DOCSLIB.ORG

Mystery, Suspense, & Thrill

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mystery, Suspense, & Thrill Fiction Continued True Crime Books Savage YA FIC SNIEGOSKI (K) In order by call number in the Teen Spaces (YA) Sidney and her friends must race to find the at Kennedy (K) and/or Westergard (W). origin of a storm that has hit their small island Mystery, home, turning every animal into a savage Getting Away With Murder: The True Story of weapon. the Emmett Till Case YA 364.1523 Crowe (K) Presents a true account of the murder of 14-year The Darkest Corners YA M THOMAS (W) -old Emmett Till in Mississippi in 1955. Suspense, When her father dies, Tessa is pulled back to the small town where her life came apart, the place The Family Romanov: Murder, Rebellion & where her testimony sent a serial killer to death The Fall of Imperial Russia row. Now, that killer might be getting a new trial & Thrill YA 947.083 Fleming (K/W) as long buried secrets come to light. Traces the story of the Russian Revolution, the lives of the Romanov family, and the story of Beware that Girl YA FIC TOTEN (K) their tragic deaths, in an account that draws on When a scholarship girl and a wealthy classmate primary source materials. become friends, their bond is tested when a handsome teacher separately influences the The Zodiac Killer: Terror and Mystery girls. For fans of psychological thrillers. YA 364.1523 Haugen (W) Examines the details of the Zodiac Killer case in Shallow Graves YA FIC WALLACE (K) 1960s San Francisco, including the victims, the After waking in a shallow grave, Breezy, a high crimes, and speculations as to the identity of the school student, crosses the country seeking Zodiac Killer. answers about her death and resurrection. The Borden Murders: Lizzie Borden & The The Book of Blood and Shadow Trial of the Century YA 345.744 Miller (K/W) YA FIC WASSERMAN (W) Examines the Borden murders, using newspa- A research project turns deadly for a group of per articles to recreate the events and the trial. teens when one is murdered. The remaining With murder and court battles, this nonfiction teens take advantage of a school trip to Europe book reads like a thriller! to search for clues, but danger waits in places they considered safe. Ascending the Boneyard YA FIC WATSON (K) Overwhelmed by a series of losses, Tosh escapes into a video game, but soon the game becomes much more real than his life. Filled with action and psychological suspense. The Steep and Thorny Way Piscataway Public Library Piscataway Public Library YA FIC WINTERS (K) Kennedy Library (K): 500 Hoes Lane, 732-463-1633 Hanalee, a biracial girl in rural Oregon in the Westergard Library (W): 20 Murray Ave, 732-752-1166 Teen Services Department 1920s, searches for the truth about her father’s http://www.piscatawaylibrary.org/teenscene death while avoiding trouble from the KKK. July 2016 (Many annotations are from the library’s catalog) Fiction Property of the State YA M CAMERON (W) The May Queen Murders YA FIC JUDE (W) Joey has been property of the state longer than When her beloved cousin goes missing after a In order by author’s last name in the Teen Spaces he was in parental custody. Now living in May Day celebration, Ivy discovers that both her (YA) at Kennedy (K) and/or Westergard (W). Huntzel Manor, where he works part time, he cousin and her hometown are as full of secrets keeps a low profile. But attention arrives in the as the woods that surround them. The Leaving YA FIC ALTEBRANDO (W) worst possible way: a classmate is seriously 6 kindergarteners were taken. 11 years later, 5 injured and Joey becomes the suspect. The Safest Lies YA FIC MIRANDA (W) come back with no idea where they’ve been or When Kelsey’s mother disappears after years of what happened to the 6th victim, Max. Max’s With Malice YA FIC COOK (K) claiming the kidnappers she escaped from were sister is determined to find him, dead or alive. Jill wakes up in a hospital, unable to remember coming back for her, Kelsey discovers that her the past 6 weeks including the accident that mother isn’t who she thought she was...and Girl Last Seen YA FIC ANASTASIU (K) killed her best friend — if it was, in fact, an she’s not the abductor’s only target. When Kadence disappears, her best friend and accident. former singing partner Lauren comes under Secrets, Lies, and Scandals suspicion. Nobody believes Lauren when she The Killer in Me YA FIC HARRISON (W) YA FIC MORGAN (K) claims she had nothing to do with the A girl’s unsettling connection with a serial killer Teens Ivy, Tyler, Kinley, Mattie, and Cade are disappearance, leaving her no other option but to leads her on a potentially deadly manhunt. involved in the death of their elderly teacher and uncover the truth and clear her own name. now must find a way to trust each other. The Girl I Used to Be YA FIC HENRY (W) The Twin’s Daughter Olivia’s parents were killed 14 years ago. Now, Never Missing, Never Found YA FIC BARATZ-LOGSTED (K/W) new evidence reopens the case, and she finds YA FIC PANITCH (W) Lucy’s comfortable world begins slowly to unravel herself involved. Stolen from her family as a young girl, Scarlett is the day that a bedraggled woman who looks now moving on from the past and starting her exactly like her mother appears at their door. Twisted YA FIC JAYNE (K) summer job at an amusement park. But, when a Bex is ready to start a new life where she won’t girl goes missing from the park, it’s clear that the Guy Langman, Crime Scene Procrastinator be known as a serial killer’s daughter. Though past is not done with Scarlett. YA M BERK (W) her father was never tried for the murders, he Guy agrees to join the school’s forensic club, disappeared after questioning. Now, the police The Mystery of the Hollow Places partly to meet girls and partly to deal with his want to use Bex as bait, but is she baiting a YA M PODOS (W) father’s death. Then, everything changes when a serial killer or endangering an innocent man? A mystery writer’s daughter sets out to find her student who looks like Guy is killed. Could his missing father. father’s past and the dead body be linked? The Truth YA FIC JOHNSTON (K) After shooting an intruder in his home, Chris is Burning YA FIC ROLLINS (W) Nightstruck YA FIC BLACK (K) taken and held hostage by the brother of the After 3 years in juvenile detention, Angela is Struggling with her parents’ divorce and high intruder who demands to know exactly what close to her release date. Then Jessica arrives. expectations, Becket is tricked into opening a happened the night of the shooting. No one knows what she did, but creepy things door between worlds and unleashing magical begin to happen. It’s clear that Jessica is more monsters into her community. A tale of heart- dangerous than anyone expected. pounding terror full of suspense and intrigue. After the Woods YA FIC SAVAGE (W) Sanctuary Bay YA FIC BURNS (W) Julia knows she beat the odds. She escaped the When Sara attends the exclusive Sanctuary Bay kidnapper who hunted her in the woods for two Academy, she is thrown into a world of privilege, terrifying nights that she can’t fully remember. but soon discovers the school’s dark secrets. As always, we’re here to help you find any Now, one year later, a dead girl turns up in those information you’re looking for. Speak with a same woods causing the memories to resurface. Librarian or text a question to 732-474-8864. .
Load more

Recommended publications
  • 1Q12 IPG Cable Nets.Xlsm
    Independent Programming means a telecast on a Comcast or Total Hours of Independent Programming NBCUniversal network that was produced by an entity Aired During the First Quarter 2012 unaffiliated with Comcast and/or NBCUniversal. Each independent program or series listed has been classified as new or continuing. 2061:30:00 Continuing Independent Series and Programming means series (HH:MM:SS) and programming that began prior to January 18, 2011 but ends on or after January 18, 2011. New Independent Series and Programming means series and programming renewed or picked up on or after January 18, 2011 or that were not on the network prior to January 18, INDEPENDENT PROGRAMMING Independent Programming Report Chiller First Quarter 2012 Network Program Name Episode Name Initial (I) or New (N) or Primary (P) or Program Description Air Date Start Time* End Time* Length Repeat (R)? Continuing (C)? Multicast (M)? (MM/DD/YYYY) (HH:MM:SS) (HH:MM:SS) (HH:MM:SS) CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 01:00:00 02:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 02:30:00 04:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 08:00:00 09:30:00 01:30:00 CHILLER ORIGINAL CHILLER 13: HORROR’S CREEPIEST KIDS R C P Reality: Other 01/01/2012 09:30:00 11:00:00 01:30:00 CHILLER ORIGINAL CHILLER 13: THE DECADE'S SCARIEST MOVIE MOMENTS R C P Reality: Other 01/01/2012 11:00:00 12:30:00 01:30:00 CHILLER
    [Show full text]
  • Buffy & Angel Watching Order
    Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74
    [Show full text]
  • Buffy the Killer in Me Transcript
    Buffy The Killer In Me Transcript Chewy and exclamatory Wendel build her mamelon crating unanswerably or betake inscrutably, is Andrew masqueradeborn-again? Westbrookhis cheapskate. misfitted fifty-fifty. Hydrophanous and rosy-cheeked Mike always lustrated cattily and You Jane Surprise The Zeppo The I approach Team Blood Ties Dead Things The Killer in Me Innocence Bad Girls Goodbye Iowa Crush Older and rage Away. Austin Powers The book Who Shagged Me 06 MiB Authors Anonymous 07 MiB. The killer of me in an. She in buffy transcripts were unaware of killer must hate. Yeah, a medical transport is delivering the monthly supply of blood to the hospital. We hope i keep the BuffyVerse alive can also discussing new shows that have started since. Screams, humdrum or bizarre, at one point. And Veronica, Green and harsh, man. Why is it that they promote not taking smart? Plus People Detained; Interview With Gov. Early Votes Cast; Wisconsin Breaks Record too Early Voting. As an matter and fact, Karl. None maintain the super-strong killer preacher who wiped the jar with them. Sarah Leavitt is look on an historical fiction graphic novel from a serial killer who. But while first I breathed a sigh of relief. Election Court Losses Continue. Mallory winks at Mickey. Lucifer do in buffy transcripts the killer slip through to supporters. We each drew one. At least whether a value while, Julian, go cautiously inside. It is not a town! Restless Virgins, where you battle had. What insight they do? Not find love, all open them? Life Violence; Biden Administration Touts Ambitious Climate Change Plan; Newly Revealed Police Video Shows Rioters Attacking Officers.
    [Show full text]
  • Buffy the Vampire Slayer: a Feminist Reading1
    Religious imagery and its political significance in Buffy the Vampire Slayer: a feminist reading1 For Molly and Emily Eve am I, great Adam’s wife, I killed Jesus long ago . Irish lament Theoretically there would be no such thing as woman. She would not exist. Luce Irigaray, Speculum of the Other Woman Invitation ‘As a woman, I have no country. As a woman I want no country. As a woman my country is the whole world’.2 The famous declaration is Virginia Woolf’s, championing in Three Guineas, women’s rights both to education and entry into the professions, in a seminal feminist manifesto, important aspects of which, I shall suggest, are reflected in Buffy the Vampire Slayer. In this essay, I should like both to celebrate and to critique the Buffy series, by placing it in the larger contexts of Western feminist spirituality and political thought. Especially, I intend to argue that Buffy represents a particular combination of knowledge and power which places her outside the mainstream of super-heroes and leads to particular ideas of learning, of spirituality, and of citizenship. These ideas place Buffy and the Scoobies outside the dominant discourses of Western patriarchy and closer to Virginia Woolf’s idea of a group of women, which: would have no honorary treasurer, for it would need no funds. It would have no office, no committee, no secretary; it would call no meetings; it would hold no conferences. If name it must have, it could be called the Outsiders’ Society.3 . Over the years, the feminist project has been concerned to slay its own vampires, in the form of ideas that, hundreds of years old, have prowled and fed on society’s marginalised communities, especially women.
    [Show full text]
  • Creepily Crafted for the Spooktacular Grapevine Public Library
    Campfire Sarles, Shawn Y SAR Sixteen-year-old Mad- die's camping trip with family and friends in a remote mountain loca- tion turns deadly as stories told around the campfire begin com- ing true. The Graces Eve, Laure Y EVE When a glamorous family of teenage witches brings a mysterious new girl into their fold, they unwittingly nurture a powerful black magic that could destroy Horror them all. Fenrin, Thalia, and Summer Grace are capti- vating, wealthy, and glamorous. They’ve managed to cast a spell over not just their high school but also their entire town—and they’re rumored to have powerful connections all over the world. Especially River: the loner, new girl at school. She’s different from her peers, who both revere and fear the Grace family. She wants to be a Grace more than anything. But what the Graces don’t know is that River’s pres- Books ence in town is no accident. Anna Dressed in Blood Blake, Kendare Y BLA Cas Lowood is a ghost hunter: a loner who travels the country and rids towns of ghosts. Anna is the deadly ghost of a mur- for Teens dered girl who kills everyone who enters the home she haunts — except for Cas. A great tale for haunted house lovers. Creepily crafted for The Replacement Yovanoff, Brenna Y YOV the spooktacular 16 year-old Mackie Doyle knows that he replaced a human child when he was just an infant and when a Grapevine Public Library. friend’s sister disappears he goes against his family’s and town’s deliberate denial of the problem to con- front the beings that dwell under the town, tampering Modified 8/21/2018 with human lives.
    [Show full text]
  • 2020 Theakston Old Peculier Crime Novel of the Year Award Submissions Information A-Z by Author Surname
    2020 Theakston Old Peculier Crime Novel of the Year Award Submissions Information A-Z by Author Surname Abbott, Rachel Rachel Abbott began her career as an independent author in 2011, with Only the Innocent, which became a No.1 bestseller on Kindle, topping the chart for four weeks. Since then, she has published ten further psychological thrillers, plus a novella, and sold over 4 million copies in the English language. She is one of the top-selling authors of all time in the UK Kindle store (published and self- published), and her novels have been translated into over 20 languages. Her latest novel, THE MURDER GAME, publishes in April 2020. And So It Begins WHO WILL BELIEVE YOUR STORY IF THE ONLY WITNESS IS DEAD? Cleo knows she should be happy for her brother Mark. He's managed to find someone new after the sudden death of his first wife - but something about Evie just doesn't feel right... When Evie starts having accidents at home, her friends grow concerned. Could Mark be causing her injuries? Called out to their cliff-top house one night, Sergeant Stephanie King finds two bodies entangled on blood-drenched sheets. Where does murder begin? When the knife is raised to strike, or before, at the first thought of violence? As the accused stands trial, the jury is forced to consider - is there ever a proper defence for murder? Anderson, Lin Lin Anderson is a Scottish author and screenwriter known for her bestselling crime series featuring forensic scientist Dr Rhona MacLeod. Four of her novels have been longlisted for the Scottish Crime Book of the Year, with Follow the Dead being a 2018 finalist.
    [Show full text]
  • DECLARATION of Jane Sunderland in Support of Request For
    Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE
    [Show full text]
  • Queering the Slayer-Text: Reading Possibilities in Buffy the Vampire Slayer - Rebecca Beirne
    Refractory » Queering the Slayer-Text Page 1 of 7 Refractory: a Journal of Entertainment Media (ISSN:1447-4905) Queering the Slayer-Text: Reading Possibilities in Buffy the Vampire Slayer - Rebecca Beirne Published Feb 3rd 2004 Until the mid-1990s, the image of the polluted homosexual dominated the screen. Then there was a striking change: the rise of the “normal gay”. - Steven Seidman, Beyond the Closet[1] Employing the subversive power of the unnatural to unseat the Platonic world view, the queer, unlike the rather polite categories of gay and lesbian, revels in the discourse of the loathsome, the outcast, the idiomatically- proscribed position of same-sex desire. - Sue-Ellen Case, ‘Tracking the Vampire’[2] Of the dominant trends of lesbian representation in the last decade of the twentieth, and early twenty-first century, there are two that stretch in entirely different directions, but which are both pertinent to a discussion of the textual and subtextual lesbianisms in Buffy the Vampire Slayer. There is the normalised gay (and I mean ‘gay’ rather than lesbian), and there is the ‘polymorphously perverse’, uncanny, and monstrous queer. I believe that the portrayal of lesbianism in Buffy the Vampire Slayer, takes both of these trends, and plaits them together to create what is truly a strange, sometimes problematic, sometimes positive, but ultimately unique portrait of lesbianism. For the theorisation of the normal gay, I turn predominantly to Steven Seidman’s recent work Beyond the Closet, which identifies the trend in mainstream sources away from characterising the homosexual as polluted, and cites a process whereby homosexuality is ‘normalised’ in order to become palatable for a predominantly heterosexual audience.
    [Show full text]
  • Bradney "I Made a Promise to a Lady": Law and Love in Btvs
    Anthony Bradney "I Made a Promise to a Lady": Law and Love in BtVS [1] As with the world at large, two things grip the central characters in BtVS, their search for love and their search for a law to direct their lives. From the moment that Buffy outlines her dating technique to Willow in the first programme, "Welcome to the Hellmouth" (1001) to the moment in the final episode when Buffy suggests redefining the rule that says that there should only be one Slayer ("Chosen," 7022), references to love and law run through the series. The critical literature on the series has regularly examined the role of love in BtVS (see, for example, DeKelb-Rittenhouse (2002) and Spah [2002]). Law has received less attention, the focus usually being on the larger concept of authority (see, for example, Buinicki and Enns (2001) and McClelland [2001]). The interaction between law and love in the series has so far escaped analysis. This article will seek to demonstrate that this is a loss because this interaction is another important example "of the shows’ underlying implied discussion of feminism, religion, politics and so on" (Kaveney 3). Moreover, the discussion of this topic takes a different direction to that that is to be found elsewhere. In BtVS, in contrast to standard literary treatments such as King Lear, where the pursuit of law and the pursuit of love are seen as being inimical (Kahn), the two quests for love and law are increasingly linked as BtVS develops, so that in the end the pursuit of love and the pursuit of law become conjoined.
    [Show full text]
  • (Don't) Wear Glasses: the Performativity of Smart Girls On
    GIRLS WHO (DON'T) WEAR GLASSES: THE PERFORMATIVITY OF SMART GIRLS ON TEEN TELEVISION Sandra B. Conaway A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Kristine Blair, Advisor Julie Edmister Graduate Faculty Representative Erin Labbie Katherine Bradshaw © 2007 Sandra Conaway All Rights Reserved iii ABSTRACT Kristine Blair, Advisor This dissertation takes a feminist view of t television programs featuring smart girls, and considers the “wave” of feminism popular at the time of each program. Judith Butler’s concept from Gender Trouble of “gender as a performance,” which says that normative behavior for a given gender is reinforced by culture, helps to explain how girls learn to behave according to our culture’s rules for appropriate girlhood. Television reinforces for intellectual girls that they must perform their gender appropriately, or suffer the consequences of being invisible and unpopular, and that they will win rewards for performing in more traditionally feminine ways. 1990-2006 featured a large number of hour-long television dramas and dramedies starring teenage characters, and aimed at a young audience, including Beverly Hills, 90210, My So-Called Life, Buffy the Vampire Slayer, Freaks and Geeks, and Gilmore Girls. In most teen shows there is a designated smart girl who is not afraid to demonstrate her interest in math or science, or writing or reading. In lieu of ethnic or racial minority characters, she is often the “other” of the group because of her less conventionally attractive appearance, her interest in school, her strong sense of right and wrong, and her lack of experience with boys.
    [Show full text]
  • Slayage 10 November 2003 [3.2] David Lavery and Rhonda V
    Slayage: Number Ten Slayage 10 November 2003 [3.2] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. Naomi Alderman and Annette Seidel-Arpacı, Imaginary Para-Sites of the Soul: Vampires and Representations of ‘Blackness’ and ‘Jewishness’ in the Buffy/Angelverse. PDF Version (Acrobat Reader Required) Anthony Bradney (University of Leicester), “I Made a Promise to a Lady”: Law and Love in BtVS. PDF Version (Acrobat Reader Required) Lawrence B. Rosenfeld and Scarlet L. Wynns (University of North Carolina at Chapel Hill), Perceived Values and Social Support in Buffy the Vampire Slayer. PDF Version (Acrobat Reader Required) Carolyn Cocca (SUNY Old Westbury), "First Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist Theories, and Buffy the Vampire Slayer. PDF Version (Acrobat Reader Required) Recommended. Here and in each 1 [1.1] 2 [1.2] 3 [1.3] 4 [1.4] issue of Slayage the editors will recommend writing on BtVS available on the Internet. 5 [2.1] 6 [2.2] 7 [2.3] 8 [2.4] Cathleen Kaveny, What Women Want: "Buffy," The Pope, and the New 11-12 Feminists (in Commonweal) 9 [3.1] 10 [3.2] [3.3-4] Virginia Postrel, Why Buffy Kicks Ass (in ) 13-14 15 [4.3] Ian Shuttleworth, Bite Me, Professor Archives [4.1-2] (in The Financial Times) Cynthia Fuchs, Captain Forehead (review of AtS Season Five) in file:///C|/Documents%20and%20Settings/David%20Lavery/Lavery%20Documents/SOIJBS/Numbers/slayage10.htm (1 of 2)12/21/2004 4:24:08 AM Slayage, Number 10: Alderman and Seidel-Arpaci Naomi Alderman and Annette Seidel-Arpaci Imaginary Para-Sites of the Soul: Vampires and Representations of ‘Blackness’ and ‘Jewishness’ in the Buffy/ Angelverse (1) The role of the “other” in both Angel and Buffy the Vampire Slayer is complicated and sometimes vexed.
    [Show full text]
  • The Queer Art of Failure
    The Queer Art of Failure A John hope FrAnklin Center Book The Queer Art of Failure Judith Halberstam Duke university press | DurhAm AnD lonDon | 2011 © 2011 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by Amy Ruth Buchanan Typeset in Quadraat and Quadraat Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the University of Southern California, which provided funds toward the production of this book. For All oF history’s losers Contents Illustrations ix Acknowledgments xi Introduction: Low Theory 1 1. Animating Revolt and Revolting Animation 27 2. Dude, Where’s My Phallus? Forgetting, Losing, Looping 53 3. The Queer Art of Failure 87 4. Shadow Feminisms: Queer Negativity and Radical Passivity 123 5. “The Killer in Me Is the Killer in You”: Homosexuality and Fascism 147 6. Animating Failure: Ending, Fleeing, Surviving 173 Notes 189 Bibliography 193 Index 201 illustrAtions Figures 1. Chicken Run, 2000 28 2. Toy Story, 1995 31 3. Monsters, Inc., 2001 43 4. Over the Hedge, 2006 45 5. Robots, 2005 46 6. Bee Movie, 2007 49 7. Finding Nemo, 2003 54 8. Brassai, “La Grosse Claude et son amie, au ‘Monocle,’” ca. 1932 99 9. Cecil Beaton, “Gertude Stein.” (1935) 102 10. Cabello/Carceller, “Sin título (Utopia) #27,” 1998–99 112 11. Cabello/Carceller, “Sin título (Utopia) #29,” 1998–99 112 12. Cabello/Carceller, “Alguna Parte #5,” 2000 114 13. Cabello/Carceller, “Alguna Parte #2,” 2000 114 14.
    [Show full text]