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Bibliography BIbLIOGRAPHY Arnold, Bruce. “The Yeats Family and Modernism in Ireland.” In The Moderns: The Arts in Ireland from the 1900s to the 1970s, edited by Enrique Juncosa and Christina Kennedy, 24–25. Dublin: Irish Museum of Modern Art, 2010. ———. Jack Yeats. New Haven, Connecticut: Yale University Press, 1998. ———. “An Old Dog for a Hard Road: Synge and Yeats in the Congested Districts.” Times Literary Supplement, December 16, 1994, 12. ———. A Concise History of Irish Art. London: Thames and Hudson, 1969. Arrighi, Gillian. “The circus and modernity: a commitment to the ‘newer’ and ‘the newest’.” Early Popular Visual Culture 10, No. 2 (2012): 169–185. Arscott, Caroline. “Convict Labour: Masking and Interchangeability in Victorian Prison Scenes.” Oxford Art Journal 23, No. 2 (2000): 123–142. Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge University Press, 1998. ———. “Introduction: Making Sense of Music Hall.” In Music Hall: The Business of Pleasure, edited by Peter Bailey, vii–xxi. Milton Keynes: Open University Press, 1986. Barber, Fionna. Art in Ireland since 1910. London: Reaktion, 2013. Barrett, Cyril. “Irish Nationalism and Art II, 1900–1970.” Studies: An Irish Quarterly Review 91, No. 363 (2002): 223–238. ———. “Irish Nationalism and Art, 1800–1921.” Studies: An Irish Quarterly Review 64, No. 256 (1975): 393–409. Beaty, Bart. Comics Versus Art. Toronto: University of Toronto Press, 2012. Berger, John. About Looking. London: Bloomsbury, 2015. Blackbeard, Bill. Sherlock Holmes in America. New York: Harry N. Abrams, 1981. © The Author(s), under exclusive license to Springer Nature 263 Switzerland AG 2021 M. Connerty, The Comic Strip Art of Jack B. Yeats, Palgrave Studies in Comics and Graphic Novels, https://doi.org/10.1007/978-3-030-76893-5 264 BIBLIOGRAPHY Blackbeard, Bill, and Malcolm Whyte. Great Comic Cats. San Francisco: Troubador, 1981. Bogart, Michele H. Artists, Advertising, and the Borders of Art. Chicago: University of Chicago Press, 1995. Booth, John. Jack B. Yeats: A Vision of Ireland. Nairn, Scotland: Thomas and Lochar, 1992. Bourke, Marie. “Yeats, Henry and the Western Idyll.” History Ireland 10, No. 2 (2003). Bramlett, Frank, Roy Cook, and Aaron Meskin, eds. The Routledge Companion to Comics. London: Routledge, 2016. Bratlinger, Patrick. Taming Cannibals: Race and the Victorians. Ithaca: Cornell University Press, 2011. ———. “Victorians and Africans: The Genealogy of the Myth of the Dark Continent.” Critical Inquiry 12, No. 1 (1985): 166–203. ———. “The Gothic Origins of Science Fiction.” NOVEL: A Forum on Fiction 14, No. 1 (1980): 30–43. Bratton, Jacky. “The music hall.” In The Cambridge Companion to Victorian and Edwardian Theatre, edited by Kerry Powell, 164–180. Cambridge: Cambridge University Press, 2004. Bryant, Mark, and Simon Heneage, eds. Dictionary of British Cartoonists and Caricaturists, 1730–1980. Aldershot, Hants., England: Scolar Press, 1994. Buckley, Matthew. “Sensations of Celebrity: ‘Jack Sheppard’ and the Mass Audience.” Victorian Studies 44, No. 3 (2002): 423–463. Carpenter, Kevin. Penny Dreadfuls and Comics: English Periodicals for Children from Victorian Times to the Present Day. London: V&A Publishing, 1983. Chapman, James. British Comics: A Cultural History. London: Reaktion, 2011. Clark, Kenneth. “Jack Yeats.” Yeats Studies: An International Journal No. 2 (1972): 6–8. Claxton, Michael. “Victorian Conjuring Secrets.” In Victorian Secrecy: Economies of Knowledge and Concealment, edited by Albert D. Pionke and Denise Tischler Millstein, 165–178. London: Routledge, 2016. Cleary, Joe. “European, American, and Imperial Conjunctures.” In The Cambridge Companion to Irish Modernism, edited by Joe Cleary, 35–50. Cambridge: Cambridge University Press, 2014. Coldwell, Joan. “Pamela Colman Smith and the Yeats Family.” The Canadian Journal of Irish Studies 3, No. 2 (1977) 27–34. Conboy, Martin, The Press and Popular Culture. London: SAGE Publications, 2001. Connelly, Joseph F. “The Narrative Art of Jack B. Yeats’ Sligo and Sailing, Sailing Swiftly.” New Hibernia Review 6, No. 2 (2002): 106–117. Connerty, Michael. “Selective Memory: Art History and the Comic Strip Work of Jack B. Yeats.” In Comics Memory: Archives and Styles, edited by Maheen Ahmed and Benoit Crucifx, 231–248. London: Palgrave Macmillan, 2018. BIBLIOGRAPHY 265 ———. “Happy Ike, The Pink Kid and the American Presence in Early British Comics.” International Journal of Comic Art 19, No. 1 (Spring/Summer 2017): 525–537. Conrad, Peter. Modern Times, Modern Places: Life and Art in the 20th Century. London: Thames and Hudson, 1999. Cork, Richard. “Ireland’s Unsung Hero.” The Times, February 23, 1991, 17. Cox, Howard and Simon Mowatt. Revolutions from Grub Street: A History of Magazine Publishing in Britain. Oxford: Oxford University Press, 2014. Cremins, Brian. “Funny Animals” in The Routledge Companion to Comics, edited by Frank Bramlett, Roy Cook and Aaron Meskin, 146–153. London: Routledge, 2016. Cuppleditch, David. The London Sketch Club. Stroud, Gloucestershire: Alan Sutton, 1994. ———. Phil May: The Artist and his Wit. London: Fortune Press, 1981. Curran, C.P. “Jack Yeats R.H.A.” Studies: An Irish Quarterly Review 30, No. 117 (1940): 75–89. Curry, James, and Ciarán Wallace. Thomas Fitzpatrick and the Leprechaun Cartoon Monthly. Dublin: Dublin City Council, 2015. Curtis, L. Perry. Apes and Angels: The Irishman in Victorian Caricature (Revised Edition). Washington, DC: Smithsonian, 1997. Cusack, Tricia. “Migrant travellers and touristic idylls: The paintings of Jack B. Yeats and post-colonial Identities.” Art History 21, No. 2 (1998): 201–218. Davis, Janet M. The Circus Age: Culture and Society under the American Big Top. Chapel Hill: University of North Carolina Press, 2002. Dawes, Edwin A. “The Magic Scene in Britain in 1905: An Illustrated Overview.” Early Popular Visual Culture 5, No. 2 (2007): 109–126. Delap, Lucy. Knowing their Place: Domestic Service in Twentieth Century Britain. Oxford: Oxford University Press, 2011. Demson, Michael, and Heather Brown. “‘Ain’t I de Maine guy in dis parade?’: towards a radical history of comic strips and their audience since Peterloo.” Journal of Graphic Novels and Comics 2, No. 2 (2011): 151–167. De Vere White, Terrence. “The ‘Punch’ drawings of Jack B. Yeats.” Irish Times, May 29, 1975, 8. Doyle, Arthur Conan. Memories and Adventures and Western Wanderings. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2009 (frst published 1924). Dunae, Patrick A. “Boys’ Literature and the Idea of Empire, 1870–1914.” Victorian Studies 24, No. 1 (1980): 105–121. Duncan, Randy, and Matthew J. Smith. The Power of Comics: History, Form and Culture. New York: Bloomsbury, 2009. 266 BIBLIOGRAPHY Fahlman, Betsy. “Irish Modern: Jack B. Yeats and the Armory Show.” In The Only Art of Jack B. Yeats: Letters and essays, edited by Declan J. Foley, 87–98. Dublin: Lilliput Press, 2009. Fallon, Brian. “Horse Power.” Irish Arts Review 25, No. 2 (2002): 94–101. Faulk, Barry J. Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture. Athens: Ohio University Press, 2004. Ferris, Paul. The House of Northcliffe: The Harmsworths of Fleet Street. London: Garden City Press, 1971. Flanders, Judith. The Victorian City: Everyday Life in Dickens’ London. London: Atlantic Books, 2012. Foley, Declan, ed. The Only Art of Jack B. Yeats: Letters and Essays. Dublin: Lilliput Press, 2009. Foster, Roy. “The Occupation of Living’: Jack B. Yeats and the Irish Revolution.” In Creating History: Stories of Ireland and Art, edited by Brendan Rooney, 251–273. Dublin: Irish Academic Press, 2016. ———. The Irish Story: Telling Tales and Making it Up in Ireland. London: Penguin, 2001. Free, Marcus. “‘One Hundred Laughs for One Halfpenny’: Early British Comics and the Investigation of Popular Culture.” PhD diss., Dublin City University, 1990. Freeman, Nicholas. 1895: Drama, Disaster and Disgrace in Late Victorian Britain. Edinburgh: Edinburgh University Press, 2011. Fulton, Arthur. “Boys’ Adventure Magazines and the Discourse of Adventure, 1860–1885.” Australasian Journal of Victorian Studies 15, No. 1 (2010): 1–21. Furniss, Harry. Memoirs (Vol. 3): Family and Friends. Victoria, BC: Trafford, 2003. Gardner, Jared. Projections: Comics and the History of Twenty-First Century Storytelling. Stanford: Stanford University Press, 2011. Gaycken, Oliver. “Early Cinema and Evolution.” In Evolution and Victorian Culture, edited by Bernard Lightman and Bennett Zon, 94–120. Cambridge: Cambridge University Press, 2014. Gibbons, Luke. “Visual Modernisms.” In The Cambridge Companion to Irish Modernism, edited by Joe Cleary, 128–143. Cambridge: Cambridge University Press, 2014. Gibson, Mel. “Picturebooks, Comics and Graphic Novels.” In The Routledge Companion to Children’s Literature, edited by David Rudd, 100–111. London: Routledge, 2010. Gifford, Denis. Discovering Comics (Second Edition). London: Shire, 1991. ———. The International Book of Comics. London: Hamlyn/WH Smith, 1988. ———. The Encyclopaedia of Comic Characters. London: Longmans, 1987. ———. Victorian Comics. London: George Allen and Unwin, 1976. ———. The British Comic Catalogue 1874–1975. Westport, Connecticut: Greenwood Press, 1975. BIBLIOGRAPHY 267 ———. “The Evolution of the British Comic.” History Today 21, No. 5 (1971): 349–358. Gillingham, Laura. “Ainsworth’s ‘Jack Sheppard’ and the Crimes of History.” Studies in English Literature, 1500–1900 49, No. 4 (2009): 879–906. Gopnik, Adam, and Kirk Varnedoe, eds. High and Low: Modern Art and Popular Culture.
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