DOCSLIB.ORG

Britten & Bernstein

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Berkeley_Program Covers.pdf 2 9/18/18 6:49 PM SYMPHONIC II BRITTEN & BERNSTEIN 01.31.19 | 8:00 PM ZELLERBACH HALL BENJAMIN BRITTEN Four Sea Interludes from Peter Grimes HANNAH KENDALL Disillusioned Dreamer: (World Premiere) LEONARD BERNSTEIN Symphony No. 2 for Piano and Orchestra, The Age of Anxiety Jonathon Heyward Guest Conductor Andrew Tyson Piano 18/19 Berkeley Symphony 18/19 Season 5 Message from the Board President 7 Message from the Executive & Artistic Director 9 Board of Directors & Advisory Council 11 Orchestra 15 Season Sponsors 17 Berkeley Sounds Composer Fellows 21 Tonight’s Program 25 Program Notes 41 Conductor Jonathon Heyward 43 Guest Artist & Composer 47 Berkeley Symphony Salutes Rose Marie Ginsburg 49 About Berkeley Symphony 52 Music in the Schools 55 Berkeley Symphony Legacy Society 57 Annual Membership Support 64 Broadcast Dates 69 Contact 70 Ad Index: Support Businesses That Support Us Media Sponsor SEASON SPONSORS Official Wine Gertrude Allen • Laura & Paul Bennett • Margaret Dorfman • Ann & Gordon Sponsor Getty • Jill Grossman • Kathleen G. Henschel & John Dewes • Edith Jackson & Thomas W. Richardson • Sarah Coade Mandell & Peter Mandell • Rose Ray & Robert Kroll • Tricia Swift • S. Shariq Yosufzai & Brian James • Anonymous Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. January 31, 2019 3 4 January 31, 2019 Message from the Board President elcome to the second concert in WBerkeley Symphony’s 2018/19 Season. Our musicians, guest artists, and everyone involved in Berkeley Symphony’s production look forward to the great music you’ll be hearing tonight. Our first concert of the season, Symphonic I: Higdon & Ravel, brought violinist Benjamin Beilman to our stage with Jennifer Higdon’s Violin Concerto. We also brought Berkeley Symphony’s Education Director, Ming Luke, to the podium for this set. A San Francisco Classical Voice writer, Jessica Balik, said in her review of the concert, “Luke led the Festive Overture with confidence and energy, thereby offering a convivial—and reassuring—start to Berkeley Symphony’s post- Carneiro era.” We agree with Balik, and continue to push for musical excellence and community relevance. Tonight, we will be presenting three talented individuals to you. Jonathon Heyward, who, at age 23, was the first prize winner in 2015 of the 54th International Competition for Young Conductors of Besançon, takes the podium to lead the orchestra for the evening. Hannah Kendall, an up-and- coming composer, who won the Women of the Future Award for Arts and Culture in 2015, will be premiering her work Disillusioned Dreamer. We will also be featuring pianist Andrew Tyson, who is hailed by BBC Radio 3 as “a real poet of the piano” in Bernstein’s iconic second symphony. The hardships and difficulties that minorities experience in our community are on the forefront of our hearts and minds. Leonard Bernstein’s Symphony No. 2, The Age of Anxiety, is a piece that was written in a time very similar to our own; one filled with injustice, persecution, and inequality. Kendall’s Disillusioned Dreamer pulls from Ralph Ellison’s groundbreaking novel Invisible Man. We encourage you to find hope for a brighter future tonight as we soothe our weary hearts with the magnificent healing power of music. S. Shariq Yosufzai January 31, 2019 5 RETHINKING HIGH SCHOOL Created by Teachers for Students 2727 College Ave. Berkeley 510.841.8489 MaybeckHS.org 6 January 31, 2019 Message from the Executive & Artistic Director elcome! Tonight we are thrilled to celebrate the W musical brilliance of three young artists and to explore the intersection of music and literature. It was our dear friend John Adams who first photo by Marshall Berman introduced me to our guest conductor, Jonathon Heyward. Just last year Jonathon was a recipient of the Dudamel Conducting Fellowship with the LA Philharmonic and made his debut at Disney Concert Hall with violin soloist Hilary Hahn in a performance the Los Angeles Times called “riveting.” It was Jonathon who then led me to our talented guest composer, Hannah Kendall, and the dazzling pianist Andrew Tyson. How fortunate we are to enjoy the formidable talents of these three young artists this evening! All three of the compositions on tonight’s program were inspired by pieces of literature. We open the concert with Benjamin Britten’s Four Sea Interludes from his opera Peter Grimes, adapted by the English writer Montagu Slater from the larger narrative poem of 1810 by George Crabbe (The Borough). In a salute to Black History Month, Berkeley Symphony is honored to perform the world premiere of Hannah Kendall’s Disillusioned Dreamer, inspired by Ralph Ellison’s novel Invisible Man addressing the African American experience in the early twentieth century. We end the program with Leonard Bernstein’s Symphony No. 2, The Age of Anxiety, a most relevant work in today’s political climate, based on W.H. Auden’s Pulitzer Prize-winning poem of the same name. The program we enjoy this evening is a prelude to the Bay Area Book Festival on May 4-5 in Berkeley, when Berkeley Symphony will perform world premieres by our Berkeley Sounds Composer Fellows: Aiyana Braun, Ursula Kwong-Brown, and Peter Shin. This concert will be curated by Music Alive Composer-in-Residence, Anna Clyne. Each of these premieres is inspired by the work Bay Area writers. With warmest wishes, René Mandel January 31, 2019 7 Thank you to Joana Carneiro for her adventurous artistic vision and leadership for nine seasons as our beloved Music Director and Conductor. 8 January 31, 2019 Board of Directors & Advisory Council Board of Directors Executive Committee S. Shariq Yosufzai, President Kathleen G. Henschel, Vice President for Governance Sandra Floyd, Vice President for Development Gertrude Allen, Vice President for Community Engagement Paul Bennett, Vice President for Strategy John Dewes, Treasurer Brian James, Secretary Tricia Swift, Immediate Past President René Mandel, Executive and Artistic Director Directors Advisory Council (continued) Susan Acquistapace Karen Faircloth William Knuttel Jill Grossman Janet Maestre Ellen L. Hahn Carrie McAlister Buzz & Lisa Hines Sandy McCoy Susan Hone Jan McCutcheon Jennifer Howard & Anthony J. Cascardi Thomas Z. Reicher Edith Jackson Thomas W. Richardson Kenneth A. Johnson & Nina Grove Deborah Shidler Todd Kerr Michel Taddei Jeffrey S. Leiter Peter Mandell & Sarah Coade Mandell Advisory Council Bennett Markel Jan McCutcheon, Co-Chair Bebe & Colin McRae Lisa Taylor, Co-Chair Helen & John Meyer Kathleen Crandall, Co-Chair Deborah O’Grady & John Adams Marilyn Collier, Chair Emerita Becky & Michael O’Malley Michele Benson Ed Osborn & Marcia Muggli Judith Bloom Marjorie Randell-Silver Norman Bookstein & Gillian Kuehner Kathy Canfield Shepard & John Shepard Joy Carlin Jutta Singh Ron & Susan Choy James Taylor Richard Collier Alison Teeman & Michael Yovino-Young Dianne Crosby Paul Templeton & Darrell Louie Charli & John Danielsen Anne & Craig Van Dyke Carolyn Doelling Yvette Vloeberghs January 31, 2019 9 Are Your Investments in Tune with Your Goals and Values? Marc Roth, President of JMR Capital Management, Inc., is a longtime subscriber and supporter of Berkeley Symphony and Music in the Schools. Let Us Help You Achieve Your Goals. 44 Montgomery Street #3500, San Francisco, CA 94104 415.296.9065 [email protected] www.jmrcap.com 10 January 31, 2019 The Orchestra Joana Carneiro Music Director Emerita Viola Kent Nagano Conductor Laureate Tiantian Lan Principal Ilana Matfis Assistant Principal Patrick Kroboth Violin I Ivo Bokulic Franklyn D’Antonio Concertmaster Alexander Volonts Matthew Szemela Associate Concertmaster Alessandra Aquilanti Emanuela Nikiforova Assistant Concertmaster Keith Lawrence Candace Sanderson Daria D'Andrea Lisa Zadek Kristen Steiner Stephanie Bibbo Dan Stanley Shawyon Malek-Salehi Junghee Lee Cello Ernest Yen Carol Rice Principal Frederick Chang Sponsored by Getrude Allen Annie Li Nancy Bien Assistant Principal John Bernstein Wanda Warkentin Bert Thunstrom Farley Pearce Kenneth Johnson Violin II Peter Bedrossian Daniel Flanagan Principal Jason Anderson Sponsored by Tricia Swift Margaret Moores Monika Gruber Assistant Principal Sylvia Woodmansee Hrafnhildur Atladottir Nicholas Carlin Daniel Lewin Thomas Yee Bass Erica Ward Michel Taddei Principal Rick Diamond Robert Ashley Assistant Principal Ann Eastman Alden F. Cohen Kevin Harper Aleksey Klyushnik Kristen Kline David Horn Charles Zhou Eric Price Quelani Penland continues on page 13 January 31, 2019 11 ♦ JAPANESE CAR REPAIR ♦ 2703 TENTH STREET BERKELEY CA 94710 ♦ ANGUS & NATALIE ♦ 510 849 1383 ♦ photographic portraits of two and four-legged creatures www.jadorelechien.com ASKANGUS.COM 12 January 31, 2019 Flute Trombone Emma Moon Principal Thomas Hornig Principal Sponsored by Janet Maestre Sponsored by Kathleen G. Henschel & John W. Dewes in memory of Marcos Maestre Craig Bryant Stacey Pelinka Bass Trombone Piccolo Kurt Patzner Laurie Seibold Oboe Tuba Deborah Shidler Principal Scott Choate Principal Sponsored by Lisa & Jim Taylor Stardust Doherty Timpani Kevin Neuhoff Principal English Horn Bennie Cottone Percussion Clarinet Ward Spangler Principal Roman Fukshansky Principal Victor Audienko Bruce
Recommended publications
  • Heinrich Neuhaus and Alternative Narratives of Selfhood in Soviet Russi

    Heinrich Neuhaus and Alternative Narratives of Selfhood in Soviet Russi

    ‘I wish for my life’s roses to have fewer thorns’: Heinrich Neuhaus and Alternative Narratives of Selfhood in Soviet Russia Abstract Heinrich Neuhaus (1888—1964) was the Soviet era’s most iconic musicians. Settling in Russia reluctantly he was dismayed by the policies of the Soviet State and unable to engage with contemporary narratives of selfhood in the wake of the Revolution. In creating a new aesthetic territory that defined himself as Russian rather than Soviet Neuhaus embodied an ambiguous territory whereby his views both resonated with and challenged aspects of Soviet- era culture. This article traces how Neuhaus adopted the idea of self-reflective or ‘autobiographical’ art through an interdisciplinary melding of ideas from Boris Pasternak, Alexander Blok and Mikhail Vrubel. In exposing the resulting tension between his understanding of Russian and Soviet selfhood, it nuances our understanding of the cultural identities within this era. Finally, discussing this tension in relation to Neuhaus’s contextualisation of the artistic persona of Dmitri Shostakovich, it contributes to a long- needed reappraisal of his relationship with the composer. I would like to gratefully acknowledge the support of the Guildhall School that enabled me to make a trip to archives in Moscow to undertake research for this article. Dr Maria Razumovskaya Guildhall School of Music & Drama, London Word count: 15,109 Key words: identity, selfhood, Russia, Heinrich Neuhaus, Soviet, poetry Contact email: [email protected] Short biographical statement: Maria Razumovskaya completed her doctoral thesis (Heinrich Neuhaus: Aesthetics and Philosophy of an Interpretation, 2015) as an AHRC doctoral scholar at the Royal College of Music in London.
  • PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr

    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr

    PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 The Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr. Richard Benjamin THE GRAMMY® FOUNDATION eonard Bernstein is cele­ brated as an artist, a CENTER FOP LEAR ll I IJ G teacher, and a scholar. His Lbook Findings expresses the joy he found in lifelong learning, and expounds his belief that the use of the arts in all aspects of education would instill that same joy in others. The Young People's Concerts were but one example of his teaching and scholarship. One of those concerts was devoted to celebrating teachers and the teaching profession. He said: "Teaching is probably the noblest profession in the world - the most unselfish, difficult, and hon­ orable profession. But it is also the most unappreciated, underrat­ Los Angeles. Devoted to improv­ There was an entrepreneurial ed, underpaid, and under-praised ing schools through the use of dimension from the start, with profession in the world." the arts, and driven by teacher each school using a few core leadership, the Center seeks to principles and local teachers Just before his death, Bernstein build the capacity in teachers and designing and customizing their established the Leonard Bernstein students to be a combination of local applications. That spirit Center for Learning Through the artist, teacher, and scholar. remains today. School teams went Arts, then in Nashville Tennessee. The early days in Nashville, their own way, collaborating That Center, and its incarnations were, from an educator's point of internally as well as with their along the way, has led to what is view, a splendid blend of rigorous own communities, to create better now a major educational reform research and talented expertise, schools using the "best practices" model, located within the with a solid reliance on teacher from within and from elsewhere.
  • Uc Berkeley Campus

    Uc Berkeley Campus

    University of Mediterranean California Botanical Garden of Human Garden Asian Old Roses Genome Southern Australasian South 84 Laboratory African New American World Rd vin 74 Desert Chinese al C Herb Medicinal 86 83 Garden Herb Cycad & Garden Palm 85 Garden 85B Miocene Eastern Mexican/ Forest North Central American P Strawberry American a Californian n Entrance o Mather r a Silver Redwood m Space Grove ic Sciences P la c Laboratory e L e Mathematical Molecular e Dr Sciences nial Foundry R ten National d 73 Research en Institute C Center for Electron Microscopy 66 72 67 62 Grizzly 77A Peak Entrance y 77 31 a W 69 ic m a Hill r o Terrace n Parking Lawrence a Lots P 75A Berkeley Claremont 75 75B National D Canyon w G Regional i Laboratory y g l a Strawberry a s h Preserve W t e Canyon P 79 r t l R Center h a d Haas ce Lawrence 78 76 Clubhouse ig Hall of C w e D Science n t 76 e Strawberry n n Canyon i a Recreational l Vista 26 D Area r Parking Lot Sand Volleyball 3024 Court #1Tanglewood Rd 25 J H 48 20 G Track/ Faculty 5 4 Soccer 45 Levine-Fricke Smyth- Field Archives Apartments Field F Fernwald 21 16 14 d 52 R Family en y 3001 d e rd Wa E Housing Segré R c A P ic n anoram 3001 e r y st Derby 17 27 53 7 a a wa 19 w UC BERKELEY CAMPFeUrnwald SRd MAPGolden 22 E y D a M W d C Bear r R L o c n a i la Recreation il n s Witter M 37 m c y s Community Center Golden M Advanced o w a Field Witter A r n rd e 71 Light o n Rd o Center 25 Bear 58 Parking Field R o n Redwood 47 Source Lot d d a Smyth Pool BBQ P 6 R House Area Gardens d 46 15 s Sports Ln
  • Janina Fialkowska Piano

    Janina Fialkowska Piano

    Série Dorothy Morton pour artistes invités Dorothy Morton Invited Guests Series Janina Fialkowska piano eenn collaborationcollaboration avecavec • inin collaborationcollaboration withwith 3344e SSérieérie CBC/McGillCBC/McGill • 3344tthh CCBC/McGillBC/McGill SeriesSeries ccbcmusic.ca/mcgillbcmusic.ca/mcgill Le lundi 25 février 2013 Monday, February 25, 2013 à 19 h 30, salle Pollack 7:30 pm, Pollack Hall COONCERTNCERT Six pièces lyriques / Six Lyric Pieces EDVARD GRIEG Arietta, Op. 12, No. 1 (1843-1907) Sommerfugl (Butterfl y), Op. 43, No. 1 Notturno, Op. 54, No. 4 Bekken (Brooklet), Op. 62, No. 4 Trolltog (March of the Dwarfs), Op. 54, No. 3 Efterklang (Remembrances), Op. 71, No. 7 4 Impromptus, D 935, Op. Posth. 142 FRANZ SCHUBERT en fa mineur / in F minor (1797-1828) en la bémol majeur / in A-fl at major en si bémol majeur / in B-fl at major en fa mineur / in F minor ~ entracte ~ Polonaise en mi bémol mineur / in E-fl at minor, Op. 26, No. 2 FRÉDÉRIC CHOPIN Scherzo no 4 en mi majeur / No. 4 in E major, Op. 54 (1810-1849) Valse en la bémol majeur / Waltz in A-fl at major, Op. 64, No. 3 Mazurka en do majeur / in C major, Op. 56, No. 2 Mazurka en do mineur / in C minor, Op. 56, No. 3 Scherzo no 1 en si mineur / No. 1 in B minor, Op. 20 CCee concertconcert estest enregistréenregistré parpar CBCCBC MusicMusic enen vidéovidéo pourpour diffusiondiffusion enen ligneligne (à(à cbcmusic.ca/mcgill)cbcmusic.ca/mcgill) etet enen audioaudio ppourour ddiffusioniffusion dansdans lele cadrecadre dede l'émissionl'émission IInn CConcertoncert aaniméenimée parpar PPaoloaolo PietropaoloPietropaolo lesles dimanchesdimanches à 1111 h 0000 ssurur lleses ondesondes dede CBCCBC RadioRadio 2 (93,5(93,5 FMFM à Montréal).Montréal).
  • A Listening Guide for the Indispensable Composers by Anthony Tommasini

    A Listening Guide for the Indispensable Composers by Anthony Tommasini

    A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section.
  • Bergenpac.Org UPCOMING SHOWS on the TAUB STAGE at BERGENPAC

    Bergenpac.Org UPCOMING SHOWS on the TAUB STAGE at BERGENPAC

    2019-2020 bergenpac.org UPCOMING SHOWS ON THE TAUB STAGE AT BERGENPAC DECEMBER (CONT.) 2019 The Very Hungry Caterpillar featuring Dream Snow & Other 15 1pm & 4pm OCTOBER Eric Carle Favorites presented by PSE&G 3 8:00pm Vince Neil of Mötley Crüe presented by WDHA 17 7:00pm Lior Suchard: The Israeli Illusionist – ON SALE SOON! 4 8:00pm Steven Wright presented by Johl & Company 20 8:00pm A Christmas Carol The Musical presented by bergenPAC 5 8:00pm Michael Martocci presents Sinatra Meets The Sopranos 21 1pm & 4:30pm A Christmas Carol The Musical presented by bergenPAC 6 1:00pm Jeff Boyer’s Big Bubble Bonanza 22 1:00pm A Christmas Carol The Musical presented by bergenPAC 10 8:00pm Rick Wakeman: Grumpy Old Man Tour 11 8:00pm Explosion de la Salsa de Ayer 2020 JANUARY 13 7:30pm Gin Blossoms: The New Miserable Experience Satisfaction: The International Rolling Stones Tribute Show: 15 7:30pm So You Think You Can Dance Live! 2019 4 8:00pm Paint It Black 16 8:00pm TOTO: 40 Trips Around the Sun; Benzel-Busch Concert Series New Jersey Symphony Orchestra presents Winter Festival: My Fellow Supporters of the Arts, 9 7:30pm 19 8:00pm The Jim Breuer Residency: Comedy, Stories & More Vol. III Mozart’s Don Giovanni Sergio Mendes & Bebel Gilberto: The 60th Anniversary 11 8:00pm The Capitol Steps: The Lyin’ Kings I am excited to share Bergen Performing Art Center’s 2019-20 lineup 20 7:30pm of Bossa Nova with you today. Boasting a variety of headliners, up-and-comers and 12 3:00pm Neil Berg’s 104 Years of Broadway Mystery Science Theater 3000 Live: The Great Cheesy everything in between across the genres, we expect everyone will find 24 8:00pm 17 8:00pm The Simon & Garfunkel Story: A Tribute to Simon & Garfunkel something they love.
  • Ambassador Auditorium Collection ARS.0043

    Ambassador Auditorium Collection ARS.0043

    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
  • The English Chamber Orchestra Vladimir Ashkenazy Conductor and Pianist

    The English Chamber Orchestra Vladimir Ashkenazy Conductor and Pianist

    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN The English Chamber Orchestra Vladimir Ashkenazy Conductor and Pianist JOSE-LuIS GARCIA, Leader FRIDAY EVENING, NOVEMBER 10, 1978, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Variations on a Theme of Frank Bridge BRITTEN Introduction and Theme Wiener Walzer Adagio Moto Perpetuo March Funeral March Romance Chant Aria Italiana Fugue and Finale Bourt!e Classique Concerto in F major for Piano and Orchestra, K. 459 MOZART Allegro Allegretto Allegro assai VLADIMIR ASHKENAZY, Pianist INTERMISSION Divertimento for Strings Allegro non troppo Molto adagio Allegro assai Symphony No. 5 in B-flat major SCHUBERT Allegro Andante con moto Menuetto Allegro vivace Vladimir Ashkenazy: London, Monitor, and RCA Records. ElIglish Chamber Orchestra: Columbia, Angel, DCC, LandOlt, Vallg1tard, Klavier, Philips, Lyrichord and RCA Records. Centennial Season - Twenty-seventh Concert lOOth Annual Choral Union Series PROGRAM NOTES by STEFAN DE HAAN Variations on a Theme of Frank Bridge BENJAMIN BRITTEN (1913-1977 ) This work has for many years been one of Britten's most widely admired compositions-and not without reason, for it contains the very essence of the composer's talents: his ability to limit himself in form and material and then to stretch the limits beyond all expectations, his scoring which imparts to the most banal chord an unmistakable "Britten sound," his sense of humor, his lyrical expressiveness, and the seriousness of his musical thought. The self-imposed limitations in the case of the Variations are the orchestration for strings alone, the concise form of the eleven movements and the harmonic simplicity is so characteristic of much of Britten's music.
  • LEONARD Bernstein Pieces, Three of the Anniversaries, Short Compositions for BERNSTEIN Piano, and an Unpublished Piece That Siegel Debuted

    LEONARD Bernstein Pieces, Three of the Anniversaries, Short Compositions for BERNSTEIN Piano, and an Unpublished Piece That Siegel Debuted

    40 THE METROPOLITAN | THE EXTRAORDINAIRE | THE DOWNTOWNER | THE TOURIST | THE ARTIST | THE CRITIC | THE DINER | THE CRAFTMASTER | THE HIGHROLLER | THE GLADIATOR | THE YOUNGSTER | THE SHOWMAN | THE NIGHTOWL | THE THINKER CELEBRATING died in 1990. In Scottsdale, Siegel will play four lesser-known LEONARD Bernstein pieces, three of the Anniversaries, short compositions for BERNSTEIN piano, and an unpublished piece that Siegel debuted. He is the only pianist who has played it professionally. “Lenny called the Anniversaries, ‘snapshots in sound, showing his intro- spective, private side rather than the extroverted personality many associate with him,” he says. The pieces are in honor of Copland, Johnny Mehegan, a jazz Pianist Jeffrey Siegel pianist Bernstein liked to listen to in Manhattan’s musical-rich Greenwich Village, and for Helen Coates, his per- honors the composer on sonal secretary. his birth centennial MESSAGE OF THE MAESTRO Siegel met Bernstein as a young man through a mutual friend, American David M. Brown » The Entertainer! wide: symphonic and orchestral music, for Siegel’s Keyboard Conversations, mezzo-soprano, Jenny Tourel, who ballet, film and theater, choral works, which the young septuagenarian also escorted the young pianist back stage to eonard Bernstein’s 100th opera, chamber music and piano pieces. performs in 20 other cities annu- meet with him. Then, in a series of sub- birthday is a west side story Specifically, other well-known ally, including New York, Chicago, scription concerts in November 1988, and an east side story; one compositions include the “Serenade for Philadelphia, Cleveland, Minneapolis, conducted by Zubin Mehta, he spoke of joy uptown, downtown Violin, Strings, Harp and Percussion,” Houston, Dallas, Denver, Washington, at length with Bernstein, as they often and everywhere great the “The Three Dance Episodes from D.C.
  • Carmel Music Society

    Carmel Music Society

    Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna
  • Uc Berkeley Campus Map Key

    Uc Berkeley Campus Map Key

    UC BERKELEY CAMPUS MAP KEY Alumni House, D-5 Greenhouse, A-7 Pacific Film Archive (PFA) Theater, D-4 Andersen Auditorium (Haas School of Business), C-2 Grinnell Natural Area, C-6 Parking Lots/Structures, A-3, A-4/5, D-3, D/E-6, Anthony Hall, C/D-4 Haas Pavilion, D-5 E-4, E/F-3, E/F-5/6 Architects and Engineers (A&E), D-4 Haas School of Business, C-2 Pimentel Hall, B-3 Bancroft Library, C-4 Hargrove Music Library, D-3 Pitzer Auditorium (Latimer Hall), C-2/3 Banway Bldg., D-7 Haste Street Child Development Center, F-5 Police, UC (Sproul Hall), D-4 Barker Hall, A/B-6 Haviland Hall, B-4/5 Recreational Sports Facility, D-5/6 Barrow Lane, D-4 Hazardous Materials Facility, C/D-6 Residence Halls Barrows Hall, D-4 Hearst Field Annex, D-4 Bowles Hall, C-2 BART Station, C-7 Hearst Greek Theatre, B-2 Clark Kerr Campus, F-1 Bechtel Engineering Center, B-3/4 Hearst Memorial Gymnasium, D-3 Cleary Hall, E/F-4/5 Berkeley Art Museum (Woo Hon Fai Hall), D/E-3 Hearst Memorial Mining Bldg., B-3 Foothill Residence Halls, A/B-2/3 Birge Hall, C-3 Hearst Mining Circle, B-3 Ida Louise Jackson Graduate House, E-2/3 Blum Hall, A/B-4 Hearst Museum of Anthropology, D-3 Martinez Commons E/F-4 Boalt Hall, D-2 Heating Plant, Central, C-6 Stern Hall, B-2/3 Botanical Garden, C-1 Hellman Tennis Complex, C-6 Unit 1, E-3 Brain Imaging Center, B-5 Hertz Hall, C/D-3 Unit 2, F-3 C.V.
  • Marist CLS Favorite Concertos January 11, 2021

    Marist CLS Favorite Concertos January 11, 2021

    Marist CLS Favorite Concertos January 11, 2021 Paul Stoddard Zoom reminders • Use the View icon to change from gallery to speaker if you want. • When I share my screen (which will be most of the class) you will see my Power Point slides and YouTube videos in the main window. • If you want to ask a question: - Click the Raise Hand icon (you can find it after you click the Participants button). - Or, type your question in the Chat • Keep yourself muted unless asking your question after I call on you. Thanks! 2 Concertos (Concerti if you speak Italian) ✢ Music for an instrumental soloist and orchestra. The vast majority are for piano or violin soloist. ✢ Cello is a distant third. There are also some for clarinet, flute, oboe, French horn, trumpet, etc. ✢ Other instruments have only a few, although in the 20th century composers started writing them for all kinds of odd instruments. (See the list “Concertos for other instruments” at the end of the Wikipedia article.) 3 Concertos – your favorites and mine Mozart ✢ Violin Concerto No 5 played by Anne Sophie-Mutter ✢ Piano Concerto No 17 played by Lenny (Mozart wrote 27) ✢ Piano Concerto No 21, 2nd movement played by Yeol Eum Son ✢ One of my favorites, Piano Concerto No 22 played by Mitsuko Uchida ✢ Horn Concerto No 4 E flat major K 495 played by Radek Baborák (Mozart wrote 5 for Horn, 1 for bassoon) ✢ Clarinet Concerto K.622 played by Richard Stoltzman ✢ Sinfonia Concertante (violin & viola) played by Perlman and Zuckerman ✢ Concerto for Flute Harp and Orchestra in C major, K 299 5 Musical Forms – understanding structure v Classical pieces are long.