Pix—"Shanghai Cobra”: 3:20, 5.40, 8:05 and 10:30 p.m. BOOM Where and When Palace—"Adventure": 10:15 a.m., OMN 12:30, 7:25 and ’ * Current Theater Attractions 2:50, 5:05, 9:45 p.m. 'Tomorrow Is Forever’ Tests Trans-Lux—News and shorts. Con- J and Time of Showing tinuous from 10 a.m. of New Enoch Arden Stage. Nobility National—“He Who Gets Slapped”; AMUSEMENTS. By Joy Carmody 8:30 p.m. Screen. In the unending cycle the'movies too, for that matter— travel—life, Capitol—"Black Market Babies”: It has become Orson Welles’ turn to play Enoch Arden. He does it in 11 a.m., 1:45, 4:30, 7:10 and 9:55 p.m "Tomorrow Is Forever,” Keith's latest attraction. The character Welles Stage shows: 1, 3:40, 6:25 and 9:1C plays is not called Enoch Arden, to be sure. His name in the screenplay p.m. is Erich Kessler. He is the same even man, however, with the alias. Columbia — "Up Goes Maisie”: Like Enoch he comes back from the presumed dead, finds his adored 11:40 »irl f A lllvilfioiipltr nvi/4 -1-a. ui_. a a.m., 1:40, 3:35, 5:30, 7:30 and 9:30 p.m. wed to another, and must make the TOMORROW IS FOREVER.” an RKO Picture with Claudette Colbert, George Keith’s—“Tomorrow Is Forever”: dramatic decision whether to re- Brent and Orson Welles, produced by 11:35 am., 1:35, 3:40, 5:45, 7:45 and main nobly dead or try to pick up David Lewis, directed by Irving Pichei. screenplay by Lenore Coffee from a novel 9:50 p.m. the threads of his once life. by Gwen Bristow. happy At Keith's. Earle—“The Stork Club”: 11 am, Welles who was ever a man to The Cast. 1:10, 3:15, 5:25, 7:35 and 9:40 p.m. relish roles with an emotional Elizabeth (MacDonald) Hamilton, Hippodrome — "Pepe le Moks”: one sweep, this with down- ,, ,, Claudette Colbert plays John 2:25, 6:05 and 9:50 p.m. to MacDonald (later Kessler), right vehemence, enough distract Orson Welles Little—“The Last Chance”: 11:15 Larry BSSSflnlMii the mind from the tired overtones Hamilton- George Brent Aunt Jessie Lucile am., 1:15, 3:20, 5:20, 7:25 and 9:35 of ithe The chances are Watson plot. that Drew ison of Elizabeth and John), p.m. with the aid of Claudette Richard Colbert ,, Long Metropolitan—“Three Strangers”: . Doors 10:45 Brent he has Margarep (adopted daughter of Kessler). NOW.. open sn*l George played it Wood 11:30 a.m., 1:35, 3:35, 5:40, 7:45 and Brian into a box-office triumph for here (son of Elizabeth and Larry), 9:45 pm. is a *Iowe theme with a treacley time- Dr. Ludwig (Austrian »urgeon??nny liness which no doubt will pay off Norton (Hamilton's buslnes the man manager),8 AMUSEMENTS. handsomely. Although Wolfr Welles plays in Keith's romantic Charles Hamilton (Larry's father?? W°°d drama is a fellow of normal dimen- Cherry (Drew's sweetheart^8*35 sions, the dominant performer in Joyce MacKenzle NATIONAL* MATINEES WEDS. * SATS. the flsreenplay is never quite con- e. --t- -Henry Hastings Mpem*t Sdt‘e,T, 1HC 7HIATH OUUD pruewtt tent to think of him that way. He 5??1?0!?8 Secretary- Lane Watson STAGE Baby I Michael plays him as the epitome of all no- Drew)_ Ward ble makes DENNIS KING men, him of a dramatic mechanism of those Involved in the with the piece kings, emperors, and plot. There are these people, it tyopon publishers he has imper- says in "Tomorrow Is sonated Forever,” previously. The others in they are involved in this situation, the cast do not have much chance this is how they act, and here is SLNTPBD CONK.. in “Tomorrow Is Forever,” except why they act that wav. Having a small child named set the ||£ possibly Natalie formula that way, the next ]+duk Guthrie'e 9tfu«m }r*m Wood whose innocent charm is step is to sweep you into the things f Andftjtt't 0tum4l armor against Welles’ that Jovian wres- happen and never let you relax. »“* STELLA ADLER • JOHN ABBOTT tling with the story. Afterward, however, it is likely to REINHOLD SCHUNZEL * * * * occur to that you the whole premise tfcged by TYRONE GUTHRU RKO's of of the j adaptation Gwen Bris- picture was fragile enough to —SEATS AVAILABLE— tow's best have selling novel follows the been collapsed by one right current cinema style of giving the word uttered at the right time. public, a closeup of the emotional Avoidance of that word is the best KWELI trick that went into the making of HKO KEITH’S::; Favorite of "Tomorrow Is Radio, Stage, Screen —ANNOUHCI1AG!_ Forever,” and audi- VWui OPEN IOi4S—SUN. 12 | ences are unlikely to be annoyed at W and \ immnmi htmi: |inMh Records being taken in by it. Claudette Timed to fit a period in which war £ Orson lias uone us wildest violence to Young • People’s romantic love and marriage, Keith's X Colbert Welles FAMED SNAKE CHARMER—Vivian will next he seen in picture spreads from the first world Leigh the Cleopatra role i?i Gabriel Pascal’s motion tom conflict into the second. John and English-made fir Brent ■. HOWARD^ WORKSHOP Elizabeth MacDonald are idyllically picture, “Caesar and, Cleopatra,” film version of the George ( wed until World War I interrupts Bernard Shaiv play. The local showing should be announced their lives. He goes off to fight sometime in the not too distant future. TOMORROW .AND • and is reported in \ missing action on / PAINTING • hd.l DRAMA Armistice / Day. Larry Hamilton, in seriormance in tne principal role is took advantage of the fact that is whose )' FOREVER DANCE factory clever, pretty Eliza- Hatched by nicely contrasting re- her hair dresser was a native Bur- oeth works as a axed UGILE WATSON RICHARD NATALIE WOOD librarian, is sym- efforts on the part of several mese and learned from her many LONG *••• pathetically attracted to her in her < ithers. Miss Colbert is marvelous m ■rrmriMM kim *» « ■ A in the Creative very good native W'ays to prepare 0^ Program wretchedness. Eventually they are n letting go when she can and "curry dishes.” Arts 12 to 16 married, a deal that for year-olds substitutes lust looking natural. So is Brent1 In England particularly these SON olissful contentment for emotional ind that is quite a fetching portrait curry dishes were invaluable, as it ecstacy. lone by young Miss Wood as a puz- was possible to disguise the limited There is a fine in OPENING: equilibrium their zled refugee child and so is another English menu in many bv lives, but it lasts ways only until an Aus- )y Lucille Watson as a brusquely curry preparations. Kim has March 9 at trian chemist comes to work i Saturday, 9 A.M. in ;olden-hearted Baltimore dowager. brought the recipes with her to Larry's factory. He has suffered 2020 Welles might be right at that in Hollywood and plans a series of Matiachosetts Ave. N.W. terrible wourids in the first world lis apparent assumption that Enoch exotic curry parties as soon as she war. He has a twisted foot, a use- \rden never was really played until is settled again. less hand, a rebuilt face which is le, Welles, took the role in hand. covered with a beard THE WASHINGTON and eyes which AMUSEMENTS. require heavy glasses. But more Uninvited' terrible than any of these is the \To Time Wasted “So",7* wound to his • Rath WORKSHOP pride which has made HOLLYWOOD. ■ lay Millaad Hassay nim throw FRANCESGHETTI away his old identity.: Kim Hunter really improved each I.AST BAY John MacDonald, Call REpublie 1078 husband of Eliza- ihining hour during her six months' )eth, is now7 Erich Kessler and MEMORIAL r life ojourn in England co-starring with SCOTIAND~ las chosen to SSE9SSS9HSSBSI throw them together David Niven in "A Matter of Life YARI» n an arrangement that is torturous. md Death.” For one thing, she SINGERS DANCING. * * * * at ,IXYISTlfcATOR Keith’s picture plays the torment The AMUSEMENTS. Sulgrave Club o the hilt, not merely for those Arthur iirectly in its clutches, but for the 'Saturday, March 9 at 4 P.M. SSmSf Murray’s ludience as well. The central Ticket* tax included. S2.20 on sale at Ralph fig-1 St. Matthews Book Stall. 1750 M st. n.w. ire in the drama naturally must be * " 2 .Velles, at whose single word to his Woman’s Exchange, t Dupont Cirrla \m Kane | Th* be CONT. added Famous leloved Elizabeth everything would jtroceeds will civen to Italy. attraction change completely. Will he say the FINAL SHOWINGS Q 4l|r word? Did John MacDonald's 'ISlBevERL.rLAM ;.*? pride An 2***J*£»*> t "MAGIC STEP" -eally kill him in World War I? Or; H* l:)0 ^«:li^.lifcdl«:UIfllf|s lo,ING is there enough of his love for CARDINALS AT Elizabeth left in broken Erich RECITAL is the secret to Kessler that he will be forced to ST, PETER'S, ROME Statler Hotel speak? PLUS MIDWEEK JULIETTE CHAUTEMPS No radio serial ever All Modern Dances! daytime flung NEWS CHANGES Pianist more questions in the path of an MARCEL ANCHER ludience. Just how they are going HOMMA SENTENCED to be answered is ! Cellist S something that Shapleigh, Debussy. Christ, Saint* ‘Tomorrow Is Forever” must be al- WMAL—Hourly Newscast : Saens, Nin.