Fordham's Communications Department Says 'Yesy Mcginley
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{FREE} a Life in Parts Ebook Free Download
A LIFE IN PARTS PDF, EPUB, EBOOK Bryan Cranston | 288 pages | 20 Oct 2016 | Orion Publishing Co | 9781409156574 | English | London, United Kingdom Book Review: Bryan Cranston's Memoir, "A Life in Parts" | Features | Roger Ebert Follow Us:. Woman who lost limbs now inspiring others wls. Looking at Goebel, you would notice a few fingers missing. On December 11, while wrapping Christmas presents, Loretta's life changed. Losing her hands was the most difficult. Mayor Lightfoot outlines budget proposal featuring property tax increase, layoffs. Officer involved in Breonna Taylor shooting speaks publicly. Mercy Hospital's slated closure among wave of medical centers vanishing from Chicago area. Stimulus talks inch ahead, but McConnell is resistant. HUD investigating complaint alleging Chicago zoning policies are racist. Parents of children separated at border can't be found. If you would rather read about a very human and caring star who is serious about his craft with nary a blemish in his past than the usual crash-and-burn tale, this is your book. Bryan Cranston's "A Life in Parts" is now available. To order your copy, click here. Now unchained from the grind of daily journalism, she is ready to view the world of movies with fresh eyes. Susan Wloszczyna October 11, Latest blog posts. Latest reviews. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. -
Dear Iowa State University Graduates and Guests: Welcome to Iowa State University’S Spring 2010 Commencement!
Dear Iowa State University Graduates and Guests: Welcome to Iowa State University’s Spring 2010 Commencement! We congratulate all of the graduates and thank everyone who played a role in their successful journey through Iowa State. We have very much enjoyed your being a part of our university and community, and we wish you well as you embark on this next part of your life. We look forward to continuing our association with you as alumni of Iowa State, and we hope you will come back to visit the university often. Iowa State University is now in its 153rd year as one of the nation’s leading land-grant universities. We are very proud of the role this university has played in preparing the future leaders of our state, nation and world, and in meeting the needs of our society through excellence in education, research and outreach. As you graduate today, you are now a part of this great tradition and we look forward to the many contributions you will make. I hope you enjoy today’s commencement ceremony, and that you will continue to be connected with Iowa State University. Sincerely, Gregory L. Geoffroy President of the University TABLE OF CONTENTS The Official University Mace ........................................................................................................... 3 Presidential Chain of Office ............................................................................................................ 3 Academic Regalia............................................................................................................................ -
Molina's Trans/Gender Web in Interpretation
University Libraries Lance and Elena Calvert Calvert Undergraduate Research Awards Award for Undergraduate Research 2015 “Man? Where’s a man? Don’t let him go!”: Molina’s Trans/gender Web in Interpretation and Performance Bella V. Smith University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/award Part of the Latin American Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Modern Literature Commons, and the Performance Studies Commons Repository Citation Smith, B. V. (2015). “Man? Where’s a man? Don’t let him go!”: Molina’s Trans/gender Web in Interpretation and Performance. Available at: https://digitalscholarship.unlv.edu/award/21 This Research Paper is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Research Paper in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Research Paper has been accepted for inclusion in Calvert Undergraduate Research Awards by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Smith 1 Bella Victoria Smith Sheila Bock IDS 495A 5 December 2014 “Man? Where’s a man? Don’t let him go!”: Molina’s Trans/gender Web in Interpretation and Performance Originally written in Spanish as El Beso de la Mujer Araña in 1972, Manuel Puig’s Kiss of the Spider Woman has captured the attentions of audiences for its romantic drama, political outcry, and postmodern style portrayed through its two main characters, Molina and Valentin. -
Poe Work Packet
Welcome to the Edgar Allan Poe Cottage! This workbook is designed to teach you about Edgar Allan Poe and his life in The Bronx! Did you know Poe lived in The Bronx before it was The Bronx? It was called Fordham Village in the county of Westchester. Edgar Allan Poe is known as the first mystery writer in the United States and we are proud that he called The Bronx his home in the last years of his life. Continue reading to learn more about this fascinating man and have fun with the activities! Contents Page 2……………….Edgar Allan Poe Page 3……………….Where is Poe? Page 4……………….Meet Poe’s Family and Friends Page 5……………….Edgar Allan Poe in New York City Page 6……………….Cover Your Mouth! Diseases During Poe’s Time Page 7……………….Poe Moves to The Bronx Page 8………………”The Bells” Page 9………………The High Bridge Edgar Poe was born in 1809 in Boston, Massachusetts to actors! He would travel with his mother to shows she performed in. Sadly, she died, but the Allan family took him in and raised him. This is how he took the Allan name. When he grew up he moved around a lot. He lived in Richmond, Virginia, London, England, Baltimore, Maryland, Philadelphia, Pennsylvania, Boston, Massachusetts, and New York City, New York writing poetry and short stories! He even studied at West Point Military Academy for a time. It was in Baltimore where he met and married his wife Virginia. Virginia and her mother, Maria Clemm, moved to New York City with Edgar. -
Il Nuovo Yakuza Eiga: Sviluppo E Caratteristiche Del Genere E Dei Suoi Eroi
Corso di Laurea Magistrale in Lingue, economie e istituzioni dell’Asia e dell’Africa mediterranea Tesi di Laurea Il Nuovo yakuza eiga: sviluppo e caratteristiche del genere e dei suoi eroi Relatore Ch.ma Prof.ssa Maria Roberta Novielli Correlatore Ch.ma Prof.ssa Paola Scrolavezza Laureanda Elvira Nezi Matricola 840783 Anno Accademico 2016 / 2017 要旨 日本と同じように、イタリアでもマフィアは政治的・経済的に非常に権力のある組織であ る。マフィアが普及するにつれて、そしてお金と勢力を力ずくで手に入れていくにつれて、ますま す市民の平穏な人生と命は脅されるようになった。自分の利益のことを考え、マフィアに属し ている人達が弱い市民からお金をだまし取り、殺すと脅迫し、実際に命を奪う場合も多い。 そのため、イタリア映画に描かれているマフィアのイメージは今も昔も当然良いイメージではな い。 一方、かなり長い間にわたって日本では事実と違うヤクザのイメージが映画を通して伝え られたのは明白である。日本の暴力団はイタリアのマフィアとそれほど異なるわけではないが、 それでも1925年ごろから1970年代にわたって、ヤクザの極道者が親切で誠実な人 たちとして描かれていた。面白くて興味深いことはヤクザの構成員さえヤクザ映画の展開に 貢献したことである。ヤクザ映画を見たり、作ったりするだけではなく、ヤクザ映画で演じたこと もあるのである。例えば元ヤクザ俊藤浩滋は東映の有名なプロデューサーであった。彼がヤク ザ映画のスターになった安藤昇、高倉健、鶴田浩二をスカウトしたそうである。ちなみに安藤 昇も元ヤクザであった。 では、どうして本当のヤクザはそんな風に振舞うわけではないのに、映画には勇ましいロビ ンフッドとして描かれていたのだろう。どうして極道者であるのに観客の心を奪うことができたの だろう。映画館の観客者の大半は男性であったが、ヤクザ映画のヒーローはその男性にどんな 理想的な男性像を伝えたのだろう。ヤクザ映画は日本社会に関して何を教えているのだろう。 この卒業論文の目的は加藤泰、石井輝男、鈴木清順、深作欣二、北野武の映画を 論じながら、以上の質問の答えを出すことである。そして、ヤクザ映画の主なサブジャンルとそ れぞれのヒーローの誕生と展開を詳しく検討することである。 一般的にヤクザ映画は仁侠映画と実録映画という二つの主なサブジャンルに大きく分 けられている。この論文の核心である上述の監督がそれぞれのサブジャンルの展開に自分な りに貢献し、戦後に誕生した「新しいヤクザ映画」と言われるジャンルを有名にした。 実はもう一つのサブジャンルがあり、股旅映画と呼ばれている。股旅映画は戦前に誕生 したので、ヤクザ映画とは少し異なると言われる。しかし、ヤクザ映画を一層良く理解するた めにまず伊藤大輔や野村芳亭などという映画監督の股旅映画に関して一言述べる必要が あると思う。 旅映画は1920年代に誕生した剣劇、いわゆるチャンバラ(剣の音を表す言葉) のサブジャンルである(剣劇は有名な時代劇のサブジャンルである)。股旅映画は時代劇 と違い、主人公が侍ではなく、股旅物と呼ばれているヤクザヒーローであった。この渡世人が 一人で放浪し、あちこち行き先のない旅行をしていた。知らない親分に宿泊を請い、様々な -
The Bronx Historian
THE BRONX COUNTY THE BRONX HISTORIAN HISTORICAL SOCIETY Newsletter of The Bronx County Historical Society 3309 BAINBRIDGE AVENUE FEBRUARY 2017– MAY 2017 VOLUME 40 NUMBER 2 THE BRONX, NEW YORK 10467 PHONE: (718) 881 - 8900 FAX: (718) 881 - 4827 The Great War Centennial: The Bronx and World War I www.bronxhistoricalsociety.org World War I was a four-year conflict that Visit us on Facebook, Youtube, and altered the world, and yet at the centenary of Twitter. one of the largest wars in modern history, many Americans today are unfamiliar with The Bronx County Historical Society, its details. Through no fault of their own, founded in 1955, is a private, non - this war was mainly fought overseas with American forces only in the war from April profit educational and cultural 1917 to November 1918. However, in our institution chartered by the New York backyard we had one of the largest National State Board of Regents. The Society is Guard mobilization camps in New York City dedicated to the collection, in Van Cortlandt Park. In the original park plans, there were specifications for a parade preservation, documentation and interpretation of the history and ground solely for use by the National Guard heritage of The Bronx and its people of New York. Throughout the next three decades, the parade ground would go from from its earliest historical references DDDD National Guard polo ground to training and National Guardsmen takes a lunch break while preparing for duty at the in the 17th century to the present. Mexican border. Van Cortlandt Park, 1916. mobilization camp for one of the largest The Society disseminates information wars ever fought. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
The Book-Lover
.^.o, J. Voi. IV 3^ €>enia Spring J^umher Founded In 1899 THE n Book-Lover A MAGAZINE OF BOOK LORE Beinf a HISCEILANY of Curiously Interesting and GENERALLY UNKNOW.V Facts about the Worlds Literature and literary people ; /?faj^fiy/j7>?^;?</, ujith Incidental Divertissement . and all very DELIGHTFUL TO READ. y7 yf The Truth About £dgar Allan Poe By Eugene L. Didier WITH PHOTOGRAVVRC Or THC POC COTTAGE AT FORDHAM AND NVNEKOVe OTHER ARTICLE* AND ILLUSTRATIONS OF AND ABOVT POE-A VNIQVE ASSEMBLY The Libr&ry of Grolier By W. G. Fletcher IU.V8TRATBD Book Plates BANT HITHBRTO VMPVBUSIffBD BXAMPUM The Native Literature of Porto Rieo By Cora F. Morrow The Books of My Childhood By Well-Known Authora The Art of £xtra-Ill\istration By Leonard W. LlllingstOB "No Time for Reading" By Andrew Lang The Art of Reading Aloud By William Mathews Current Literature vmd by the; BO JESS. 30-32 E&st 2Ist Street, Jlebo VorK — . » MMMinMMMa John Anderson, Jr. Auctioneer of Literary Property with 20 W. 30th St.. New York DicheTia" prtmnttd by )y[r/ e* S* 5ClHliani90ii SPECIAL Facilities; Evening Saks: Attractive Window Displek.y; Personal Attention; Quick Handling: Prompt Settle- JSiith One Hundred amt fifty ments; K^ach the^ery Best fUr« Btercopticon picturce -1 1 I I I III —i^.— ^—»» Buyers i Faithful acnd Intelligent Service A ch»rming;»j»terUlijni'ent;;-nola iuUm^to«nT^''-^l5IWii^ €Hob4. •'A:Ht«r«ry tTt»t."-~CiH>el(tna Ltacltr. Sale of Private Cblkctions a )Ma|or % te. pond Specialty I POE'S COMPLETE WORKS THE " VIRGINIA " EDITION. -
Quaint and Curious Forgotten (Copyright) Lore ALISON HALL
Copyright Lore Quaint and Curious Forgotten (Copyright) Lore ALISON HALL As we approach October, thoughts often turn to colorful foliage, cozy hoodies, and pumpkin spice everything. Some thoughts also drift toward the spooky season, bringing to mind scary stories and maybe even “many a quaint and curious volume of forgotten lore.” Nothing in literature is as spooky or as culturally relevant as the afore-quoted Edgar Allan Poe. Poe’s influence on our culture is mind found myself surrounded by great people The Bronx Society of Arts and Sciences blowing. His works have inspired and while being offered remarkable resources gave a plaster cast of Quinn’s sculpture to appeared in film, television, theater, comic and unforgettable experiences. the Edgar Allan Poe Museum in Richmond, books, artwork, and music ranging from A copyright deposit for a sculpture of Virginia, in 1931, where it was on display as American folk (Joan Baez set Poe’s “Annabel Edgar Allan Poe, for example, might not a part of the Poe shrine in the museum’s Lee" to music) to German funeral doom sound very nerve-pinching or thought- garden – that is, until it mysteriously SARTAIN WILLIAM BY PHOTO metal (the band Ahab set Poe’s “Evening provoking to many at a glance, but taking vanished from its pedestal years later in Edgar Allan Poe portrait. Star” to music). While Poe created his a second look could lead you to think 1987. Sometime later, the bust turned up original works before our current copyright otherwise. The specific photo of a bust that at the Raven Inn, where police found it system existed, many thousands of Poe- I came across, which is now stationed in allegedly sitting at the bar with a mug of inspired works have been registered with the Edgar Allan Poe cottage in the Bronx in beer and a transcription of Poe’s poem, the Copyright Office. -
IKONEN : Artikel Grob Yakuza
: IKONEN : Artikel Grob Yakuza http://www.ikonen-magazin.de/artikel/Yakuza.htm CORE Metadata, citation and similar papers at core.ac.uk Provided by Hochschulschriftenserver - Universität Frankfurt am Main Dieser Text erschien zuerst als Nachwort der deutschen Übersetzung des Romans von Leonard Schrader: Yakuza, Bergisch-Gladbach 1987. Norbert Grob Zwischen giri und ninjo Der Yakuza-Mythos in Paul und Leonardo Schraders Roman und Film THE YAKUZA Robert Mitchum in YAKUZA Für Leonard Schrader war es ein langer Weg bis zu seinem ersten Roman The Yakuza, der in zwei Stufen entstand. Zunächst hatte er bloß eine Story: die Idee zu einer Geschichte, in der ein cleverer, aber tapsiger Amerikaner nach Japan kommt, wo er 20 Jahre zuvor schon einmal war, und dort zwischen alle Regeln und Riten fällt. Ihren besonderen Charakter sollte die Geschichte durch die mythische Dimension erhalten, die Schrader im yakuza-eiga, dem Genre des japanischen Gangsterfilms, vorgefunden hatte. Er schickte die Story seinem Bruder Paul, der damals als Drehbuchautor noch unbekannt und ziemlich erfolglos war. Der entwickelte sie zu einem fertigen Drehbuch und ließ es über seinen Agenten verschiedenen major companies anbieten. Nach längeren Verhandlungen kaufte schließlich Warner Bros. das Buch. Bevor die Gesellschaft dann Sydney Pollack als Regisseur verpflichtete, setzte sie erst einmal einen ihrer Starautoren, den trouble shooter für unzulängliche Bücher Robert Towne, an die Arbeit. Zusammen mit Paul Schrader schrieb er die letzte, die endgültige Fassung. Der Film, 1974 gedreht und im März 1975 uraufgeführt, war am Ende also das Ergebnis einer vielköpfigen Zusammenarbeit: Leonard Schrader hatte die Idee. Paul Schrader verfaßte das erste Script, und Robert Towne gab dem Buch den letzten Schliff. -
The Representation of Women in the Works of Edgar Allan Poe
Faculteit Letteren & Wijsbegeerte Elien Martens The Representation of Women in the Works of Edgar Allan Poe Masterproef voorgelegd tot het behalen van de graad van Master in de Taal- en Letterkunde Engels - Spaans Academiejaar 2012-2013 Promotor Prof. Dr. Gert Buelens Vakgroep Letterkunde 2 ACKNOWLEDGEMENTS First and foremost, I would like to express my sincere gratitude to Prof. Dr. Gert Buelens, without whom this dissertation would not have been possible. His insightful remarks, useful advice and continuous guidance and support helped me in writing and completing this work. I could not have imagined a better mentor. I would also like to thank my friends, family and partner for supporting me these past months and for enduring my numerous references to Poe and his works – which I made in every possible situation. Thank you for being there and for offering much-needed breaks with talk, coffee, cake and laughter. Last but not least, I am indebted to one more person: Edgar Allan Poe. His amazing – although admittedly sometimes rather macabre – stories have fascinated me for years and have sparked my desire to investigate them more profoundly. To all of you: thank you. 3 TABLE OF CONTENTS Chapter 1: Introduction ................................................................................................................................ 6 1. The number of women in Poe’s poems and prose ..................................................................... 7 2. The categorization of Poe’s women ................................................................................................ 9 2.1 The classification of Poe’s real women – BBC’s Edgar Allan Poe: Love, Death and Women......................................................................................................................................................... 9 2.2 The classification of Poe’s fictional women – Floyd Stovall’s “The Women of Poe’s Poems and Tales” ................................................................................................................................. 11 3. -
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema
The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema by Alexander McAulay Submitted in partial fulfillment of the requirements for a Doctor of Philosophy Faculty of Media and Communication Bournemouth University May 2017 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 2 Alexander McAulay The Western Screenwriter in Japan: Screenwriting Considerations in Transnational Cinema Abstract This PhD investigates the writing of a feature film screenplay for mainstream Japanese-language cinema by a British screenwriter. As a long-term resident of Japan with production credits in Japanese cinema, I have for many years been interested in how to write stories set in Japan that will appeal to domestic and international audiences. The study examines the challenges I face as a Western screenwriter writing a screenplay for Japanese cinema, and how those challenges inform my creative practice, bringing into being a screenplay that is intended to enhance screenwriting craft in mainstream Japanese cinema and provide new knowledge to transnational cinema and screenwriting research. The critical commentary that accompanies the screenplay takes a dialogic approach in practice-led research to explore how various issues emerge for the Western screenwriter in Japanese cinema. These problems are examined with regard to relevant theory, and contextualised in considerations of various films in Japanese-language cinema written by non-Japanese screenwriters. One salient issue is the application of the Hollywood ‘universal’ model of screenwriting to stories about Japan.