Grant Green Green Street Mp3, Flac, Wma

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Grant Green Green Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Green Street Country: Japan Released: 1979 Style: Hard Bop MP3 version RAR size: 1660 mb FLAC version RAR size: 1467 mb WMA version RAR size: 1861 mb Rating: 4.1 Votes: 216 Other Formats: DXD FLAC MP3 XM MP1 ASF AC3 Tracklist A1 No. 1 Green Street 7:18 A2 'Round About Midnight 7:02 A3 Grant's Dimensions 7:54 B1 Green With Envy 9:44 B2 Alone Together 7:14 Companies, etc. Manufactured By – King Record Co. Ltd Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Ben Tucker Design [Cover] – Reid Miles Drums – Dave Bailey Guitar – Grant Green Liner Notes – Leonard Feather Photography By [Cover Photo] – Francis Wolff Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Notes Recorded on April 1, 1961. Ⓟ 1979 Barcode and Other Identifiers Matrix / Runout (Runout Side A): 〄 SILBT 8868-1 Matrix / Runout (Runout Side B): 〄 SILBT 8869-4 Other (Price): ¥2,300 Other versions Category Artist Title (Format) Label Category Country Year Grant Green Street (LP, BLP 4071 Blue Note BLP 4071 US 1961 Green Album, Mono) Grant Green Street (LP, 771856 WaxTime 771856 Europe 2013 Green Album, Ltd, RE, RM) Grant Green Street (LP, BST 84071 Blue Note BST 84071 US 1970 Green Album, RE) Grant Green Street (CD, 7243 5 40032 2 6 Blue Note 7243 5 40032 2 6 Europe 2002 Green Album, RE, RM) Green Street (CD, TOCJ-9073, Grant Blue Note, TOCJ-9073, Album, Ltd, RE, RM, Japan 1999 BNST-84071 Green Blue Note BNST-84071 Pap) Related Music albums to Green Street by Grant Green Horace Parlan - Up & Down Grant Green / Donald Byrd - His Majesty King Funk / Up With Donald Byrd Grant Green - Ain't It Funky Now Grant Green - Born to be Blue Grant Green - Matador Grant Green - Visions Grant Green with Hubert Laws - The Main Attraction Grant Green - Talkin' About Grant Green - The Latin Bit Grant Green - Idle Moments.

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Grant Green Grantstand Mp3, Flac, Wma
Grant Green Grantstand mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Grantstand Country: US Released: 1961 Style: Soul-Jazz, Hard Bop MP3 version RAR size: 1122 mb FLAC version RAR size: 1402 mb WMA version RAR size: 1247 mb Rating: 4.2 Votes: 707 Other Formats: WAV MP3 MP1 MIDI AIFF VQF DTS Tracklist Hide Credits Grantstand A1 Written-By – Green* My Funny Valentine A2 Written-By – Rodgers-Hart* Blues In Maude's Flat B1 Written-By – Green* Old Folks B2 Written-By – Hill*, Robison* Companies, etc. Published By – Groove Music Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Drums – Al Harewood Guitar – Grant Green Liner Notes – Nat Hentoff Organ – Jack McDuff* Photography By [Cover Photo] – Francis Wolff Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Tenor Saxophone, Flute – Yusef Lateef Notes Recorded on August 1, 1961, Van Gelder Studio, Englewood Cliffs, New Jersey Blue Note Records Inc., 43 W 61st St., New York 23 (Adress on Back Cover) Barcode and Other Identifiers Matrix / Runout (Side A Label): BN 4086-A Matrix / Runout (Side B Label): BN 4086-B Matrix / Runout (Side A Runout etched): BN-LP-4086-A Matrix / Runout (Side B Runout etched): BN-LP-4086-B Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Blue Grant Grantstand (LP, BN 84086, BN 4086 Note, BN 84086, BN 4086 Japan 1992 Green Album, Ltd, RE) Blue Note Grant Grantstand (CD, 7243 5 80913 2 8 Blue Note 7243 5 80913 2 8 US 2003 Green Album, RE, RM) Grantstand (CD, Blue TOCJ-9244,
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Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
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Grant Green Matador Mp3, Flac, Wma
Grant Green Matador mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Matador Country: Japan Released: 1993 Style: Hard Bop MP3 version RAR size: 1521 mb FLAC version RAR size: 1151 mb WMA version RAR size: 1550 mb Rating: 4.4 Votes: 370 Other Formats: WAV AIFF AA FLAC MP3 RA VQF Tracklist A1 Matador 10:52 A2 My Favorite Things 10:24 B1 Green Jeans 9:10 B2 Bedouin 11:41 Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Bob Cranshaw Design [Cover], Illustration – T. Tanaka*, T. Fujiyama* Drums – Elvin Jones Engineer [Recording] – Rudy Van Gelder Guitar – Grant Green Piano – McCoy Tyner Producer [Original Session] – Alfred Lion Producer [Produced For Release], Liner Notes – Michael Cuscuna Notes Recorded on May 20, 1964. "The material on this album is released here for the first time." ℗ 1980 Manufactured by Toshiba EMI Records Japan. Part of "Blue Note 4000 Series Ultra Collection Part 10”, Limited Edition, by Toshiba EMI Not For Sale Copy BRP 8045 (reissue of Blue Note (J) GXF-3053). Japanese Kanji letters on labels are "Hibai Hin", which means "not for sale". This was offer when order other release from Toshiba EMI No Obi and Japanese liner notes. Other versions Category Artist Title (Format) Label Category Country Year Grant Matador (LP, GXF 3053 Blue Note GXF 3053 Japan 1979 Green Album, Ltd) Matador (CD, Grant UCCQ-5013 Album, Ltd, RE, Blue Note UCCQ-5013 Japan 2014 Green RM, SHM) Grant Matador (CD, 5168910 Blue Note 5168910 US Unknown Green Album, RE) Heavenly UK, HS072VL, Grant Matador (LP, HS072VL, Sweetness, Europe & 2012 BRP-8045 Green Album, RE) BRP-8045 Blue Note US Matador (CD, Grant UCCQ-9316 Album, Ltd, RE, Blue Note UCCQ-9316 Japan 2017 Green RM, SHM) Related Music albums to Matador by Grant Green Grant Green - Ain't It Funky Now Hank Mobley - A Slice Of The Top Lee Morgan - Leeway Grant Green - Talkin' About Grant Green - Green Street Walter Davis Jr.
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Spilleliste: Åtti Deilige År Med Blue Note Foredrag Oslo Jazz Circle, 14
Spilleliste: Åtti deilige år med Blue Note Foredrag Oslo Jazz Circle, 14. januar 2020 av Johan Hauknes Preludium BLP 1515/16 Jutta Hipp At The Hickory House /1956 Hickory House, NYC, April 5, 1956 Jutta Hipp, piano / Peter Ind, bass / Ed Thigpen, drums Volume 1: Take Me In Your Arms / Dear Old Stockholm / Billie's Bounce / I'll Remember April / Lady Bird / Mad About The Boy / Ain't Misbehavin' / These Foolish Things / Jeepers Creepers / The Moon Was Yellow Del I Forhistorien Meade Lux Lewis, Albert Ammons & Pete Johnson Jumpin' Blues From Spiritals to Swing, Carnegie Hall, NYC, December 23, 1938 BN 4 Albert Ammons - Chicago In Mind / Meade "Lux" Lewis, Albert Ammons - Two And Fews Albert Ammons Chicago in Mind probably WMGM Radio Station, NYC, January 6, 1939 BN 6 Port of Harlem Seven - Pounding Heart Blues / Sidney Bechet - Summertime 1939 Sidney Bechet, soprano sax; Meade "Lux" Lewis, piano; Teddy Bunn, guitar; Johnny Williams, bass; Sidney Catlett, drums Summertime probably WMGM Radio Station, NYC, June 8, 1939 Del II 1500-serien BLP 1517 Patterns in Jazz /1956 Gil Mellé, baritone sax; Eddie Bert [Edward Bertolatus], trombone; Joe Cinderella, guitar; Oscar Pettiford, bass; Ed Thigpen, drums The Set Break Van Gelder Studio, Hackensack, NJ, April 1, 1956 BLP 1521/22 Art Blakey Quintet: A Night at Birdland Clifford Brown, trumpet; Lou Donaldson, alto sax; Horace Silver, piano; Curly Russell, bass; Art Blakey, drums A Night in Tunisia (Dizzy Gillespie) Birdland, NYC, February 21, 1954 BLP 1523 Introducing Kenny Burrell /1956 Tommy Flanagan,
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Saxophonist & Composer PHILLIP JOHNSTON NEW RELEASES
ever needing to hear another take on “I’m In The Mood a lute with a short fingerboard and 11-13 strings, For Love”? Yeah, probably, but this one is fine. “And traditionally used in Arabian, Egyptian, Jewish, Now The Queen” is much more interesting; Goldings Palestinian, Iraqi, Persian, Turkish and Armenian music. opens it with some deeply unsettling noises that could In the jazz world, the oud has been explored by Ahmed come off a Supersilent album, as Stewart bows his Abdul-Malik, Rabih Abou-Khalil and Anouar Brahem. cymbals and rattles his kit like he’s stress-testing the Canadian guitarist Gordon Grdina comes forth mounting hardware. Although the piece has a powerful with a strong, individual voice and the ensemble is melody, it appears as a series of unexpected surges, assimilated like it’s a new discovery of something punctuation at the end of long bursts of disjointed around for a long time. Percussionist Hamin Honari Toy Tunes weirdness. “Toy Tune” builds on a deceptively simple provides extraordinary accompaniment, especially for Larry Goldings/Peter Bernstein/Bill Stewart (Pirouet) head, allowing the trio to meander around for seven listeners used to the American drumset. As he is by Phil Freeman minutes, making it the longest track. “Maybe” is an credited on tombak and daf (traditional Iranian drums), ideal closer, a gentle tune delivered without disruption one wonders from where all of his nuanced sounds Organ player Larry Goldings, guitarist Peter Bernstein or undue exuberance, bringing the mood down to a emanate. The texture and timbre of Honari’s percussion and drummer Bill Stewart first convened as a trio for soothing simmer as the music fades away.
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Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
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Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
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HEART & MATTER: FERMENTATION in a TIME of CRISIS Aaron C
HEART & MATTER: FERMENTATION IN A TIME OF CRISIS Aaron C. Delgaty A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of Anthropology. Chapel Hill 2020 Approved by: Christopher T. Nelson Margaret J. Wiener Peter Redfield Townsend Middleton Brad Weiss © 2020 Aaron C. Delgaty ALL RIGHTS RESERVED ii ABSTRACT Aaron C. Delgaty: Heart & Matter: Fermentation in a Time of Crisis (Under the direction of Christopher T. Nelson) In Heart & Matter, I explore contemporary artisan movements from the perspectives of the artisans that animate these movements, considering how people draw on this emergent category of alternate labor and identity to navigate crises of social, economic, and personal precariousness within the artisan industry. Moving from North Carolina to Okinawa, Tokyo to Chicago, my collaborators shared the quotidian anxiety of how to keep their crafts - and the businesses, livelihoods, and identities tied up in those crafts – relevant, viable, and even successful. Toward survival, my interlocutors engaged in practices of resilience, innovation, and collaboration, elemental threads that wove their working philosophies of craft. At the visceral intersection of ethnography and apprenticeship, I trace a working ethos of emergent artisanship that captures the hopes and anxieties, the successes and failures, the everyday lives and works of craftspeople confronting uncertain frontiers of vocation and taste. By way of introduction, Every Scar a Lesson outlines and demonstrates my primary methodology, an itinerant series of participant observations from the perspective of formal and informal apprenticeship, or what I call a wandering apprenticeship.
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Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
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Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
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Computational Modelling of Expressive Music Performance in Jazz Guitar: a Machine Learning Approach
Computational Modelling of Expressive Music Performance in Jazz Guitar: A Machine Learning Approach Sergio IvánGiraldo TESI DOCTORAL UPF / 2016 Director de la tesi Dr. Rafael Ram´ırez Department of Information and Communication Technologies By Sergio Giraldo (2016) and licensed under Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Please see licence conditions at http://creativecommons.org To Camilo... Acknowledgements Four years have passed since I joined the Music Technology Group to begin my PHD. During this period, many people have come across (inside and outside the MTG) giving important contributions to this work. For con- tributions I want to refer not only to the theoretical aspects of the investi- gation, but also to other types of helping support. Received contributions have taken several forms, from babysitting my kid for free in times of work overload, to informal discussions about the investigation, performing tests, doing recordings, or giving very specific theoretical advise. The list is large, and the contributors are many: Firstly i would like to express my gratitude to my advisor, Rafael Ram´ırez, who has been the main contributor to this work. Not only for his excellent advise and guidance, but also for his patience, support, and friendship. Also for considering me to actively participate in the research projects that have been and are being developed right now. I would like to thank to Xavier Serra, Perfecto Herrera, Emilia Gómezand Enric Guaus for their advise and help on several concrete topics needed for this dissertation. I would like also to acknowledge the blind reviewers of the different publications done during this research for their useful and constructive comments.
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Idle Moments Grant Green Pdf
Idle moments grant green pdf Continue MeLCat is back! Plus other new services. Details here. Ann Arbor District Library about us Collection Events Services Christopher Is no insult to say jazz guitarist Grant Green favored to feel over the technique. He didn't play double phrases or flames with extended chords, instead favoring a langulic, minimalist style that feels more like a blues singer's phrase conveyed by a fretboard. Green's one-line game has always been lyrical, melodic and funky, which is one of the reasons why he was one of the most recorded musicians in the history of Blue Note Records. Alex Arrest, leader of the guitar trio Ann Arbor, was so fascinated with Green's play that he decided to study the 1965 album Of The Idle Moments in full, which he will present on Friday, October 12, at the Kerrytown Concert House with Gayelin McKinney (drums), Eric Nachtrab (bass), Janelle Reichman (tenor) and Alexis Lomre (piano). The record is one of the most famous in Green's career, mainly because the title track is such a cold charmer. As the pianist Duke Pearson, who also wrote the song, told Idle Moments that the melody's nearly 15-minute work time was the result of a happy accident: Green mistakenly played a 16-bar melody twice, creating a longer solo structure for the rest of the musicians, all of whom followed suit. The rest of the album, which includes songs by Jean De Fleur (Green), Django (John Lewis), and Nomad (Pearson), is equally winsome and easy to digest why the record is so beloved.
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