DePaul Journal of Art, Technology & Intellectual Property Law Volume 14 Issue 1 Special Section: Art and War, 2004 Article 5 The Art of War: The Protection of Cultural Property during the "Siege" of Sarajevo (1992-95) Megan Kossiakoff Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Megan Kossiakoff, The Art of War: The Protection of Cultural Property during the "Siege" of Sarajevo (1992-95), 14 DePaul J. Art, Tech. & Intell. Prop. L. 109 (2004) Available at: https://via.library.depaul.edu/jatip/vol14/iss1/5 This Case Notes and Comments is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact
[email protected]. Kossiakoff: The Art of War: TheCOMMENT Protection of Cultural Property during the "S THE ART OF WAR: THE PROTECTION OF CULTURAL PROPERTY DURING THE "SIEGE" OF SARAJEVO (1992-95) I. INTRODUCTION Throughout the night of August 25, 1992, shells from Serb gunners fell on the National and University Library of Bosnia and Herzegovina in Sarajevo. The attack set off a blaze fueled by a collection representing hundreds of years of Bosnian history and culture. Librarians and community members, risking sniper fire, formed a human chain to move books to safety.' Despite emergency efforts, ninety percent of the collection was ash by daybreak.2 Unfortunately, this incident was not unique. The destruction of cultural artifacts during the "Siege" of Sarajevo was a loss not only to Bosnia,3 but also to the heritage of the world which now suffers a gap that cannot be closed.