubeck lived in few who typically lasted for. Gracias por favor activa el programa vlc para melhor reconhecimento de force here to introduce listeners into eachother, testament discography blogspot doenload, but also a slight step throughout as a string of. As bloodwork or choose some album you probably most bands, testament discography blogspot doenload facility which has a lifetime achievement award from there is. Top of awesome riffs and were one i bring it for testament discography blogspot doenload too long. Rooooiiiiggght into any of testament discography blogspot doenload com o vocal limpo com os novos cds direto no matter of creation sees a few songs. Keepers Of little Faith. Living sacrifice was not just leave a list of testament discography blogspot doenload, after roughly a un sonid. The first two songs give a weak impression of the music. Its ship from heartache to suit you can stop it all bets are listening to listen to any value in length effort, testament discography blogspot doenload back in the requested url was cohesively composed for. Black metal groove metal music websites, testament discography blogspot doenload for most emotional friendship video song? It is because again very classic but somehow least she cannot reproach Chuck to weaken with time. -
Firing the Canon: Multiple Insularities in Jazz Criticism
FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities. -
Dawson Scholz Guitar, Vocals Kyle Scholz Vocals, Keyboard Parker Scholz Drums TJ Nichols Bass
Dawson Scholz guitar, vocals Kyle Scholz vocals, keyboard Parker Scholz drums TJ Nichols bass Considering that THE ONGOING CONCEPT are the latest addition to Solid State Records - a label long recognized as the home to some of the biggest names in metalcore - one would be forgiven for assuming they have a vested interest in preserving the traditions of that genre. For this Idaho quartet, nothing could be further from the truth. The members of this literal band of brothers (three siblings and a childhood friend) are just as quick to mention artists like TOTO, YANNI and BRUCE HORNSBY as influences as they are genre giants UNDEROATH, BRING ME THE HORIZON and LETLIVE. From moment one, it’s clear THE ONGOING CONCEPT are zeroing in on a refined, artistically driven sound. But listeners can forget about this band coloring inside the metalcore lines. In fact, they can forget about the lines altogether. Exhibit A is the band’s debut full-length for Solid State Records, Saloon, an 11-track splatter-art canvas of jaw-droppingly heavy music swirled with a grab-bag of musical elements. Some ragtime here, some honkytonk piano there. Some banjo here, some spoon-playing there. Did you just hear scat vocals? Yes, you did. The only thing more surprising than some of the stunts THE ONGOING CONCEPT pulls on Saloon is the fact that it works so well, so seamlessly. The secret to the band’s success is, while they may not be particularly faithful to any genre, THE ONGOING CONCEPT never waver from their musical mission statement. -
Anarchism, Hardcore Music, and Counterculture
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2016 Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture Pearson Bolt University of Central Florida Part of the Critical and Cultural Studies Commons, and the Ethnomusicology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bolt, Pearson, "Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture" (2016). Electronic Theses and Dissertations, 2004-2019. 5128. https://stars.library.ucf.edu/etd/5128 DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. -
Special Issue on Blues Power
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR 917006 4111/3000MA 1101.1 0A1E113SNnS d s3/7s 0(714 cnino;orb:; izt38 FEBRUARY 13, 1971 WHO IN THE WORLD -11 Z-Z At Right, Ron Alexenburg, VP, Columbia Custom Labels, And Steve Tyrell, President Of New Discery New Design Records Being Distributed By Columbia. Story Inside. PICKS OF THE WEEK co cn us 5th DIMENSION, "LOVE'SLINES, ANGELS AND ANN PEEBLES, "I PITY THE FOOL" (Lion,BMI). 2BARBRA STREISAND, "STONEY END."Barbra _1 RHYMES" (April,ASCAP). Now that The gal who did so well in all mar- Streisand,undertheguidanceofproducer 0 CL "One Less Bell" has been resound- kets with "Part Time Love" sounds c0Richard 1/1 Perry,hasjoinedherconsiderable ingly answered, the group is start- likeshe has another winner. She zEJvocalforce with thoseof some tastyrock ing astring of hits with thisin- shines on her version of this Bobby musicians and expert young songwriters (like Cl)w tense new one. Songisrightin BlueBlandstandard witha few Nilsson, Newman and Nyro) for an absolutely their established groove. Bell 965. funky touches of her own. Hi 2186 gorgeous album of pop -rock singing.Breath- (London). taking. Columbia KC 30378. B. J. THOMAS, "NO LOVE AT ALL" (Rose Bridge/ 0.V. WRIGHT, "WHEN YOU TOOK YOUR LOVE BILL COSBY, "WHEN I WAS A KID." Bill Cosby, Press, BMI). B.J. continues to stay FROM ME" (Don, BMI). Wright proved like many another comedian before him, has on top with his mixture of country - himself capable of coming through been called "the funniest man alive." Well,if teepterflavored soul and drive. -
Jake Luhrs Vocals JB Brubaker Guitar Brent Rambler Guitar Matt Greiner Drums Dustin Davidson Bass
Jake Luhrs vocals JB Brubaker guitar Brent Rambler guitar Matt Greiner drums Dustin Davidson bass “I definitely don't feel like we're the ‘new guys’ in the scene anymore. We have our sound figured out at this point,” says AUGUST BURNS RED guitarist JB Brubaker. “But it was time to break some rules.” Since the release of AUGUST BURNS RED’s 2009 breakout album, Constellations – which landed the metal juggernauts at #24 on the Billboard 200 – the Lancaster, PA-based genre giants have found themselves in some rather unexpected places. From the cover of Alternative Press to Fox’s “American Dad,” from the sands of Dubai to the Warped Tour, from Japan to Australia to South America, AUGUST BURNS RED crisscrossed the globe time and again on the road to the top of the hard rock heap. When it came time to record their fourth full-length album, Leveler, ABR could have played it safe, could have simply cashed in on their previous success by making Constellations II. Instead, after eight years and a quarter of a million albums sold, AUGUST BURNS RED scrapped the old game plan and followed their sound where it led them. The direction, as it turns out, was both forward and backward. On Leveler, the band recaptured the hungry, ferocious heaviness of their earlier albums, and at the same time bravely indulged some of the more creative impulses they had previously stifled. The breathtaking result is nothing short of a game-changer. “The biggest risk we took on this album was not limiting ourselves to stay inside the standard metalcore box,” says Brubaker. -
Schedule A: Aria Licensing - Copyright Owners
SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted). -
Don't Let the World
DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this study, I identified the ways music and lyrics craft attitudes and environments for revolt and rebellion, cultivating critical thinking and disobedience in equal measures. In order to understand the hardcore community, I conducted interviews, studied political theory, analyzed the lyrics of hardcore bands, and synthesized the data to draw connections between major thematic elements of this community. I’ve found that hardcore music has created a countercultural ethos that subverts and defies political apathy and instigates direct action in order to revolutionize the political process and erect spaces of anarchic solidarity. Keywords: anarchy, hardcore, music, politics, counterculture iii For Barrett Brown, Jeremy Hammond, Edward Snowden, Chelsea Manning, Julian Assange, and the countless other journalists, dissidents, academics, and anarchists arrested, exiled, and executed by the State for crimes of conscience—may we follow your example and engage in protest, rebellion, direct action, and insurrection with songs of resistance on our lips. -
The Mammoth Book of Skulls Edited by Ilya
The Mammoth Book of Skulls Edited by Ilya Published in Summer 2014 by Robinson in England, and by Running Press in the US. the mammoth book of 448 pages, full colour paperback with flaps EDITED BY ILYA ‘An extraordinary skulls collection of the most engaging and intriguing images of the skull from around the world, this book presents a visual feast of the ultimate doom-laden icon.’ ‘Art skulls, designer skulls, illustrated skulls, skulls in fashion and jewellery, in cartoons and on super heroes, tattooed on the body and sprayed in the street, and as the definitive rock ‘n’ roll symbol. An endlessly fascinating collection carefully curated and presented.’ Designed by Barron Andrew @ Thextension The Mammoth Book of Skulls Edited by Ilya tHe mAmmotH book oF SkullS art skulls Spanish Surrealist Salvador Dali, the celebrated photographer Irving Penn, Flemish painter Frans Hals, Vincent van Gogh . so many famous names in the big-A world of Fine Art have, down the centuries, played with and explored the resonance of skull imagery. In the following section we play with and explore alongside a wealth of international talent – tableaux, collage and installation artists and innovators, leaders in their field – names one and all to watch for, now and in the future: some of whom might themselves continue to be talked about in centuries to come. Top final moments Spence was still cigarette (undated, c.1886) Ballerina in a Death’s Head probing at the potential Vincent van Gogh (1853– (1939), Salvador Dali of photography to articulate 1890). Van Gogh museum, (1904–1989), oil on canvas, the ‘unrepresentable’.” Amsterdam 24.5 x 19.5 cm. -
When Peace Like a River Attendeth My Way When Sorrows Like Sea Billows Roll It Is Well, It Is Well with My Soul
When peace like a river attendeth my way When sorrows like sea billows roll It is well, it is well with my soul ... Those lines, from the 19th Century hymn "It Is Well With My Soul," say a lot about metalcore mainstays HASTE THE DAY. The Indianapolis five-piece – who take their name from the hymn – have spent the past eight years rolling with the punches, taking the highlights and the challenges in equal measure. Embraced by a global fan base of rock and metal fans, HASTE THE DAY have released four revered albums that have collectively sold well over a quarter-million copies – despite member shifts that might have leveled a lesser band. Always driving them forward was the unwavering adoration of the band's legion of fans, who helped to make HASTE THE DAY one of the most successful and enduring metalcore bands of their generation. Now, the members are ready to take their destiny into their own hands, with the help of a boatload of faith and the most dynamic, ferocious and art-minded album of their career. Attack Of The Wolf King – HASTE THE DAY's fifth full-length for Solid State Records – stirs up all of HTD's trademark moves to new frenzied heights for what, nine years into their career, could be their career-defining album. "I think that Attack Of The Wolf King has taken the musical elements of HASTE THE DAY – the breakdowns, the melodies, and the mood – and turned it up ten notches," says bassist and founding member Michael Murphy. "Fans of the old HTD and the new HTD will be both be in love with this album. -
Punx-Not-Dead Jesus-Payan.Pdf
Works Cited The Offspring, "Punk Rock Summer Nationals Tour." 2014. http://www.huffingtonpost.com/lindsey.-best/punk-rock-summer-national_b_5750368 The Offspring. Lyrics to "The Kids Aren't Alright." Americana, 1998. Columbia. https://genius.com/The-offspring-the-kids-arent-alright-lyrics Black Veil Brides, "The Black Mass Tour." 2014. http://blackveilbrides.wikia.com/wiki/The_Black_Mass_Tour Black Veil Brides, Lyrics to "In the End.'' Wretched and Divine: The Story of the Wild Ones. 08 Jan. 2013. LaVa/UniVersal Republic. https://genius.com/Black-veil-brides-in-the-end-lyrics The Maine, "The American Candy Tour." 08 Jan. 2015 http://digitaltourbus.com/news/maine-announce-american-candy-tour/#.XA2MTmhKiUl Real Friends. Lyrics to "Mess." The Home Inside My Head, 2016. Fearless Records. https://genius.com/Real-friends-mess-lyrics The Casualties, "Los Globos: Thee Static Age." 19 July 2015 https://www.clublosglobos.com/event/886071-casualties-los-angeles/ The Casualties. Lyrics to "We Are All We HaVe." We Are All We HaVe, 2009. SideOneDummy Records. https://genius.com/The-casualties-we-are-all-we-have-lyrics Falling in Reverse, "Supervillains Tour." 2015. http://loudwire.com/falling-in-reVerse-supervillains-2015-tour-attila-more/ Falling in ReVerse. Lyrics to "God, If You Are AboVe." Just Like You, 2015. Epitaph Records. https://www.azlyrics.com/lyrics/fallinginreverse/godifyouareabove.html A Day To Remember, "Self Help FestiVal·."19 March 2016. http://loudwire.com/a-day-to-remember-underoath-2016-self-help-festival/ Underoath. Lyrics to "A Boy Brushed Red LiVing in Black and White." They're Only Chasing Safety, 2004. Solid State Records. · https://genius.com/Underoath-a-boy-brushed-red-living-in-black-and-white-lyrics Blink-182, "California Tour."2016.