Peter Greenaway Regis Dialogue Formatted
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stansbury Park
TOOELE Buzzer-beater TRANSCRIPT lifts Grantsville over South S Summit T C S See A10 BULLETIN THURSDAY January 11, 2018 www.TooeleOnline.com Vol. 124 No. 65 $1.00 Hospital makes improvements in wake of Medicare penalty MARK WATSON The penalty against MWMC tion on quality measures that tubes inserted into veins. STAFF WRITER was announced in December, Medicare has for hospitals “Medicare audits charts to Mountain West Medical according to the Centers for across the country,” said make sure all hospitals are in Center will lose up to 1 percent Medicare & Medicaid Services MWMC CEO Phil Eaton. “The compliance,” Eaton said. “We of Medicare payments dur- (CMS). It is the result of program has been very help- self-report the information to ing the current fiscal year as not meeting standards by ful in helping all hospitals Medicare, and we knew that a penalty for six cases of the Medicare’s Hospital-Acquired improve.” we had scored adversely with infection Clostridium difficile, Condition (HAC) Reduction Eaton said the hospital was C. diff.” commonly known as “C. diff,” program that began in 2014 as sufficient in meeting other According to mayoclinic.org, which was detected in patients part of the Affordable Care Act, HAC criteria that includes rates C. diff is a bacterium that can FRANCIE AUFDEMORTE/TTB PHOTO during emergency room pro- according to Medicare.gov. of infections from hysterecto- cause symptoms ranging from Mountain West Medical Center CEO Phil Eaton explains the improvements cedures in 2016, hospital offi- “There are hundreds of mies, colon surgeries, urinary the hospital has made to better track infections. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Crow Furnace Permalink https://escholarship.org/uc/item/3gw922cx Author Medina, Dolissa Publication Date 2012 Supplemental Material https://escholarship.org/uc/item/3gw922cx#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO “Crow Furnace” A Thesis submitted in partial satisfaction of the requirements for the degree Master of Fine Arts in Visual Arts by Dolissa Medina Committee in charge: Professor Amy Adler, Chair Professor Teddy Cruz Professor Michael Trigilio Professor Alain J.-J. Cohen 2012 The Thesis of Dolissa Medina is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ ______________________________________________________________ Chair University of California, San Diego 2012 iii TABLE OF CONTENTS Signature Page …………………………………………………………..... iii Table of Contents ………………………………………………………… iv Lists of Supplemental Files ………………………………………………. v Acknowledgements ………………………………………………………. vi Vita/Filmography …………………………………………………………. vii Abstract …………………………………………………………………… viii Introduction ……………………………………………………………… 1 iv LIST OF SUPPLEMENTAL FILES Film Still 1: Composite of images from “Crow Furnace” Film Still 2: Still from opening sequence Film Still 3: Still from opening sequence Film Still 4: The Fireman’s vision Film Still 5: The Fireman and the Singer meet for the first time Film Still 6: The Fireman and the Singer discover a shared destiny Film Still 7: The Fireman and the Singer visit the Mission Dolores cemetery Film Still 8: The Fireman and the Singer look out from the top floor of the hotel v ACKNOWLEDGEMENTS I would like to acknowledge Professor Amy Adler for her support as the chair of my committee. -
Movie Museum MAY 2011 COMING ATTRACTIONS
Movie Museum MAY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! 2 Hawaii Premieres! BLACK SWAN Mother's Day 2 Hawaii Premieres! SUMO DO, SUMO DON'T LIKE TWO DROPS OF (2010) THE KING'S SPEECH THE ARMY OF CRIME aka Shiko funjatta WATER in widescreen (2010-UK/Australia/US) (2009-France) (1992-Japan) (1963-Netherlands) in widescreen in French/Grman w/ English in Dutch/German with in Japanese with English with Natalie Portman, with Colin Firth, Geoffrey subtitles & in widescreen subtitles & in widescreen English subtitles & widescreen with Simon Abkarian. Directed by Fons Rademakers. Mila Kunis, Vincent Cassel, Rush, Helena Bonham Carter, with Masahiro Motoki, Barbara Hershey, 12:30, 3 & 5:30pm only 12:30 & 3pm only Guy Pearce, Jennifer Ehle, ---------------------------------- Misa Shimizu, Naoto Winona Ryder. Michael Gambon, Derek Jacobi. Takenaka, Akira Emoto. ---------------------------------- LIKE TWO DROPS OF THE ARMY OF CRIME WATER Written and Directed by (2009-France) Directed by Directed by (1963-Netherlands) Masayuki Suo. in French/Grman w/ English Darren Aronofsky. Tom Hooper. in Dutch/German with subtitles & in widescreen English subtitles & widescreen 12:30, 2:30, 4:30, 6:30 with Simon Abkarian. 12:30, 2:30, 4:30, 6:30 12:15, 2:30, 4:45, 7:00 & Directed by Fons Rademakers. & 8:30pm 9:15pm 8pm only & 8:30pm 5 5:30 & 8pm only 6 7 8 9 2 Hawaii Premieres! THE MAGIC HOUR BLUE VALENTINE Hawaii Premiere! 2 Hawaii Premieres! KATALIN VARGA JE VOUS TROUVE (2008-Japan) (2010) THE TIGER BRIGADES TRÈS BEAU aka -
Hiroshima Mon Amour Di Alain Resnais (Francia-Giappone/1959, 92’)
dal 28 aprile nelle sale italiane Hiroshima mon amour di Alain Resnais (Francia-Giappone/1959, 92’) edizione restaurata versione originale francese con sottotitoli italiani Restaurato da Argos Films, Fondation Groupama Gan pour le Cinéma, Fondation Technicolor pour le Patrimoine du Cinéma, Fondazione Cineteca di Bologna, con il sostegno di Centre National du Cinéma et de l’Image Animée al laboratorio L’Immagine Ritrovata nel 2013. Color grading supervisionato da Renato Berta. Soggetto e sceneggiatura : Marguerite Duras Fotografia : Michio Takahashi, Sacha Vierny Montaggio : Jasmine Chasney, Henri Colpi, Anne Sarraute Interpreti : Emmanuelle Riva (Lei), Eiji Okada (Lui), Stella Dassas (Madre), Pierre Barbaud (Padre), Bernard Fresson (l’amante tedesco) Il Cinema Ritrovato. Al cinema Ufficio stampa Cineteca di Bologna Classici restaurati Andrea Ravagnan Materiali stampa in prima visione (+39) 0512194833 www.cinetecadibologna.it/areastampa (+39) 3358300839 www.ilcinemaritrovato.it settembre 2013 – giugno 2014 [email protected] Genesi di “un film che era impossibile prevedere rispetto a ciò che sapevamo già del cinema” (Jean-Luc Godard) Nella seconda metà degli anni Cinquanta, il mediometraggio di Alain Resnais, Notte e nebbia ( Nuit et brouillard , 1955), “immenso film di 30 minuti che andava rivelando a delle generazioni di adolescenti e di adulti l’orrore dei campi nazisti”, ottiene un grande successo internazionale. “È in seguito a questo film che Anatole Dauman , che l’aveva prodotto, propone a Resnais di girare un lungometraggio sull’altro orrore di questo secolo di ombre : la distruzione completa il 6 agosto 1945 della città di Hiroshima a causa di una bomba atomica americana. Una casa di produzione Giapponese, la Daiei, si unirà alla Argos Films per facilitare le riprese in Giappone. -
DICKENS on SCREEN, BFI Southbank's Unprecedented
PRESS RELEASE 12/08 DICKENS ON SCREEN AT BFI SOUTHBANK IN FEBRUARY AND MARCH 2012 DICKENS ON SCREEN, BFI Southbank’s unprecedented retrospective of film and TV adaptations, moves into February and March and continues to explore how the work of one of Britain’s best loved storytellers has been adapted and interpreted for the big and small screens – offering the largest retrospective of Dickens on film and television ever staged. February 7 marks the 200th anniversary of Charles Dickens’ birth and BFI Southbank will host a celebratory evening in partnership with Film London and The British Council featuring the world premiere of Chris Newby’s Dickens in London, the innovative and highly distinctive adaptation of five radio plays by Michael Eaton that incorporates animation, puppetry and contemporary footage, and a Neil Brand score. The day will also feature three newly commissioned short films inspired by the man himself. Further highlights in February include a special presentation of Christine Edzard’s epic film version of Little Dorrit (1988) that will reunite some of the cast and crew members including Derek Jacobi, a complete screening of the rarely seen 1960 BBC production of Barnaby Rudge, as well as day long screenings of the definitive productions of Hard Times (1977) and Martin Chuzzlewit (1994). In addition, there will be the unique opportunity to experience all eight hours of the RSC’s extraordinary 1982 production of Nicholas Nickleby, including a panel discussion with directors Trevor Nunn and John Caird, actor David Threlfall and its adaptor, David Edgar. Saving some of the best for last, the season concludes in March with a beautiful new restoration of the very rare Nordisk version of Our Mutual Friend (1921) and a two-part programme of vintage, American TV adaptations of Dickens - most of which have never been screened in this country before and feature legendary Hollywood stars. -
BAFTA a Life in Pictures: Peter Greenaway 13 April 2016 at Princess Anne Theatre, BAFTA, 195 Piccadilly, London 1
BAFTA A Life in Pictures: Peter Greenaway 13 April 2016 at Princess Anne Theatre, BAFTA, 195 Piccadilly, London Ian Haydn Smith: Good evening ladies what it should have been, how it should and gentlemen, my name’s Ian Haydn have you know organised its Smith and I’d like to welcome you to this perspectives differently. I don’t know, I Life in Pictures with Peter Greenaway. suppose there are many ways to define Film, art and literature, I think can have cinema as there are people in this as indelible an impact on youth as a audience. But I do feel you know very really great teacher. I say that because I disenchanted about the cinema we’ve used to steal a portable television set now got, but I think you know there’s no from my parents when I was young on a good moaning and complaining, we Monday night to take upstairs and have to do something about it, rather watch The Prisoner at nine o’clock, like Mr Eisenstein did in 1931. which, and Channel 4 had not been going that long. What I really relished IHS: And we’re going to come onto was an hour later at 10 o’clock, a whole Eisenstein a little late. I read one story series of American films from the 1970s, that you were an avid fan of The and I gorged on them. That season Seventh Seal, and watched it something ended, I had no awareness that it had like ten times over the course of one ended, and this film came on, I was week. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
SHIRCORE Jenny
McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films. -
"LUCCA MORTIS", NEW FILM for PETER GREENAWAY from 24 to 30 June the London Director Returns to Lucca Holding a Workshop on His Next Movie
"Lucca Experientia Artis and the Lucca Film Festival together for International Artistic Residences." "LUCCA MORTIS", NEW FILM FOR PETER GREENAWAY From 24 to 30 June the London director returns to Lucca holding a workshop on his next movie. (Lucca), 6 May - The new screenplay by Peter Greenaway is entitled "Lucca Mortis" and is the focus of the training course created by the director together with LEA - Lucca Experientia Artis, in collaboration with Lucca Film Festival - Europa Cinema. The idea of "Lucca Mortis" was born in 2013 as an evolution of the architectural cinema installation "The Towers / Lucca Hubris", created by Greenaway with the choreography of the dancer and author Roberto Castello and realized in Piazza San Francesco by the festival and the Fondazione Cassa di Risparmio di Lucca. After six years, thanks to the synergy between the art director of LEA Domenico Raimondi and the director Cristina Puccinelli, Greenaway returns to Lucca with a residential workshop open to 20 creative people in love with the seventh art. From 24 to 30 June, six days in close contact with the London director to closely study the stages of work that will lead to the realization of the movie: ranging from a screenplay that takes shape in the symbolic places of the city, which he himself defines a real "natural set", to the characters based on people who actually have lived and on the protagonists of Puccinian operas. Not only movie-lab activities, but also moments of conviviality to discover the inner creative imagination of Greenaway's genius in a Lucca that is the inspiring muse and film set full of charm and history. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality