L'opéra Comique
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Opera, Liberalism, and Antisemitism in Nineteenth-Century France the Politics of Halevy’S´ La Juive
Opera, Liberalism, and Antisemitism in Nineteenth-Century France The Politics of Halevy’s´ La Juive Diana R. Hallman published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Diana R. Hallman 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Dante MT 10.75/14 pt System LATEX 2ε [tb] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Hallman, Diana R. Opera, liberalism, and antisemitism in nineteenth-century France: the politics of Halevy’s´ La Juive / by Diana R. Hallman. p. cm. – (Cambridge studies in opera) Includes bibliographical references and index. isbn 0 521 65086 0 1. Halevy,´ F., 1799–1862. Juive. 2. Opera – France – 19th century. 3. Antisemitism – France – History – 19th century. 4. Liberalism – France – History – 19th century. i. Title. ii. Series. ml410.h17 h35 2002 782.1 –dc21 2001052446 isbn 0 521 65086 0 -
Opernaufführungen in Stuttgart
Opernaufführungen in Stuttgart ORIGINALTITEL AUFFÜHRUNGSTITEL GATTUNG LIBRETTIST KOMPONIST AUFFÜHRUNGSDATEN (G=Gastspiel)(L=Ludwigsburg)(C=Cannstatt) Euryanthe Euryanthe Oper Helemine von Chezy C(arl M(aria) von 1833: 13.03. ; 28.04. - 1863: 01.02. - 1864: 17.01. - Weber 1881; 12.02. (Ouverture) - 1887: 20.06 (Ouverture) - 1890: 16.02. ; 26.03. ; 25.09. ; 02.11. - 1893: 07.06 - Abu Hassan Oper in 1 Akt Franz Karl Hiemer Carl Maria von Weber 1811: 10.07. - 1824: 08.12. - 1825: 07.01. Achille Achilles Große heroische Nach dem Ferdinand Paer 1803: 30.09. ; 03.10. ; 31.10. ; 18.11. - 1804: Oper in 3 Akten Italienischen des 23.03. ; 18.11. - 1805: 17.06. ; 03.11. ; 01.12. - Giovanni DeGamerra 1806: 18.05. - 1807: 14.06. ; 01.12. - 1808: 18.09. - von Franz Anton 1809: 08.09. - 1810: 01.04. ; 29.07. - 1812: 09.02. ; Maurer 01.11. - 1813: 31.10. - 1816: 11.02. ; 09.06. - 1817: 01.06. - 1818: 01.03. - 1820: 15.01. - 1823: 17.12. - 1826: 08.02. Adelaide di Adelheit von Guesclin Große heroische Aus dem Italienischen Simon Mayr 1805: 21.07. ; 02.08. ; 22.09. - 1806: 02.03. ; 14. 09. Guescelino Oper in 2 Akten ; 16.09. (L). - 1807: 22.02. ; 30.08.(L) ; 06.09. - 1809: 07.04. - 1810: 11.04. - 1814: 28.08.(L) ; 09.10. - 1816: 05.05. ; 18.08. Adelina (auch Adeline Oper in 1 Akt Nach dem Pietro Generali 1818: 23.03. Luigina, Luisina) Italienischen von Franz Karl Hiemer - Des Adlers Horst Romantisch- Carl von Holtei Franz Gläser 1852: 30.04. ; 02.05. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Repertory and rivalry : opera and the Second Covent Garden Theatre, 1830-56. Dideriksen, Gabriella The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Repertory and Rivalry: Opera at the Second Covent Garden Theatre, 1830 to 1856 Gabriella Dlderlksen PhD, Historical Musicology King's College London, University of London June 1997 Abstract Victorian London has hitherto frequently been regarded as an operatic backwater without original musical or theatrical talent, and has accordingly been considered only marginally important to the history of 19th-century opera in general. -
Grand Opera DIANA DAMRAU
MEYERBEER grand opera DIANA DAMRAU ORCHESTRE ET CHŒUR DE L'OPERA NATIONAL DE LYON EMMANUEL VILLAUME GIACOMO MEYERBEER 1791-1864 GRAND OPERA 1 LE PROPHÈTE (1849) 7 LE PARDON DE PLOËRMEL (1859) Mon cœur s’élance et palpite Berthe 4:05 (DINORAH) Comme cette nuit est lente à se dissiper !... 2 ROBERT LE DIABLE (1831) Ombre légère Dinorah 8:20 Robert, toi que j’aime Isabelle 5:52 Robert: Charles Workman tenor 8 EIN FELDLAGER IN SCHLESIEN (1844) Oh Schwester, find’ ich dich!... 3 ALIMELEK, ODER Lebe wohl, geliebte Schwester Therese 6:53 DIE BEIDEN KALIFEN (1814) Vielka: Kate Aldrich mezzo-soprano Nur in der Dämm’rung Stille Irene 6:17 9 EMMA DI RESBURGO (1819) 4 L’ÉTOILE DU NORD (1854) Sulla rupe triste, sola... Ah, mon Dieu !... C’est bien l’air Ah questo bacio Emma 6:38 que chaque matin Catherine 6:58 Julien Beaudiment, Catherine Puertolas flutes 10 LES HUGUENOTS (1836) Ô beau pays de la Touraine Marguerite 12:55 5 L’AFRICAINE (1865) Urbain: Pei Min Yu soprano Là-bas, sous l’arbre noir... Coryphée: Pascale Obrecht soprano Fleurs nouvelles, arbres nouveaux Inès 5:34 Dame d’honneur: Joanna Curelaru mezzo-soprano 6 IL CROCIATO IN EGITTO (1824) 11 L’AFRICAINE (1865) D’una madre disperata... Anna, qu’entends-je... Con qual gioia Palmide 9:20 Adieu, mon doux rivage Inès 8:34 Aladino: Laurent Naouri bass Anna: Kate Aldrich mezzo-soprano total 81:27 2 3 MEYERBEER: A TRUE EUROPEAN! A personal and heartfelt preface Back in 2006, when my collaboration began with Virgin and of creating a portrait of this unique ‘European’ Classics/EMI (now Erato/Warner Classics), the label’s artist seen from every angle, not just as the composer president, Alain Lanceron, asked me what I would like of indispensable French works whose effortlessness, to record. -
Boston Symphony Orchestra Concert Programs, Season 42,1922
SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY Thursday Evening, April 12, at 8.00 PRoGRKttttE SSfflfflffl Steinway & Sons STEINERT JEWETT WOODBURY « PIANOS v Duo-Art REPRODUCING PIANOS AND PIANOLA PIANOS victroLas victor records M. STEINERT & SONS SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY FORTY-SECOND SEASON 1922-1923 INC. PIERRE MONTEUX, Conductor SEASON 1922-1923 THURSDAY EVENING, APRIL 12, at 8.00 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1923, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE . Treasurer ALFRED L. AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager l 'CHE INSTRUMENT OF THE IMMORTALS Q OMETIMES people who want a Steinway think it economi- cal to buy a cheaper piano in the beginning and wait for a Steinway. Usually this is because they do not realize with what ease Franz Liszt and convenience a Steinway can at his Steinway be bought. This is evidenced by the great number of people who come to exchange some other piano in partial payment for a Steinway, and say: "If I had only known about your terms I would have had a Steinway long ago!" You may purchase a new Steinway piano with a cash deposit of 10%, and the bal- ance will be extended over a period of two years. 'Prices: $875 and up Convenient terms. -
Famous Composers and Their Music
iiii! J^ / Digitized by the Internet Archive in 2011 with funding from Brigham Young University http://www.archive.org/details/famouscomposerst05thom HAROLD BLEBLffiR^^ PROVO. UTAH DANIEL FRANCOIS ESPRIT AUBER From an engraving by C. Deblois, 7867. 41 .'^4/ rii'iiMia-"- '^'', Itamous COMPOSERS AND THEIR MUSIC EXTRA ILLUSTPATED EDITION o/' 1901 Edited by Theodore Thomas John Knowlej Paine (^ Karl Klauser ^^ n .em^fssfi BOSTON M'^ J B MILLET COMPANY m V'f l'o w i-s -< & Copyright, 1891 — 1894— 1901, By J. B. Millet Company. DANIEL FRANCOIS ESPRIT AUBER LIFE aiore peaceful, happy and making for himself a reputation in the fashionable regular, nay, even monotonous, or world. He was looked upon as an agreeable pianist one more devoid of incident than and a graceful composer, with sparkling and original Auber's, has never fallen to the ideas. He pleased the ladies by his irreproachable lot of any musician. Uniformly gallantry and the sterner sex by his wit and vivacity. harmonious, with but an occasional musical dis- During this early period of his life Auber produced sonance, the symphony of his life led up to its a number of lietier, serenade duets, and pieces of dramatic climax when the dying composer lay sur- drawing-room music, including a trio for the piano, rounded by the turmoil and carnage of the Paris violin and violoncello, which was considered charm- Commune. Such is the picture we draw of the ing by the indulgent and easy-going audience who existence of this French composer, in whose garden heard it. Encouraged by this success, he wrote a of life there grew only roses without thorns ; whose more imp^i/rtant work, a concerto for violins with long and glorious career as a composer ended only orchestra, which was executed by the celebrated with his life ; who felt that he had not lived long Mazas at one of the Conservatoire concerts. -
L'art Musical (1860-70; 1872-94), Prototype Ripm Catalogue and Keyword-Author Index: an Assay of Ripm Methodology and Introductory Study of the Journal
L'ART MUSICAL (1860-70; 1872-94), PROTOTYPE RIPM CATALOGUE AND KEYWORD-AUTHOR INDEX: AN ASSAY OF RIPM METHODOLOGY AND INTRODUCTORY STUDY OF THE JOURNAL By DIANA CHRISTINA SOPHIA SNIGUROWICZ t B.Mus., The University of British Columbia, 1983 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (School of Music) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1988 (c) Diana Christina Sophia Snigurowicz, 1988 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of °\X\Axt)JuC^ The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date ]2. ABSTRACT The musicological community has long recognized the need for restrospective peri• odical indexing. Previous attempts to develop a system to allow access to this monumental documentary resource, however, have not been successful. Realizing the importance of international cooperation and concensus in this effort, the Inter• national Association of Music Libraries (IAML) and the International Musicologi• cal Society (IMS) approved the creation of the Repertoire international de la presse musicale (RIPM) in 1981 and 1982, respectively. -
Meyerbeer's Robert Le Diable
Meyerbeer’s Robert le Diable Meyerbeer’s Robert le Diable : The Premier Opéra Romantique By Robert Ignatius Letellier Meyerbeer’s Robert le Diable : The Premier Opéra Romantique , by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Robert Ignatius Letellier All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4191-9, ISBN (13): 978-1-4438-4191-7 Fig. 1 Giacomo Meyerbeer. Lithograph by Delpech after a drawing by Maurin (c. 1836) CONTENTS List of Figures............................................................................................. xi Abbreviations .......................................................................................... xvii Introduction ................................................................................................. 1 1. The Origins .............................................................................................. 3 2. The Sources .......................................................................................... 15 The Plot ............................................................................................... -
Schriftenreihe Des Sophie Drinker Instituts Band 4
Schriftenreihe des Sophie Drinker Instituts Herausgegeben von Freia Hoffmann Band 4 Marion Gerards, Freia Hoffmann (Hrsg.) Musik – Frauen – Gender Bücherverzeichnis 1780–2004 BIS-Verlag der Carl von Ossietzky Universität Oldenburg 2006 Das Werk ist einschließlich aller seiner Teile urheberrechtlich ge- schützt. Jede Verwertung außerhalb der Grenzen des Urheberrechts bedarf der Zustimmung der Autorinnen. Dies gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Medien. © BIS-Verlag, Oldenburg 2006 Umschlaggestaltung: Marta Daul Layout und Satz: BIS-Verlag Verlag / Druck / BIS-Verlag Vertrieb: der Carl von Ossietzky Universität Oldenburg Postfach 25 41, 26015 Oldenburg Tel.: 0441/798 2261, Telefax: 0441/798 4040 e-mail: [email protected] Internet: www.bis.uni-oldenburg.de ISBN 3-8142-0966-4 Inhaltsverzeichnis Vorwort 3 Hinweise zur Benutzung 5 1 Nachschlagewerke 9 1.1 Lexika und biographische Nachschlagewerke 9 1.2 Bibliographien 14 1.3 Notenverzeichnisse 17 1.4 Diskographien 22 2 Einführende Literatur 24 2.1 Kunstmusik 24 2.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 42 2.3 Stilübergreifend und Sonstige 50 3 Personenbezogene Darstellungen 54 3.1 Kunstmusik 54 3.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 320 3.3 Stilübergreifend und Sonstige 433 4 Spezielle Literatur 446 4.1 Kunstmusik 446 4.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 462 4.3 Stilübergreifend -
Opéra-Comique ? Gérard Condé 35 Maître Péronilla : Opéra-Bouffe Or Opéra-Comique ?
Collection « Opéra français / French opera » Editorial direction: Alexandre Dratwicki / Palazzetto Bru Zane Project management: Camille Merlin / Palazzetto Bru Zane Editorial consulting: Carlos Céster Layout, manufacturing and distribution co-ordination: Sémele Proyectos Musicales Design: Valentín Iglesias – assistance: Rosa Tendero Translations: Charles Johnston (English) © 2020 Palazzetto Bru Zane – Centre de musique romantique française San Polo 2368 – 30125 Venice – Italy bru-zane.com All rights reserved. Physical edition printed in Spain Legal deposit: Madrid, October 2019 – m-21801-2019 isbn : 978-84-09-15588-0 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the copyright owners and the publisher. livres-disques du palazzetto bru zane Le Palazzetto Bru Zane – Centre de musique romantique française a pour vocation the palazzetto bru zane’s book+cd series de favoriser la redécouverte du patrimoine musical français du grand xix e siècle (1780- 1920) en lui assurant le rayonnement qu’il mérite. Installé à Venise, dans un palais de 1695 restauré spécifiquement pour l’abriter, ce centre est une réalisation de la Fondation Opéra français Prix de Rome Bru. Il allie ambition artistique et exigence scientifique, reflétant l’esprit humaniste qui 1 Bach, Amadis de Gaule 1 Claude Debussy guide les actions de la fondation. Les principales activités du Palazzetto Bru Zane, 2 Kreutzer, La Mort d’Abel 2 Camille Saint-Saëns menées en collaboration étroite avec de nombreux partenaires, sont la recherche, 3 Massenet, Thérèse 3 Gustave Charpentier l’édition de partitions et de livres, la production et la diffusion de concerts à l’international, 4 Sacchini, Renaud 4 Max d’Ollone le soutien à des projets pédagogiques et la publication d’enregistrements discographiques. -
Katalog / Catalogue
Musik-Edition Lucie Galland ________________________________________________________________________________ Katalog – Februar 2018 / Verkauf durch den Verlag oder den Handel / vente par l'éditeur ou dans le commerce / sale by the publisher or through commerce Musik-Edition Lucie Galland 13 Kepler-Str. 74189 Weinsberg Germany Tél./ Fax: +33 4 67 96 69 75 Web: www.musik-editionluciegalland.net E-mail: [email protected] ________________________________________________________________________________ / Musik-Edition Lucie Galland führt zur Zeit acht Titelserien / Musik-Edition Lucie Galland publie actuellement huit séries de titres / Musik-Edition Lucie Galland currently publishes eight series 1. Fromental Halévy, Nouvelle édition d’opéras choisis 2. Opéras français du XIXe siècle 3. Critiques de l’opéra français du XIXe siècle 4. Etudes sur l’opéra français du XIXe siècle 5. La Musique en France au XIXe siècle 6. Russische Opern des 19. Jahrhunderts 7. Livrets d’opéra 8. Varia ________________________________________________________________________________ 1. Fromental Halévy, Nouvelle édition d’opéras choisis Vol. I, La Juive, édité par Karl Leich-Galland, coproduit par Alkor-Edition, Kassel et Musik-Edition Lucie Galland, Weinsberg, 2 vols. reliés, XIV + 974 p., ISMN M-006-50007-6, € 520,- Vol. II, La Magicienne, édité par Karl Leich-Galland, 2 vols, XXIV + 889 p., ISBN 3-925934-43-X, € 390,- Vol. III, La Fée aux roses, édité par Peter Kaiser, XXV + 621 p., ISBN 3-925934-65-0, € 250,- Vol. IV, Manon Lescaut, Ballet-pantomime, édité par Peter Kaiser, LXXII + 726 p., ISMN M-700284-00-8, € 280,- 2. Opéras français du XIXe siècle - reprints Série A, partitions chant et orchestre - reliées - Vol. I, Fromental Halévy, Guido et Ginévra, 803 p. -
Historia De La Ópera – Fase Preparatoria – Taller De Opera Universidad De Caldas
Historia de la ópera – Fase Preparatoria – Taller de Opera Universidad de Caldas Listado de óperas por autor: Autor – Nacimiento y Muerte – Título de la ópera – Fecha de estreno A Absil, Jean 1893-1974 Les Voix de la mer 1951 Acevedo Gajardo, Remigio Caupolicán 1905 Adalid, Marcial del 1826-1881 Inese e Bianca Adam, Adolphe Charles 1803-1856 Le Chalet 1834 Le Postillon de Longjumeau 1836 Le Toréador 1849 Si j'étais roi 1852 Le Sourd ou l'Auberge pleine 1853 Adam Hiller, Johann 1728-1804 Lisuard y Darioleta 1766 El barbero del pueblo 1768 La caza 1770 Adams, John 1947 Nixon en China 1987 La muerte de Klinghoffer 1991 Alayrac, Nicolas-Marie d' 1753-1809 Nina ou la Folle para amour 1786 Azemia ou les Sauvages 1786 Raoul, sire de Créqui 1789 Maison à vendre 1801 Gulistan ou le Hulla de Samarcande 1805 Albéniz, Isaac 1860-1909 The magic Opal 1892 Pepita Jiménez 1895 Merlín; Lancelot (inacabada) Albert, Eugen d' 1864-1932 Die Abreise 1898 Flauto solo 1905 Tiefland 1903 Alfano, Franco 1876-1854 Resurrezione 1904 L'Ombra de Giovanni 1914 La Leggenda di Sakuntala 1921 Alonso-Crespo, Eduardo Juana la loca 1991 Altisent, Juan 1891-1971 Amunt 1959 Alvarez, Fermín María 1833-1898 Margarita Andriessen, Willem 1887-1964 Philomela Antheil, George 1900-1959 Flight 1927 Transatlantic 1930 Volpone 1950 The Brothers 1954 Venus in Africa 1954 The Witch 1954 Aracil, Alfredo 1954 Francesca o el Infierno de los enamorados 1988 Arenski, Antoni Stepanovitch 1861-1906 Le Songe sur la Volga 1892 Raphaël 1894 Nal et Damaïanti 1899 Argento, Dominik 1927 El regreso