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PDF Download Danny Elfman: the Nightmare Before
DANNY ELFMAN: THE NIGHTMARE BEFORE CHRISTMAS (EASY PIANO) PDF, EPUB, EBOOK Tim Burton, Danny Elfman | 80 pages | 23 Apr 2007 | Hal Leonard Corporation | 9781423424949 | English | Milwaukee, United States Danny Elfman: The Nightmare Before Christmas (Easy Piano) PDF Book In the balconies on the sides, a small musical ensemble surrounds us, and performs live to accompany the pre-recorded musical material. Theme music only Score composed by J. Music Theory. Choir Publishers. Arranged by Alan Billingsley. Ludwig van Beethoven. View All. A Cappella. This Is Halloween, melody line. Piano-Vocal-Guitar Songbook. Record Players. A-Z by Series. Views Read Edit View history. Cole, Nat King. November 27, Einaudi, Ludovico. Swing through the checkout with Afterpay. Johann Sebastian Bach. Includes full lyrics and chord symbols. Add to cart. Interest free, with no additional fees if you pay on time. Retrieved May 5, View All Arrangements. Brass Ensemble. Danny Elfman: The Nightmare Before Christmas (Easy Piano) Writer The Related Products tab shows you other products that you may also like, if you like This Is Halloween. Classical Collections. The Nightmare Before Christmas - Part 2. Tom Stanford. Reprise, for voice and piano or guitar. Sign In. Top Composers. Alan Billingsley. Brass Band. Published by Hal Leonard. Bert Appermont. Autry, Gene. Brass Tuition. Nominated- Saturn Award for Best Music. More Sacred Composers. Home Recording. Jan de Haan. Otto M. Sally's Song, for piano. Band Music. Added on July 07, First film score Film released in [1] though Elfman has said he wrote the music in [2] In addition to composing the score and songs with the Mystic Knights of the Oingo Boingo , Elfman arranged and performed Cab Calloway 's " Minnie the Moocher " with new lyrics as the character Satan [3]. -
Mahogany Rush, Seattle Center Coliseum
CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle -
OINGO BOINGO Tribute Band Reptiles and Samurai Plays the Oriental
For immediate release: July 29, 2019 For inquiries: David Flomberg, 720-272-4278, [email protected] FB: facebook.Com/ReptilesAndSamuraiDenver IG: Instagram.Com/reptilesandsamuraiband/ Please run through Aug. 31 OINGO BOINGO tribute band Reptiles and Samurai plays the Oriental Theater With special guests (TBA) and a multimedia experience featuring cult classic films ‘Back To School’ & ‘Weird Science’ DENVER — Featuring a lineup of some of the most sought-after and talented musiCians in Denver, Reptiles and Samurai — the Mile High’s only Oingo Boingo tribute act — is ready for prime time, and this shoW looks to be an instant classic. The 9-pieCe aCt debuted last spring at a private event hosted at the OWl Saloon in Denver, and was an instant fan-favorite among the Wall-to-wall Crowd. Tickets available online: bit.ly/OingoTributeAtTheOriental $15 GA in advance, $18 at the door, $20+ for reserved seating “That Was really fantastiC,” said Bobby Figueroa, former drummer for the legendary Beach Boys (he replaced Dennis Wilson when the founding member suffered a hand injury) Whose band California Surf Inc. performed earlier in the evening. “The horns Were really tight, and your singer’s great! Hell, the Whole band Was really tight!” …As should be expeCted. The ColleCtion of musiCians on stage Could easily be called a Colorado super group, and includes: • Lead Vox: Aaron HoWell (MF RuCkus, White Fudge, Heavy Heavies) • Keys: Chad Aman (Heavy Heavies, Slack, Alpha Schoolmarm Orchestra), • Lead Guitar: Ryan Fiegl (Lost Walks, Brett Sexton band) -
Boingo Alive: a Celebration of a Decade 1979-1988 Mp3, Flac, Wma
Oingo Boingo Boingo Alive: A Celebration Of A Decade 1979-1988 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Boingo Alive: A Celebration Of A Decade 1979-1988 Country: Australia Released: 1988 Style: Alternative Rock MP3 version RAR size: 1271 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1151 mb Rating: 4.4 Votes: 955 Other Formats: AC3 TTA MP2 AA WMA MP3 VOC Tracklist A1 Dead Man's Party 6:22 A2 Dead Or Alive 4:01 A3 No Spill Blood 4:33 A4 Stay 3:55 A5 Cinderella Undercover 4:40 B1 Just Another Day 5:05 B2 Only Makes Me Laugh 3:41 B3 My Life 4:45 B4 Nothing To Fear (But Fear Itself) 3:48 B5 Not My Slave 4:06 C1 Winning Side 3:57 C2 Wild Sex (In The Working Class) 4:15 C3 Grey Matter 5:42 C4 Private Life 3:08 C5 Gratitude 4:45 D1 Who Do You Want To Be 3:17 D2 Sweat 4:32 D3 Violent Love 2:20 D4 On The Outside 3:42 D5 Only A Lad 3:47 D6 Goodbye-Goodbye 3:30 Credits Alto Saxophone, Tenor Saxophone – Sam Phipps Art Direction – Vartan Baritone Saxophone – Leon Schneiderman Bass, Vocals – John Avila Design – DZN, The Design Group Drums, Percussion – Johnny "Vatos" Hernandez Engineer [Assistant] – Charlie Brocco, David Roberts , Jeff DeMorris, Robert Hart Guitar – Steve Bartek Illustration – Gary Panter Illustration [Cover Illustration] – Georgeanne Deen* Keyboards, Vocals – Carl Graves Mastered By – Stephen Marcussen Mixed By [Additional] – Jim Scott Other [Monitors] – Greg Stevenson Photography By [Group Photo] – John Scarpati Producer – Danny Elfman, John Avila, Steve Bartek Recorded By [Additional] – Dean Burt, Jim Scott Recorded By, Mixed By – Bill Jackson Trombone – Bruce Fowler Trumpet, Trombone – Dale Turner Vocals, Guitar [Rhythm] – Danny Elfman Notes Recorded at The Power Plant Rehearsal Studio, North Hollywood, CA Audio Recording by Le Mobile Mixed at Village Recorders: W. -
MC5's Wayne Kramer, Motorhead and the Sex Pistols Modernize Iconic Sound with Re- Recorded Tracks for Guitar Hero(R) World Tour
MC5's Wayne Kramer, Motorhead and The Sex Pistols Modernize Iconic Sound With Re- Recorded Tracks for Guitar Hero(R) World Tour 40 Years Later, Wayne Kramer, Joined By Jerry Cantrell of Alice and Chains and Gilby Clark Formerly of Guns 'N' Roses, Brings Back 'Kick Out the Jams' for Guitar Hero World Tour SANTA MONICA, Calif., Sept 03, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Guitar Hero(R) fans will have a unique opportunity to unleash their inner rockstar as they come together and kick out some jams with exclusive re-records by MC5's Wayne Kramer, Motorhead and The Sex Pistols in Activision Publishing, Inc.'s (Nasdaq: ATVI) Guitar Hero(R) World Tour. Just shy of the 40th anniversary of the seminal performance in October 1968 when "Kick Out the Jams" was originally recorded, founder and lead guitarist Wayne Kramer went back into the recording studio with original producer Bruce Botnick to re-record the track exclusively for Guitar Hero World Tour. Featuring the vocals recorded by Rob Tyner in 1968, Wayne Kramer was joined by friends Jerry Cantrell of Alice and Chains and Gilby Clark formerly of Guns 'N' Roses -- at The Woodshed Recorder, studio of composer and ex-Oingo Boingo keyboardist Richard Gibbs -- to update and modernize the sound without taking away from the original visceral garage sound that made MC5 famous and helped start the Punk Rock revolution. Last year when they re-recorded "Anarchy in the U.K." as a Guitar Hero exclusive, fellow Punk Rock band The Sex Pistols - with original members John Lydon on vocals, guitarist Steve Jones, drummer Paul Cook and producer Chris Thomas - also re- recorded "Pretty Vacant" utilizing the original analog sound board (circa 1969) that was built for George Martin at Air Studios, London, England in order to maintain the classic sound. -
The Oingo Boingo Tribute Band, Set to Play the Olivas Adobe, August 19
For Immediate Release August 11, 2017 Contact: Denise Sindelar (805) 658-4793 Marieanne Quiroz (805) 658-4724 “Dead Man’s Party,” the Oingo Boingo tribute band, set to play the Olivas Adobe, August 19 “Dead Man’s Party”, the Oingo Boingo/Danny Elman tribute band will perform on Saturday, August 19 from 7:30-9:30 pm at the historic Olivas Adobe as part of the Music Under the Stars concert series offered by the City of Ventura. A limited number of tickets are still available and can be purchased through the Parks, Recreation & Community Partnerships Department by calling 805-658- 4726 or at the Olivas Adobe, 4200 Olivas Park Drive, on the day of the concert; doors open at 6:30 pm. Reserved tables for four are available for an additional $15. This eight-piece band is very similar to the original Oingo Boingo line-up, featuring a three-piece horn section, bass, drums, keys, guitar, and a convincing front-man. Former Oingo Boingo members, such as John Avila, Steve Bartek and Johnny “Vatos” Hernandez have been known to join Dead Man’s Party during their performances. You never know what kind of surprise Dead Man’s Party will bring to the stage, with one exception; it is bound to be an incredible time! Concert goers may bring in their own picnic dinner or purchase food on-site from the Pizza Man Dan’s food truck and the Java Cat coffee truck. In addition, full beverage service from Beverlee’s will also be available. The Music Under the Stars concert series will continue every Saturday night with the last concert scheduled for September 9, 2017. -
History of Erewhon 1
HISTORY OF EREWHON 1 HISTORY OF EREWHON - NATURAL FOODS PIONEER IN THE UNITED STATES (1966-2011): EXTENSIVELY ANNOTATED BIBLIOGRAPHY AND SOURCEBOOK Copyright © 2011 by Soyinfo Center HISTORY OF EREWHON 2 Copyright © 2011 by Soyinfo Center HISTORY OF EREWHON 3 HISTORY OF EREWHON - NATURAL FOODS PIONEER IN THE UNITED STATES (1966-2011): EXTENSIVELY ANNOTATED BIBLIOGRAPHY AND SOURCEBOOK Compiled by William Shurtleff & Akiko Aoyagi 2011 Copyright © 2011 by Soyinfo Center HISTORY OF EREWHON 4 Copyright (c) 2011 by William Shurtleff & Akiko Aoyagi All rights reserved. No part of this work may be reproduced or copied in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information and retrieval systems - except for use in reviews, without written permission from the publisher. Published by: Soyinfo Center P.O. Box 234 Lafayette, CA 94549-0234 USA Phone: 925-283-2991 Fax: 925-283-9091 www.soyinfocenter.com [email protected] ISBN 978-1-928914-33-4 (History of Erewhon) Printed 2011 April 4; revised and enlarged 2011 April 30 Price: Available on the Web free of charge Search engine keywords: Erewhon Trading Co. Erewhon Trading Company Erewhon Inc. Erewhon, Inc. Copyright © 2011 by Soyinfo Center HISTORY OF EREWHON 5 Contents Page Dedication and Acknowledgments .............................................................................................................................. 6 Preface, by James Silver ............................................................................................................................................. -
January 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1984 Wavelength (January 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1984) 39 https://scholarworks.uno.edu/wavelength/39 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ORLEANS '84 World's Fair: 'The Most Exciting Plate In The World' Trash Movies As Art Movies Theatre Art& Music Rolling Listings With Shirley and Lee Thoroughly Modem Marsalis BULK RATE U.S. POSTAGE PAID ALEXANDRIA, LA PERMIT N0.88 utauelenglh ISSUE N0.39 • JANUARY 1984 ISSN 0741·2460 ''I 'm not sure, but I'm almost positive, that all music came from New Orleans. '' -Ernie K-Doe, 1979 Cover photo by Michael P. Smith t table of contents What a Year!!! Features -------• World's Fair by Bunny Matthews ............ 14 You're gonna need Wavelength in 1984 Shirley Goodman by Almost Slim . ........... 16 Naughty Marietta New Orleans knows how to party, but this by Don Lee Keith . .. .. .... .. 19 year, we're really going to show our Ellis Marsalis With all the thousands of events to by Yorke Corbin . 21 from, you're going to need us more Spirit World ever, so you won't miss one minute of the by rico .. .... ...... .. ... ... 23 fun. Departments----- January News .. ...... ... ......... 4 AND IF YOU SUBSCRIBE NOW, Golden Moments by Almost Slim . -
Oingo Boingo Dead Man's Party Mp3, Flac, Wma
Oingo Boingo Dead Man's Party mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Dead Man's Party Country: US Released: 1986 Style: New Wave MP3 version RAR size: 1913 mb FLAC version RAR size: 1148 mb WMA version RAR size: 1732 mb Rating: 4.1 Votes: 491 Other Formats: AIFF MP2 DTS AAC MMF TTA FLAC Tracklist Hide Credits 1 Just Another Day 5:13 2 Dead Man's Party 6:21 3 Heard Somebody Cry 4:40 4 No One Lives Forever 4:14 5 Stay 3:37 6 Fool's Paradise 4:34 7 Help Me 3:46 8 Same Man I Was Before 3:24 Weird Science 9 6:07 Recorded By, Mixed By – David Leonard Companies, etc. Phonographic Copyright (p) – MCA Records, Inc. Copyright (c) – MCA Records, Inc. Recorded At – Sunset Sound Factory Mixed At – Capitol Studios Manufactured By – MCA Records, Inc. Manufactured By – UNI Credits Art Direction, Design – Larry Vigon Art Direction, Photography By – Jayme Odgers Artwork By [Clay Figures Created By] – Celeste Williams Baritone Saxophone, Alto Saxophone – Leon Schneiderman Bass, Vocals – John Avila Drums, Percussion – John Hernandez* Engineer [Mix Second Engineer] – Charlie Pakkari*, Judy Clapp Engineer [Recording Second Engineer] – Mike Kloster, Paul Levy, Stuart Farusho Guitar – Steve Bartek Keyboards – Mike Bacich Management – Mike Gormley Mastered By – Wally Traugott Mixed By – Michael Frondelli (tracks: 1 to 8) Producer – Danny Elfman, Steve Bartek Producer [Assistant] – Laura Engel Recorded By – Bill Jackson (tracks: 1 to 8) Tenor Saxophone, Soprano Saxophone – Sam Phipps Trumpet, Trombone – Dale Turner Vocals, Rhythm Guitar, Words -
Academic Programs . . . 46 Performance Bass
Academic Calendar . 4 About LACM . 6 CONTENTS LACM Educational Programs . 9 Administration . 10 Admissions . 11 Tuition & Fees . 13 Financial Aid . 16 Registrar . 20 International Student Services . 26 Academic Policies & Procedures . 27 Student Life . 30 Career Services . 32 Campus Facilities – Security . 33 Rules of Conduct & Expectations . 35 Health Policies . 36 Grievance Policy & Procedures . 39 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 Academic Programs . 46 Performance Bass . 46 Brass & Woodwind . 52 Drums . 58 Guitar . 64 Vocal . 70 Music Composition Songwriting . 76 Music Production Composing for Visual Media . 82 Music Producing & Recording . 86 Music Industry Music Business . 92 Course Descriptions . 98 Department Chairs & Faculty Biographies . 138 SPRING 2015 (APRIL 6 – JUNE 19) SUMMER 2015 (JULY 6 – SEPTEMBER 18) January 26-30: Registration Period for April 27-May 1: Registration Period for Upcoming Quarter Upcoming Quarter April 6: Quarter Begins May 26: Tuition Deadline for Continuing Students February 23: Tuition Deadline for Continuing Students July 3: Independence Day (Observed), Campus Closed May 25: Memorial Day, Campus Closed July 6: Quarter Begins June 15–19: Exams Week September 7: Labor Day, Campus Closed June 19: Quarter ends September 14-18: Exams Week September 18: Quarter Ends September 19: Graduation ACADEMIC CALENDAR FALL 2015 (OCTOBER 5 – DECEMBER 18) WINTER 2016 (JANUARY 4 – MARCH 18) July 27-31: Registration Period for October 26-30: Registration Period for Upcoming Quarter Upcoming Quarter August 24: Tuition Deadline for Continuing November 23: Tuition Deadline for Continuing Students Students October 5: Quarter Begins January 4: Quarter Begins Nov. 11: Veterans, Campus Closed January 18: MLK Jr. -
Students Protest Fee Increase
I - ."'. ".:') " ;:\~:~.:\ "~,,.tl::.i;~:t,<;.\,;,:,;; .• ;>{, ... ~;~;'::~ :;:.\Jl Poised Wildcats take two page 9 Volume 28, Issue 4 California State University, Chico Wednesday, February 19, 1992 ------------------------~---------------------------------~--~-----------------------------------------. The legend lives on Students protest fee increase He's a funny guy Ed Rollins, chairman of the 1984 Reagan! Bush Presidential Campaign and one of Crowd marches on I<endall Limited child c;:are, fee Chico State University's most trunous gradu ates, was on national television last week taking cheap-shots at his alma mater. Hall, Wi Ison speaks out proposal outrage parents During a recent Republican convention! celebration in New Hampshire for Ronald Patrick Mullins and Shelley White through the rain into Kendall Hall. Crissy Follmann the group as they marched through, from Reagan's 81st birthday, the state legislature Staff Writers The rally, which began at noon and 1..1S[<''<I Campus Editor Kendall 1-1;]11 and the Free Speech Area. had proclaimed it Rush Limbaugh Day (go Yesterday a group of about 100 stu until about 1:30 p.m., feanlnxl several speak Forty-five parent students and chil Four people spoke to the crowd in the figure) and Rollins was reading Umbaugh's dents braved the rain and cold to voice ers who are heavily involv(..>(i in the move [0 dren rallied and marched across the Fret.! Speech Area abollt their anger over introduction when he stuttered on a word. their opinions against the proposed 40 block the proPOSt.'CI fee incre:.\se. Chico State University campus Monday the lack of availabk, affordable child care "You'll have to excuse me," Rollins said percent fee increase, Richard Elsom, A.S. -
Louis Riel, Justice, and Mtis Self-Identification: Literary Politics
Robin White Goldsmiths College, University of London Thesis for the Degree of Ph.D., 2014 Louis Riel, Justice, and Métis Self-Identification: Literary Politics for Survival in the Evolution of Canadian Nationhood 1 I, Robin White, declare this thesis to be entirely my own original work. 2 Abstract of Thesis This thesis explores Métis identity in the context of the ambiguous nature of the Canadian national identity, and in particular, how the Louis Riel ‘Rebellions’ of 1869- 70 and 1885, continue to resonate in contemporary Métis literature. While it is the case that the Métis have self-identified within their own communities since the seventeenth century, it is also the case that the legal definition and recognition of the Métis were not realized until 1982. Indeed, the fine points of law in the Canadian Constitution are still in dispute, not least because the Métis were not included in the initial signing of treaties with the Dominion of Canada. For the purposes of this thesis, it is first necessary to engage in a thorough examination of historical accounts of the resistance of the Métis against expansionist encroachment of the Dominion of Canada in the Northwest in order to trace the source and evolution of contemporary Métis literature. I consider the ways in which the literary texts of Métis authors confront racial and cultural prejudice that are the direct result of Constitutional law, charters of rights, legislation in the judicial system, and the eleven Confederation numbered treaties, drafted before, during and after the Riel Resistances. The introductory and first chapters include contemporary Métis historical and legal academic analyses of the ‘Rebellions’ and an exploration of how the Government of Canada’s response in 1885 to the Métis uprising continues to inform its legal positions concerning Métis land rights and self-identification, while striving to maintain an international reputation as politically, and ethically, just.