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Fudge the Elf
1 Fudge The Elf Ken Reid The Laura Maguire collection Published October 2019 All Rights Reserved Sometime in the late nineteen nineties, my daughter Laura, started collecting Fudge books, the creation of the highly individual Ken Reid. The books, the daily strip in 'The Manchester Evening News, had been a part of my childhood. Laura and her brother Adam avidly read the few dog eared volumes I had managed to retain over the years. In 2004 I created a 'Fudge The Elf' website. This brought in many contacts, collectors, individuals trying to find copies of the books, Ken's Son, the illustrator and colourist John Ridgeway, et al. For various reasons I have decided to take the existing website off-line. The PDF faithfully reflects the entire contents of the original website. Should you wish to get in touch with me: [email protected] Best Regards, Peter Maguire, Brussels 2019 2 CONTENTS 4. Ken Reid (1919–1987) 5. Why This Website - Introduction 2004 6. Adventures of Fudge 8. Frolics With Fudge 10. Fudge's Trip To The Moon 12. Fudge And The Dragon 14. Fudge In Bubbleville 16. Fudge In Toffee Town 18. Fudge Turns Detective Savoy Books Editions 20. Fudge And The Dragon 22. Fudge In Bubbleville The Brockhampton Press Ltd 24. The Adventures Of Dilly Duckling Collectors 25. Arthur Gilbert 35. Peter Hansen 36. Anne Wilikinson 37. Les Speakman Colourist And Illustrator 38. John Ridgeway Appendix 39. Ken Reid-The Comic Genius 3 Ken Reid (1919–1987) Ken Reid enjoyed a career as a children's illustrator for more than forty years. -
Thje Story Jpajpjer Cojljljector N:.��1�:1�:�.4
THJE STORY JPAJPJER COJLJLJECTOR N:.��1�:1�:�.4 ···················································································· ···················································································· Research on Modern "Comics" HERE Is Buying Guidance investigators compared the num on almost everything today ber of beats of a comic on a T and the "comic paper" is window sill, before the paper no exception. The boys of became useless. One of the boys Form 2J at Wakefield Cathedral had the use of a fish and chip Secondary School in England shop, where resistance to grease, have put the modern "comic" salt, and vinegar was measured. under the microscope. Their At first I thought that these findings have been published in tests were something entirely Mitre, the school magazine. new, but on examining some of Five boys of thirteen years did the old comics in my collection the research out of school hours, I see that these, too, have ap and most thoroughly did they parently been used for fly-swat go to work. They nominated as ting, and from the food-stains the best comic one which they on some of them they have also found not only best to read, but been tested as table-cloths! also the best for holding fish and I still have in my possession a chips, for fly-swatting, and for frantic letter from a postal mem fire-lighting! ber of the Northern Section The winning comic-unfortu [Old Boys' Book Club] library nately the name is not given in telling me that his wife had lit the report-took 66 minutes, 38 the fire with a Magnet from the seconds to read, against 9 min Secret Society series. -
THE STOR Y Rarjer
THE STORy rArJER JAl\.LARY 1954 COLLECTOR No. 51 :: Vol. 3 6th Chri,tma' J,,ue, The Magner, i'o. 305, December 13, 191 "l From the Editor's NOTEBOOK HAVE Volume I, the first 26 name pictured in The Srory Paper issues, of the early Harms Collet!or No. 48, but the same I worth weekly paper for publisher, Rrett), a "large num· women, Forger-Me-Nor, which ber" of S11rpris�s, Plucks, Union was founded, I judge - for the Jacks, Marwls, and True Blues cover-pages are missing-late in were offereJ at one shilling for 1891. In No. 12, issued probably 48, post free to any address. Un in January 1892, there is mention like Forgec-Me-Nors in 1892, these of a letter from a member of papers must have been consi The Forget-Me-Not Club. ln the dered of little value in 1901. words of the Editress (as she What a difference today! calls herself): IF The Amalgamated Press A member of the Clul> tt•rites IO had issued our favorite papers inform me rha1 she inserted an ad in volumes, after the manner of vertisement in E x change and Mart, Chums in its earlier years, there offering Rider Haggard's "Jess" and would doubtless he a more Longfellow's poems for a copy of plentiful supply of Magnets and No. 1 of Forget-Me-Not, l>ut she Gems and the rest today. They did not receive an offer. This speaks did not even make any great 1'0lumes for 1he value of the earl: prndicc of providing covers for numbers of Forger-Me-Not. -
Science Fiction Review 29 Geis 1979-01
JANUARY-FEBRUARY 1979 NUMBER 29 SCIENCE FICTION REVIEW $1.50 NOISE LEVEL By John Brunner Interviews: JOHN BRUNNER MICHAEL MOORCOCK HANK STINE Orson Scott Card - Charles Platt - Darrell Schweitzer Elton Elliott - Bill Warren SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC RO. Bex 11408 COVER BY STEPHEN FABIAN January, 1979 — Vol .8, No.l Based on a forthcoming novel, SIVA, Portland, OR WHOLE NUMBER 29 by Leigh Richmond 97211 ALIEN TOUTS......................................3 RICHARD E. GEIS, editor & piblisher SUBSCRIPTION INFORMATION INTERVIEW WITH JOHN BRUWER............. 8 PUBLISHED BI-MONTHLY CONDUCTED BY IAN COVELL PAGE 63 JAN., MARCH, MAY, JULY, SEPT., NOV. NOISE LEVEL......................................... 15 SINGLE COPY ---- $1.50 A COLUMN BY JOHN BRUNNER REVIEWS-------------------------------------------- INTERVIEW WITH MICHAEL MOORCOCK.. .18 PHOfC: (503) 282-0381 CONDUCTED BY IAN COVELL "seasoning" asimov's (sept-oct)...27 "swanilda 's song" analog (oct)....27 THE REVIEW OF SHORT FICTION........... 27 "LITTLE GOETHE F&SF (NOV)........28 BY ORSON SCOTT CARD MARCHERS OF VALHALLA..............................97 "the wind from a burning WOMAN ...28 SKULL-FACE....................................................97 "hunter's moon" analog (nov).....28 SON OF THE WHITE WOLF........................... 97 OCCASIONALLY TENTIONING "TUNNELS OF THE MINDS GALILEO 10.28 SWORDS OF SHAHRAZAR................................97 SCIENCE FICTION................................ 31 "the incredible living man BY DARRELL SCHWEITZER BLACK CANAAN........................................ -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
The Reception and Commemoration of William Speirs Bruce Are, I Suggest, Part
The University of Edinburgh School of Geosciences Institute of Geography A SCOT OF THE ANTARCTIC: THE RECEPTION AND COMMEMORATION OF WILLIAM SPEIRS BRUCE M.Sc. by Research in Geography Innes M. Keighren 12 September 2003 Declaration of originality I hereby declare that this dissertation has been composed by me and is based on my own work. 12 September 2003 ii Abstract 2002–2004 marks the centenary of the Scottish National Antarctic Expedition. Led by the Scots naturalist and oceanographer William Speirs Bruce (1867–1921), the Expedition, a two-year exploration of the Weddell Sea, was an exercise in scientific accumulation, rather than territorial acquisition. Distinct in its focus from that of other expeditions undertaken during the ‘Heroic Age’ of polar exploration, the Scottish National Antarctic Expedition, and Bruce in particular, were subject to a distinct press interpretation. From an examination of contemporary newspaper reports, this thesis traces the popular reception of Bruce—revealing how geographies of reporting and of reading engendered locally particular understandings of him. Inspired, too, by recent work in the history of science outlining the constitutive significance of place, this study considers the influence of certain important spaces—venues of collection, analysis, and display—on the conception, communication, and reception of Bruce’s polar knowledge. Finally, from the perspective afforded by the centenary of his Scottish National Antarctic Expedition, this paper illustrates how space and place have conspired, also, to direct Bruce’s ‘commemorative trajectory’—to define the ways in which, and by whom, Bruce has been remembered since his death. iii Acknowledgements For their advice, assistance, and encouragement during the research and writing of this thesis I should like to thank Michael Bolik (University of Dundee); Margaret Deacon (Southampton Oceanography Centre); Graham Durant (Hunterian Museum); Narve Fulsås (University of Tromsø); Stanley K. -
Colle1ctors' Digest
S PRY PAPER COLLE 1CTORS' DIGEST VOL. 46 No. 551 NOVEMBER 1992 BETTY AGAINST THE SNOBSI 8M u TIH Fri ... d atie ,..,,.,,d I'' II\ thi• IHllt.) - • ..a.... - No, 3, Vol . I ,) PU81. I SH£0 £VER Y TUESDAY, [Wnk End•nll f'~b,.,&ry l&th, 191 1, ONCORPORATING NORMAN SHAW) ROBIN OSBORNE, 84 BELVEDERE ROAD, LONDON SE 19 2HZ PHONE (BETWEEN 11 A.M . • 10 P.M.) 081-771 0541 Hi People, Varied selection of goodies on offer this month:- J. Many loose issues of TRIUMPH in basically very good condition (some staple rust) £3. each. 2. Round volume of TRIUMPH Jan-June 1938 £80. 3. GEM . bound volumes· all unifonn · 581. 620 (29/3 · 27.12.19) £110 621 . 646 (Jan· June 1920) £ 80 647 • 672 (July · Dec 1920) £ 80 4. 2 Volumes of MAGNET uniformly bound:- October 1938 - March 1939 £ 60 April 1939 - September 1939 £ 60 (or the pair for £100) 5. SWIFT - Vol. 7, Nos.1-53 & Vol. 5 Nos.l-52, both bound in single volumes £50 each. Many loose issues also available at £1 each - please enquire. 6. ROBIN - Vol.5, Nos. 1-52, bound in one volume £30. Many loose issues available of this title and other pre-school papers like PLA YHOUR, BIMBO, PIPPIN etc. at 50p each (substantial discounts for quantity), please enquire. 7. EAGLE - many issues of this popular paper. including some complete unbound volumes at the following rates: Vol. 1-10, £2 each, and Vol. 11 and subsequent at £1 each. Please advise requirements. 8. 2000 A.D. -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
The Queen Mother and Wodehouse: an Unofficial Analysis by Todd Morning
The quarterly journal of The Wodehouse Society Volume 32 Number 2 Summer 2011 The Queen Mother and Wodehouse: An Unofficial Analysis by Todd Morning s most members of our Society know, the late Queen Elizabeth, A the Queen Mother, was a Wodehouse fan and patron of The Wodehouse Society. So when I learned that The Queen Mother: The Official Biography, William Shawcross’s authorized biography of the Queen Mother, had been published, I decided to find out if it contained any official mentions of P. G. Wodehouse. I was not disappointed. The index includes six Wodehouse references. The first comes from a 1913 letter sent by the young Elizabeth Bowes-Lyon to her brother in which, Shawcross suggests, “her lifelong devotion to the novels of P. G. Wodehouse may have already begun.” It’s hard to say whether there’s a touch of early Wodehouse in this lighthearted letter or whether the future queen is having some fun with the then current Edwardian slang: “Arthur Duff has given me a NEW PONY. It’s 16 years old, but awfully good still. Only 11 days now. HOORAY. WHAT HO! PIP. PIP.” Most of the other references to Wodehouse occur in discussions of the Queen Mother’s reading habits, which were fairly wide-ranging. It was heartening to discover that the she did her bit to spread the word about Wodehouse. She advised the distinguished professor of church Elizabeth Bowes-Lyon history, Owen Chadwick, OM, KBE, FBA, FRSE, to read Gussie Fink- (later Queen Elizabeth, the Queen Mother) Nottle’s prize-giving speech in Right Ho, Jeeves. -
Bibliography
BIbLIOGRAPHY Arnold, Bruce. “The Yeats Family and Modernism in Ireland.” In The Moderns: The Arts in Ireland from the 1900s to the 1970s, edited by Enrique Juncosa and Christina Kennedy, 24–25. Dublin: Irish Museum of Modern Art, 2010. ———. Jack Yeats. New Haven, Connecticut: Yale University Press, 1998. ———. “An Old Dog for a Hard Road: Synge and Yeats in the Congested Districts.” Times Literary Supplement, December 16, 1994, 12. ———. A Concise History of Irish Art. London: Thames and Hudson, 1969. Arrighi, Gillian. “The circus and modernity: a commitment to the ‘newer’ and ‘the newest’.” Early Popular Visual Culture 10, No. 2 (2012): 169–185. Arscott, Caroline. “Convict Labour: Masking and Interchangeability in Victorian Prison Scenes.” Oxford Art Journal 23, No. 2 (2000): 123–142. Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge University Press, 1998. ———. “Introduction: Making Sense of Music Hall.” In Music Hall: The Business of Pleasure, edited by Peter Bailey, vii–xxi. Milton Keynes: Open University Press, 1986. Barber, Fionna. Art in Ireland since 1910. London: Reaktion, 2013. Barrett, Cyril. “Irish Nationalism and Art II, 1900–1970.” Studies: An Irish Quarterly Review 91, No. 363 (2002): 223–238. ———. “Irish Nationalism and Art, 1800–1921.” Studies: An Irish Quarterly Review 64, No. 256 (1975): 393–409. Beaty, Bart. Comics Versus Art. Toronto: University of Toronto Press, 2012. Berger, John. About Looking. London: Bloomsbury, 2015. Blackbeard, Bill. Sherlock Holmes in America. New York: Harry N. Abrams, 1981. © The Author(s), under exclusive license to Springer Nature 263 Switzerland AG 2021 M. Connerty, The Comic Strip Art of Jack B. -
Growing Semi-Living Art
Growing Semi-Living Art Ionat Zurr Bachelor of Arts (Hi Honours) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Architecture, Landscape and Visual Arts 2008 1 Table of Contents Acknowledgments 4 Abstract 5-6 Introduction 7-30 Chapter 1 31-49 The Extended Body Chapter 2 50-93 The Ecology of Parts: The History of Partial Life Chapter 3 94-129 The Ethics of the Semi-Livings* Chapter 4 130-154 The Ethics and Politics of Experiential Engagement with the Manipulation of Life* Chapter 5 155-176 Big Pigs, Small Wings: on Genohype and Artistic Autonomy* Chapter 6 177-224 Tissue Art – A Taxonomical Crisis: A survey of artists working with tissue Chapter 7 225-239 Towards a New Class of Being – The Extended Body* Conclusion 240-262 The Ecology of Parts 2 Appendix 1 A partial list of articles written and/or citing about the Tissue Culture & Art Project 263 - 267 Appendix 2 A chronological listing and a short description of the TC&A Projects 268-282 Appendix 3 List of TC&A Project Installations and Exhibitions 283-286 List of Figures 287-289 Bibliography 290-299 Endnotes & Refrences 300-333 * An earlier version of chapter three has been published as Ionat Zurr and Oron Catts, The Ethical Claims of Bioart: Killing the Other or Self Cannibalism, AAANZ Journal of Art: Art and Ethics, 4:2 (2003) and 5:1 (2004) 167–188. It won the 2003 Power Institute/AAANZ Prize for Best Journal Article. * An earlier version of chapter four is due to be published as Oron Catts and Ionat Zurr The Ethics and Politics of Experiential Engagement with the Manipulation of Life, in Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz da Costa and Kavita Philip (MIT Press, forthcoming June 2008). -
Glasgow Cinema Programmes 1908-1914
Dougan, Andy (2018) The development of the audience for early film in Glasgow before 1914. PhD thesis. https://theses.gla.ac.uk/9088/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] The development of the audience for early film in Glasgow before 1914 Andy Dougan Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow May 2018 ©Andy Dougan, May 2018 2 In memory of my father, Andrew Dougan. He encouraged my lifelong love of cinema and many of the happiest hours of my childhood were spent with him at many of the venues written about in this thesis. 3 Abstract This thesis investigates the development of the audience for early cinema in Glasgow. It takes a social-historical approach considering the established scholarship from Allen, Low, Hansen, Kuhn et al, on the development of early cinema audiences, and overlays this with original archival research to provide examples which are specific to Glasgow.