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#351 | DEC17 PREVIEWS world.com ORDERS DUE DEC 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Dec17 Cover ROF and COF.indd 1 11/9/2017 3:19:35 PM Dec17 Dark Horse.indd 1 11/9/2017 9:27:19 AM KICK-ASS #1 (2018) INCOGNEGRO: IMAGE COMICS RENAISSANCE #1 DARK HORSE COMICS GREEN LANTERN: EARTH ONE VOLUME 1 HC DC ENTERTAINMENT MATA HARI #1 DARK HORSE COMICS VS. #1 IMAGE COMICS PUNKS NOT DEAD #1 IDW ENTERTAINMENT THE BRAVE AND THE BOLD: BATMAN AND WONDER DOCTOR STRANGE: WOMAN #1 DAMNATION #1 DC ENTERTAINMENT MARVEL COMICS Dec17 Gem Page ROF COF.indd 1 11/9/2017 3:15:13 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Jimmy’s Bastards Volume 1 TP l AFTERSHOCK COMICS Dreadful Beauty: The Art of Providence HC l AVATAR PRESS INC 1 Jim Henson’s Labyrinth #1 l BOOM! STUDIOS WWE #14 l BOOM! STUDIOS Dejah Thoris #1 l D. E./DYNAMITE ENTERTAINMENT 1 Pumpkinhead #1 l D. E./DYNAMITE ENTERTAINMENT Is This Guy For Real? 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    Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J.
  • The Journal of Research on Libraries and Young Adults

    The Journal of Research on Libraries and Young Adults

    The Journal of Research on Libraries and Young Adults Volume 6: August 2015 www.yalsa.ala.org/jrlya Adolescent Females and the Graphic Novel: A Content Analysis Emily Simmons, ELA Teacher, Hernando Middle School Abstract Numerous studies of adolescent reading preferences have found that fewer females than males are drawn to reading graphic novels. Why? Adolescent readers are diverse in gender and race/ethnicity as well as the disabilities they represent. Do main characters in graphic novels reflect that diversity? Has representation changed over time? Using a content analysis approach, this study examined the main characters in a set of recommended popular graphic novels for teens to determine the percentage of female protagonists and how that percentage has changed over a seven-year period. Additionally, the race/ethnicity and any disabilities of the female main characters were analyzed. The 70 recommended graphic novels and illustrated nonfiction for teens ages 12 to 18 used for the study were found on YALSA’s “Top Ten Great Graphic Novels for Teens” lists from 2007 through 2013. Female main characters were found in 46% of the titles, with 24% of these titles having only female main characters while 22% had both female and male main characters; the female main characters represented three of five race categories identified by the U.S. Census Bureau and four of the fourteen disability classifications identified by IDEA. Introduction Enticing adolescents to read has been and remains today a core objective for librarians, educators, and parents. At any age, reading preferences reflect reading interests; therefore, it is essential for libraries and schools to provide a varied collection of books to meet a myriad of interests.