{PDF} Movies of the 2000S Kindle
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
3RD AACTA INTERNATIONAL AWARDS Winners by Category
3RD AACTA INTERNATIONAL AWARDS Winners by Category AACTA INTERNATIONAL AWARD FOR BEST FILM 12 YEARS A SLAVE AMERICAN HUSTLE CAPTAIN PHILLIPS GRAVITY – WINNER RUSH AACTA INTERNATIONAL AWARD FOR BEST DIRECTION 12 YEARS A SLAVE Steve McQueen AMERICAN HUSTLE David O. Russell CAPTAIN PHILLIPS Paul Greengrass GRAVITY Alfonso Cuarón – WINNER THE GREAT GATSBY Baz Luhrmann AACTA INTERNATIONAL AWARD FOR BEST SCREENPLAY 12 YEARS A SLAVE John Ridley AMERICAN HUSTLE Eric Warren Singer, David O. Russell – WINNER BLUE JASMINE Woody Allen INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen SAVING MR. BANKS Kelly Marcel, Sue Smith AACTA INTERNATIONAL AWARD FOR BEST LEAD ACTOR Christian Bale AMERICAN HUSTLE Leonardo DiCaprio THE WOLF OF WALL STREET Chiwetel Ejiofor 12 YEARS A SLAVE – WINNER Tom Hanks CAPTAIN PHILLIPS Matthew McConaughey DALLAS BUYERS CLUB AACTA INTERNATIONAL AWARD FOR BEST LEAD ACTRESS Amy Adams AMERICAN HUSTLE Cate Blanchett BLUE JASMINE – WINNER Sandra Bullock GRAVITY Judi Dench PHILOMENA Meryl Streep AUGUST: OSAGE COUNTY AACTA INTERNATIONAL AWARD FOR BEST SUPPORTING ACTOR Bradley Cooper AMERICAN HUSTLE Joel Edgerton THE GREAT GATSBY Michael Fassbender 12 YEARS A SLAVE – WINNER Jared Leto DALLAS BUYERS CLUB Geoffrey Rush THE BOOK THIEF Page 1 of 2 AACTA INTERNATIONAL AWARD FOR BEST SUPPORTING ACTRESS Sally Hawkins BLUE JASMINE Jennifer Lawrence AMERICAN HUSTLE – WINNER Lupita Nyong’o 12 YEARS A SLAVE Julia Roberts AUGUST: OSAGE COUNTY Octavia Spencer FRUITVALE STATION Page 2 of 2 . -
There's a Lot Going on in 'Australia': Baz Luhrmann's Claim to the Epic
10 • Metro Magazine 159 There’s a lot going on in Australia Baz Luhrmann’s Claim to the Epic Brian McFarlane REVIEWS BAZ LUHRmann’s EAGERLY AWAITED ‘Event’ FiLM. ou’ve got to admire the cheek of scape of a restricted kind. Does Luhrmann a director who calls his film simply believe that it is only Dorothea Mackellarland YAustralia. It implies that what is (all ‘sweeping plains’ and ‘ragged mountain going on in it is comprehensive enough, or ranges’ and ‘droughts and flooding rains’) at least symptomatic enough, to evoke the that the world at large will recognize as Aus- continent at large. Can it possibly live up to tralia? What he shows us is gorgeous be- such a grandiose announcement of intention? yond the shadow of a doubt – gorgeous, that There have been plenty of films named for is, to look at on a huge screen rather than to cities (New York, New York [Martin Scorsese, live in. It is, though, hardly the ‘Australia’ that 1977], Barcelona [Whit Stillman, 1994], most most of its inhabitants will know intimately, recently Paris [Cédric Klapisch, 2008]), but living as we do in our urban fastnesses, but summoning a city seems a modest enterprise the pictorial arts have done their bit in instill- compared with a country or a continent ing it as one of the sites of our yearning. (please sort us out, Senator Palin). D.W. Griffith in 1924 and Robert Downey Sr in Perhaps it’s really a love story at heart, a love 1986 had a go with America: neither director story in a huge setting that overpowers its is today remembered for his attempt to fragile forays into intimacy. -
Lexus Australian Short Film Fellowship
MEDIA RELEASE EMBARGOED UNTIL 6AM THURSDAY 24 MARCH SYDNEY FILM FESTIVAL ANNOUNCES 20 FINALISTS AND DISTINGUISHED JURY FOR LEXUS AUSTRALIAN SHORT FILM FELLOWSHIP The Sydney Film Festival and Lexus Australia today announced 21 filmmakers have been shortlisted by producers at The Weinstein Company, to compete for the largest cash fellowship for short film in Australia. Presiding over the selection process as Jury Chair is renowned Australian actress Judy Davis. The other jury members are Sydney Film Festival Director Nashen Moodley, Lexus Australia’s Adrian Weimers, and Australian producers Jan Chapman AO and Darren Dale. The industry luminaries will assess each finalist’s proposed short film projects to select up to four filmmakers, each of whom will receive a $50,000 Fellowship grant. The four successful candidates will be announced at the Sydney Film Festival (8-19 June 2016). The shortlisted filmmakers are: Alex Murawski (NSW) Dave Redman (VIC) Alex Ryan (NSW) David Hansen (VIC) Anya Beyersdorf (NSW) James Vinson (VIC) Billie Pleffer (NSW) Victoria Thaine (VIC) Brooke Goldfinch (NSW) Mikey Hill (VIC) Genevieve Clay-Smith (NSW) Thomas Baricevic (VIC) Hazel Annikki Savolainen (NSW) Erin Coates (WA) Jacobie Gray (NSW) Anna Nazzari (WA) Lucy Gaffy (NSW) Eddie White (SA) Tim Russell (NSW) Stephen de Villiers (SA) Venetia Taylor (NSW) The Weinstein Company chose 10 female and 11 male filmmakers from over 355 Australians who last year entered Lexus’s international short film competition, the Lexus Short Film Series. The Series was recently won by Australian actor and filmmaker Damian Walshe- Howling, alongside three other filmmakers from France, South Korea and the USA. -
With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO. -
Education Education Welcome Senior Cycle
Black Gold • Ten Canoes Comme une Image • Once Warchild • Los Olvidados Rocky Road to Dublin • Babel Mr Magorium’s Wonder Emporium Education BABEL Alejandro Gonzalez Inarritu’s Autumn/Winter 2007 Welcome Senior Cycle IFI Education: Supporting film in school curricula and English promoting moving image culture for young audiences. We currently reach 20,000 students around Ireland at secondary and primary level with our extensive programme. This includes films in Irish, French, German and Spanish, alongside Leaving Cert English titles, new Irish films, documentaries and films for primary school audiences. Strictly Ballroom Oct 3, 10.30am Baz Luhrmann’s flamboyant and colourful debut film tells LAUNCH EVENT the story of Scott and Fran who struggle to dance their Cinema Paradiso – Original Version Sep 27, 10.30am own steps despite an authoritarian Dance Federation. We are delighted to launch this term’s events with two free screenings at the IFI: As You Like It This modern classic is showing for Leaving Cert 08 in the Told as a fairy tale, romantic comedy and dance musical original version. The story is revealed in flashback, when rolled into one, this is an excellent choice for comparative (for teachers) on September 19th at 6.30 pm, and A Mighty Heart (for students) on Salvatore (Toto) returns to the small Sicilian town of his child- study: accessible, fun and fast-paced, it also deals with September 20th at 10.30 am. hood for the funeral of his mentor, local projectionist Alfredo. more serious themes. FRANCE/ITALY • 1998 • COMEDY/DRAMA • 123 MIN AUS • 1992 • COMEDY/DRAMA • 94 MINS • DIR: BAZ LUHRMANN DIRECTOR: GUISEPPE TORNATORE ALSO SHOWING AT: Samhlaíocht Kerry Film Festival (Nov 5-9) Nov 5 Booking through Samhlaíocht on (066) 712 9934 Revision Workshops for Leaving Cert 2008 Hour-long workshop focussing on key moments for students of Leaving Cert 2008. -
Your Concert Guide
silver screen sounds your concert guide EDEN COURT caird hall tramway the queen's hall INVERNESS dundee glasgow edinburgh 10 Sep 14 Sep 15 Sep 16 Sep welcome to silver screen sounds Over the course of the concert, you'll hear music chosen to accompany films and extracts from scores written specifically for the screen. There'll be pauses between some, and others will flow into the next. We recommend following along with your listings insert, and using this guide as extra reading. 1 by Bernard Herrmann Prelude from Psycho psycho (1960) Directed by Alfred Hitchcock "When a director finds a composer who understands them, who can get inside their head, who can second-guess them correctly, they're just going to want to stick with that person. And Psycho... it was just one of these absolute instant connections of perfect union of music and image, and Hitchcock at his best, and Bernard Herrmann at his best." Film composer Danny Elfman Herrmann's now-equally-iconic soundtrack to Hitchcock's iconic film showed generations of filmmakers to come the power that music could have. It's a rare example of a film score composed for strings only, a restriction of tonal colour that was, according to an interview with Herrmann, intended as the musical equivalent of Hitchcock's choice of black and white (Hitchcock had originally requested a jazz score, as well as for the shower scene to be silent; Herrmann clearly decided he knew better). Also known as the 'Psycho theme', this prelude is frenetic and fast-paced, suggesting flight and pursuit. -
Escape at Dannemora Ters with the Inmates Occurred
BOOKS AND MEDIA between her and the inmates David Sweat and Rich- ard Matt. But there is overwhelming evidence in the Inspector General’s report suggesting sexual encoun- Escape at Dannemora ters with the inmates occurred. Ms. Mitchell, al- though a civilian, was in a position of power over the Created and written by Brett Johnson and Michael Tolkin, inmates. If the roles were reversed (i.e., male sewing directed and co-produced by Ben Stiller. Showtime shop supervisor, female inmates), one wonders Network. First aired November 18, 2018. whether the male supervisor in Ms. Mitchell’s posi- tion would have been charged with a sexual crime as Showtime’s seven-part mini-series, Escape at Dan- well as with aiding and abetting the inmates’ escape. nemora, directed by Ben Stiller, is a dramatization of Cooke et al.3 recently reviewed boundary violations real events that took place in 2015 at a New York that occur in correctional settings, comparing them to state prison in Dannemora, New York (Dannemora boundary concerns between therapists and their pa- is much closer to Montreal than to Albany). The plot tients. The events depicted in Escape at Dannemora il- relies heavily on the 150-page investigation report lustrate how far-reaching the effects of a boundary vio- from June 2016 by Inspector General Catherine lation can be. Numerous seemingly innocent gestures Leahy Scott, State of New York Office of the Inspec- or ostensibly minor rule violations that do not rise to the tor General, regarding the June 5, 2015 escape of level of sexual encounters are shown aligning in the inmates David Sweat and Richard Matt from Clin- 1 series, resulting in chaos for an entire prison. -
"Little Miss Sunshine"
FOX SEARCHLIGHT PICTURES In association with Big Beach Present A Dayton/Faris Film A Big Beach/Bona Fide Production GREG KINNEAR TONI COLLETTE STEVE CARELL PAUL DANO with ABIGAIL BRESLIN and ALAN ARKIN Directed by...................................................................JONATHAN DAYTON & .....................................................................................VALERIE FARIS Written by ....................................................................MICHAEL ARNDT Produced by .................................................................ALBERT BERGER & .....................................................................................RON YERXA .....................................................................................MARC TURTLETAUB .....................................................................................DAVID T. FRIENDLY .....................................................................................PETER SARAF Executive Producers.....................................................JEB BRODY .....................................................................................MICHAEL BEUGG Director of Photography ..............................................TIM SUHRSTEDT, A.S.C. Production Design by...................................................KALINA IVANOV Edited by......................................................................PAMELA MARTIN Costumes Designed by.................................................NANCY STEINER Music Composed by ....................................................MYCHAEL -
Sep/Oct 2018
SEP/OCT2018 FESTIVALS & FILM LIVES HERESM EVENTS CZECHOSLOVAK BANNED FILMS FILM COMMENT FREE TALKS GOVERNORS ISLAND FREE FILM IN-PERSON APPEARANCES INCLUDING DENNIS COOPER & KARL OVE KNAUSGAARD MARNIE NEW RELEASES & REVIVAL RUNS THE GUILTY WILDLIFE BURNING ANDREI RUBLEV A PARIS EDUCATION THE 56TH NEW YORK FILM FESTIVAL: SEP 28–OCT 14 PICK UP THE BROCHURE FOR THE FULL LINEUP! ELINOR BUNIN MUNROE FILM CENTER 144 WEST 65TH STREET WALTER READE THEATER 165 WEST 65TH STREET FILMLINC.ORG SERIES The Power of the Powerless: Free Events Banned Films from the Czechoslovak New Wave SEPTEMBER 21–23 The Czecho- slovak New Wave was one of the Ethan Hawke Photo by Sean DiSerio most radical and brilliant bursts IFC Films Presents: Film Comment Free Talks of creativity in film history. After it came to an abrupt end with the 1968 Ethan Hawke Soviet invasion of Czechoslovakia, Join us for a special conversation with the incomparable actor, filmmaker, and cinephile an intrepid generation of filmmakers Fruit of Paradise Ethan Hawke, whose latest directorial effort, continued to challenge Communist Blaze, opens in New York on September 7 from IFC Films. Based on the life of Blaze censorship with provocative, antiauthoritarian art. The government re- Foley, a lesser known but legendary figure sponded by banning them; many have gone unseen in their home country of the Texas outlaw music movement, played by Ben Dickey, who won Sundance’s for decades. Join us for a selection of subversive, savagely funny, dark, and Special Jury Award for Achievement in defiant films. Presented in collaboration with the Czech Center New York. -
Lynne Ramsay
Why Not Productions presents In association with Film4, BFI, Amazon Studios, Sixteen Films, JWFilms YOU WERE NEVER REALLY HERE A film by Lynne Ramsay Starring Joaquin Phoenix, Ekaterina Samsonov 95 min | UK | English | Color | Digital | 2.39 | 24fps | 5.1 International Sales International PR IMR Charles McDonald Vincent Maraval [email protected] Noëmie Devide +44 7785 246 377 [email protected] Kim Fox | Lesly Gross US PR Samantha Deshon Jeff Hill [email protected] [email protected] SYNOPSIS A missing teenage girl. A brutal and tormented enforcer on a rescue mission. Corrupt power and vengeance unleash a storm of violence that may lead to his awakening. LYNNE RAMSAY Director Born in Glasgow, Lynne Ramsay is considered one of the British most original and exciting voices working in Independent cinema today. She has a long running relationship with Cannes winning the Prix de Jury in 1996 for her graduation film, the short Small Deaths and in 1998 for her third short Gasman. Her debut feature film Ratcatcher premiered in Un Certain Regard (2000) winning Special Mention. We need to talk about Kevin was the only British film nominated for the Palme d'Or in official competition in 2011. It received several BAFTA nominations and won 'Best Director' at the British independent Film awards, 'Best film' at the London Film Festival and 'Best Screenplay' from the Writers Guild of Great Britain. Swimmer, commissioned by the Cultural Olympiad of Great Britain (2012), won the BAFTA (2013) for Best short film. JOAQUIN PHOENIX Actor Joaquin Phoenix began his acting career at the age of eight. -
EMBODYING the CHARACTER by Using ANIMAL STUDIES, IMAGES and the Alexander Technique
EMBODYING THE CHARACTER by using ANIMAL STUDIES, IMAGES and the Alexander Technique Watch Robert Knepper speak about using the Animals Studies in his acting https://www.youtube.com/watch?v=7SdOn1znnKQ ANIMAL STUDIES and IMAGES is an advanced class especially designed to teach actors to transform into a character. The study of animals enables actors to act and react in new ways; to enrich and expand their own physical and emotional world to include surprising and new ways of moving and acting. Jean-Louis and Kristof share in common the belief that we must see and feel the world through the eyes and body of the animal. A TWO DAY ACTING INTENSIVE LOS ANGELES with JEAN-LOUIS RODRIGUE and KRISTOF KONRAD APRIL 17, 18, 2015, 9:30 a.m. - 5:30 p.m. TUITION: $375 Highways Performance Space @18th St. Arts Center 1651 18th St., Santa Monica, CA 90404 1/2 block north of Olympic Blvd. To Register call Kristof Konrad, tel: 310-443-4483, e-mail [email protected] COURSE CONTENT: Connecting to the body through awareness with the Alexander Technique (getting out of your head) ● Freeing impulse and response patterns by exploring ANIMAL BEHAVIOR ● Recognizing the force of habit ● Improving breath coordination and vocal quality ● Improving our movement by learning to organize body relationships ● Understanding Means and Ends ● Making clear choices of intention ● Infusing direction in our thinking and movement ● Applying the Alexander Technique to monologues, sonnets, songs, and scenes ● Learning to develop characters physically ( if I believe your body, I’ll believe your character) JEAN-LOUIS RODRIGUE has most recently coached Matt Bomer in THE NORMAL HEART on HBO and Paul Dano in LOVE AND MERCY. -
SEPTEMBER 21 – OCTOBER 16, 2016 Bram Goldsmith Theater CONNECT with US: This Production Is Made Possible by Generous Support from David C
THE WALLIS To find your happy Paul Crewes Rachel Fine & CODY LASSEN Artistic Director Managing Director PRODUCTION OF ending, go back to AND Shane Scheel / Ad Astra Live the beginning… PRODUCTION OF MUSIC AND LYRICS BY STEPHEN SONDHEIM BOOK BY GEORGE FURTH DIRECTED BY MICHAEL ARDEN BASED ON THE SOUNDTRACKS OF MARTIN SCORSESE CREATED BY Anderson Davis, Shane Scheel and Jesse Vargas STARRING James Byous, Carmen Cusack, Lindsey Gort, Dionne Gipson, Olivia Harris, Doug Kreeger, Justin Mortelliti, Jason Paige, Zak Resnick, B. Slade, Pia Toscano, John Lloyd Young SET DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Matt Steinbrenner Steve Mazurek Dan Efros Ben Soldate Kyle Courter Michael Berger NOV 22 – DEC 18, 2016 WIG & MAKE UP DESIGN PROPS MASTER ASSOCIATE DIRECTOR Cassie Russek Carissa Huizenga Sumie Maeda CASTING PRODUCTION STAGE MANAGER ASSISTANT STAGE MANAGER Beth Lipari, CSA Lora K. Powell Rick V. Moreno AD ASTRA LIVE PRODUCER Siobhan O'Neill MUSIC SUPERVISION & ARRANGEMENTS Jesse Vargas CHOREOGRAPHY RJ Durell & Nick Florez DIRECTOR Anderson Davis SEPTEMBER 21 – OCTOBER 16, 2016 Bram Goldsmith Theater CONNECT WITH US: This production is made possible by generous support from David C. Bohnett. 310.746.4000 | TheWallis.org/Merrily Cast List About the Artists JAMES BYOUS DOUG KREEGER (Jake, Fight (IN ORDER OF APPEARANCE) (Travis) Collingwood. She has worked internationally in CAST When James Byous was in Australia with the revered and legendary director Captain) Broadway: Les Miserables second grade, his class put on a actress and producer, Debbie Allen, in her new (Broadhurst Theatre), The Visit JAMES BYOUS........................................................................................TRAVIS production of Stone Soup for musical Freeze Frame, as well as her nationally (Ambassador Theatre, Actors Fund ZAK RESNICK*.......................................................................................HENRY parents and friends.