DOCSLIB.ORG

20171030-SORS-2018-1.7.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2018 Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 1.7 (Updated October 30, 2017) Copyright © 2017 by Smithsonian Institution Table of Contents Table of Contents..................................................................................................................................................................................... 1 How to Use This Book ........................................................................................................................................................................... 1 Anacostia Community Museum (ACM) .......................................................................................................................................... 3 Archives of American Art (AAA) ........................................................................................................................................................ 5 Asian Pacific American Center (APAC) ........................................................................................................................................... 7 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................... 8 Cooper-Hewitt, National Design Museum (CHNDM) ........................................................................................................... 13 Freer Gallery of Art/Arthur M. Sackler Gallery (FSGA) ......................................................................................................... 18 Hirshhorn Museum and Sculpture Garden (HMSG).............................................................................................................. 25 Museum Conservation Institute (MCI) ......................................................................................................................................... 28 National Air and Space Museum (NASM) ................................................................................................................................. 32 National Museum of African American History and Culture (NMAAHC) ................................................................... 41 National Museum of African Art (NMAfA) ................................................................................................................................ 44 National Museum of American History (NMAH) .................................................................................................................... 47 National Museum of the American Indian (NMAI) ............................................................................................................... 65 National Museum of Natural History (NMNH) ....................................................................................................................... 72 National Portrait Gallery (NPG) ..................................................................................................................................................... 149 National Postal Museum (NPM) ................................................................................................................................................... 153 National Zoological Park (NZP) .................................................................................................................................................... 156 Office of Fellowships and Internships (OFI) ............................................................................................................................ 173 Office of International Relations (OIR) ...................................................................................................................................... 175 Office of the Provost (Provost) ..................................................................................................................................................... 177 Smithsonian American Art Museum (SAAM) ......................................................................................................................... 179 Smithsonian Astrophysical Observatory (SAO) ...................................................................................................................... 184 Smithsonian Center For Learning and Digital Access (SCLDA) ...................................................................................... 214 Smithsonian Environmental Research Center (SERC) ......................................................................................................... 216 Smithsonian Institution Archives (SIA) ...................................................................................................................................... 222 Smithsonian Institution Libraries (SIL) ....................................................................................................................................... 227 Smithsonian Institution Traveling Exhibition Service (SITES) .......................................................................................... 236 Smithsonian Latino Center (SLC).................................................................................................................................................. 241 Smithsonian Science Education Center (SSEC) ...................................................................................................................... 245 Smithsonian Tropical Research Institute (STRI) ..................................................................................................................... 247 The Smithsonian Associates (Associates) ................................................................................................................................. 264 How to Use This Book Are you interested in doing independent research or study related to Smithsonian collections, facilities, or experts? Are you interested in having a learning experience guided by a Smithsonian mentor with specific expertise? Are you interested in maintaining a scholarly affiliation with the Smithsonian on a subject that is a particular area of your expertise? If so, this could be the book for you. For over fifty years, in various iterations, the Smithsonian Opportunities for Study and Research (SORS) guide has been a resource for connecting prospective fellows, interns, and research associates with the Smithsonian. If you are applying to an existing Smithsonian program (fellowship, internship, etc), you can use this book to identify a potential advisor/mentor and reach out to them to discuss whether they might be in a position to host you. Alternatively, if there isn’t an existing program in the area of your interest, but you would like to explore the possibility of doing an internship or fellowship with a particular SI expert on your own – this book can be used for that too. If you approach a would-be Smithsonian advisor or mentor with a question or proposal, be specific as possible, and do some research ahead of time to verify that the person you are approaching is doing work in a field that matches your idea or question. Smithsonian research and program staff often have many competing commitments. If you reach out and don’t hear back, it may that the person you reach out to just isn’t in a position to host you. On the other hand, broadening access is a priority for the Smithsonian; if the person you contact can offer a response, they will. SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2018 | 1 I honor you for your commitment to increasing your knowledge and diffusing it to others. Thank you for your interest in the Smithsonian! Eric Woodard Director of Fellowships and Internships Smithsonian Institution August 2017 SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2018 | 2 Anacostia Community Museum (ACM) Lori Yarrish, Acting Director The mission of the Anacostia Community Museum is focused on the examination of contemporary urban issues and community life, and on community-focused approaches to research, documentation, and educational and cultural programming. The geographic scope of museum work incorporates the Washington, D.C. Metro area as well as urban communities in other parts of the United States. Core to the work of the museum is the belief that active citizen participation in the recovery and preservation of community historical assets, in cultural and arts activities, and in community advocacy are important and powerful instruments in creating and maintaining a sense of community and civic ownership. The permanent collection supports the museum’s investigation of contemporary community life, and of issues and themes that shape and resonate within urban communities. An important goal of museum collections is the development of strategies to engage public audiences with the artifacts and other materials in the museum’s collections. Smithsonian interns and fellows assist the museum in bringing scholarship and formal research-to- research programs. In addition to the range of scholarship within the humanities and social sciences, the museum is also interested in students and researchers in the fields of social and human geography, community studies, cultural studies, and urban ecology. The museum has a strong focus on community- based documentation and research efforts—including
Recommended publications
  • Alice Pike Barney Papers and Related Material, Circa 1889-1995

    Alice Pike Barney Papers and Related Material, Circa 1889-1995

    Alice Pike Barney Papers and Related Material, circa 1889-1995 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Introduction....................................................................................................................... 2 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: ALICE PIKE BARNEY AUTOBIOGRAPHICAL INFORMATION............... 5 Series 2: THEATRICAL PRODUCTIONS: SCRIPTS............................................... 6 Series 3: THEATRICAL PRODUCTIONS: SELECTED SCENES AND ROLES.................................................................................................................... 11 Series 4: NON-THEATRICAL, LITERARY MANUSCRIPTS.................................. 12 Series 5: MUSICAL
  • Smithsonian Institution Archives (SIA)

    Smithsonian Institution Archives (SIA)

    SMITHSONIAN OPPORTUNITIES FOR RESEARCH AND STUDY 2020 Office of Fellowships and Internships Smithsonian Institution Washington, DC The Smithsonian Opportunities for Research and Study Guide Can be Found Online at http://www.smithsonianofi.com/sors-introduction/ Version 2.0 (Updated January 2020) Copyright © 2020 by Smithsonian Institution Table of Contents Table of Contents .................................................................................................................................................................................................. 1 How to Use This Book .......................................................................................................................................................................................... 1 Anacostia Community Museum (ACM) ........................................................................................................................................................ 2 Archives of American Art (AAA) ....................................................................................................................................................................... 4 Asian Pacific American Center (APAC) .......................................................................................................................................................... 6 Center for Folklife and Cultural Heritage (CFCH) ...................................................................................................................................... 7 Cooper-Hewitt,
  • Southern Indian Studies, Vol. 22

    Southern Indian Studies, Vol. 22

    STUDIES Volume XXII October, 1970 The Southern Indian Studies was established in April, 1949, as a medium of publication and discussion of information per­ taining to the life and customs of the Indians in the Southern states, both prehistoric and historic. Subscription is by mem­ bership in the North Carolina Archaeological Society (annual dues $3.00) or $1.00 per year to institutions and non-residents of North Carolina. PUBLISHED by THE ARCHAEOLOGICAL SociETY OF NORTH CAROLINA and THE RESEARCH LABORATORIES OF ANTHROPOLOGY THE UNIVERSITY OF NORTH CAROLINA Box 561 Chapel Hill Volume XXII October, 1970 CONTENTS Cyrus Thomas and the Mound Builders ..... Bennie C. Keel 3 Excavations at the Reds Springs Mound Rb0 4, Robeson County 1971 ........... Bennie C. Keel 17 More Notes on Symbolism ........... Clemens de Baillou 23 CYRUS THOMAS AND THE MOUND BUILDERS by Bennie C. Keel Introduction Over the past ten years the author has been intimately involved in research in the Cherokee area of North Carolina conducted by the Research Laboratories of Anthropology under the direction of Dr. Joffre L. Coe. In reviewing the literature pertaining to this area, I have become greatly interested in the gradual growth of knowledge of the prehistory of the region and particularly inter­ ested in the individuals who, as pio neers, have contributed so much to our present understanding of the past cultures found here. Three facets of this interest have grown simultaneously: the investigator's basic contributions to knowledge., the theoretical foundation which influenced his interpretation of the data, and the biography of the investigator. In view of these interests this paper will describe the major contributions of Cyrus Thomas to American archaeology, examine his theoretical position, and present some information about his life.
  • Smithsonian American Art Museum

    Smithsonian American Art Museum

    Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S.
  • Representations of the Female Nude by American

    Representations of the Female Nude by American

    © COPYRIGHT by Amanda Summerlin 2017 ALL RIGHTS RESERVED BARING THEMSELVES: REPRESENTATIONS OF THE FEMALE NUDE BY AMERICAN WOMEN ARTISTS, 1880-1930 BY Amanda Summerlin ABSTRACT In the late nineteenth century, increasing numbers of women artists began pursuing careers in the fine arts in the United States. However, restricted access to institutions and existing tracks of professional development often left them unable to acquire the skills and experience necessary to be fully competitive in the art world. Gendered expectations of social behavior further restricted the subjects they could portray. Existing scholarship has not adequately addressed how women artists navigated the growing importance of the female nude as subject matter throughout the late nineteenth and early twentieth centuries. I will show how some women artists, working before 1900, used traditional representations of the figure to demonstrate their skill and assert their professional statuses. I will then highlight how artists Anne Brigman’s and Marguerite Zorach’s used modernist portrayals the female nude in nature to affirm their professional identities and express their individual conceptions of the modern woman. ii ACKNOWLEDGMENTS I could not have completed this body of work without the guidance, support and expertise of many individuals and organizations. First, I would like to thank the art historians whose enlightening scholarship sparked my interest in this topic and provided an indispensable foundation of knowledge upon which to begin my investigation. I am indebted to Kirsten Swinth's research on the professionalization of American women artists around the turn of the century and to Roberta K. Tarbell and Cynthia Fowler for sharing important biographical information and ideas about the art of Marguerite Zorach.
  • (Approx) Mixed Micro Shells (22G Bags) Philippines € 10,00 £8,64 $11,69 Each 22G Bag Provides Hours of Fun; Some Interesting Foraminifera Also Included

    (Approx) Mixed Micro Shells (22G Bags) Philippines € 10,00 £8,64 $11,69 Each 22G Bag Provides Hours of Fun; Some Interesting Foraminifera Also Included

    Special Price £ US$ Family Genus, species Country Quality Size Remarks w/o Photo Date added Category characteristic (€) (approx) (approx) Mixed micro shells (22g bags) Philippines € 10,00 £8,64 $11,69 Each 22g bag provides hours of fun; some interesting Foraminifera also included. 17/06/21 Mixed micro shells Ischnochitonidae Callistochiton pulchrior Panama F+++ 89mm € 1,80 £1,55 $2,10 21/12/16 Polyplacophora Ischnochitonidae Chaetopleura lurida Panama F+++ 2022mm € 3,00 £2,59 $3,51 Hairy girdles, beautifully preserved. Web 24/12/16 Polyplacophora Ischnochitonidae Ischnochiton textilis South Africa F+++ 30mm+ € 4,00 £3,45 $4,68 30/04/21 Polyplacophora Ischnochitonidae Ischnochiton textilis South Africa F+++ 27.9mm € 2,80 £2,42 $3,27 30/04/21 Polyplacophora Ischnochitonidae Stenoplax limaciformis Panama F+++ 16mm+ € 6,50 £5,61 $7,60 Uncommon. 24/12/16 Polyplacophora Chitonidae Acanthopleura gemmata Philippines F+++ 25mm+ € 2,50 £2,16 $2,92 Hairy margins, beautifully preserved. 04/08/17 Polyplacophora Chitonidae Acanthopleura gemmata Australia F+++ 25mm+ € 2,60 £2,25 $3,04 02/06/18 Polyplacophora Chitonidae Acanthopleura granulata Panama F+++ 41mm+ € 4,00 £3,45 $4,68 West Indian 'fuzzy' chiton. Web 24/12/16 Polyplacophora Chitonidae Acanthopleura granulata Panama F+++ 32mm+ € 3,00 £2,59 $3,51 West Indian 'fuzzy' chiton. 24/12/16 Polyplacophora Chitonidae Chiton tuberculatus Panama F+++ 44mm+ € 5,00 £4,32 $5,85 Caribbean. 24/12/16 Polyplacophora Chitonidae Chiton tuberculatus Panama F++ 35mm € 2,50 £2,16 $2,92 Caribbean. 24/12/16 Polyplacophora Chitonidae Chiton tuberculatus Panama F+++ 29mm+ € 3,00 £2,59 $3,51 Caribbean.
  • Casiopea 1979 Full Album Download

    Casiopea 1979 Full Album Download

    casiopea 1979 full album download IsraBox - Music is Life! Casiopea - Best of Casiopea-Alfa Collection (2009) Artist : Casiopea Title : Best of Casiopea-Alfa Collection Year Of Release : 2009 Label : Alfa Records Genre : Jazz, Jazz Fusion Quality : MP3/320 kbps Total Time : 77:28 Total Size : 183 MB(+3%) Casiopea - Jive Jive (2002) [24bit FLAC] Artist : Casiopea Title : Jive Jive Year Of Release : 1983 / 2002 Label : Village Records / Alfa ​– ALR 28052 / Vinyl, LP Genre : Jazz-Rock, Jazz- Funk, Smooth Jazz, Fusion Quality : FLAC (tracks+.cue,log scans) / FLAC (tracks) 24bit-192kHz Total Time : 38:18 Total Size : 245 Mb / 1.48 Gb. Casiopea - Dramatic (1993) Artist : Casiopea Title : Dramatic Year Of Release : 1993 Label : Alfa Records Genre : Jazz, Fusion Quality : FLAC (tracks+.cue, log) Total Time : 51:04 Total Size : 351 MB. Casiopea - Answers (1994) Artist : Casiopea Title : Answers Year Of Release : 1994 Label : Alfa Genre : Smooth Jazz, Jazz-Funk, Fusion Quality : FLAC (image+.cue, log, Artwork) Total Time : 54:13 Total Size : 356 MB. Casiopea - Material (1999) CD Rip. Artist : Casiopea Title : Material Year Of Release : 1999 Label : Pony Canyon[PCCR-00304] Genre : Jazz, Fusion Quality : FLAC (tracks + .cue,log,scans) Total Time : 49:15 Total Size : 323 MB(+3%) Casiopea - Down Upbeat (1984) Artist : Casiopea Title : Down Upbeat Year Of Release : 1984 Label : Alfa Records Genre : jazz, funk, fusion Quality : APE (image+.cue,log,scans) Total Time : 38:26 Total Size : 228 MB. Casiopea - Main Gate (2001) Artist : Casiopea Title : Main
  • FAU Institutional Repository

    FAU Institutional Repository

    FAU Institutional Repository http://purl.fcla.edu/fau/fauir This paper was submitted by the faculty of FAU’s Harbor Branch Oceanographic Institute. Notice: ©1990 The Bailey-Matthews Shell Museum. This author manuscript appears courtesy of The Nautilus, a peer-reviewed, not-for-profit quarterly published by the non-profit organization The Bailey-Matthews Shell Museum. The published version is available at http://shellmuseum.org/nautilus/index.html and may be cited as: Harasewyeh, M. G. (1990). Studies on bathyal and abyssal buccinidae (Gastropoda: Neogastropoda): 1. Metula fusiformis Clench and Aguayo, 1941. The Nautilus, 104(4), 120-129. o THE NAUTI LUS 104(4):120-129, 1990 Page 120 Studies on Bathyal and Abyssal Buccinidae (Gastropoda: Neogastropoda): 1. Metula fusiformis Clench and Aguayo, 1941 M. G. Harasewych Department of Invertebrate Zoology National Museum of Natura l History Smithsonian Institution Washington , DC 20560, USA ABSTRACT fact that the vast majority of taxa are based exclusively on features of the shell and operculum, supplemented Based on the morphology of the radu la and shell, Metula [u­ occasionally by observations on radu lar morphology. sifo rmis Clench & Aguayo, 1941 is transferred to the predom­ inantl y Indo-w estern Pacific genus Manaria . This species occurs Shells of Buccinid ae tend to be simple, and offer few in upper continental slope communities (183- 578 m) of the readily discernible morphological characters. These are Caribbean Sea and the northern coast of South America . The subject to convergence, especia lly in polar regions and holotype was collected dead in 2,633 rn, well below the depth the deep sea, where effects of habitat on shell form are inhabited by this species.
  • THE LISTING of PHILIPPINE MARINE MOLLUSKS Guido T

    THE LISTING of PHILIPPINE MARINE MOLLUSKS Guido T

    August 2017 Guido T. Poppe A LISTING OF PHILIPPINE MARINE MOLLUSKS - V1.00 THE LISTING OF PHILIPPINE MARINE MOLLUSKS Guido T. Poppe INTRODUCTION The publication of Philippine Marine Mollusks, Volumes 1 to 4 has been a revelation to the conchological community. Apart from being the delight of collectors, the PMM started a new way of layout and publishing - followed today by many authors. Internet technology has allowed more than 50 experts worldwide to work on the collection that forms the base of the 4 PMM books. This expertise, together with modern means of identification has allowed a quality in determinations which is unique in books covering a geographical area. Our Volume 1 was published only 9 years ago: in 2008. Since that time “a lot” has changed. Finally, after almost two decades, the digital world has been embraced by the scientific community, and a new generation of young scientists appeared, well acquainted with text processors, internet communication and digital photographic skills. Museums all over the planet start putting the holotypes online – a still ongoing process – which saves taxonomists from huge confusion and “guessing” about how animals look like. Initiatives as Biodiversity Heritage Library made accessible huge libraries to many thousands of biologists who, without that, were not able to publish properly. The process of all these technological revolutions is ongoing and improves taxonomy and nomenclature in a way which is unprecedented. All this caused an acceleration in the nomenclatural field: both in quantity and in quality of expertise and fieldwork. The above changes are not without huge problematics. Many studies are carried out on the wide diversity of these problems and even books are written on the subject.
  • William Henry Holmes Papers, 1870-1931

    William Henry Holmes Papers, 1870-1931

    William Henry Holmes Papers, 1870-1931 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: CORRESPONDENCE. ARRANGED ALPHABETICALLY. 1882-1931................................................................................................................. 4 Series 2: CORRESPONDENCE. ARRANGED NUMERICALLY BY WILLIAM HENRY HOLMES. 1870-1931................................................................................. 6 Series 3: CORRESPONDENCE. ARRANGED BY SUBJECT................................. 7 Series 4: MEMORABILIA......................................................................................... 8 Series 5: FIELD NOTES, SKETCHES, AND PHOTOGRAPHS..............................
  • NEAT Mollusca

    NEAT Mollusca

    NEAT (North East Atlantic Taxa): Scandinavian marine Mollusca Check-List compiled at TMBL (Tjärnö Marine Biological Laboratory) by: Hans G. Hansson 1994-02-02 / small revisions until February 1997, when it was published on Internet as a pdf file and then republished August 1998.. Citation suggested: Hansson, H.G. (Comp.), NEAT (North East Atlantic Taxa): Scandinavian marine Mollusca Check-List. Internet Ed., Aug. 1998. [http://www.tmbl.gu.se]. Denotations: (™) = Genotype @ = Associated to * = General note PHYLUM, CLASSIS, SUBCLASSIS, SUPERORDO, ORDO, SUBORDO, INFRAORDO, Superfamilia, Familia, Subfamilia, Genus & species N.B.: This is one of several preliminary check-lists, covering S Scandinavian marine animal (and partly marine protoctistan) taxa. Some financial support from (or via) NKMB (Nordiskt Kollegium för Marin Biologi), during the last years of the existence of this organization (until 1993), is thankfully acknowledged. The primary purpose of these checklists is to faciliate for everyone, trying to identify organisms from the area, to know which species that earlier have been encountered there, or in neighbouring areas. A secondary purpose is to faciliate for non-experts to put as correct names as possible on organisms, including names of authors and years of description. So far these checklists are very preliminary. Due to restricted access to literature there are (some known, and probably many unknown) omissions in the lists. Certainly also several errors may be found, especially regarding taxa like Plathelminthes and Nematoda, where the experience of the compiler is very rudimentary, or. e.g. Porifera, where, at least in certain families, taxonomic confusion seems to prevail. This is very much a small modernization of T.
  • Records, 1892-1960

    Records, 1892-1960

    Records, 1892-1960 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Chronology....................................................................................................................... 4 Descriptive Entry.............................................................................................................. 7 Names and Subjects ...................................................................................................... 7 Container Listing ............................................................................................................. 9 Series 1: General Correspondence, 1892-1964, and undated................................. 9 Series 2: National Gallery of Art Advisory Committee, National Gallery of Art Commission, and Smithsonian Gallery of Art Commission, 1908-1960................. 22 Series 3: National Gallery of Art and National Collection of Fine Arts Administrative Records, 1901-1952............................................................................................... 23 Series 4: Exhibition Photographs,