Tutorial) ● Before Using This TRACKFORMER for the First Time, Be Sure to Read the Separate USER’S GUIDE (Basics) to Familiarize Yourself with Basic Operations
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Electrophonic Musical Instruments
G10H CPC COOPERATIVE PATENT CLASSIFICATION G PHYSICS (NOTES omitted) INSTRUMENTS G10 MUSICAL INSTRUMENTS; ACOUSTICS (NOTES omitted) G10H ELECTROPHONIC MUSICAL INSTRUMENTS (electronic circuits in general H03) NOTE This subclass covers musical instruments in which individual notes are constituted as electric oscillations under the control of a performer and the oscillations are converted to sound-vibrations by a loud-speaker or equivalent instrument. WARNING In this subclass non-limiting references (in the sense of paragraph 39 of the Guide to the IPC) may still be displayed in the scheme. 1/00 Details of electrophonic musical instruments 1/053 . during execution only {(voice controlled (keyboards applicable also to other musical instruments G10H 5/005)} instruments G10B, G10C; arrangements for producing 1/0535 . {by switches incorporating a mechanical a reverberation or echo sound G10K 15/08) vibrator, the envelope of the mechanical 1/0008 . {Associated control or indicating means (teaching vibration being used as modulating signal} of music per se G09B 15/00)} 1/055 . by switches with variable impedance 1/0016 . {Means for indicating which keys, frets or strings elements are to be actuated, e.g. using lights or leds} 1/0551 . {using variable capacitors} 1/0025 . {Automatic or semi-automatic music 1/0553 . {using optical or light-responsive means} composition, e.g. producing random music, 1/0555 . {using magnetic or electromagnetic applying rules from music theory or modifying a means} musical piece (automatically producing a series of 1/0556 . {using piezo-electric means} tones G10H 1/26)} 1/0558 . {using variable resistors} 1/0033 . {Recording/reproducing or transmission of 1/057 . by envelope-forming circuits music for electrophonic musical instruments (of 1/0575 . -
TITLE Secondary Music (8-12): a Guide/Resource Book for Teachers
DOCUMENT RESUME ED 221 408 SO 013 861 TITLE Secondary Music (8-12): A Guide/Resource Book for Teachers. INSTITUTION British Columbia Dept. of Education, Victoria. Curriculum Development Branch. PUB DATE 80 NOTE 248p. EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Bands (Music); Choral Music; Course Content; *Curriculum Development; Curriculum Guides; Educational Objectives; Evaluation Methods; Jazz; Music Activities; Musical.Composition; *Music Education; Orchestras; Resource Materials; Secondary Education; Singing IDENTIFIERS Stringed Instruments ABSTRACT Goals and objectives, lesson ideas, evaluation techniques, and other resources to help secondary musicteachers in British Columbia organize and develop musicprograms are provided in this resource book. An introductory section briefly discussesthe secondary music program, presenting a scope andsequence and outlining goals and leatnieg outcomes. Following this, thebook is divided into four major sections,one for each of the major areas of music: band; choral music; strings; and music composition.Learning outcomes and related content are outlined for eacharea. Sample outlines and units, suggested seating plans, glossaries, and bibliographies of reierence materialsare also provided for each music area. The appendices containan outline of fine arts goals for secondary school programs, evaluation suggestions and plans,a sample student practice report form, tips for planning field trips,a listing of professional music associations and journals,suggestions for class projects, and listings of -
11C Software 1034-1187
Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185 -
Appendix • Apéndice • Anhang • Appendice • Appendix • Appendice
CTK4000APPENDWL1A • 音域のタイプ(A~D)は下記の表を参照してください。 • Il significato di ciascun tipo di gamma è descritto di seguito. Appendix y Apéndice y Anhang y Appendice y Appendix y Appendice y Bilaga y Apêndice y y y • The meaning of each range type is described below. • Innebörden av varje omfångstyp förklaras nedan. • El significado de cada tipo de gama se describe debajo. • O significado de cada tipo de gama e descrito abaixo. 音色リスト y Tone List y Lista de sonidos y Klangfarben-Liste y Liste des sonorités y Toonlijst y Elenco dei timbri y Tonlista y Lista de sons y y y 1 No. y No. y Nº y Nr. y No. y Nr. y Num. y Nr. y Nº y y y • Die Bedeutung jedes Bereichstyps ist nachfolgend beschrieben. • 2 音色名 y Tone name y Nombre de sonido y Klangfarben-Name y Nom des sonorités y Toonnaam y Nome del tono y Tonnamn y Nome do som y y y 3 プログラムチェンジ y Program Change y Cambio de programa y Klangprogramm-Wechsel y Changement de programme y Programma-verandering y Cambiamento programma y Program-ändring y Mudança de programa y y y 4 バンクセレクト MSB y Bank Select MSB y MSB de selección de banco y Bankwahl MSB y MSB de sélection de banque y Bankkeuze MSB y MSB di selezione banco y Bankval MSB y MSB de seleção de banco y y y • La signification de chaque type de registre est indiquée ci-dessous. • 5 最大同時発音数 y Maximum Polyphony y Polifonía máxima y Max. Polyphonie y Polyphonie maximale y Maximale polyfonie y Polifonia massima y Maximal polyfoni y Polifonia máxima y y y 6 音域タイプ y Range Type y Tipo de gama y Bereichstyp y Type de registre y Bereiktype y Tipo di gamma y Omfångstyp y Tipo de gama y y y 1234561 2 3456 1234561 2 3456 123456 • De betekenis van elk bereiktype wordt hier boven beschreven. -
SOUNDSCAPES: the Arab World Vocabulary
SOUNDSCAPES: The Arab World Vocabulary ADHAN The Islamic call to prayer. MAFRAJ A window‐lined room at the AL‐ANDALUS Around 1000 CE, the area now top of a house. called Spain and part of North MAGHREB The North African dessert. Africa. MAQAM Scales and notes that define AL‐QAHIRAH The Arabic name for Cairo, Arabic music tonality. Egypt. MINARET Part of a MOSQUE, a tower ARDHA A traditional Arabic dance, used for communication. common in Saudi Arabia. MIZHWIZ A double‐pipe double‐reed AS‐SANTOOR A multi‐stringed instrument wind instrument. played with wooden sticks. MIZMAR A single‐pipe double‐reed wind BEDOUIN Nomadic people of the Arabian instrument. and North African desert. MOSQUE An Islamic place of worship. BENDIR A round, flat, wooden‐framed NAY An end‐blown wind instrument. drum. OSTINATO Italian musical term for a BERBER Indigenous people of the North repeating pattern. African desert OUD/AL‐‘UD A pear‐shaped string CHA’ABI/SHA’ABI A style of dance and music instrument, similar to a lute. popular in some poorer Arab QANUN A large, flat multi‐stringed communities. instrument. DABKE A traditional line dance, RABABEH A single‐stringed bowed fiddle. popular in Lebanon. REBEC The European version of the DALOONAH Improvised music often used REBABEH, precursor to the with DABKE. violin. DERVISH Devout SUFI Muslims, similar to RIQ/TAR A round, flat, wooden‐framed Christian monks. drum with jingling plates DJELLABA A tunic, often worn by BERBER around the rim, similar to a men. tambourine. DJEMBE A West African drum, similar to SAWT A bluesy style of Arabic music, a DUMBEK. -
Enhancing Student Perceptions of Middle Eastern People and Culture Through Music, Dance, Folk Literature, Culture, and Virtual Field Trips
Graduate Theses, Dissertations, and Problem Reports 2017 Enhancing Student Perceptions of Middle Eastern People and Culture through Music, Dance, Folk Literature, Culture, and Virtual Field Trips Jason A. Noland Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Noland, Jason A., "Enhancing Student Perceptions of Middle Eastern People and Culture through Music, Dance, Folk Literature, Culture, and Virtual Field Trips" (2017). Graduate Theses, Dissertations, and Problem Reports. 6326. https://researchrepository.wvu.edu/etd/6326 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Enhancing Student Perceptions of Middle Eastern People & Culture through Music, Dance, Folk Literature, Culture, and Virtual Field Trips. Jason A. Noland Dissertation submitted to the College of Education and Human Services at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Education In Curriculum & Instruction Joy Faini Saab, Ed.D., Co-Chair Sam Stack, Ph.D., Co-Chair Nathan Sorber, Ph.D. -
About the Instrument
ABOUT THE INSTRUMENT Ancient Greek Percussion is a fantas�c collec�on of 6 deeply sampled hand percussion instruments that explore the oldest roots of Western musical tradi�ons, stretching back thousands of years – and likely with roots that easily predate all of recorded history. This library features a Crotalum, Kymbalon, Sistrum, 15-inch Tympanon, 22-inch Tympanon, and Tympanon Zill. Cra�ed of wood, gut, goat skins and bronze, these rus�c musical ar�facts capture the sound and soul of classical Greek musical cra�smanship at its peak. Their influence has shaped modern frame drums, riqs, dafs, tambourines and finger cymbals. Each piece was hand-cra�ed by master instrument maker and musical historian Panagio�s Stefos of LyrΑvlos in Athens. Stefos and his team played each instrument, all recorded in exquisite detail by producer John Valasis, with up to 12 round-robins and 10 dynamic veloci�es per ar�cula�on. You'll enjoy our flexible GUI features, with independent close and overhead mic posi�ons, a wide selec�on of chroma�c and special effect ar�cula�ons and a bank of 20 sound-designed ambiences created from the raw acous�c source for added texture and crea�ve poten�al. Ancient Greek Percussion includes 4,092 24-bit 48kHz stereo samples and is just over 3 GB installed. TYMPANON The most common percussion instrument in Ancient Greece was the Tympanon, a classic goat-skin frame drum with a thumb notch and a deep, resonant tone. It was played with the hands, a s�ck or mallet. -
Appendix • Apéndice • Anhang • Appendice • Appendix • Appendice
07M1APPEND-WL-1A JESGFDISwPCkChAR Appendix y Apéndice y Anhang y Appendice y Appendix y Appendice y Bilaga y Apêndice y y y y 音色リスト y Tone List y Lista de sonidos y Klangfarben-Liste y Liste des sonorités y Toonlijst y Elenco dei timbri y Tonlista y Lista de sons y y y y 1 No. y No. y Nº y Nr. y No. y Nr. y Num. y Nr. y Nº y y y y 2 音色名 y Tone name y Nombre de sonido y Klangfarben-Name y Nom des sonorités y Toonnaam y Nome del tono y Tonnamn y Nome do som y y y y 3 プログラムチェンジ y Program Change y Cambio de programa y Klangprogramm-Wechsel y Changement de programme y Programma-verandering y Cambiamento programma y Program-ändring y Mudança de programa y y y y 4 バンクセレクト MSB y Bank Select MSB y MSB de selección de banco y Bankwahl MSB y MSB de sélection de banque y Bankkeuze MSB y MSB di selezione banco y Bankval MSB y MSB de seleção de banco y y y y 123412341234123412341234 PIANO 119 CLICK ORGAN 2 17 15 ENSEMBLE 357 CLARINET 71 2 476 SWEEP CHOIR 95 1 596 GM VIOLIN 40 0 001 STEREO GRAND PIANO 0 2 120 8’ORGAN 17 5 238 STRINGS 1 48 2 358 VELO.CLARINET 71 1 477 SWEEP PAD 95 2 597 GM VIOLA 41 0 002 STEREO BRIGHT PIANO 1 2 121 ORGAN PAD 1 16 10 239 STRINGS 2 48 12 359 BASS CLARINET 71 4 478 CLAVI PAD 96 1 598 GM CELLO 42 0 003 GRAND PIANO 0 1 122 ORGAN PAD 2 16 11 240 STRING ENSEMBLE 1 48 1 360 JAZZ CLARINET 71 3 479 RAIN DROP 1 96 2 599 GM CONTRABASS 43 0 004 CLASSIC PIANO 0 4 123 SEQUENCE ORGAN 17 12 241 STRING ENSEMBLE 2 48 3 361 OBOE 68 2 480 RAIN DROP 2 96 3 600 GM TREMOLO STRINGS 44 0 005 ROCK PIANO 1 3 124 CHURCH ORGAN 1 19 2 242 STRING ENSEMBLE -
Casio PX-S3000 Built-In Music Data Lists
PXS3000APD-WL-1A.fm 1 ページ 2018年11月19日 月曜日 午後12時22分 1/4 056 VERSATILE NYLON GUITAR 24 8 PIPE 280 VEENA 1 104 36 394 GM CHOIR AAHS 52 0 057 VERSATILE STEEL GUITAR 25 8 168 SOLO FLUTE 1 73 32 281 VEENA 2 104 37 395 GM VOICE DOO 53 0 058 VERSATILE SINGLE COIL E.GUITAR 27 9 169 SOLO FLUTE 2 73 33 282 SHANAI 111 1 396 GM SYNTH-VOICE 54 0 JA/EN/ES/DE/FR/NL/IT/SV/PT/CN/TW/RU/TR BASS 1 170 FLUTE 1 73 1 283 BANSURI 72 9 397 GM ORCHESTRA HIT 55 0 059 ACOUSTIC BASS 1 32 1 171 FLUTE 2 73 36 284 PUNGI 111 8 398 GM TRUMPET 56 0 060 ACOUSTIC BASS 2 32 32 DSP 172 JAZZ FLUTE 1 73 2 285 TABLA 116 41 399 GM TROMBONE 57 0 内蔵音楽データ一覧 • Built-in Music Data Lists • Listas de datos de 061 RIDE BASS 32 33 173 JAZZ FLUTE 2 73 37 DSP 286 ANGKLUNG TREM. 12 40 400 GM TUBA 58 0 062 FINGERED BASS 1 33 6 174 PICCOLO 72 32 287 GENDER 11 40 401 GM MUTE TRUMPET 59 0 063 FINGERED BASS 2 33 5 175 RECORDER 74 32 288 CAK 25 12 402 GM FRENCH HORN 60 0 música incorporados • Listen der vorinstallierten Musikdaten • Listes des 064 FINGERED BASS VELO.SLAP 1 33 33 176 PAN FLUTE 1 75 32 289 CUK 24 40 403 GM BRASS 61 0 065 FINGERED BASS VELO.SLAP 2 33 32 177 PAN FLUTE 2 75 33 290 CELLO FINGERED 32 12 404 GM SYNTH-BRASS 1 62 0 066 FINGERED BASS 3 33 1 178 BOTTLE BLOW 76 32 291 SASANDO 46 40 405 GM SYNTH-BRASS 2 63 0 données de musique intégrées • Ingebouwde muziekgegevenslijsten • Liste 067 FINGERED BASS 4 33 2 179 WHISTLE 78 1 292 SHORT SULING 77 40 GM TONES 2 (65~128) 068 FINGERED BASS 5 33 3 180 OCARINA 79 32 293 SULING BAMBOO 1 77 41 406 GM SOPRANO SAX 64 0 069 FINGERED BASS 6 33 -
Casio-Ct-X700.Pdf
CT-X700 EN/ES USER’S GUIDE Please keep all information for future reference. Safety Precautions Before trying to use the Digital Keyboard, be sure to read the separate “Safety Precautions”. This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany. GUÍA DEL USUARIO Guarde toda la información para futuras consultas. Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania. Precauciones de seguridad Antes de intentar usar el teclado digital, asegúrese de leer las “Precauciones de seguridad” separadas. About Music Score data You can use a computer to download music score data from the CASIO Website. For more information, visit the URL below. http://world.casio.com/ Acerca de los datos de partituras Puede utilizar un PC para descargar los datos de partituras desde el sitio web de CASIO. Para obtener más información, visite la siguiente URL. http://world.casio.com/ C MA1710-A Printed in China CTX700-ES-1A CTX700-ES-1A.indd 1 2017/10/05 11:03:13 CTX700-ES-1A.indd 2 Please note the following important information before using this product. this using before information important following the note Please Important! • product. the cleaning before AC adaptor the to disconnect sure Be • not a toy. is TheAC adaptor • adaptor. AD-E95100L a CASIO Useonly • years. 3 under children for intended not is product The • terminals. battery the not Do short-circuit • weak. are getting they any sign after aspossible as soon batteries Replace • compartment. battery the near as indicated correctly are facing poles (–) negative and (+) positive that sure make Always • types. -
1 Turkish Classical Clarinet Repertoire
Turkish Classical Clarinet Repertoire: Performance, Accessibility, and Integration into the Canon, with a Performance Guide to Works by Edward J. Hines and Ahmet Adnan Saygun D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Sarah Elizabeth Korneisel Jaegers Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. David Clampitt Professor Katherine Borst Jones Dr. Russel C. Mikkelson 1 Copyrighted by Sarah Elizabeth Korneisel Jaegers 2019 2 Abstract While American and western European works make up the majority of the classical clarinet repertoire known and studied in the West, works of Turkish origin are the focus of this document. Though over 100 pieces of Turkish classical clarinet repertoire exist, they are widely unknown to Western musicians, uncatalogued, and seldom performed. Consequently, although the clarinet is a staple of Turkish music and is extremely popular in the country’s folk tradition, classical clarinet music by Turkish composers remains difficult for Western musicians to find and acquire. The history of Anatolia as a cultural melting pot resulted in diverse and unique classical and folk musical traditions, both based on the makam modal system. Unlike the Western tradition, which developed twelve-tone equal temperament, the octave in the Turkish modal system comprises twenty-four unequally-spaced tones. The clarinet was introduced to Turkey by Giuseppe Donizetti (1788–1856), who traveled to Turkey at the behest of the sultanate to found European-style bands. Particularly appreciated was the clarinette d’amour, pitched in G. -
Toons Metadata
TOONS - DATA SHEET FILENAME DESCRIPTION BT BOING Didgeridoo Boing Low.wav BOING DIDGERIDOO TONAL Hitting the top of a didgeridoo with flat hand. Processed pitch envelope. Ascending pitch. Low. BT BOING Jaw Harp High Short.wav BOING INSTRUMENT HIGH Playing Jew's harp. Short and wobbling. BT BOING Jaw Harp Low Short.wav BOING INSTRUMENT LOW Playing Jew's harp. Short and wobbling. BT BOING Mouth Drip.wav BOING MOUTH DRIP Flicking with fingers against cheek, imitating water dripping. Snappy impact. BT BOING Mouth Harp Metal Big Jump.wav BOING METAL JUMP Playing Jew's harp while pressing air out of mouth. Shaping sound with mouth. Ascending and descending pitch. BT BOING Mouth Harp Metal Big.wav BOING METAL BIG Playing Jew's harp. Shaping the sound with the mouth and adding timbre by pressing air. Ascending and descending pitch. BT BOING Pipe In Water.wav BOING PIPE WATER Quickly putting plastic pipe in water bucket. Ascending pitch. BT BOING Plastic String High.wav BOING STRING HIGH Plucking string on. Ascending pitch. High and short. BT BOING Rope Down.wav BOING TONAL DOWN Plucking rope. Descending pitch. Low and tubby. BT BOING Rope Multiple Up.wav BOING TONAL MULTIPLE Plucking rope multiple times. Ascending pitch. Some wobbling. Low and tubby. BT BOING Rope Up.wav BOING TONAL UP Plucking rope. Ascending pitch. Low and tubby. BT BOING Rope Wobble.wav BOING WOBBLE LOW Plucking rope. Wobbling pitch. Low and tubby. BT BOING Rubber Band Down.wav BOING RUBBER DOWN Plucking elastic band. Descending pitch. Low and tubby. BT BOING Rubber Band Rattle.wav BOING RUBBER RATTLE Plucking elastic band multiple times.