DOCSLIB.ORG

December Next Wave Festival Performances at BAM Fisher

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December Next Wave Festival Performances at BAM Fisher December Next Wave Festival Performances at BAM Fisher Dec 3—6: The world premiere Jessica Lang’s The Wanderer, a story ballet based on Franz Schubert’s Die schöne Müllerin, with live accompaniment by pianist Tyson Deaton and vocalist Steven LaBrie Dec 10—14: A one-man remounting of Mark O’Rowe’s critically acclaimed Howie the Rookie featuring Tom Vaughan-Lawlor, presented in association with Irish Arts Center Bloomberg Philanthropies is the 2014-2015 Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor BAM Fisher (Fishman Space, 321 Ashland Pl) All tickets: $20 Brooklyn, NY/October 23, 2014—BAM Fisher performances as part of the 2014 Next Wave Festival culminate in December with an elaborate story ballet and a critically- acclaimed one-man show. Designed as an intimate and flexible performance space for both emerging and established artists, the BAM Fisher became part of the BAM campus in the fall of 2012. All tickets are $20. The Wanderer World Premiere Jessica Lang Dance Choreography by Jessica Lang Lighting design by Nicole Pearce Visual Concept by Jessica Lang Set design by Mimi Lien BAM Fisher (Fishman Space), 321 Ashland Pl Dec 3—6 at 7:30pm Tickets: $20 Master Class: Jessica Lang Dance With Jessica Lang and company members Dec 4 at 12pm Mark Morris Dance Center (3 Lafayette Ave) Price: $20 BAM.org/master-classes Hailed as “a master of visual composition” (Dance Magazine), Jessica Lang makes her BAM debut with The Wanderer, a narrative ballet set to Franz Shubert’s Die schöne Müllerin—a song cycle based on poems by Wilhelm Müller. Lang’s keen visual sense and signature blend of ballet and contemporary movement transform the space from a stage to an extravagant fairytale world. The nine dancers—joined onstage by pianist Tyson Deaton and vocalist Steven LaBrie—manipulate designer Mimi Lien’s set, constructed entirely of white string. The elegant costumes are designed by former Mark Morris Dance Group member and Project Runway finalist Bradon McDonald, who was a classmate of Lang’s at Juilliard. Jessica Lang has worked with ballet companies across the US and abroad since 1999. She has created more than 80 works on companies including Birmingham Royal Ballet, The National Ballet of Japan at the New National Theatre Tokyo, and Joffrey Ballet, among many others. Her ballet Lyric Pieces, commissioned and performed by Birmingham Royal Ballet, earned a nomination for a coveted 2013 Manchester Theatre Award in the UK. Lang received outstanding acclaim for her choreography and directorial debut of Pergolesi’s Stabat Mater at the Glimmerglass Opera Festival 2013. She has received commissions from the Dallas Museum of Art, the Guggenheim Museum for its Works and Process series, and the John F. Kennedy Center for the Performing Arts. In May 2014, Jessica Lang Dance performed a world premiere at the Kennedy Center Concert Hall to John Adams’ Violin Concerto played live by the National Symphony Orchestra and violinist Leila Josefowicz as part of NEW MOVES: symphony + dance. Lang is the recipient of a 2014 Bessie Award for Outstanding Emerging Choreographer. Founded in 2011, Jessica Lang Dance (JLD) is a New York City-based dance company dedicated to creating and performing the work of Jessica Lang. JLD enriches and inspires global audiences by immersing them in the beauty of movement and music. Lang seamlessly incorporates striking design elements and transforms classical ballet language into artfully crafted, emotionally engaging contemporary works. Since the company's inception, marked by Lang's receipt of a Joyce Theater Artist Residency supported by the Andrew W. Mellon Foundation, JLD has garnered significant attention and acclaim, thrilling audiences from coast to coast at major venues including Jacob's Pillow Dance Festival, Joyce Theater, New York City Center, the Winspear Opera House in Dallas, the Wallis Annenberg Center for the Performing Arts in Beverly Hills, and the Kennedy Center for the Performing Arts. For press information contact Lauren Morrow at [email protected] or 718-636-4129 x1 BAM and Irish Arts Center present Howie the Rookie Landmark Productions Written and directed by Mark O’Rowe Set and costume design by Paul Wills Lighting design by Sinéad McKenna Sound design by Philip Stewart BAM Fisher (Fishman Space), 321 Ashland Pl Dec 10—13 at 7:30pm, Dec 14 at 3pm Tickets: $20 Presented by BAM and Irish Arts Center, this one-man remounting of Mark O’Rowe’s critically acclaimed Howie the Rookie comes to BAM courtesy of Ireland’s Landmark Productions. O’Rowe reconceived his original two-man play for a single performer to portray both the Howie and the Rookie after searching for an actor to match the award- winning Tom Vaughan-Lawlor’s ability (Best Actor, Irish Times Theatre Awards 2013). Originally staged in New York in 2001 at PS 122, this brutal but funny script follows a revenge-fueled run-in on the violent streets of working-class Dublin. The New York Times called O’Rowe’s drama, “…one of those rare, shiver-making instances in which language seems to become truly physical.” Mark O’Rowe’s plays include From Both Hips (Fishamble, 1997), Howie the Rookie (Bush Theatre, 1999), Made in China (Abbey Theatre, 2001), and Crestfall (Gate Theatre, 2003). Howie the Rookie won the George Devine Award when it premiered at the Bush Theatre in 1999. It also won the Irish Times Best New Play Award and the Rooney Prize for Irish Literature. In 2007 O’Rowe wrote Terminus which opened at the Abbey Theatre and won a Fringe First award when it transferred to the Edinburgh Festival in 2008. It undertook a major world tour in 2011 throughout the UK, US, and Australia. His latest work, Our Few and Evil Days, featuring Sinead Cusack, Ciaran Hinds, and Tom Vaughan-Lawlor premiered at the Abbey Theatre in Dublin to great acclaim. In 2003, O’Rowe wrote his first feature film, Intermission, which starred Colin Farrell and Cillian Murphy. His other screenplays include adaptations of Jonathan Trigell’s novel, Boy A, for Cuba Pictures and Channel 4; Perrier’s Bounty; and Daniel Clay’s 2008 novel Broken, which starred Cillian Murphy and Tim Roth. He wrote the short films Epithet (2011) and Debris (2012), which he also directed. Tom Vaughan-Lawlor graduated with a degree in Drama Studies from the Samuel Beckett Centre, Trinity College Dublin and continued his training at RADA. Theater credits include The Quare Fellow (Oxford Stage Company), Translations (National Theatre, London), The Field (Tricycle Theatre), and This Lime Tree Bower (Young Vic). Vaughan-Lawlor appeared at the Abbey Theatre, Dublin as Christy Mahon in The Playboy of the Western World, which also toured North America. His other performances include Lyngstrand in Ibsen’s The Lady From The Sea (Birmingham Repertory Theatre), Joseph Surface in The School for Scandal (Abbey Theatre), Len in Edward Bond’s Saved (Peacock Theatre), and the Dauphin in Henry V, directed by Jonathan Munby at the Manchester Royal Exchange, for which he was nominated for an Ian Charleson Award. Other recent theater roles include Frank Lubey in All My Sons with David Suchet and Zoe Wanamaker, directed by Howard Davies in the West End; and Jerry Devine in Juno and the Paycock, directed by Howard Davies with Ciarán Hinds and Sinéad Cusack for the Abbey Theatre, Dublin and the National Theatre, London. Last year Vaughan-Lawlor appeared in Howard Brenton’s 55 Days at the Hampstead Theatre, directed by Howard Davies. His film appearances include The Tiger’s Tail opposite Brendan Gleeson, directed by John Boorman; and opposite Maggie Smith, Anne Hathaway, and Julie Walters in Becoming Jane, directed by Julian Jarrold. Vaughan-Lawlor plays the leading role of Nidge in the award-winning RTÉ TV drama series Love/Hate written by Stuart Carolan, for which he won Best Actor at the 2013 Irish Film and Television Awards. He won Best Actor Award at the 2013 Irish Times Irish Theatre Awards for his performance in Howie the Rookie. Landmark Productions is one of Ireland’s leading theater producers. Led by Anne Clarke, the company produces wide-ranging and ambitious work in Ireland and tours Irish work abroad. Its most recent productions include Enda Walsh’s Misterman and Ballyturk (co-produced with Galway International Arts Festival), both of which starred Cillian Murphy and toured internationally to huge acclaim. Future plans include a new production of Enda Walsh’s The Walworth Farce, starring Brendan Gleeson, Brian Gleeson, and Domhnall Gleeson, which opens at the Olympia Theatre in Dublin in January 2015. For press information contact Joe Guttridge at [email protected] or 718.636.4129 x4 Credits Bloomberg Philanthropies is the Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor Leadership support for dance at BAM provided by The Harkness Foundation for Dance. Major support for dance at BAM provided by The SHS Foundation. Major support for theater at BAM provided by The Francena T. Harrison Foundation Trust; Stephanie & Timothy Ingrassia; Donald R. Mullen Jr.; The Morris and Alma Schapiro Fund; The SHS Foundation; and The Shubert Foundation, Inc. BAM 2014 Next Wave Festival supporters: Frances Bermanzohn & Alan Roseman; Brooklyn Community Foundation; William I. Campbell & Christine Wächter-Campbell; Aashish & Dinyar Devitre; Judith R. & Alan H. Fishman; Ford Foundation; The Francena T. Harrison Foundation Trust; Diane & Adam E. Max; McKinsey & Company, Inc.; Henry and Lucy Moses Fund, Inc.; The Peter Jay Sharp Foundation; The SHS Foundation; Pablo J. Salame; The Shubert Foundation, Inc; The Winston Foundation, Inc. Pepsi is the official beverage of BAM. Santander is the BAM Marquee sponsor. Yamaha is the official piano for BAM. New York Marriott at the Brooklyn Bridge is the official hotel for BAM.
Load more

Recommended publications
  • Carl Luna Honored with National Award Hearty Congratulations Go to Dr
    WELCOME TO MESA E-NEWS, the monthly e-zine of college-wide events, activities and news. For daily news and events, follow us on facebook at facebook.com/sandiegomesacollege Celebration on the Mesa Showcases 50 Years of Student Success More than 150 attendees showed up for the Oct. 3 for Celebration on the Mesa, a showcase of 50 years of student success. And showcase our students it did, with non-stop performances and entertainment by the Mesa College World Music Ensemble, Fashion Design Students, the Speech and Debate Team, the Mesa College Theater Company (performing fiery scenes from “Macbeth”), the Mesa College Vocal Ensemble, and the Mesa College Dance Company, which was joined by President Pam Luster for a surprise performance of “Little Latin Lupe Lu.” Heavy hor d’ouvres and tasty "mocktails" were served and prepared by Culinary Arts/Culinary Management students. The silent auction was a great success with stiff competition for more than 70 items. Topping of the evening was a nostalgic trip down memory lane with a historical video of Mesa’s 50 years. More than $15,000 was raised in support of student services and programs. You can find more photos here, and watch video tribute and dance performances on the college youtubechannel. Carl Luna Honored with National Award Hearty congratulations go to Dr. Carl Luna who received the prestigious “William H. Meardy Award” from the Association of Community College Trustees (ACCT) Pacific Region on Oct. 23 in Chicago. Recognizing the importance of teaching and learning, this award was named for ACCT’s founding director, “who championed the concept of faculty excellence as the foundation of success in the community college movement.” Carl is an active member of the college faculty, having served as Academic Senate President, and chairs the Civility Committee on our campus.
    [Show full text]
  • Tadhg Murphy
    Tadhg Murphy | Represented by Susannah Norris ​ ​ Tadhg most recently filmed Guy Ritchie’s WRATH OF MAN alongside Jason Statham, Niamh Algar, and Holt McCallany, the role of Nigel Braynor in RED ELECTION directed by Jill Robertson for A&E Studios, and Robert Eggers’ feature THE NORTHMAN. In 2019 he filmed the role of Kristophe in ABSENTIA for Amazon Studios, season two of Sky One’s BRASSIC (returning to his role as Gary Cullen), MISS SCARLET AND THE DUKE with Kate Philips for A+E Studios, the role of Ray Miller opposite Gemma-Leah Devereux in the feature DEAD HAPPY, and BLOODMOON directed by SJ Clarkson for HBO. Further recent credits include the feature adaptation of Caitlin Moran’s HOW TO BUILD A GIRL directed by Coky Giedroyc, COUNTERPART for Starz, and the part of Johann opposite Tanya Reynolds in the forthcoming BFI-backed feature UNDERGODS, directed by Chino Moya. Most recent stage credits include the role of Damus opposite Ruth Negga’s PORTIA COUGHLAN in a rehearsed reading of the play directed by Caroline Byrne for Kwame Kwei-Armah at the Young Vic, BALLYTURK written and directed by Enda Walsh, which ran at St. Ann’s Warehouse in New York to excellent reviews, and BAD ROADS opposite Ria Zmitrowicz, which was directed by Vicky Featherstone at the Royal Court Theatre, London. Tadhg is Dublin based. Playing Age: 30 - 40 ​ Height: 5 ft. 8” ​ Hair: Brown, shoulder-length ​ Eyes: Blue ​ Full driver’s licence and motorcycle licence FILM THE NORTHMAN | Eirikr Blaze-Eye New Regency Robert Eggers WRATH OF MAN | Shirley Miramax Guy Ritchie
    [Show full text]
  • The Wanderer
    2014 NEXT WAVE FESTIVAL Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board The William I. Campbell, Vice Chairman of the Board Adam E. Max, Wanderer Vice Chairman of the Board Karen Brooks Hopkins, President Jessica Lang Dance Joseph V. Melillo, Executive Producer Choreography by Jessica Lang DATES: Dec 3—6 at 7:30pm LOCATION: BAM Fisher (Fishman Space) RUN TIME: 1hr 5min (no intermission) Season Sponsor: Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor Leadership support for dance at BAM provided by The Harkness Foundation for Dance Major support for dance at BAM provided by The SHS Foundation. BAM Fisher #THEWANDERER 2014 NEXT WAVE FESTIVAL The Wanderer WORLD PREMIERE The Wanderer: Kirk Henning The Brook: Kana Kimura Artistic Director & Choreographer The Girl: Laura Mead JESSICA LANG The Hunter: Milan Misko Assistant to the Choreographer The Others: Julie Fiorenza, Sarah CLIFTON BROWN Haarmann, John Harnage, Claudia MacPherson Music by FRANZ SCHUBERT Generous support for the creation Die schöne Müllerin of The Wanderer provided by Anonymous Donor, The Dau Family Visual Concept Foundation, Ann and Weston Hicks, JESSICA LANG and Christopher Jones and Deborah McAlister. Additional support provided Set Designer by Deborah and Charles Adelman. MIMI LIEN In-kind support provided by Judith R. Lighting Designer and Alan H. Fishman and Jill and Alan NICOLE PEARCE Resnick. Costume Designer The Wanderer was created in part BRADON McDONALD during a Creative Development Residency with support from the Dancers Jacob’s Pillow Dance Award Initiative. JULIE FIORENZA SARAH HAARMANN The Wanderer was created in part with JOHN HARNAGE support from the Made In Wickenburg KIRK HENNING Residency Program with funding from KANA KIMURA the R.
    [Show full text]
  • BRADON Mcdonald
    FROM: AMERICAN BALLET THEATRE 890 Broadway New York, New York 10003 (212) 477-3030 Kelly Ryan BRADON McDONALD Bradon McDonald has had a diverse career in both the Performing Arts and Design fields. Upon graduating Juilliard in 1997, McDonald danced with the Limón Dance Company for three years, and with Mark Morris Dance Group for 10 years. He has served as choreographer for opera productions at Gotham Chamber Opera, WolftraP Opera Company, AsPen Music Festival, Berkshire Opera and the Juilliard Opera Center, as well as teaching dance to musicians at LA Opera, the Bolshoi Opera, Houston Grand Opera, the Royal Academy of Music and Tanglewood Music Festival. After retiring from the stage, McDonald began studying Fashion Design at the Fashion Institute of Design and Merchandising where he earned two degrees and the Fashion Design Award uPon graduation. McDonald is currently working as a freelance designer in high-end (custom Special Occasion/Bridal garments) and mass markets, as well as designing costumes for the Performing Arts. McDonald showed a collection at Mercedes Benz New York Fashion Week as a finalist on the Emmy Award winning Project Runway Season 12. McDonald has combined his performing arts roots with fashion design in many exciting projects. Costume design credits include LAOpera - Figaro 90210, Fire Island OPera Festival - Kurt Weill’s “ Der Protagonist, BAM Next Wave Festival - Jessica Lang Dance The Wanderer, Miami Art Basel - Shen Wei Dance Arts In Black, White and Gray, Cabaret/Burlesque sensation Lady Rizo, and his signature collection for dancewear giant CAPEZIO is available globally. -30- 2017/2018 .
    [Show full text]
  • Deirdre Kinahan Louise Lowe Marie Mullen Brian Gleeson
    LANDMARK PRODUCTIONS BY DEIRDRE KINAHAN DIRECTED BY LOUISE LOWE STARRING MARIE MULLEN AND BRIAN GLEESON WORLD PREMIERE BY DEIRDRE KINAHAN DIRECTOR LOUISE LOWE COMPOSER CONOR MITCHELL COSTUME DESIGNER JOAN O’CLERY LIGHTING DESIGNER MARY TUMELTY SOUND DESIGNER CAMERON MACAULAY BROADCAST LIVE FROM THE EVERYMAN THEATRE AS PART OF CORK MIDSUMMER FESTIVAL SATURDAY 19 JUNE 2021, 3PM AND 8PM SUNDAY 20 JUNE 2021, 8PM ON DEMAND 21–27 JUNE Marie Mullen in rehearsal. Photo: Barry Cronin 2 3 CONTENTS LANDMARK PRODUCTIONS Landmark Productions is one of work – plays, operas and musicals Ireland’s leading theatre producers. – in theatres ranging from the 66- It produces wide-ranging work in seat New Theatre to the 1,254- PAGE 5 LANDMARK PRODUCTIONS Ireland, and shares that work with seat Olympia. It co-produces international audiences. regularly with a number of partners, including, most significantly, Galway PAGE 6 THE SACRED TRUTH In January 2021 it launched Landmark International Arts Festival and Live, a new online streaming platform Irish National Opera. Its 21 world OF MÁIRE SULLIVAN to enable the company to bring the premieres include new plays by major thrill of live theatre to audiences Irish writers such as Enda Walsh and around the world. Mark O’Rowe, featuring a roll-call of PAGE 9 CAST / CREATIVES Ireland’s finest actors, directors and Deirdre Kinahan’s The Saviour is the designers. fourth production to be streamed to PAGE 26 LANDMARK LIVE date. In August, Landmark, in a co- Numerous awards include the production with Galway International Judges’ Special Award at The Irish Arts Festival, will present the world Times Irish Theatre Awards, in premiere of a new play by Enda Walsh, recognition of ‘sustained excellence PAGE 28 THANK YOUS / FUNDING Medicine, as part of the Edinburgh in programming and for developing International Festival.
    [Show full text]
  • The Cultural and Economic Contribution of Live Entertainment Events in Ireland
    LET’S CELEBRATE 2017 Le t’s The Cultural and Economic Contribution of Live Entertainment Events in Ireland 1 LET’S CELEBRATE Irish people's collective adeptness The cultural impact of live at weaving our rich artistic heritage entertainment is unique in into the events that we stage is one that it not only allows for of the major reasons why our cultural footprint audiences to witness the craft of all is so well travelled. Time and again we witness those bringing art and culture to life iconic live events that capture all that is great but, more importantly, brings audiences about Irish culture and identity and see it together to discuss and mediate what shared around the world.“ has unfolded before them.“ Mary Davis, Global CEO, Special Moya Doherty, Riverdance Producer & Olympics International Chairperson of the RTE Board Croke Park Riverdance, Croke Park Photo credit: Paulo Goncalves Photo credit: Tyrone Productions 2 LET’S CELEBRATE Playing in Ireland is always one of the highlights of my tours. I always look forward to coming to Ireland, the crowd is always amazing and there seems to be an incredible connection between audience and performer. Ireland has a special place in it’s heart for live music.” Robbie Williams Robbie Williams, Aviva Stadium Photo credit: Paulo Goncalves Results of 5,764 Customer Contents Research Data Executive Summary Importance, Quality & Recommendations p.23 A special message from Michael Bublé p.4 p.25 Number of Bed Nights, Distance Travelled, Introduction by Justin Green, and Time Spent p.27 Wide Awake
    [Show full text]
  • Jessica Lang Dance
    SERIES SPONSOR MEDIA SPONSOR JESSICA LANG DANCE Thursday, January 24, 2019 Catherine Herrick Cobb Great Hall 38 Artistic Director JESSICA LANG Executive Director WILLIAM WAGNER Dancers PATRICK COKER, JULIE FIORENZA, EVE JACOBS, KANA KIMURA, LAURA MEAD, MILAN MISKO, THOMAS RAGLAND, RACHEL SECREST, JAMMIE WALKER Production Stage Manager DANIEL DILLER Lighting Supervisor SHANNON CLARKE Company Manager CALLEN GOSSELIN Artist Representation: Margaret Selby - President, Selby/Artists Mgmt: 212.382.3261 | [email protected] | selbyartistsmgmt.com Tonight’s program will run approximately 120 minutes, with two 15-minute intermissions. Continued on next page. 39 PROGRAM LYRIC PIECES (2013) Choreography: Jessica Lang Music: Edvard Grieg Scenic Design: Jessica Lang with molo products designed by Stephanie Forsythe and Todd MacAllen Lighting Design: Nicole Pearce Costumes: Amy Page ARIETTA Patrick Coker, Julie Fiorenza, Eve Jacobs, Kana Kimura Milan Misko, Rachel Secrest, Thomas Ragland, Jammie Walker ELVES’ DANCE Patrick Coker, Julie Fiorenza, and Rachel Secrest PEASANT’S SONG Eve Jacobs NORWEGIAN MELODY Milan Misko and Jammie Walker NORWEGIAN DANCE Patrick Coker, Milan Misko, Thomas Ragland, and Jammie Walker THE BROOK Julie Fiorenza, Eve Jacobs, Kana Kimura and Rachel Secrest IN BALLAD STYLE Jammie Walker with Patrick Coker, Julie Fiorenza, Eve Jacobs, Kana Kimura, Milan Misko, Rachel Secrest, Thomas Ragland MARCH OF THE TROLLS Patrick Coker, Julie Fiorenza, Eve Jacobs, Milan Misko, Rachel Secrest PHANTOM Kana Kimura and Thomas Ragland REMEMBRANCES Ensemble This work was originally commissioned by Birmingham Royal Ballet and premiered in 2013. 40 Intermission THE CALLING (EXCERPT FROM SPLENDID ISOLATION II) (2006) Choreography: Jessica Lang Music: Trio Mediaeval Costume Concept: Jessica Lang Costumes: Elena Comendador Original Lighting: Al Crawford, recreated by Nicole Pearce Kana Kimura This work was originally premiered by Ailey II in 2006.
    [Show full text]
  • September 4 at 6PM
    If you would like to unsubscribe The BAVPA Beacon newsletter, please contact RON MANGUM ( [email protected]) or RUSSELL LINK at ([email protected]). This letter is a great way to keep everyone informed about what’s happening in our lives; please help us to keep it going. LATEST BAVPA ALUMNI NEWS AND UPDATES Educator, Actor and Magician CONNOR GRAHAM (2011) is a Graduate Teaching Assistant/Graduate Student at Ohio State University’s ( https://theatre.osu.edu/ ) Department of Theatre. GRACE STUMBERG (2007) performs at Liberty Hound, 1 Naval Park Cove, Buffalo August 24 at 2PM and Colter Bay, 561 Delaware Avenue, Buffalo September 4 at 6PM:https://gracestumberg.com/. Educator, Saxophonist and Composer JAMES BRANDON LEWIS (2001), performs at Internationales Jazzfestival Saalfelden in Saalfelden Am Steinernen Meer, AT August 24 and Jazz Festival Willisau with Chad Taylor & JBL in Willisau, SUI September 1:http://www.jblewis.com/. Lewis’ CD, An Unruly Manifesto ( https://jamesbrandonlewis.bandcamp.com/releases ), is available for purchase. Beyonce portrayed The Lion King’s Nala Superstar singer/actress Beyonce personal and celebrity makeup artist SIR JOHN BARNETT's (2000) Luminess Cosmetic’s Limited Edition Disney The Lion King Make Up Collection commercial:https://www.youtube.com/watch?v=EatnkK1hNek. GoodMorningAmerica.com article, Celebrity makeup artist Sir John gave us the ultimate Lion King-inspired makeovers: https://www.goodmorningamerica.com/style/story/celebrity-makeup-artist-sir-john-gave-us-ultimate-64372697. WashingtonPost.com article, The true story behind ‘The Lion King’:https://www.washingtonpost.com/outlook/2019/07/17/true-story-behind- lion-king/?fbclid=IwAR0YPPO34yen9c2CHfoPDJhLYK1a3ZaZGqA_tGjbsw51RHThy87R3Hru1_8&noredirect=on&utm_term=.7b8b2fd3a40c.
    [Show full text]
  • DTF Brochure 2017
    dublin 28 Sept – PB- 1 theatre 15 Oct festival 2017 dublintheatrefestival.com 02-0102 02-01 Principal Funder buy tickets online dublintheatrefestival.com Grant Aided by phone +353 1 677 8899 in person Dublin Theatre Festival Box Office, Festival House, 12 Essex Street East, Temple Bar, Dublin 2, D02 EH42 Opening hours Follow us on Twitter, Facebook Mon–Fri 10am–6pm and Instagram for news, ticket competitions and special Sat 10am–5pm offers throughout the festival. (Sept 23–Oct 14 only) @DubTheatreFest Sun 12pm–3pm DublinTheatreFestival (Oct 1–Oct 15 only) Accommodation Partner Media Partner Radio Partner @dublintheatrefestival July 25, 1pm Please note that our Box Priority booking opens Office and phone lines are for Friends of the Festival open at weekends only August 15, 10am during the dates specified. Transport Partner Broadcasting Partner Social Media Analysis Partner Public booking opens by Online booking is available phone, in person and online all day, every day. – – First Look, a selection of Become a Friend of the performances from this year’s Festival to avail of priority Festival Patron festival, is on public sale now booking, no booking fees, at dublintheatrefestival.com and discounted tickets – (see page 64). Tickets can also be purchased at most Dublin Theatre Festival venues, or on the door if available (see page 84). dublintheatrefestival.com dublintheatrefestival.com welcome to the 2017 edition contents 02-03 of dublin theatre festival We are very excited to be marking are undertaking this year will see new works having their world 04 The Suppliant Women 24 Melt 46 King of the Castle 60 years of Dublin Theatre hundreds of people attending a premieres alongside each other, Actors Touring Company and Rough Magic Druid Festival with a diverse programme festival production for the first accompanied by outstanding Royal Lyceum Theatre Edinburgh Smock Alley Theatre, Main Space Gaiety Theatre of contemporary Irish and time as we believe that creating international productions.
    [Show full text]
  • Read the Performance Program Here!
    IRISH REPERTORY THEATRE A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN Irish Repertory Theatre Presents In association with Bonnie Timmermann THE CORDELIA DREAM BY MARINA CARR DIRECTED BY JOE O'BYRNE STARRING STEPHEN BRENNAN AND DANIELLE RYAN cinematography & editor set design costume design sound design & original music NICK ROBERT JESSICA DAVID RYAN BALLAGH CASHIN DOWNES production manager stage manager press representatives general manager LEO AIDAN MATT ROSS LISA MCKENNA DOHENY PUBLIC RELATIONS FANE TIME & PLACE The Present - Dublin, Ireland Running Time: 90 minutes, no intermission SPECIAL THANKS Anthony Fox, Eva Walsh, Rhona Gouldson, Archie Chen, and a very special thanks to the Howard Gilman Foundation for their support of our digital initiatives. The Cordelia Dream was first presented by the Royal Shakespeare Company at Wilton’s Music Hall on December 11, 2008. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST STEPHEN BRENNAN the Paycock (Guthrie Theatre, (Man) Stephen was a Minneapolis), Sorin in The Seagull member of the Abbey (Dublin Festival), John Bosco in The Theatre company from Chastitute (Gaiety, Dublin), The Captain 1975, playing a wide in Woyzeck in Winter (Galway Festival/ variety of roles including Barbican) and Hornby in A Kind of Joe Dowling's production Alaska (Pinter Festival, Lincoln Centre).
    [Show full text]
  • Pre-Ballot Frenzy LJVMA Hopefuls Schmooze As Oct
    Scott Appleby & Kerry ApplebyPayne A Family Tradition VILLAGE of Real Estate Success LA JOLLA NEWS 858-775-2014 DRE#01197544 DRE#01071814 LA JOLLA’S LOCALLY OWNED INDEPENDENT VOICE SERVING UNIVERSITY CITY AND LA JOLLA TODAY AND EVERY DAY SAN DIEGO COMMUNITY NEWSPAPER GROUP FRIDAY, OCTOBER 3, 2014 LJTODAY.COM | VOLUME 18, NUMBER 15 A R T & W I N E G A L A N O T T O B E M I S S E D Pre-ballot frenzy LJVMA hopefuls schmooze as Oct. 8 board elections near By DAVE SCHWAB seen just what can be accom- plished with merchants working Candidates in the La Jolla Vil- together for common cause. lage Merchants Association’s LJVMA is a nonprofit business (LJVMA) board election next week improvement district that creates talked about why they’re run- economic development policies ning, and group president C.A. and programs to enhance busi- Marengo answered a question ness in La Jolla. about the benefits of the organiza- The group will hold its board of tion at a public forum at We Olive directors elections Wednesday, on Sept. 30. Oct. 8, from 8:15 to 10 a.m., with “Why are we paying this (busi- 16 candidates vying for 10 posi- ness license tax) when we’re not tions. Voting is open to all mer- getting any benefit out of it?” chants in the Village BID possess- asked a local art gallery owner at ing a current business tax the end of candidates’ presenta- certificate. About 1,400 business- tions. es are Association members.
    [Show full text]
  • GIAF Autumn Edition 2020 Programme.Pdf
    Autumn Edition SEPTEMBER – OCTOBER 2020 giaf.ie SEPTEMBER – OCTOBER 2020 Autumn Edition Welcome This has been a very challenging time for everyone. From the obvious dangers bravely faced by frontline staff to the financial and health worries experienced by so many. It has, however, also been a time of great community spirit and togetherness and Galway International Arts Festival wishes to play Contents its part in this. Despite the loss of so many great cultural events this year including our own July Festival, all at GIAF were determined to present a programme of events in Galway in 2020. This programme is Welcome 1 a love letter to all our loyal friends and audiences. John Gerrard Mirror Pavilion 4–9 With public health and safety uppermost in our minds, we have radically rethought how we do things so that we are fully compliant Theatre 10–15 with public health guidelines. Our programme, which is all about Visual Art 16–25 celebrating great art safely, will, we hope, help with the recovery Beethoven 250 26–27 of our country. None of this would be possible, however, without the artists who so imaginatively engaged with us under difficult First Thought 28–45 circumstances. We are indebted to our funders and partners who, GIAF @ Home 46–47 despite the challenges they themselves face, also wanted to be part Venues and Booking Information 48–49 of this. Festival Diary 50 For those who cannot attend the events in person, the programme has a strong digital focus so that you can share in the COVID–19 Safety Measures 51 experience.
    [Show full text]