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Carl Luna Honored with National Award Hearty Congratulations Go to Dr
WELCOME TO MESA E-NEWS, the monthly e-zine of college-wide events, activities and news. For daily news and events, follow us on facebook at facebook.com/sandiegomesacollege Celebration on the Mesa Showcases 50 Years of Student Success More than 150 attendees showed up for the Oct. 3 for Celebration on the Mesa, a showcase of 50 years of student success. And showcase our students it did, with non-stop performances and entertainment by the Mesa College World Music Ensemble, Fashion Design Students, the Speech and Debate Team, the Mesa College Theater Company (performing fiery scenes from “Macbeth”), the Mesa College Vocal Ensemble, and the Mesa College Dance Company, which was joined by President Pam Luster for a surprise performance of “Little Latin Lupe Lu.” Heavy hor d’ouvres and tasty "mocktails" were served and prepared by Culinary Arts/Culinary Management students. The silent auction was a great success with stiff competition for more than 70 items. Topping of the evening was a nostalgic trip down memory lane with a historical video of Mesa’s 50 years. More than $15,000 was raised in support of student services and programs. You can find more photos here, and watch video tribute and dance performances on the college youtubechannel. Carl Luna Honored with National Award Hearty congratulations go to Dr. Carl Luna who received the prestigious “William H. Meardy Award” from the Association of Community College Trustees (ACCT) Pacific Region on Oct. 23 in Chicago. Recognizing the importance of teaching and learning, this award was named for ACCT’s founding director, “who championed the concept of faculty excellence as the foundation of success in the community college movement.” Carl is an active member of the college faculty, having served as Academic Senate President, and chairs the Civility Committee on our campus. -
BEYOND BALLET a Town Hall on the State of Ballet and Diversity
FOR IMMEDIATE RELEASE MEDIA CONTACT: April 17, 2017 Gary Tucker 206.441.2426 [email protected] PACIFIC NORTHWEST BALLET Presents BEYOND BALLET A Town Hall on the State of Ballet and Diversity 7:00 pm, Wednesday, May 3, 2017 The Phelps Center 301 Mercer Street at Seattle Center Seattle, WA 98109 SEATTLE, WA – On Wednesday, May 3, 2017, Pacific Northwest Ballet (PNB) will host BEYOND BALLET, a Town Hall-style conversation which will investigate aesthetics, diversity, equity, and the efforts to redesign arts institutions. PNB, Spectrum Dance Theater, and Memoirs of Blacks in Ballet (MOBB) invite attendees to share their thoughts, feelings and experiences in a Town Hall format. Ballet—its aesthetics, lack of diversity and equity—is the springboard from which we begin to examine these issues in the theater and arts at large. This forum will be an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the Race and Social Justice Initiative (RSJI), the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. BEYOND BALLET will take place at 7:00 pm on Wednesday, May 3, 2017 at PNB’s Phelps Center, 301 Mercer Street at Seattle Center. This is a free event, however space is limited and registration is required at PNB.org/BeyondBallet. Panelists for BEYOND BALLET include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, ballet instructor for Dance Theatre of Harlem and CityDance Conservatory. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
George Balanchine August Bournonville Sasha Janes Jerome Robbins
George Balanchine August Bournonville Sasha Janes THTHEAEATETERR 1716/1/187 Jerome Robbins FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. -
Love and Ballet at Pacific Northwest Ballet Encore Arts Seattle
June 2018 June 2018 Volume 31, No. 7 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator Leah Baltus Editor-in-Chief Andy Fife Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Paul Heppner President Mike Hathaway Vice President Kajsa Puckett Vice President, Marketing & Business Development Genay Genereux Accounting & Office Manager Shaun Swick Senior Designer & Digital Lead Barry Johnson Digital Engagement Specialist Ciara Caya Customer Service Representative & Administrative Assistant Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without written permission is prohibited. 2 PACIFIC NORTHWEST BALLET PACIFIC NORTHWEST BALLET Kent Stowell and Peter Boal June 1–10, 2018 Francia Russell Artistic Director Marion Oliver McCaw Hall Founding Artistic Directors PRINCIPALS Karel Cruz Lindsi Dec Rachel Foster Benjamin Griffiths William Lin-Yee James Moore -
December Next Wave Festival Performances at BAM Fisher
December Next Wave Festival Performances at BAM Fisher Dec 3—6: The world premiere Jessica Lang’s The Wanderer, a story ballet based on Franz Schubert’s Die schöne Müllerin, with live accompaniment by pianist Tyson Deaton and vocalist Steven LaBrie Dec 10—14: A one-man remounting of Mark O’Rowe’s critically acclaimed Howie the Rookie featuring Tom Vaughan-Lawlor, presented in association with Irish Arts Center Bloomberg Philanthropies is the 2014-2015 Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor BAM Fisher (Fishman Space, 321 Ashland Pl) All tickets: $20 Brooklyn, NY/October 23, 2014—BAM Fisher performances as part of the 2014 Next Wave Festival culminate in December with an elaborate story ballet and a critically- acclaimed one-man show. Designed as an intimate and flexible performance space for both emerging and established artists, the BAM Fisher became part of the BAM campus in the fall of 2012. All tickets are $20. The Wanderer World Premiere Jessica Lang Dance Choreography by Jessica Lang Lighting design by Nicole Pearce Visual Concept by Jessica Lang Set design by Mimi Lien BAM Fisher (Fishman Space), 321 Ashland Pl Dec 3—6 at 7:30pm Tickets: $20 Master Class: Jessica Lang Dance With Jessica Lang and company members Dec 4 at 12pm Mark Morris Dance Center (3 Lafayette Ave) Price: $20 BAM.org/master-classes Hailed as “a master of visual composition” (Dance Magazine), Jessica Lang makes her BAM debut with The Wanderer, a narrative ballet set to Franz Shubert’s Die schöne Müllerin—a song cycle based on poems by Wilhelm Müller. -
Download .Pdf
O N A I A B N I R E : O T O H P Philip Glass and Sokvannara Sar, Vail International Dance Festival. 123 Productions, Inc. Running time North American Distribution 88 minutes First Run Features presents Marc MAUCERI work 212.243.0600 [email protected] dancing Production International Distribution 123 Productions, Inc. Wide Management Jill CAMPBELL Loic MAGNERON across work 212.243.3868 [email protected] mobile 917.282.9572 mobile +33.6.60.43.96.86 [email protected] Wide House borders Anais CLANET [email protected] a film by mobile +33.6.83.22.18.06 Anne BASS www.dancingacrossborders.net OFFICIAL SELECTION OFFICIAL SELECTION SEATTLE NEWPORT INTERNATIONAL FILM FESTIVAL INTERNATIONAL FILM FESTIVAL 2009 2009 OFFICIAL SELECTION OFFICIAL SELECTION OFFICIAL SELECTION LONE STAR SANTA FE SAN DIEGO INTERNATIONAL FILM FESTIVAL FILM FESTIVAL ASIAN FILM FESTIVAL 2009 2009 2009 OPENING NIGHT WINNER: BEST DOCUMENTARY DIRECTOR’S CHOICE DANCE ON MILAN HOT SPRINGS CAMERA FESTIVAL INTERNATIONAL FILM FESTIVAL DOCUMENTARY FILM FESTIVAL 2010 2010 2010 OFFICIAL SELECTION OFFICIAL SELECTION SCREEN ARTS FESTIVAL WARSAW UNITED KINGDOM FILM FESTIVAL 2011 2011 Directed by Anne BASS Produced by Anne BASS Catherine TATGE SYNOPSIS On a trip to Angkor Wat in Siem Reap, Cambodia in January 2000, filmmaker Anne Bass came across a sixteen-year-old boy who moved her immensely with his amazing natural charm and grace as a dancer. A longtime devotee of the world of dance, Bass felt compelled to give this young boy the opportunity to leave his home and follow a dream that he could not yet have fully imagined. -
Nicholas Ade Was Appointed CEO of Central Pennsylvania Youth Ballet
Nicholas Ade was appointed CEO of Central Pennsylvania Youth Ballet (CPYB) in November 2014 bringing to the nation’s preeminent school of classical ballet more than 18 years of experience that couples substantial artistic expertise with administrative know-how in leading an arts organization. Immediately prior, Ade was the ballet school’s interim executive director. In September 2012 Ade was appointed as CPYB’s first school principal and faculty member, a post to which he brought an exceptional eye and an understanding of the needs of young dancers. Under his leadership Ade led the expansion and formalization of the men's dance training program, introduced the Male Scholarship Program that attracts students from across the United States, and created and implemented an aggressive recruitment process that paved the way for summer students to integrate into CPYB's year-round academic programs. Prior to joining CPYB, Ade was school principal of the Pacific Northwest Ballet School’s Francia Russell Center, PNB’s Eastside School, under Artistic Director Peter Boal from 2006 through 2012. As a dance educator, Ade teaches on the distinguished faculty of CPYB Founding Artistic Director Marcia Dale Weary. Ade taught seven years at Pacific Northwest Ballet’s School and is a permanent guest faculty member at Ballet Academy East in New York City. A sought-after instructor throughout Europe and North America, he has taught at the Iliev Foundation in Bulgaria, Tri-Cities Academy of Ballet, Utah Regional Ballet, and the University of North Carolina School of Arts. Ade also has been on faculty at the national and regional festivals for Regional Dance America (RDA). -
The Wanderer
2014 NEXT WAVE FESTIVAL Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board The William I. Campbell, Vice Chairman of the Board Adam E. Max, Wanderer Vice Chairman of the Board Karen Brooks Hopkins, President Jessica Lang Dance Joseph V. Melillo, Executive Producer Choreography by Jessica Lang DATES: Dec 3—6 at 7:30pm LOCATION: BAM Fisher (Fishman Space) RUN TIME: 1hr 5min (no intermission) Season Sponsor: Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor Leadership support for dance at BAM provided by The Harkness Foundation for Dance Major support for dance at BAM provided by The SHS Foundation. BAM Fisher #THEWANDERER 2014 NEXT WAVE FESTIVAL The Wanderer WORLD PREMIERE The Wanderer: Kirk Henning The Brook: Kana Kimura Artistic Director & Choreographer The Girl: Laura Mead JESSICA LANG The Hunter: Milan Misko Assistant to the Choreographer The Others: Julie Fiorenza, Sarah CLIFTON BROWN Haarmann, John Harnage, Claudia MacPherson Music by FRANZ SCHUBERT Generous support for the creation Die schöne Müllerin of The Wanderer provided by Anonymous Donor, The Dau Family Visual Concept Foundation, Ann and Weston Hicks, JESSICA LANG and Christopher Jones and Deborah McAlister. Additional support provided Set Designer by Deborah and Charles Adelman. MIMI LIEN In-kind support provided by Judith R. Lighting Designer and Alan H. Fishman and Jill and Alan NICOLE PEARCE Resnick. Costume Designer The Wanderer was created in part BRADON McDONALD during a Creative Development Residency with support from the Dancers Jacob’s Pillow Dance Award Initiative. JULIE FIORENZA SARAH HAARMANN The Wanderer was created in part with JOHN HARNAGE support from the Made In Wickenburg KIRK HENNING Residency Program with funding from KANA KIMURA the R. -
BRADON Mcdonald
FROM: AMERICAN BALLET THEATRE 890 Broadway New York, New York 10003 (212) 477-3030 Kelly Ryan BRADON McDONALD Bradon McDonald has had a diverse career in both the Performing Arts and Design fields. Upon graduating Juilliard in 1997, McDonald danced with the Limón Dance Company for three years, and with Mark Morris Dance Group for 10 years. He has served as choreographer for opera productions at Gotham Chamber Opera, WolftraP Opera Company, AsPen Music Festival, Berkshire Opera and the Juilliard Opera Center, as well as teaching dance to musicians at LA Opera, the Bolshoi Opera, Houston Grand Opera, the Royal Academy of Music and Tanglewood Music Festival. After retiring from the stage, McDonald began studying Fashion Design at the Fashion Institute of Design and Merchandising where he earned two degrees and the Fashion Design Award uPon graduation. McDonald is currently working as a freelance designer in high-end (custom Special Occasion/Bridal garments) and mass markets, as well as designing costumes for the Performing Arts. McDonald showed a collection at Mercedes Benz New York Fashion Week as a finalist on the Emmy Award winning Project Runway Season 12. McDonald has combined his performing arts roots with fashion design in many exciting projects. Costume design credits include LAOpera - Figaro 90210, Fire Island OPera Festival - Kurt Weill’s “ Der Protagonist, BAM Next Wave Festival - Jessica Lang Dance The Wanderer, Miami Art Basel - Shen Wei Dance Arts In Black, White and Gray, Cabaret/Burlesque sensation Lady Rizo, and his signature collection for dancewear giant CAPEZIO is available globally. -30- 2017/2018 . -
2004 Annual Report
2004 Annual Report Mission Statement Remembering Balanchine Peter Martins - Ballet Master in Chief Meeting the Demands Barry S. Friedberg - Chairman New York City Ballet Artistic NYCB Orchestra Board of Directors Advisory Board Balanchine 100: The Centennial Celebration 2003-2004 The Centennial Celebration Commences & Bringing Balanchine Back-Return to Russia On to Copenhagen & Winter Season-Heritage A Warm Welcome in the Nation's Capital & Spring Season-Vision Exhibitions, Publications, Films, and Lectures New York City Ballet Archive New York Choreographic Institute Education and Outreach Reaching New Audiences through Expanded Internet Technology & Salute to Our Volunteers The Campaign for New York City Ballet Statements of Financial Position Statements of Activities Statements of Cash Flows Footnotes Independent Auditors' Report All photographs by © Paul Kolnik unless otherwise indicated. The photographs in this annual report depict choreography copyrighted by the choreographer. Use of this annual report does not convey the right to reproduce the choreography, sets or costumes depicted herein. Inquiries regarding the choreography of George Balanchine shall be made to: The George Balanchine Trust 20 Lincoln Center New York, NY 10023 Mission Statement George Balanchine and Lincoln Kirstein formed New York City Ballet with the goal of producing and performing a new ballet repertory that would reimagine the principles of classical dance. Under the leadership of Ballet Master in Chief Peter Martins, the Company remains dedicated to their vision as it pursues two primary objectives: 1. to preserve the ballets, dance aesthetic, and standards of excellence created and established by its founders; and 2. to develop new work that draws on the creative talents of contemporary choreographers and composers, and speaks to the time in which it is made.