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Musicandmeaning Homeland Stories
HOMELAND STORIES: Music and Meaning Character Education • To discern how music influences character development • To appreciate the diversity of contributions that individuals might make • To develop a balanced view of the positive and negative influences of the arts industry Facts HOMELAND MINUTES • Canadian composer Ruth Lowe’s song I’ll Never Smile Again became a war time hit when performed by the On White Being Black in WWII Tommy Dorsey Orchestra with Frank Sinatra. It has been She grew up with good role recorded more than 100 times models. Her father served in the No. 2 Construction • Nine Canadian Victory Bond Campaigns raised 12 Battalion in WWI. He grad- billion dollars during WWII uated from Acadia University as the first black • Canada’s full time Army had 4,261 officers and men graduate in 1906. Rev. Portia May White at the beginning of WWII. Over the course of the war, www.blackpast.org William White served with the rank of Captain, the only black chaplain in the the Army enlisted 730,000, the Air Force 260,000 and British Army in WWI. During the Depression, Rev. the Navy 115,000 personnel White helped raise funds to establish vocational schools within churches in Nova Scotia. Before the Reading Her mother Izie Dora White raised 12 children sup- porting her husband’s Cornwallis Street Baptist • Recently the music industry supported recovery in Church and its choir where her children sang. One daughter was the organist; another daughter the Haiti. List other causes the industry has supported. choir director. The latter daughter Portia May White • Young people often model their personal look on became an international celebrity. -
National Historic Sites of Canada System Plan Will Provide Even Greater Opportunities for Canadians to Understand and Celebrate Our National Heritage
PROUDLY BRINGING YOU CANADA AT ITS BEST National Historic Sites of Canada S YSTEM P LAN Parks Parcs Canada Canada 2 6 5 Identification of images on the front cover photo montage: 1 1. Lower Fort Garry 4 2. Inuksuk 3. Portia White 3 4. John McCrae 5. Jeanne Mance 6. Old Town Lunenburg © Her Majesty the Queen in Right of Canada, (2000) ISBN: 0-662-29189-1 Cat: R64-234/2000E Cette publication est aussi disponible en français www.parkscanada.pch.gc.ca National Historic Sites of Canada S YSTEM P LAN Foreword Canadians take great pride in the people, places and events that shape our history and identify our country. We are inspired by the bravery of our soldiers at Normandy and moved by the words of John McCrae’s "In Flanders Fields." We are amazed at the vision of Louis-Joseph Papineau and Sir Wilfrid Laurier. We are enchanted by the paintings of Emily Carr and the writings of Lucy Maud Montgomery. We look back in awe at the wisdom of Sir John A. Macdonald and Sir George-Étienne Cartier. We are moved to tears of joy by the humour of Stephen Leacock and tears of gratitude for the courage of Tecumseh. We hold in high regard the determination of Emily Murphy and Rev. Josiah Henson to overcome obstacles which stood in the way of their dreams. We give thanks for the work of the Victorian Order of Nurses and those who organ- ized the Underground Railroad. We think of those who suffered and died at Grosse Île in the dream of reaching a new home. -
Portia White (1911–1968) Was Blessed with an Extraordinary Voice
HOMELAND MINUTES On White Being Black in WWII She grew up with good role models. Her father served in the No. 2 Construction Battalion in WWI. He gradu- ated from Acadia University as the first black graduate in 1906. Rev. William White Portia May White www.blackpast.org served with the rank of Captain, the only black chaplain in the British Army in WWI. During the Depression, Rev. White helped raise funds to establish vocational schools within churches in Nova Scotia. Her mother Izie Dora White raised 12 children sup- porting her husband’s Cornwallis Street Baptist Church and its choir where her children sang. One daughter was the organist; another daughter the choir director. The latter daughter Portia May White became an inter- national celebrity. Portia White (1911–1968) was blessed with an extraordinary voice. She took voice lessons at the Halifax Conservatory and sang devotional songs on her father’s monthly radio program. Portia trained as a teacher at Dalhousie University and then took postings in schools in the Black communities of Africville and Lucasville. During the Depression she made $30 a month. Repeated outstanding showings in the Halifax Music Festival between 1935 and 1938 changed Portia’s destiny. Given a scholarship to study with the renowned baritone and teacher Ernesto Vinci who had fled Nazi Germany, Portia began to sing as a contral- to. In 1941 after a recital of European classics and Negro spirituals in Toronto’s Eaton Auditorium, Edward Wodson of the Toronto Evening Telegram described her voice as a gift from heaven. After the Eaton Auditorium coup Portia performed in concerts and on radio on programs, often in support of the war effort. -
Roads Lead Family Publication Launched Zion Baptist Church Note Cards Available Articles and Topics Invited for Newsletter
Wfate Volume 1 2003 Number 1 A "focus" is a center of activity or ALL ROADS LEAD attention. It is a point at which energy TO RICHMOND and interest are directed and from which JULY 24-27,2003 rays emerge. As such, members of the committee felt that the term was an All roads lead to Richmond, Virginia appropriate one for the title of the family for the Tenth Biennial White Family newsletter. It is hoped that the newsletter Reunion to be held July 24-27, 2003, at will be a family focus and will become the Omni Richmond Hotel. This will be central to the fabric of the family. the first White family reunion held in the United States since 1997. With less than The purposes of the newsletter are to five months to go until the reunion, the provide a forum through which family planning committee is hard at work to members can be informed and stay in make this one of the largest and most touch, to share family heritage and create engaging White family gatherings ever. connections, and to document family history as it is happening. These Among the activities planned is a purposes can best be served if all family screening of the film Honour Before members assert ownership and respon- Kyra Patterson, right, in the D.C. marathon Glory (based on the World War I diary of sibility for the newsletter by submitting . (See Relative Tidbits, page 5) William Andrew White) with a talk by articles and suggestions as requested filmmaker Anthony Sherwood. A myriad below. -
PORTIA WHITE: STEPPING OUTSIDE of the “BOX” Taliya Wolfe Pacific Academy, Surrey, BC
PORTIA WHITE: STEPPING OUTSIDE OF THE “BOX” Taliya Wolfe Pacific Academy, Surrey, BC $500 Winner Determined, educated, amazing. All words to describe Portia May White, a black Canadian musician born in the early twentieth century who inspired all, but, helped to pave the way for Canada’s future black musicians. By fighting adversity and learning to find her own voice in a world where her odds weren’t favoured, she cultivated her own legacy and left her imprint on Canadian heritage. Portia was born in 1911 in Truro Nova Scotia, and came from an accomplished family. Her mother was a descendant of the Black Loyalists and her father, a former slave from Virginia, was Acadia University’s first black graduate. Portia’s parents went on to become involved in their community church, Cornwallis Street Baptist Church as her father was the minister and her mother the musical director. This sparked Portia’s interest in music, and she began to sing in the choir at the age of six. By the age of eight, Portia was singing soprano parts from Lucia de Lammermoor, an opera composed of three acts, and walking over ten miles per week just to attend voice lessons. She later went on to attend Dalhousie University, and became a teacher, and taught in many different neighbourhoods, including Africville, a neighbourhood in Halifax largely populated by black Nova Scotians. However, a career in education didn’t stop Portia’s passion for music. She continued voice lessons at the Halifax Conservatory of Music, and sang on her father’s radio devotionals. -
Nova Scotia, Was Relocated
THE WOMEN OF AFRKV1U.E: Race and Gender in Postwar Halifax A thesis submitted to the Department of History in canformity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada September, 1998 copyright Q Susan MarionJean Precious, 1998 National Library Bibliothèque nationale l*l of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Weilingîon Street 395. nie Wellington OttawaON K1AûN4 OttawaûN KIAW Canada Canada The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, districbute or sel reproduire, prêter, distribuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nIm, de reproduction sur papier ou sur format électronique. The author retains owership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract From 1964 until 1970, Afncville, the small Black community situated on the outskirts of Halifax, Nova Scotia, was relocated. Since then, the community's displacement has achieved national recognition from cross-disciplinary research and extensive media coverage. The sociological and historical accounts tell only the story of this dislocation. In doing so, they ignore the rich history and culture of the pre-relocation era, the strong presence and place of women in the community, and the undeniable cuvent of racial discrimination in Canadian society. -
Tflfate Volume 2 2004 Number 1
Tflfate Volume 2 2004 Number 1 WHITE FAMILY REUNION TO BE HELD IN OTTAWA FAMILY THEATRE PARTY JULY 28-31,2005 SET FOR JANUARY 15 Ottawa, Ontario is an excellent location for the next White Family On Saturday, January 15, 2005, Reunion! The capital of Canada is a picturesque, vibrant, welcoming city at 2:00 p.m., the White family will that is easy to reach by air, by land... even by water! sponsor a theatre party to Arena Stage in Washington, D.C. to see the The conference committee is working hard to make sure that this musical Hallelujah, Baby! Winner of first-ever Ottawa reunion is an extremely enjoyable experience for the 1968 Tony Award for Best everyone. Here are some of the activities being planned for your visit: Musical, Hallelujah, Baby! follows a young woman from decade to * opportunities to welcome new family members and salute our decade as she dreams of trading in elders her maid's mop for the excitement of * the Family History Seminar the stage. Along the way, she faces * an updated and expanded Family Tree head-on the challenges of a society * the return of the famous White Family Talent Show! struggling with segregation, * the ever-popular, always-exciting Family Auction! economic hardships, two world wars, * Game Night with Lome White and the momentous fight for civil * a celebration of the life of acclaimed concert singer rights. Living legend Arthur Laurents, Portia White who wrote the musical's book and * shopping and sight-seeing excursions directed the Broadway production, * visits to the National Archives and the Museum of will direct Arena Stage's production Civilization of this compelling and engaging * Family Quiz with prizes musical. -
CELEBRATING PORTIA WHITE Posted on February 18, 2021
BLACK HISTORY MONTH | CELEBRATING PORTIA WHITE Posted on February 18, 2021 Category: News Portia May White (1911–1968) | Agent of Change | Remembered as the first Black Canadian concert singer to achieve international fame and vocal instructor to some of Canada’s most famous performers. William Andrew White, the son of former slaves in Virginia, moved to Canada in 1900. He earned a bachelor degree in theology three years later from Acadia University as its second Black graduate. In 1906, while working as a minister in Truro, Nova Scotia, he married Izie Dora White (no relation) with whom he would raise 13 children. Many of William’s children and descendants grew up to become highly accomplished figures in music, literature and politics, not the least of which was his third daughter, Portia. From the age of six, Portia White was a member of the choir at the Cornwallis Street Baptist Church in Halifax (now the New Horizons Baptist Church) where her mother was musical director and her father was minister. When White was older, she became director of the choir and raised money for the church by singing in her father’s radio show. In 1929, White began studies at Dalhousie University with the goal of becoming a teacher. She taught primary school in two small, predominantly black Halifax communities, Africville and Lucasville, earning enough to pay for weekly vocal lessons a 10-mile walk away. Winning a scholarship in 1939, she continued her musical training at the Halifax Conservatory of Music. As her national debut, White performed at the Eaton Auditorium in Toronto in 1941 at age 30. -
Défis Sur L'histoire Des Afro-Néoécossais De 2017
Défis sur l’histoire des Afro-Néoécossais de 2017 Propositions acceptées du 15 octobre 2016 au 4 février 2017 Les prix d’excellence comprennent des bourses totalisant 3 000 $, des prix et des cadeaux. Les défis et les prix d’excellence sur l’histoire des Afro-Néoécossais sont une initiative du Delmore « Buddy » Daye Learning Institute (DBDLI) et de partenaires du domaine de l’éducation de partout dans la province. Le but des défis est d’encourager la discussion sur l’histoire des Afro-Néoécossais dans toutes nos écoles. Nous savons que les défis permettront de mobiliser tous les élèves et de les faire participer en éveillant la curiosité historique et la créativité artistique. Grâce à différents choix de médias, les élèves de tous les niveaux scolaires peuvent participer. J’invite tous les élèves et enseignants à participer aux défis sur l’histoire des Afro-Néoécossais et j’ai hâte de vous accueillir à la cérémonie de remise des prix du DBDLI en février 2017. Laissons place à la célébration et à l’éducation toute l’année. Salutations distinguées. Sylvia Parris, CPDG Delmore « Buddy » Daye Learning Institute Excellence en éducation africentrique Son Honneur Brigadier-général (retraité) l’honorable J. J. Grant, CMM, ONS, CD, lieutenant-gouverneur de la Nouvelle-Écosse, a remis les prix à l’école gagnante lors de la cérémonie de remise des prix DBDLI de 2016. Les prix d’excellence du DBDLI en histoire des Afro-Néoécossais sont remis aux élèves dont les présentations faites dans le cadre des défis illustrent le mieux les contributions apportées par les Afro-Néoécossais à l’histoire, au patrimoine et à la culture de notre province et de notre pays. -
Notable People of African Descent
NOTABLE PEOPLE OF AFRICAN DESCENT: 1) The Honourable Lincoln M. Alexander The Honourable Lincoln M. Alexander was born in 1922 in Toronto. He served with the Royal Canadian Air Force during the Second World War, between 1942 and 1945. He was educated at Hamilton’s McMaster University where he graduated in Arts, and Toronto’s Osgoode Hall School of Law where he passed the bar examination in 1965. Mr. Alexander was appointed a Queen’s Counsel and became a partner in a Hamilton law firm from 1963 to 1979. He was the first black person to become a Member of Parliament in 1968 and served in the House of Commons until 1980. He was also federal Minister of Labour in 1979–1980. In 1985, Lincoln Alexander was appointed Ontario’s 24th Lieutenant Governor, the first member of a visible minority to serve as the Queen’s representative in Canada. During his term in office, which ended in 1991, youth and education were hallmarks of his mandate. He then accepted a position as Chancellor of the University of Guelph. In 1996, he was chair of the Canadian Race Relations Foundation and was also made Honorary Commissioner for the International Year of Older Persons Ontario celebrations. The Honourable Lincoln Alexander was appointed a Companion of the Order of Canada and to the Order of Ontario in 1992, and in June 2006, he was named the “Greatest Hamiltonian of All Time.” Mr. Alexander died on October 19, 2012 at age 90. 2) Marie-Joseph Angélique While Canada did become a safe haven for runaway slaves, this country does have its own history of slavery. -
Climate Change: We Are at Risk
Standing Senate Comité sénatorial Committee on permanent de Agriculture and Forestry l’agriculture et des forêts CLIMATE CHANGE: WE ARE AT RISK FINAL REPORT The Honourable Donald Oliver, Q.C. Chair The Honourable John Wiebe Deputy Chair November 2003 MEMBERSHIP THE STANDING SENATE COMMITTEE ON AGRICULTURE AND FORESTRY The Honourable Senators Liberals Conservatives *Sharon Carstairs, P.C. (or Robichaud, P.C.) Leonard Gustafson Thelma Chalifoux Marjory LeBreton Joseph A. Day, P.Eng. *John Lynch-Staunton, P.C. (or Kinsella) Joyce Fairbairn, P.C. Donald Oliver, Q.C. (Chair) Elizabeth Hubley David Tkachuk Laurier L. LaPierre Pierrette Ringuette John (Jack) Wiebe (Deputy Chair) (*Ex officio members) Acting Clerk of the Committee Keli Hogan Analysts from the Research Branch, Library of Parliament Frédéric Forge Lorie Srivastava Jean-Luc Bourdages Note: The Honourable Senators Raynell Andreychuk; Pat Carney; Jane Cordy; Marisa Ferretti Barth; Joan Fraser; Jean Lapointe; Shirley Maheu; Frank Mahovlich; Lorna Milne; Wilfred P. Moore and David P. Smith also served on the Committee. ORDER OF REFERENCE Extract of the Journals of the Senate, Thursday, October 31, 2002: The Honourable Senator Wiebe moved, seconded by the Honourable Senator Chalifoux: That the Standing Senate Committee on Agriculture and Forestry be authorized to examine the impact of climate change on Canada’s agriculture, forests and rural communities and the potential adaptation options focusing on primary production, practices, technologies, ecosystems and other related areas; That the papers and evidence received and taken on the subject and the work accomplished by the Standing Senate Committee on Agriculture and Forestry during the First Session of the Thirty-Seventh Parliament be referred to the Committee and; That the Committee submit its final report no later than December 31, 2003. -
A Daughter's Journey
A Daughter's Journey SYLVIA D. HAMILTON L huteure repchit sur le prockdk de placer des jalons pour die. The grace with which we embrace life, in spite of explorer et documenter la vie des femmes noires. Elle utilise the pain, the sorrows, is always a measure ofwhat has l'essai et surtout le film comme outils pour documenter leur gone on before. (Walker 1) This essay (Hamilton 1982) grew out of research I was I was preoccupied with learning doing at the Public Archives ofNova Scotia and within the about and understanding the lives of Black community in Nova Scotia. In 1975 I was editing a special issue of Grap, a newspaper published by the the earlier generations-Black refugee Black United Front of Nova Scotia, a province-wide women, Black Loyalist women and advocacy organization. The focus of the issue was the enslaved African women. African United Baptist Association of Nova Scotia, an umbrella organization for all African Baptist Churches in Nova Scotia. I moved between the stacks at the Archives histoire dans la diaspora au Canada. Tout au long de sa and oral interviews, matching and comparing informa- carrikre filmique ele a envisagk ks images pour crker un tion, and in the process, uncovering layers of information espace oh la uoixdesf.mmes d brigineafiicaineserditentendue. previously unknown to me. Some ofwhat I found made Eke examine aussi ses rbles comme fille et comme m2re dans its way into the essay. des histoires h multiplesfacettes. The text was a rather swift walk through Black wom- en's history in Nova Scotia.