Telemundo's Much Anticipated Drama Series “Celia,”
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De Los Medios a La Convergencia La Formación Del Espacio Audiovisual Ampliado En Colombia
ARTÍCULOS DOI: http://doi.org.10.18861/ic.2021.16.1.3097 De los medios a la convergencia La formación del espacio audiovisual ampliado en Colombia From media to convergence The development of the expanded audiovisual space in Colombia Da mídia à convergência A formação do espaço audiovisual expandido na Colômbia CÉSAR MORA MOREO [email protected] - Universidad del Norte, Colombia. ORCID: https://orcid.org/0000-0003-3343-2881 ALESSANDRA PUCCINI MONTOYA [email protected] - Universidad Externado de Colombia, Colombia. ORCID: https://orcid.org/0000-0001-5812-8152 ENRIQUE URIBE JONGBLOED [email protected] - Universidad Externado de Colombia, Colombia. ORCID: https://orcid.org/0000-0002-9415-7628 CÓMO CITAR: Mora Moreo, C., Puccini Montoya, A. & Uribe Jongbloed, E. (2021). De los medios a la convergencia. La formación del espacio audiovisual ampliado en Colombia. InMediaciones de la Comunicación, 16(1), 59-85. DOI: http://doi.org.10.18861/ic.2021.16.1.3097 Fecha de recepción: 10 de septiembre de 2020 Fecha de aceptación: 26 de diciembre de 2020 RESUMEN Este artículo da cuenta de las trasformaciones contemporáneas en materia de legislación, producción y consumo de productos audiovisuales –series, telenovelas y películas– a través de una revisión de las alteraciones, actualizaciones y cambios experimentados por los medios de comunicación en Colombia. Este análisis parte de un concepto base que entiende a los medios audiovisuales como sistemas independientes –en cuanto a procesos de legislación, producción, distribución y consumo–, y busca mostrar los cambios que derivan actualmente en la construcción del audiovisual como un espacio común o convergente que atraviesa lo creativo, legislativo y conceptual. -
Games+Production.Pdf
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Banks, John& Cunningham, Stuart (2016) Games production in Australia: Adapting to precariousness. In Curtin, M & Sanson, K (Eds.) Precarious creativity: Global media, local labor. University of California Press, United States of America, pp. 186-199. This file was downloaded from: https://eprints.qut.edu.au/87501/ c c 2016 by The Regents of the University of California This work is licensed under a Creative Commons CC-BY license. To view a copy of the license, visit http://creativecommons.org/licenses. License: Creative Commons: Attribution 4.0 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. http:// www.ucpress.edu/ book.php?isbn=9780520290853 CURTIN & SANSON | PRECARIOUS CREATIVITY Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Precarious Creativity Precarious Creativity Global Media, Local Labor Edited by Michael Curtin and Kevin Sanson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advanc- ing scholarship in the humanities, social sciences, and natural sciences. -
Proyecto De Grado Pasantia En Fox Telecolombia Juan
PROYECTO DE GRADO PASANTIA EN FOX TELECOLOMBIA JUAN SEBASTIÁN ROA GUARIN PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES DEPARTAMENTO DE MUSICA ENFASIS INGENIERIA DE SONIDO 2019 Tabla de contenido Introducción 3 1. Justificación 3 2. Objetivos 4 2.1. Objetivo General 4 2.2. Objetivos Específicos 4 Desarrollo 5 3. Fox Telecolombia 5 3.1 Área de Postproducción 7 3.1.2 Estudios 7 4.Proyectos 11 4.1 El BRONX 11 4.2 EL GENERAL 14 4.2.1 Cue Sheets 15 4.2.2 Premezcla de diálogos 17 4.3 SITIADOS 19 4.3.1 Capitulo 7 19 4.3.2 Capitulo 8 20 5. Conclusiones 22 6. Anexos y enlaces de interés 23 2 INTRODUCCION Luego de considerar las opciones de trabajo de grado para poder optar por el título de Maestro en Música con Énfasis en Ingeniería de Sonido, decidí realizar mi trabajo de grado en la modalidad de pasantía, porque representaba otra perspectiva, otro paso en mi camino por la ingeniería de sonido. Además, como próximo profesional me comprometía a tomar la pasantía con total responsabilidad, respeto y seriedad por lo que la misma implica. Por la anterior razón busque empresas que me requirieran y permitieran asumir retos profesionales y personales, siendo una de esas empresas, FOX TELECOLOMBIA. De igual forma porque también me pareció una excelente oportunidad poder tener el privilegio de hacer mi pasantía en una empresa como esta, no solo por lo que significa en mi hoja de vida, sino por todo lo que iba a aprender tanto profesional como personalmente. La pasantía cumplió con la duración de 230 horas, repartidas en aproximadamente 14 semanas académicas entre Enero y Julio de 2019. -
(B) Questions for Professional EQ,Uipment Makers We Ask You to Advise Us of the Cost and Estimated Delivery Dates (Projected
(b) Questions for Professional EQ,uipment Makers We ask you to advise us of the cost and estimated delivery dates (projected from the time the FCC releases its Final Qrder on the HDTV Standard) of HDTV production equipment in the following production formats, together with any bases or assumptions utilized:'· Sampling Spatial (HxV) Frequency Cost Delivery Dates (MHz) I 1280 x 720 p 75.3 1920 x 1080 i 74.25 720 p/1080 i 75.3/74.25 I (dual format) i Attachment 4 lists the items of production equipment for which we are seeking infonnation. Please identify the relative impacts, if any, on operational costs, complexity or delivery date of using one or the other of the identified production formats. Do you believe that equipment in any or all of such formats would continue to be useable in a 960 p-scan or 1080 p-scan transmission environment? Which equipment format, if any, would be more readily useable in, or upgradeable to, such an environment? Please explain. Finally, if you have any basis now to estimate the cost and delivery date of HDTV studio origination equipment in the 1920 x 1080 p-scan format, please give us your estimates and the basis therefore. 3.0 HDTV CONSUMER EQUIPMENT Our ACATS Experts Group, as noted above, must also evaluate the cost and timing impacts of multiple-scan transmission formats and forward compatibility on various types of HDTV consumer equipment (CE), such as receivers, VCRs, laser disc players, cable converters, and other future eqUipment, such as CDs and flat panel displays. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
Tecnológico De Monterrey Mensajes Alternativos Y Sus Lecturas
INSTITUTO TECNOLÓGICO Y DE ESTUDIOS SUPERIORES DE MONTERREY ESCUELA DE HUMANIDADES Y EDUCACIÓN CAMPUS MONTERREY TECNOLÓGICO DE MONTERREY MENSAJES ALTERNATIVOS Y SUS LECTURAS MEDIÁTICAS EN TIEMPOS DE NETFLIX: UN ANÁLISIS A PARTIR DE LA CASA DE LAS FLORES TESIS PRESENTADA POR CAROLINA HERNÁNDEZ GARZA PARA OBTENER EL GRADO DE MAESTRA EN ESTUDIOS HUMANÍSTICOS JUNIO DE 2020 TECNOLÓGICO DE MONTERREY MENSAJES ALTERNATIVOS Y SUS LECTURAS MEDIÁTICAS EN TIEMPOS DE NETFLIX: UN ANÁLISIS A PARTIR DE LA CASA DE LAS FLORES Tesis presentada por Carolina Hernández Garza como uno de los requisitos para obtener el grado de Maestra en Estudios Humanísticos Comité de tesis: Dr. Francisco Javier Martínez Garza - Tecnológico de Monterrey Dr. Manuel Humberto Ayala Palomino - Tecnológico de Monterrey Dra. María Leticia Flores Palacios - Tecnológico de Monterrey Junio de 2020 Instituto Tecnológico y de Estudios Superiores de Monterrey Escuela de Humanidades y Educación Los miembros del comité de tesis aquí citados certificamos que hemos leído la disertación presentada por Carolina Hernández Garza y consideramos que es adecuada en alcance y calidad como un requisito parcial para obtener el grado de Maestra en Estudios Humanísticos. [RÚBRICA] Dr. Francisco Javier Martínez Garza Tecnológico de Monterrey Asesor principal [RÚBRICA] Dr. Manuel Humberto Ayala Palomino Tecnológico de Monterrey Miembro del comité de tesis [RÚBRICA] Dra. María Leticia Flores Palacios Tecnológico de Monterrey Miembro del comité de tesis [RÚBRICA] Dr. Maximiliano Maza Pérez Dr. Roberto Domínguez -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Edinburg Tv Azteca, Sab De Cv, Patrici
NUMBER 13-12-00536-CV COURT OF APPEALS THIRTEENTH DISTRICT OF TEXAS CORPUS CHRISTI - EDINBURG TV AZTECA, S.A.B. DE C.V., PATRICIA CHAPOY, AND PUBLIXMAN, S.A. DE C.V., Appellants, v. GLORIA DE LOS ANGELES TREVINO RUIZ, INDIVIDUALLY AND ON BEHALF OF HER MINOR CHILD, ANGEL GABRIEL DE JESUS TREVINO, AND ARMANDO ISMAEL GOMEZ MARTINEZ, Appellees. On appeal from the 139th District Court of Hidalgo County, Texas. MEMORANDUM OPINION Before Chief Justice Valdez and Justices Benavides and Longoria Memorandum Opinion by Chief Justice Valdez Appellants, TV Azteca, S.A.B. de C.V., Patricia Chapoy, and Publimax, S.A. de C.V. (the “Media Defendants”), complain in this accelerated interlocutory appeal that the trial court erred in denying their special appearance in a suit brought by appellees, Gloria de los Angeles Trevino Ruiz (aka “Gloria Trevi”), individually and on behalf of her minor child, Gabriel de Jesus Trevino, and Armando Ismael Gomez Martinez (the “Trevi Parties”). See TEX. CIV. PRAC. & REM. CODE ANN. § 51.014(a)(7) (West 2008); TEX. R. APP. P. 28.1. Appellants contend by five issues, that the trial court erred by: (1) denying their special appearance; (2) finding that it had specific jurisdiction over the Media Defendants; (3) finding that it had general jurisdiction over the Media Defendants; (4) finding that exercising personal jurisdiction over the Media Defendants would not offend traditional notions of fair play and substantial justice; and (5) overruling the appellants’ objections to the affidavit testimony of Francisco Peña1, the affidavit and deposition testimony of Patti Sunday, the deposition testimony of Othon Frias Calderon, and the deposition testimony of Vicente Diaz. -
Donna Cherry- Full-Length Biography November 3, 2013
-Donna Cherry- Full-Length Biography November 3, 2013 …the show's funniest moments belonged to Donna Cherry… doing what its title promised…a showstopper…. --New York Times …giving unpredictable snap to the evening… was the astounding Donna Cherry… --Boston Globe …bringing life and vigor to the stage…in the most striking performance, Donna Cherry stole the show…! --Los Angeles Times As an actor, comic, voice-over artist and singer extraordinaire, Ms. Cherry possesses the most rare of all acting combos: the qualities of a true character actress and the charisma of a leading lady. Donna grew up an “M.K.”, a missionary’s kid to Costa Rica and Colombia, where she was born the youngest of five kids. She entertained herself by listening to records for hours on end, imitating her favorite singers all day long. By the age of four, she performed her Thumbelina recording to perfection – including the scratches! After living in Latin America, her family settled in California. Her high school drama teacher inspired her to pursue a career as a performer, so she went on to study at the American Academy of Dramatic Arts, where she began honing her acting skills. While completing her Bachelor of Music Degree (with a concentration in voice) from California State University, Northridge, she was approached while working as a singing waitress, by none other than Miss America herself, who saw her potential and encouraged her to enter the Miss America Pageant. After her very own personal extreme makeover, which included losing 25 pounds, Donna won Miss West Los Angeles and then the title of MISS CALIFORNIA! She bowled the judges over in the talent section with her series of impressions of show business legends…including MADONNA, BARBRA STREISAND, DIANA ROSS, ANITA BAKER, JOAN RIVERS, DOLLY PARTON and more. -
The Queer Time of Spanglish, Family, and Latinx Futurity in Santa A
UNIVERSITY OF CALIFORNIA Santa Barbara Latinx Temporalities: The Queer Time of Spanglish, Family, and Latinx Futurity in Santa Ana, California, 2014-2017 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Chicana and Chicano Studies by Juan Sebastian Ferrada Committee in charge: Professor Dolores Inés Casillas, Chair Professor Ellie D. Hernández Professor Mary Bucholtz Professor Carlos U. Decena, Rutgers University March 2019 The dissertation of Juan Sebastian Ferrada is approved. _____________________________________________ Ellie D. Hernández _____________________________________________ Mary Bucholtz _____________________________________________ Carlos U. Decena _____________________________________________ Dolores Inés Casillas, Committee Chair December 2018 ii Latinx Temporalities: The Queer Time of Spanglish, Family, and Latinx Futurity in Santa Ana, California, 2014-2017 Copyright © 2018 by Juan Sebastian Ferrada iii DEDICATION Para mis abuelitas Veronica Ulloa, Camerina De la Torre, y para mi abuelito Jesús De la Torre, QEPD. iv ACKNOLWEDGEMENTS I am fortunate to have been trained and mentored by some of the boldest, most brilliant scholars and teachers who served as my committee. My committee chair and advisor—Inés Casillas, words are not enough to explain the gratitude I feel toward you. I hope to be such an integral part of my student’s intellectual (and personal) formation as you have been, and continue to be for me. Thank you for your patience with me running on queer—no, Latinx—time and for encouraging me to take this project as far as I could go. The rest of my committee members, Ellie Hernández, Mary Bucholtz, Carlos Decena—I learned so much from each of you and your work. -
News Corporation 1 News Corporation
News Corporation 1 News Corporation News Corporation Type Public [1] [2] [3] [4] Traded as ASX: NWS ASX: NWSLV NASDAQ: NWS NASDAQ: NWSA Industry Media conglomerate [5] [6] Founded Adelaide, Australia (1979) Founder(s) Rupert Murdoch Headquarters 1211 Avenue of the Americas New York City, New York 10036 U.S Area served Worldwide Key people Rupert Murdoch (Chairman & CEO) Chase Carey (President & COO) Products Films, Television, Cable Programming, Satellite Television, Magazines, Newspapers, Books, Sporting Events, Websites [7] Revenue US$ 32.778 billion (2010) [7] Operating income US$ 3.703 billion (2010) [7] Net income US$ 2.539 billion (2010) [7] Total assets US$ 54.384 billion (2010) [7] Total equity US$ 25.113 billion (2010) [8] Employees 51,000 (2010) Subsidiaries List of acquisitions [9] Website www.newscorp.com News Corporation 2 News Corporation (NASDAQ: NWS [3], NASDAQ: NWSA [4], ASX: NWS [1], ASX: NWSLV [2]), often abbreviated to News Corp., is the world's third-largest media conglomerate (behind The Walt Disney Company and Time Warner) as of 2008, and the world's third largest in entertainment as of 2009.[10] [11] [12] [13] The company's Chairman & Chief Executive Officer is Rupert Murdoch. News Corporation is a publicly traded company listed on the NASDAQ, with secondary listings on the Australian Securities Exchange. Formerly incorporated in South Australia, the company was re-incorporated under Delaware General Corporation Law after a majority of shareholders approved the move on November 12, 2004. At present, News Corporation is headquartered at 1211 Avenue of the Americas (Sixth Ave.), in New York City, in the newer 1960s-1970s corridor of the Rockefeller Center complex. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.