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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
{FREE} a Life in Parts Ebook Free Download
A LIFE IN PARTS PDF, EPUB, EBOOK Bryan Cranston | 288 pages | 20 Oct 2016 | Orion Publishing Co | 9781409156574 | English | London, United Kingdom Book Review: Bryan Cranston's Memoir, "A Life in Parts" | Features | Roger Ebert Follow Us:. Woman who lost limbs now inspiring others wls. Looking at Goebel, you would notice a few fingers missing. On December 11, while wrapping Christmas presents, Loretta's life changed. Losing her hands was the most difficult. Mayor Lightfoot outlines budget proposal featuring property tax increase, layoffs. Officer involved in Breonna Taylor shooting speaks publicly. Mercy Hospital's slated closure among wave of medical centers vanishing from Chicago area. Stimulus talks inch ahead, but McConnell is resistant. HUD investigating complaint alleging Chicago zoning policies are racist. Parents of children separated at border can't be found. If you would rather read about a very human and caring star who is serious about his craft with nary a blemish in his past than the usual crash-and-burn tale, this is your book. Bryan Cranston's "A Life in Parts" is now available. To order your copy, click here. Now unchained from the grind of daily journalism, she is ready to view the world of movies with fresh eyes. Susan Wloszczyna October 11, Latest blog posts. Latest reviews. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. -
RON SIMONSON Visual Effects Supervisor/Producer/Director of Photography
RON SIMONSON Visual Effects Supervisor/Producer/Director of Photography FILM/DOCS/SHORTS DIRECTOR STUDIO/PRODUCERS “IMMORTAL” HAOLIN SONG EDKO FILMS William Kong “STREETS OF FURY” GARY HYMES BASE MEDIA/WANDA GROUP VFX Supervisor/Camera Operator + VFX Producer Prep/Shoot “THE FOUR” GORDON CHAN ENLIGHT PICTURES Visual Effects Supervisor Paul Au, Abe Kwong “THE CROSSING” JOHN WOO LION ROCK PRODUCTIONS Visual Effects Supervisor (Prep) CHINA FILM GROUP Terence Chang “MURAL” GORDON CHAN ENLIGHT PICTURES Visual Effects Consultant Paul Au, Abe Kwong “CAT RUN” JOHN STOCKWELL PALADIN/LLEJU PRODUCTIONS VFX Supervisor/Producer Ram Bergman 2ND Unit Director of Photography “SMOKIN’ ACES 2: ASSASSINS’ BALL” PJ PESCE UNIVERSAL PICTURES Visual Effects Supervisor (Base FX) Mike Elliot “THE KING OF FIGHTERS” GORDON CHAN DOUBLE EDGE ENTERTAINMENT Visual Effects Supervisor Bobby Sheng “WITH TARTS” (Short) ANDREA MAXWELL Andrea Maxwell, Ron Simonson Director of Photography, Producer “THE BROTHERS BLOOM” RIAN JOHNSON ENDGAME ENTERTAINMENT VFX Supervisor/Producer/VFX DP Ram Bergman “AMERICAN PIE PRESENTS: JOHN PUTCH UNIVERSAL STUDIOS THE BOOK OF LOVE” HOME ENTERTAINMENT Visual Effects Supervisor (Base FX) Simon Abbott, Mike Elliott “AMERICAN VIOLET” TIM DISNEY SAMUEL GOLDWYN COMPANY VFX Supervisor/Producer Mark Donadio “THE FORBIDDEN KINGDOM” ROB MINKOFF LIONSGATE Senior Visual Effects Supervisor Casey Silver, Raffaella DeLaurentiis Visual Effects Director of Photography “MONSTER IN MY PANTS” (Short) ANDREA MAXWELL Kathleen Latlip, Andrea Maxwell Director of -
I PUFFI 2 in 3D
Columbia Pictures e Sony Pictures Animation presentano in associazione con Hemisphere Media Capital una produzione Kerner Entertainment Company un film di Raja Gosnell I PUFFI 2 in 3D (The Smurfs 2) Neil Patrick Harris Brendan Gleeson Jayma Mayscon ed Hank Azaria nella parte di Gargamella. Regia: Raja Gosnell Prodotto da: Jordan Kerner Basato sui personaggi e sulle opere di Peyo Soggetto: J. David Stem & David N. Weiss & Jay Scherick & David Ronn Sceneggiatura: J. David Stem & David N. Weiss e Jay Scherick & David Ronn e Karey Kirkpatrick Produttori esecutivi: Ezra Swerdlow, Ben Haber e Paul Neesan Direttore della Fotografia: Phil Méheux Scenografie: Bill Boes Montaggio: Sabrina Plisco Effetti Speciali Visivi: Sony Pictures Imageworks Inc. Supervisione Effeti Speciali: Richard R. Hoover Costumi: Rita Ryack e Véronique Marchessault Musiche: Heitor Pereira Data d’uscita: 19 settembre 2013 Distribuzione: Warner Bros. Pictures Italia Durata: 105 minuti Materiali stampa: www.cristianacaimmi.com/materialipuffi2.zip I PUFFI 2 Nel sequel della commedia campione d’incassi I Puffi, un mix tra live action e animazione della Columbia Pictures/Sony Pictures Animation, il perfido mago Gargamella crea una coppia di dispettose creature dalle sembianze dei Puffi, chiamati Monelli, che spera di sfruttare per conquistare la potente essenza magica dei Puffi. Ma quando scopre che, solo un vero Puffo può dargli quello che desidera e che solo un incantesimo segreto, noto a Puffetta, può trasformare un Monello in un Puffo, Gargamella rapisce Puffetta e la porta -
Dear Iowa State University Graduates and Guests: Welcome to Iowa State University’S Spring 2010 Commencement!
Dear Iowa State University Graduates and Guests: Welcome to Iowa State University’s Spring 2010 Commencement! We congratulate all of the graduates and thank everyone who played a role in their successful journey through Iowa State. We have very much enjoyed your being a part of our university and community, and we wish you well as you embark on this next part of your life. We look forward to continuing our association with you as alumni of Iowa State, and we hope you will come back to visit the university often. Iowa State University is now in its 153rd year as one of the nation’s leading land-grant universities. We are very proud of the role this university has played in preparing the future leaders of our state, nation and world, and in meeting the needs of our society through excellence in education, research and outreach. As you graduate today, you are now a part of this great tradition and we look forward to the many contributions you will make. I hope you enjoy today’s commencement ceremony, and that you will continue to be connected with Iowa State University. Sincerely, Gregory L. Geoffroy President of the University TABLE OF CONTENTS The Official University Mace ........................................................................................................... 3 Presidential Chain of Office ............................................................................................................ 3 Academic Regalia............................................................................................................................ -
Molina's Trans/Gender Web in Interpretation
University Libraries Lance and Elena Calvert Calvert Undergraduate Research Awards Award for Undergraduate Research 2015 “Man? Where’s a man? Don’t let him go!”: Molina’s Trans/gender Web in Interpretation and Performance Bella V. Smith University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/award Part of the Latin American Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Modern Literature Commons, and the Performance Studies Commons Repository Citation Smith, B. V. (2015). “Man? Where’s a man? Don’t let him go!”: Molina’s Trans/gender Web in Interpretation and Performance. Available at: https://digitalscholarship.unlv.edu/award/21 This Research Paper is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Research Paper in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Research Paper has been accepted for inclusion in Calvert Undergraduate Research Awards by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Smith 1 Bella Victoria Smith Sheila Bock IDS 495A 5 December 2014 “Man? Where’s a man? Don’t let him go!”: Molina’s Trans/gender Web in Interpretation and Performance Originally written in Spanish as El Beso de la Mujer Araña in 1972, Manuel Puig’s Kiss of the Spider Woman has captured the attentions of audiences for its romantic drama, political outcry, and postmodern style portrayed through its two main characters, Molina and Valentin. -
Le Scatole Magiche È Un film Evento Per Famiglie Dei Creatori Di Coraline E La Porta Magica E Paranorman, Entrambi Candidati All'oscar Per Il Miglior Film D'animazione
Pressbook italiano Presentano Un film diretto da ANTHONY STACCHI e GRAHAM ANNABLE Tratto dal romanzo best seller di ALAN SNOW “Arrivano I Mostri” (Here be Monsters!) Con le voci originali di: Ben Kingsley, Isaac Hempstead Wright, Elle Fanning, Dee Bradley Baker, Steve Blum, Toni Collette, Jared Harris, Nick Frost, Richard Ayoade, Tracy Morgan, e Simon Pegg Prodotto da DAVID BLEIMAN ICHIOKA, PGA TRAVIS KNIGHT, PGA Scritto da IRENA BRIGNULL ADAM PAVA Direttore della Fotografia JOHN ASHLEE PRAT Uscita Italiana: 2 Ottobre 2014 Durata del Film: 97 minuti Il materiale fotografico è disponibile sul sito www.upimedia.com Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Matilde Marinai – [email protected] 1 Pressbook italiano Indice I. Sinossi pag 3 II. La Nascita dello Stop-Motion pag 5 III. Fuori dai Cartoni pag 7 IV. Dar Voce Anche Alle Scatole pag 11 V. I Boxtrolls Si Muovono pag 22 VI. I LAIKAni pag 42 VII. Ritocchi Finali pag 49 VIII. Tutti i Numeri di Boxtrolls pag 52 IX. Il Cast Artistico page 54 X. Il Cast Tecnico page 63 2 Pressbook italiano Sinossi Boxtrolls- Le Scatole Magiche è un film evento per famiglie dei creatori di Coraline e la Porta Magica e ParaNorman, entrambi candidati all'Oscar per il Miglior Film d'Animazione. Si tratta della terza produzione cinematografica dello studio d’animazione con sede in Oregon, LAIKA. Girato in loco presso gli studi LAIKA, in 3D e con metodi avanzati manuali e tecnologici, Boxtrolls- Le Scatole Magiche utilizza disegni manuali, formato grafico ibrido d’animazione in CG e tecnica dello stop-motion, per rappresentare la storia del best-seller fantasy d’ avventura di Alan Snow “Arrivano I Mostri!”. -
Il Nuovo Yakuza Eiga: Sviluppo E Caratteristiche Del Genere E Dei Suoi Eroi
Corso di Laurea Magistrale in Lingue, economie e istituzioni dell’Asia e dell’Africa mediterranea Tesi di Laurea Il Nuovo yakuza eiga: sviluppo e caratteristiche del genere e dei suoi eroi Relatore Ch.ma Prof.ssa Maria Roberta Novielli Correlatore Ch.ma Prof.ssa Paola Scrolavezza Laureanda Elvira Nezi Matricola 840783 Anno Accademico 2016 / 2017 要旨 日本と同じように、イタリアでもマフィアは政治的・経済的に非常に権力のある組織であ る。マフィアが普及するにつれて、そしてお金と勢力を力ずくで手に入れていくにつれて、ますま す市民の平穏な人生と命は脅されるようになった。自分の利益のことを考え、マフィアに属し ている人達が弱い市民からお金をだまし取り、殺すと脅迫し、実際に命を奪う場合も多い。 そのため、イタリア映画に描かれているマフィアのイメージは今も昔も当然良いイメージではな い。 一方、かなり長い間にわたって日本では事実と違うヤクザのイメージが映画を通して伝え られたのは明白である。日本の暴力団はイタリアのマフィアとそれほど異なるわけではないが、 それでも１９２５年ごろから１９７０年代にわたって、ヤクザの極道者が親切で誠実な人 たちとして描かれていた。面白くて興味深いことはヤクザの構成員さえヤクザ映画の展開に 貢献したことである。ヤクザ映画を見たり、作ったりするだけではなく、ヤクザ映画で演じたこと もあるのである。例えば元ヤクザ俊藤浩滋は東映の有名なプロデューサーであった。彼がヤク ザ映画のスターになった安藤昇、高倉健、鶴田浩二をスカウトしたそうである。ちなみに安藤 昇も元ヤクザであった。 では、どうして本当のヤクザはそんな風に振舞うわけではないのに、映画には勇ましいロビ ンフッドとして描かれていたのだろう。どうして極道者であるのに観客の心を奪うことができたの だろう。映画館の観客者の大半は男性であったが、ヤクザ映画のヒーローはその男性にどんな 理想的な男性像を伝えたのだろう。ヤクザ映画は日本社会に関して何を教えているのだろう。 この卒業論文の目的は加藤泰、石井輝男、鈴木清順、深作欣二、北野武の映画を 論じながら、以上の質問の答えを出すことである。そして、ヤクザ映画の主なサブジャンルとそ れぞれのヒーローの誕生と展開を詳しく検討することである。 一般的にヤクザ映画は仁侠映画と実録映画という二つの主なサブジャンルに大きく分 けられている。この論文の核心である上述の監督がそれぞれのサブジャンルの展開に自分な りに貢献し、戦後に誕生した「新しいヤクザ映画」と言われるジャンルを有名にした。 実はもう一つのサブジャンルがあり、股旅映画と呼ばれている。股旅映画は戦前に誕生 したので、ヤクザ映画とは少し異なると言われる。しかし、ヤクザ映画を一層良く理解するた めにまず伊藤大輔や野村芳亭などという映画監督の股旅映画に関して一言述べる必要が あると思う。 旅映画は１９２０年代に誕生した剣劇、いわゆるチャンバラ（剣の音を表す言葉） のサブジャンルである（剣劇は有名な時代劇のサブジャンルである）。股旅映画は時代劇 と違い、主人公が侍ではなく、股旅物と呼ばれているヤクザヒーローであった。この渡世人が 一人で放浪し、あちこち行き先のない旅行をしていた。知らない親分に宿泊を請い、様々な -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Using Films to Teach Comparative Law Joseph W
International Journal of Legal Information the Official Journal of the International Association of Law Libraries Volume 36 Article 10 Issue 1 Spring 2008 4-1-2008 Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law Joseph W. Dellapenna Villanova University School of Law Follow this and additional works at: http://scholarship.law.cornell.edu/ijli The International Journal of Legal Information is produced by The nI ternational Association of Law Libraries. Recommended Citation Dellapenna, Joseph W. (2008) "Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law," International Journal of Legal Information: Vol. 36: Iss. 1, Article 10. Available at: http://scholarship.law.cornell.edu/ijli/vol36/iss1/10 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in International Journal of Legal Information by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law JOSEPH W. DELLAPENNA* Table of Contents I. Introduction II. Selecting the Films III. The Films A. The Return of Martin Guerre B. Dingaka C. The Story of Qiu Ju D. A Question of Silence E. The Conviction F. The Red Corner I. Introduction The last four decades have seen the emergence of the “law and literature” movement.1 Although numerous stories in the common law world turn on the trial of cases,2 many studies in the law and literature vein use * Professor of Law, Villanova University School of Law, Villanova, Pennsylvania. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Using Films to Teach Comparative Law
Working Paper Series Villanova University Charles Widger School of Law Year 2008 Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law Joseph W. Dellapenna Villanova University School of Law, [email protected] This paper is posted at Villanova University Charles Widger School of Law Digital Repository. http://digitalcommons.law.villanova.edu/wps/art115 Peasants, Tanners, and Psychiatrists: Using Films to Teach Comparative Law Joseph W. Dellapenna Table of Contents I. Introduction II. Selecting the Films III. The Films A. The Return of Martin Guerre B. Dingaka C. The Story of Qiu Ju D. A Question of Silence E. The Conviction F. The Red Corner I. INTRODUCTION The last four decades have seen the emergence of the “law and literature” movement. 1 Although numerous stories in the common law world turn on the trial of cases, 2 many studies in the law and literature vein use stories that do not take place in a courtroom, and often do not even involve a lawyer, to illuminate significant features of the law or its 1 See, e.g., KIERAN DOLIN , A CRITICAL INTRODUCTION TO LAW AND LITERATURE (2007). The movement emerged as a major force through the work of James Boyd White, most significantly with JAMES BOYD WHITE , THE LEGAL IMAGINATION : STUDIES IN THE NATURE OF LEGAL THOUGHT AND EXPRESSION (1973). This line of thought about law has evolved in many directions and now has too many permutations to allow summary in a footnote. It has had a major impact on jurisprudence generally through Ronald Dworkin’s building his theories of law around law as a multi-generational narrative.