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Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
The Championships 2013 Gentlemen's Doubles Winners: B
The Championships 2013 Gentlemen's Doubles Winners: B. Bryan & M. Bryan [1] 3/6 6/3 6/4 6/4 First Round Second Round Third Round Quarter-Finals Semi-Finals Final 1. Bob Bryan (USA) & Mike Bryan (USA)...........[1] B. Bryan & M. Bryan [1] B. Bryan & 2. Marcelo Demoliner (BRA) & Andre Sa (BRA)....... ..........................................6/4 6/4 6/1 M. Bryan [1] 3. David Marrero (ESP) & Andreas Seppi (ITA)........ D. Marrero & A. Seppi .........................6/3 7/5 6/4 B. Bryan & (WC) 4. Jamie Baker (GBR) & Kyle Edmund (GBR).......... ..........................................6/4 7/5 6/2 M. Bryan [1] (LL) 5. Denis Kudla (USA) & Tim Smyczek (USA)............ A. Begemann & M. Emmrich .....................7/5 6/3 7/6(3) T. Huey & 6. Andre Begemann (GER) & Martin Emmrich (GER) ................................6/2 6/7(4) 6/4 6/1 D. Inglot [16] 7. Roberto Bautista Agut (ESP) & Daniel Gimeno-Traver (ESP) T. Huey & D. Inglot [16] ..........6/3 6/7(2) 7/5 7/6(3) 8. Treat Huey (PHI) & Dominic Inglot (GBR)....[16] ..........................................6/3 6/4 7/5 9. Santiago Gonzalez (MEX) & Scott Lipsky (USA) [10] S. Gonzalez & S. Lipsky [10] J. Levine & 10. Paolo Lorenzi (ITA) & Benoit Paire (FRA)............. ......................................6/4 7/6(3) 6/4 V. Pospisil 11. Lukas Dlouhy (CZE) & Rajeev Ram (USA)........... 7/6(5) 7/6(3) 7/6(4) J. Levine & V. Pospisil .........4/6 7/6(3) 6/4 3/6 6/3 M. Bhupathi & B. Bryan & M. [1] (Q) 12. Jesse Levine (CAN) & Vasek Pospisil (CAN)........ ..........................................6/2 6/4 6/1 J. Knowle [8] (Q) 13. -
Grant Green Matador Mp3, Flac, Wma
Grant Green Matador mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Matador Country: Japan Released: 1993 Style: Hard Bop MP3 version RAR size: 1521 mb FLAC version RAR size: 1151 mb WMA version RAR size: 1550 mb Rating: 4.4 Votes: 370 Other Formats: WAV AIFF AA FLAC MP3 RA VQF Tracklist A1 Matador 10:52 A2 My Favorite Things 10:24 B1 Green Jeans 9:10 B2 Bedouin 11:41 Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Bob Cranshaw Design [Cover], Illustration – T. Tanaka*, T. Fujiyama* Drums – Elvin Jones Engineer [Recording] – Rudy Van Gelder Guitar – Grant Green Piano – McCoy Tyner Producer [Original Session] – Alfred Lion Producer [Produced For Release], Liner Notes – Michael Cuscuna Notes Recorded on May 20, 1964. "The material on this album is released here for the first time." ℗ 1980 Manufactured by Toshiba EMI Records Japan. Part of "Blue Note 4000 Series Ultra Collection Part 10”, Limited Edition, by Toshiba EMI Not For Sale Copy BRP 8045 (reissue of Blue Note (J) GXF-3053). Japanese Kanji letters on labels are "Hibai Hin", which means "not for sale". This was offer when order other release from Toshiba EMI No Obi and Japanese liner notes. Other versions Category Artist Title (Format) Label Category Country Year Grant Matador (LP, GXF 3053 Blue Note GXF 3053 Japan 1979 Green Album, Ltd) Matador (CD, Grant UCCQ-5013 Album, Ltd, RE, Blue Note UCCQ-5013 Japan 2014 Green RM, SHM) Grant Matador (CD, 5168910 Blue Note 5168910 US Unknown Green Album, RE) Heavenly UK, HS072VL, Grant Matador (LP, HS072VL, Sweetness, Europe & 2012 BRP-8045 Green Album, RE) BRP-8045 Blue Note US Matador (CD, Grant UCCQ-9316 Album, Ltd, RE, Blue Note UCCQ-9316 Japan 2017 Green RM, SHM) Related Music albums to Matador by Grant Green Grant Green - Ain't It Funky Now Hank Mobley - A Slice Of The Top Lee Morgan - Leeway Grant Green - Talkin' About Grant Green - Green Street Walter Davis Jr. -
Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan, -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Media Guide Template
THE US OPEN T O Throughout its 133-year history, the US Open has dared its entrants to dream U R I N big, to strive for excellence in each and every match, and in turn the Open has N F A O done the same. It has moved from the West Side Tennis Club in Forest Hills to the M USTA Billie Jean King National Tennis Center, one of the largest public tennis facili - E N ties in the world, and plays its marquee matches in Arthur Ashe Stadium, the T largest tennis stadium in the world. Over the years, the US Open has drawn inspiration from tennis heroes such as Billie Jean King and Arthur Ashe, as well as the innumerable world-class players who have taken part in the event and, of course, from the hundreds of thousands of fans whose dedication to the sport and the F G A event have made the US Open a true sports and entertainment spectacular. In fact, more than R C O I L 700,000 fans on-site make the US Open the world’s largest-attended annual sporting event, and U I T N more than 53 million online visitors plus a global television audience share in the thrill and excite - Y D & ment each year. S Starting with Arthur Ashe Kids’ Day—the world's largest single-day, grass-roots tennis and entertainment event—straight through Finals Weekend, the US Open honors its future and its past, celebrating those who have made the tournament what it is today while also focusing on the next generation that will write tennis history well into the coming decades. -
702 Steelo Remixes Mp3, Flac, Wma
702 Steelo Remixes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Funk / Soul Album: Steelo Remixes Country: US Released: 1996 Style: RnB/Swing, Rhythm & Blues MP3 version RAR size: 1451 mb FLAC version RAR size: 1821 mb WMA version RAR size: 1114 mb Rating: 4.8 Votes: 729 Other Formats: AA MP4 AHX AC3 AU XM MMF Tracklist Hide Credits Steelo (J-Dub Mix Edit) 1 4:00 Co-producer – Kenny BurnsFeaturing – Brad Dacus, Missy ElliottProducer – Dent*, J-Dub* Steelo (Timbaland Mix Edit) 2 4:03 Featuring – Missy ElliottProducer – Timbaland Steelo (Cali Mix) 3 4:09 Producer – Timbaland Steelo (Rashad Remix) 4 Arranged By – Missy Elliott, Rashad SmithCo-producer – Armando ColonProducer – Rashad 3:31 SmithWritten By – Missy Elliott, Rashad Smith Steelo (LP Edit) 5 Featuring – Missy ElliottProducer – Chad "Dr. Ceuss" Elliott*, George PearsonWritten By – 4:00 Chad Elliott, George Pearson, Gordon Sumners* Companies, etc. Manufactured By – Motown Record Company, L.P. Marketed By – Motown Record Company, L.P. Copyright (c) – Biv Ten Records Phonographic Copyright (p) – Biv Ten Records Credits A&R – Derek "Chuck Bone" Osorio*, Todd "Bozak" Russaw* Administrator – Steve Cook Executive Producer – Michael Bivins, Todd Russaw Management – Andre Harrell Notes LP Version appears on the 702 "No Doubt" Vinyl, CD & Cassette 314530738-1/2/4 Steelo contains a sample from "Voices Inside My Head" written by Gordon Sumner ©℗ 1996 Biv Ten Records, a Joint Venture of Motown Record Company, L.P., and Biv Ventures, Inc. Manufactured and Marketed by Motown Record Company, L.P., 825 8th Ave., New York, NY 10019- USA. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A
Abstract Jordan III, Augustus W. B.S. Florida A&M University, 1994 A Study of Language and Ideology in Rap Music Advisor: Dr. O. Osinubi Dissertation Dated June 5,1998 This study examined the language of Hip-Hop songs and ideology of the artists as reflected through their songs. The study was based on the theory that Hip-Hop or rap songs are legitimate artforms because of their use of poetic elements such as figuration, figures of sound, symbolism, and ambiguity. The study recorded and interpreted the lyrics of a few current rap songs for the purpose of investigating their poetical and ideological elements. The researcher found signification battles by some rap artists as the best examples of songs which express the richness and complexity of Hip-Hop music. The researcher found that both Hip-Hop music lyrics and standard poetry have many similarities, but also have a few different features which enhance their uniqueness. The conclusions drawn from the findings suggest that the main reason many critics do not consider Hip-Hop or rap music an artform, is that they either compare the music to something extremely different, or they simply do not take the time to listen to its songs. Rap Music is an artform that expresses poetic elements and utilizes electronic devices, thus making it a Postmodernist popular artform. Through the research, the researcher showed that rap music lyrics also have intense meaning, just like poetry. 2 A STUDY OF LANGUAGE AND IDEOLOGY IN RAP MUSIC A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AFRICAN AND AFRICAN-AMERICAN STUDIES BY AUGUSTUS JORDAN III SCHOOL OF ARTS AND SCIENCES ATLANTA,GA JULY 1998 R -111 P-Jfl © 1998 AUGUSTUS W. -
HEART & MATTER: FERMENTATION in a TIME of CRISIS Aaron C
HEART & MATTER: FERMENTATION IN A TIME OF CRISIS Aaron C. Delgaty A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of Anthropology. Chapel Hill 2020 Approved by: Christopher T. Nelson Margaret J. Wiener Peter Redfield Townsend Middleton Brad Weiss © 2020 Aaron C. Delgaty ALL RIGHTS RESERVED ii ABSTRACT Aaron C. Delgaty: Heart & Matter: Fermentation in a Time of Crisis (Under the direction of Christopher T. Nelson) In Heart & Matter, I explore contemporary artisan movements from the perspectives of the artisans that animate these movements, considering how people draw on this emergent category of alternate labor and identity to navigate crises of social, economic, and personal precariousness within the artisan industry. Moving from North Carolina to Okinawa, Tokyo to Chicago, my collaborators shared the quotidian anxiety of how to keep their crafts - and the businesses, livelihoods, and identities tied up in those crafts – relevant, viable, and even successful. Toward survival, my interlocutors engaged in practices of resilience, innovation, and collaboration, elemental threads that wove their working philosophies of craft. At the visceral intersection of ethnography and apprenticeship, I trace a working ethos of emergent artisanship that captures the hopes and anxieties, the successes and failures, the everyday lives and works of craftspeople confronting uncertain frontiers of vocation and taste. By way of introduction, Every Scar a Lesson outlines and demonstrates my primary methodology, an itinerant series of participant observations from the perspective of formal and informal apprenticeship, or what I call a wandering apprenticeship. -
“Ready to Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS
“Ready To Die” 1994–2017 MA CCC CENTRAL SAINT MARTINS 1 F.Sargentone march 2017 ed: /2 2 READY TO BE The Anti-Cinematographic eye Writing an introduction to this publication has probably been one of the most difficult things I have ever done in the recent years. I thought it could have been easy to talk about one of the most influential records of the whole music history. It turned out that this loose, A5 –sized, home printed book- let is the only existing monographic work on Notorius B.I.G.’s Ready To Die. By stating this at the beginning of the sup- posed dissertation, I want to make sure that the reader could read these lines as the raw output of a deep, although instinc- tive, research on one of the milestones of hip-hop cultural history. The research pro- cess, of which this booklet testifies the ma- terial result, has been spontaneous, in the sense that did not started as a canonical research question, but instead it happened a posteriori, being the record a very famil- iar matter for me since ages. As you will see, the lyrics of the songs contained within Ready To Die are formal- ly printed –without any additional editing– from RapGenius, a world famous website collecting lyrics and anecdotes of hip-hop songs from users. The oral history com- ponent of this platform is an essential el- ement shared with early hip-hop culture, in which realities existed and formalised themselves only via word of mouth or so- cio-cultural affinity with the hip-hop phe- nomenon. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.