Printing History News 23

Total Page:16

File Type:pdf, Size:1020Kb

Printing History News 23 Printingprinting History history news 23 News 1 The Newsletter of the National Printing Heritage Trust, Printing Historical Society and Friends of St Bride Library Number 23 Summer 2009 ST BRIDE LIBRARY Glyn Farrow, clerk to the governors Pierre Delsaerdt: The typographic and director of St Bride Foundation design of C. Plantin’s dictionaries DONATION said ‘We are deeply appreciative of the compared with the layout of Robert Klaiber family for this generous dona- Estienne’s lexicographic work. Work- The St Bride Library has received a tion. It is indicative of the strong sense ing with Cornelis Kiliaan, the compiler generous donation of £15,300 from of community among the staff, volun- of the Dictionarium Teutonico-Latin- departing assistant librarian, Elizabeth teers and visitors to St Bride Founda- um, Plantin had a wider array of type- Klaiber and her family (including her tion’. faces to draw upon to manipulate the parents Isabelle and Bruce Klaiber). It The new mobile shelving follows macro- and micro-structures of his will be used to fund the St Bride Foun- recent renovation work to the library dictionaries than did Robert Estienne. dation’s continuing redevelopment including the construction and opening This work will compare the two in programme, which aims to improve of the new reading room in 2007. A terms of their relative ‘retrieval’ access to the 50,000 books, 3,500 second phase is also planned, to create qualities. periodicals, catalogues and directories even more storage space to house the and numerous artefacts including more historic printing collections. Fiona Ross: Linotype’s letter-drawings than 1,500,000 pieces of historical for hot-metal Tamil characters (1936): type which the Library holds. provenance and use. Drawing on This contribution will be specifically PHS Treasurer Linotype’s archives at the University used to increase the capacity of the of Reading, the work will be a study foundation’s main archive by one and Ken Brooks will retire as Treasurer of of the design decisions made in 1936 a half times through the installation of the Printing Historical Society at the on the proportions of characters, new mobile shelving. This will replace 2010 AGM next March. The Society the shapes of counters, letter-fit and the current static shelving, making is in sound financial shape and the kerning, which affected the resulting room for additional shelves and leaving Treasurer advises on new publishing Tamil typography. space to create a much-needed demon- projects and other activities (such as stration area. the Grants programme). Membership Sydney J. Shep: Printers’ libraries and Elizabeth started working at St records are also part of the remit, and the Typographical Press System. The Bride three years ago as a volunteer, arranging for the annual examination role of late nineteenth-century typo- while completing her Masters in the of the accounts. A few hours a week is graphical journals as ‘nodes in a global History of the Book at the School of all that is necessary to keep up with the network of social and cultural ex- Advanced Study’s Institute of English tasks, which are vital to the Society, change’, in particular for colonial out- Studies at the University of London. now in its forty-fifth year. PHS officers posts, and the role of libraries parallel While at St Bride, she undertook pre- are elected for three years. Candidates to the St Bride Library in educating and ventative conservation on the collec- for this important office should contact informing the trade, are to be studied. tion of historic type, dating back to the Chairman or the Secretary for fur- This forms part of Dr Shep’s larger 1680. In 2007, on completion of her ther details. project on ‘The Printers’ Web’. thesis, she began working as assistant librarian. Elizabeth is now leaving St Bride to commence her PhD studies in DONALD MILHAM PRIZE her native Canada. PHS Grants and Prizes Elizabeth said ‘It was my dream to The following people were awarded come to London and study. While The following have been awarded Donald Milham prizes in the final doing this, I was lucky enough to research grants for 2009: (2009) round of awards: discover St Bride Foundation and its community. Leading up to my depart- Diane E. Booton: Hand-me-downs: 1st prize ure from the Library and London, my (re)use of blocks and plates by Mr Brian Hooper (£300) family saw an opportunity to assist in brothers Etienne Larcher at Nantes the long term conservation, preserva- and Jean Du Pre at Paris. The first and 2nd prizes tion and accessibility of the historic only Book of Hours printed in Brittany, Mr Dave Gladwell (£200) books and artefacts in St Bride Library by Larcher, will be studied as an ex- Mr Thomas Fox (£200) and to be a part of the Library’s future ample of the use of certain illustration Mr John Geoffrey Turner (£200) in a way that will benefit the Founda- blocks by different printers, and the Mr Jack R. Edwards (£200) tion and its visitors for many years to role of illustrations in this early printed Mr Robert A. Hamer (£200) come.’ book. Mr Robert Oswald Bradley (£200) 2 printing history news 23 EVENTS sellers, ten trade-suppliers and a range information for ordinary people in the of societies (including the Friends of St nineteenth century. Their typography Book History Workshop, Lyon Bride and the NPHT) will be exhibit- was typically archaic and their illustra- ing. There will also be a programme of tions were re-used time and again. Print- lectures on the Sunday. Admission is by ed crudely on poor-quality paper, with The seventh annual session of the Book catalogue (£5.00), valid for both days. a short lifetime anticipated, the survivals History Workshop will be held at Lyon, provide a window into British life and France, on 1–4 September 2009. It popular culture in the 1800s. This ex- offers four advanced courses aimed at Friends of St Bride hibition is a rare chance to see some of a variety of specialists who encounter the broadsheets in the Library’s collec- questions related to the history of the Library AGM tion, and complements Broadsheet bal- book, printing and graphic communi- lads, a theatre experience by Occam’s cation in the course of their work. Each The Annual General Meeting of the Razor Theatre Company and St Bride course is taught by a leading internati- Friends of St Bride will be held on Foundation, inspired by the Library’s onal expert in the field with emphasis Tuesday 30 June at 6:00 p.m. at the collection and contributing to the on the study of original documents. Library. Business will be followed at ‘Story of London Festival’. The four classes run simultaneously at 7:00 p.m. by: Analog source: letterpress the École normale supérieure, lettres et in an American design education, an sciences humaines, Lyon, with sessions illustrated talk by Professors Ashley Donald Milham, apprentice and John Pigford and William Deering. at the Lyon Printing Museum, the rare journeyman Printer, 1915–2006 books department of the City Library They will speak about the Raven Press and Enssib. at the University of Delaware as a place Peter Milham The tuition fee is 490 euros. In order of unbridled experimentation and to facilitate access to collections of orig- phenomenological education. Many Editor’s note: This is the third and inal documents the number of partici- examples of student work from the final part of a serialisation of Peter pants is limited to twelve per class. It is Visual Communications Program are Milham’s memoir of his father, and not possible to register for more than intended to incite a lively conversation consists of an appendix of brief one class for the four days. Fifteen about the value of letterpress in con- histories of the printing companies rooms are available in the École nor- temporary design teaching. All are Donald worked for. The previous male supérieure’s facilities for visiting welcome. £7.00 on the door (£5.00 parts appeared in issues 21 and 22. researchers, which are located in the concessions, £3.00 FoSB members). grounds of the school. Reservations are Amalgamated Press made on a first-come-first-served basis and are considered definitive only once St Bride Exhibition In 1899 a plot of land at Gravesend payment has been received. Lyon also which had originally been part of the offers a wide range of hotels at all Breathing broadsheets. 6 June–3 July Rosher estate was sold to the Harms- prices. The four courses are: at St Bride Library. Admission is free worth printing works. Alfred Harms- but please call ahead to check avail- worth, later Lord Northcliffe, founded 1 Paper and watermarks as bib- ability. Broadsheets were a cheap and and published several magazines and liographical evidence (in English). plentiful source of entertainment and periodicals, and formed Amalgamated Tutor: Neil Harris 2 Physical (analytical) bibliography (in French). Tutor: Dominique Varry 3 Introduction to the study of incunabula (in English). Tutor: Kristian Jensen 4 Printed ephemera under the magnifying glass (in English). Tutor: Michael Twyman Further details, and an application form, can be found at ihl.enssib.fr/ fichiers/mepIHL-UK.pdf. Fine Press Book Fair The 2009 Fine Press Book Fair will be held again at Oxford Brookes Univer- sity, Gipsy Lane, Oxford, on Saturday 7 November (11:00 a.m. to 6:00 p.m.) and Sunday 8 November (10:00 a.m. to 5:00 p.m.). Some eighty fine and private presses, fifteen specialist book- Amalgamated Press in 1934 printing history news 23 3 Press in 1901.
Recommended publications
  • Fudge the Elf
    1 Fudge The Elf Ken Reid The Laura Maguire collection Published October 2019 All Rights Reserved Sometime in the late nineteen nineties, my daughter Laura, started collecting Fudge books, the creation of the highly individual Ken Reid. The books, the daily strip in 'The Manchester Evening News, had been a part of my childhood. Laura and her brother Adam avidly read the few dog eared volumes I had managed to retain over the years. In 2004 I created a 'Fudge The Elf' website. This brought in many contacts, collectors, individuals trying to find copies of the books, Ken's Son, the illustrator and colourist John Ridgeway, et al. For various reasons I have decided to take the existing website off-line. The PDF faithfully reflects the entire contents of the original website. Should you wish to get in touch with me: [email protected] Best Regards, Peter Maguire, Brussels 2019 2 CONTENTS 4. Ken Reid (1919–1987) 5. Why This Website - Introduction 2004 6. Adventures of Fudge 8. Frolics With Fudge 10. Fudge's Trip To The Moon 12. Fudge And The Dragon 14. Fudge In Bubbleville 16. Fudge In Toffee Town 18. Fudge Turns Detective Savoy Books Editions 20. Fudge And The Dragon 22. Fudge In Bubbleville The Brockhampton Press Ltd 24. The Adventures Of Dilly Duckling Collectors 25. Arthur Gilbert 35. Peter Hansen 36. Anne Wilikinson 37. Les Speakman Colourist And Illustrator 38. John Ridgeway Appendix 39. Ken Reid-The Comic Genius 3 Ken Reid (1919–1987) Ken Reid enjoyed a career as a children's illustrator for more than forty years.
    [Show full text]
  • Thje Story Jpajpjer Cojljljector N:.��1�:1�:�.4
    THJE STORY JPAJPJER COJLJLJECTOR N:.��1�:1�:�.4 ···················································································· ···················································································· Research on Modern "Comics" HERE Is Buying Guidance investigators compared the num­ on almost everything today ber of beats of a comic on a T and the "comic paper" is window sill, before the paper no exception. The boys of became useless. One of the boys Form 2J at Wakefield Cathedral had the use of a fish and chip Secondary School in England shop, where resistance to grease, have put the modern "comic" salt, and vinegar was measured. under the microscope. Their At first I thought that these findings have been published in tests were something entirely Mitre, the school magazine. new, but on examining some of Five boys of thirteen years did the old comics in my collection the research out of school hours, I see that these, too, have ap­ and most thoroughly did they parently been used for fly-swat­ go to work. They nominated as ting, and from the food-stains the best comic one which they on some of them they have also found not only best to read, but been tested as table-cloths! also the best for holding fish and I still have in my possession a chips, for fly-swatting, and for frantic letter from a postal mem­ fire-lighting! ber of the Northern Section The winning comic-unfortu­ [Old Boys' Book Club] library nately the name is not given in telling me that his wife had lit the report-took 66 minutes, 38 the fire with a Magnet from the seconds to read, against 9 min­ Secret Society series.
    [Show full text]
  • THE STOR Y Rarjer
    THE STORy rArJER JAl\.LARY 1954 COLLECTOR No. 51 :: Vol. 3 6th Chri,tma' J,,ue, The Magner, i'o. 305, December 13, 191 "l From the Editor's NOTEBOOK HAVE Volume I, the first 26 name pictured in The Srory Paper issues, of the early Harms­ Collet!or No. 48, but the same I worth weekly paper for publisher, Rrett), a "large num· women, Forger-Me-Nor, which ber" of S11rpris�s, Plucks, Union was founded, I judge - for the Jacks, Marwls, and True Blues cover-pages are missing-late in were offereJ at one shilling for 1891. In No. 12, issued probably 48, post free to any address. Un­ in January 1892, there is mention like Forgec-Me-Nors in 1892, these of a letter from a member of papers must have been consi­ The Forget-Me-Not Club. ln the dered of little value in 1901. words of the Editress (as she What a difference today! calls herself): IF The Amalgamated Press A member of the Clul> tt•rites IO had issued our favorite papers inform me rha1 she inserted an ad­ in volumes, after the manner of vertisement in E x change and Mart, Chums in its earlier years, there offering Rider Haggard's "Jess" and would doubtless he a more Longfellow's poems for a copy of plentiful supply of Magnets and No. 1 of Forget-Me-Not, l>ut she Gems and the rest today. They did not receive an offer. This speaks did not even make any great 1'0lumes for 1he value of the earl: prndicc of providing covers for numbers of Forger-Me-Not.
    [Show full text]
  • Science Fiction Review 29 Geis 1979-01
    JANUARY-FEBRUARY 1979 NUMBER 29 SCIENCE FICTION REVIEW $1.50 NOISE LEVEL By John Brunner Interviews: JOHN BRUNNER MICHAEL MOORCOCK HANK STINE Orson Scott Card - Charles Platt - Darrell Schweitzer Elton Elliott - Bill Warren SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC RO. Bex 11408 COVER BY STEPHEN FABIAN January, 1979 — Vol .8, No.l Based on a forthcoming novel, SIVA, Portland, OR WHOLE NUMBER 29 by Leigh Richmond 97211 ALIEN TOUTS......................................3 RICHARD E. GEIS, editor & piblisher SUBSCRIPTION INFORMATION INTERVIEW WITH JOHN BRUWER............. 8 PUBLISHED BI-MONTHLY CONDUCTED BY IAN COVELL PAGE 63 JAN., MARCH, MAY, JULY, SEPT., NOV. NOISE LEVEL......................................... 15 SINGLE COPY ---- $1.50 A COLUMN BY JOHN BRUNNER REVIEWS-------------------------------------------- INTERVIEW WITH MICHAEL MOORCOCK.. .18 PHOfC: (503) 282-0381 CONDUCTED BY IAN COVELL "seasoning" asimov's (sept-oct)...27 "swanilda 's song" analog (oct)....27 THE REVIEW OF SHORT FICTION........... 27 "LITTLE GOETHE F&SF (NOV)........28 BY ORSON SCOTT CARD MARCHERS OF VALHALLA..............................97 "the wind from a burning WOMAN ...28 SKULL-FACE....................................................97 "hunter's moon" analog (nov).....28 SON OF THE WHITE WOLF........................... 97 OCCASIONALLY TENTIONING "TUNNELS OF THE MINDS GALILEO 10.28 SWORDS OF SHAHRAZAR................................97 SCIENCE FICTION................................ 31 "the incredible living man BY DARRELL SCHWEITZER BLACK CANAAN........................................
    [Show full text]
  • Igncc18 Programme
    www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation.
    [Show full text]
  • The Reception and Commemoration of William Speirs Bruce Are, I Suggest, Part
    The University of Edinburgh School of Geosciences Institute of Geography A SCOT OF THE ANTARCTIC: THE RECEPTION AND COMMEMORATION OF WILLIAM SPEIRS BRUCE M.Sc. by Research in Geography Innes M. Keighren 12 September 2003 Declaration of originality I hereby declare that this dissertation has been composed by me and is based on my own work. 12 September 2003 ii Abstract 2002–2004 marks the centenary of the Scottish National Antarctic Expedition. Led by the Scots naturalist and oceanographer William Speirs Bruce (1867–1921), the Expedition, a two-year exploration of the Weddell Sea, was an exercise in scientific accumulation, rather than territorial acquisition. Distinct in its focus from that of other expeditions undertaken during the ‘Heroic Age’ of polar exploration, the Scottish National Antarctic Expedition, and Bruce in particular, were subject to a distinct press interpretation. From an examination of contemporary newspaper reports, this thesis traces the popular reception of Bruce—revealing how geographies of reporting and of reading engendered locally particular understandings of him. Inspired, too, by recent work in the history of science outlining the constitutive significance of place, this study considers the influence of certain important spaces—venues of collection, analysis, and display—on the conception, communication, and reception of Bruce’s polar knowledge. Finally, from the perspective afforded by the centenary of his Scottish National Antarctic Expedition, this paper illustrates how space and place have conspired, also, to direct Bruce’s ‘commemorative trajectory’—to define the ways in which, and by whom, Bruce has been remembered since his death. iii Acknowledgements For their advice, assistance, and encouragement during the research and writing of this thesis I should like to thank Michael Bolik (University of Dundee); Margaret Deacon (Southampton Oceanography Centre); Graham Durant (Hunterian Museum); Narve Fulsås (University of Tromsø); Stanley K.
    [Show full text]
  • Colle1ctors' Digest
    S PRY PAPER COLLE 1CTORS' DIGEST VOL. 46 No. 551 NOVEMBER 1992 BETTY AGAINST THE SNOBSI 8M u TIH Fri ... d atie ,..,,.,,d I'' II\ thi• IHllt.) - • ..a.... - No, 3, Vol . I ,) PU81. I SH£0 £VER Y TUESDAY, [Wnk End•nll f'~b,.,&ry l&th, 191 1, ONCORPORATING NORMAN SHAW) ROBIN OSBORNE, 84 BELVEDERE ROAD, LONDON SE 19 2HZ PHONE (BETWEEN 11 A.M . • 10 P.M.) 081-771 0541 Hi People, Varied selection of goodies on offer this month:- J. Many loose issues of TRIUMPH in basically very good condition (some staple rust) £3. each. 2. Round volume of TRIUMPH Jan-June 1938 £80. 3. GEM . bound volumes· all unifonn · 581. 620 (29/3 · 27.12.19) £110 621 . 646 (Jan· June 1920) £ 80 647 • 672 (July · Dec 1920) £ 80 4. 2 Volumes of MAGNET uniformly bound:- October 1938 - March 1939 £ 60 April 1939 - September 1939 £ 60 (or the pair for £100) 5. SWIFT - Vol. 7, Nos.1-53 & Vol. 5 Nos.l-52, both bound in single volumes £50 each. Many loose issues also available at £1 each - please enquire. 6. ROBIN - Vol.5, Nos. 1-52, bound in one volume £30. Many loose issues available of this title and other pre-school papers like PLA YHOUR, BIMBO, PIPPIN etc. at 50p each (substantial discounts for quantity), please enquire. 7. EAGLE - many issues of this popular paper. including some complete unbound volumes at the following rates: Vol. 1-10, £2 each, and Vol. 11 and subsequent at £1 each. Please advise requirements. 8. 2000 A.D.
    [Show full text]
  • The Picture Show Annual (1928)
    Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton.
    [Show full text]
  • The Queen Mother and Wodehouse: an Unofficial Analysis by Todd Morning
    The quarterly journal of The Wodehouse Society Volume 32 Number 2 Summer 2011 The Queen Mother and Wodehouse: An Unofficial Analysis by Todd Morning s most members of our Society know, the late Queen Elizabeth, A the Queen Mother, was a Wodehouse fan and patron of The Wodehouse Society. So when I learned that The Queen Mother: The Official Biography, William Shawcross’s authorized biography of the Queen Mother, had been published, I decided to find out if it contained any official mentions of P. G. Wodehouse. I was not disappointed. The index includes six Wodehouse references. The first comes from a 1913 letter sent by the young Elizabeth Bowes-Lyon to her brother in which, Shawcross suggests, “her lifelong devotion to the novels of P. G. Wodehouse may have already begun.” It’s hard to say whether there’s a touch of early Wodehouse in this lighthearted letter or whether the future queen is having some fun with the then current Edwardian slang: “Arthur Duff has given me a NEW PONY. It’s 16 years old, but awfully good still. Only 11 days now. HOORAY. WHAT HO! PIP. PIP.” Most of the other references to Wodehouse occur in discussions of the Queen Mother’s reading habits, which were fairly wide-ranging. It was heartening to discover that the she did her bit to spread the word about Wodehouse. She advised the distinguished professor of church Elizabeth Bowes-Lyon history, Owen Chadwick, OM, KBE, FBA, FRSE, to read Gussie Fink- (later Queen Elizabeth, the Queen Mother) Nottle’s prize-giving speech in Right Ho, Jeeves.
    [Show full text]
  • Bibliography
    BIbLIOGRAPHY Arnold, Bruce. “The Yeats Family and Modernism in Ireland.” In The Moderns: The Arts in Ireland from the 1900s to the 1970s, edited by Enrique Juncosa and Christina Kennedy, 24–25. Dublin: Irish Museum of Modern Art, 2010. ———. Jack Yeats. New Haven, Connecticut: Yale University Press, 1998. ———. “An Old Dog for a Hard Road: Synge and Yeats in the Congested Districts.” Times Literary Supplement, December 16, 1994, 12. ———. A Concise History of Irish Art. London: Thames and Hudson, 1969. Arrighi, Gillian. “The circus and modernity: a commitment to the ‘newer’ and ‘the newest’.” Early Popular Visual Culture 10, No. 2 (2012): 169–185. Arscott, Caroline. “Convict Labour: Masking and Interchangeability in Victorian Prison Scenes.” Oxford Art Journal 23, No. 2 (2000): 123–142. Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge University Press, 1998. ———. “Introduction: Making Sense of Music Hall.” In Music Hall: The Business of Pleasure, edited by Peter Bailey, vii–xxi. Milton Keynes: Open University Press, 1986. Barber, Fionna. Art in Ireland since 1910. London: Reaktion, 2013. Barrett, Cyril. “Irish Nationalism and Art II, 1900–1970.” Studies: An Irish Quarterly Review 91, No. 363 (2002): 223–238. ———. “Irish Nationalism and Art, 1800–1921.” Studies: An Irish Quarterly Review 64, No. 256 (1975): 393–409. Beaty, Bart. Comics Versus Art. Toronto: University of Toronto Press, 2012. Berger, John. About Looking. London: Bloomsbury, 2015. Blackbeard, Bill. Sherlock Holmes in America. New York: Harry N. Abrams, 1981. © The Author(s), under exclusive license to Springer Nature 263 Switzerland AG 2021 M. Connerty, The Comic Strip Art of Jack B.
    [Show full text]
  • Growing Semi-Living Art
    Growing Semi-Living Art Ionat Zurr Bachelor of Arts (Hi Honours) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Architecture, Landscape and Visual Arts 2008 1 Table of Contents Acknowledgments 4 Abstract 5-6 Introduction 7-30 Chapter 1 31-49 The Extended Body Chapter 2 50-93 The Ecology of Parts: The History of Partial Life Chapter 3 94-129 The Ethics of the Semi-Livings* Chapter 4 130-154 The Ethics and Politics of Experiential Engagement with the Manipulation of Life* Chapter 5 155-176 Big Pigs, Small Wings: on Genohype and Artistic Autonomy* Chapter 6 177-224 Tissue Art – A Taxonomical Crisis: A survey of artists working with tissue Chapter 7 225-239 Towards a New Class of Being – The Extended Body* Conclusion 240-262 The Ecology of Parts 2 Appendix 1 A partial list of articles written and/or citing about the Tissue Culture & Art Project 263 - 267 Appendix 2 A chronological listing and a short description of the TC&A Projects 268-282 Appendix 3 List of TC&A Project Installations and Exhibitions 283-286 List of Figures 287-289 Bibliography 290-299 Endnotes & Refrences 300-333 * An earlier version of chapter three has been published as Ionat Zurr and Oron Catts, The Ethical Claims of Bioart: Killing the Other or Self Cannibalism, AAANZ Journal of Art: Art and Ethics, 4:2 (2003) and 5:1 (2004) 167–188. It won the 2003 Power Institute/AAANZ Prize for Best Journal Article. * An earlier version of chapter four is due to be published as Oron Catts and Ionat Zurr The Ethics and Politics of Experiential Engagement with the Manipulation of Life, in Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz da Costa and Kavita Philip (MIT Press, forthcoming June 2008).
    [Show full text]
  • Glasgow Cinema Programmes 1908-1914
    Dougan, Andy (2018) The development of the audience for early film in Glasgow before 1914. PhD thesis. https://theses.gla.ac.uk/9088/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The development of the audience for early film in Glasgow before 1914 Andy Dougan Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow May 2018 ©Andy Dougan, May 2018 2 In memory of my father, Andrew Dougan. He encouraged my lifelong love of cinema and many of the happiest hours of my childhood were spent with him at many of the venues written about in this thesis. 3 Abstract This thesis investigates the development of the audience for early cinema in Glasgow. It takes a social-historical approach considering the established scholarship from Allen, Low, Hansen, Kuhn et al, on the development of early cinema audiences, and overlays this with original archival research to provide examples which are specific to Glasgow.
    [Show full text]