Year Play Director (**Unsure)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Theatre Australia
University of Wollongong Research Online Theatre Australia 6-1980 Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980 Robert Page Editor Lucy Wagner Editor Follow this and additional works at: http://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert and Wagner, Lucy, (1980), Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980, Theatre Publications Ltd., New Lambton Heights, 50p. http://ro.uow.edu.au/theatreaustralia/43 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980 Publisher Theatre Publications Ltd., New Lambton Heights, 50p This serial is available at Research Online: http://ro.uow.edu.au/theatreaustralia/43 Australia’s magazine of the performing arts. June 1980 $1.95* Theatre Australia Circuz Oz Colin George Departs His Majesty’s Perth Open Tasmanian Puppets Closed 1 1 1 8 1 1 : m m m S S m p ^ Pw&jfe ’S r °PERa NEIL MOORE^ Theatre Australia JUNE 1980, VOLUME 4, NO. 11. DEPARTMENTS 3/COMMENT 4/INFO 9/WHISPERS, RUMOURS AND F ACTS /Norman Kessell 45/GUIDE (THEATRE, DANCE, OPERA, CONCERTS) SPOTLIGHT 10/CIRCUS OZ/Lucy Wagner 12/COLIN GEORGE DEPARTS/J?o/i Blair 13/TASMANIAN PUPPET THEATRE/Cathryn Robinson FEATURES 14/SYDNEY DANCE COMPANY/.//// 16/HIS MAJESTY’S PERTH INTERNATIONAL 18/UK: IN FAVOUR OF THE OLD SCHOOL//rvi/i£ Wardle 19/USA: LATE OF TENNESSEE/ATar/Leve« 20/ITI FUTURE EVENTS DANCE 21/BERLIN BALLET, PRAGUE BALLET, RAYMONDA/^iV/wm Shoubridge FILM 25/BREAKER MOR ANT/Elizabeth Riddell OPERA 26/THREEPENNY OPERA AND DON GIOVANNI/DaW*/ Gyger REVIEWS 29/ACT/STRAWBERRY FIELDS, OUT AT SEA /Kyle Wilson 30/NSW/CLOUDS/Robert Page NO NAMES.. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
Tropical North Queensland Tourism Opportunity Plan
Tropical North Queensland Tourism Opportunity Plan 2 0 1 0 - 2 0 2 0 DISCLAIMER – Tourism Tropical North Queensland and Tourism Queensland makes no claim as to the accuracy of the information contained in the Tropical North Queensland Tourism Opportunity Plan. The document is not a prospectus and the information provided is general in nature. The document should not be relied upon as the basis for financial and investment related decision. DISCLAIMER – STATE GOVERNMENT The Queensland Government makes no claim as to the accuracy of the information contained in the Tropical North Queensland Tourism Opportunity Plan. The document is not a prospectus and the information provided is general in nature. The document should not be relied upon as the basis for financial and investment related decisions. This document does not suggest or imply that the Queensland State Government or any other government, agency, organisation or person should be responsible for funding any projects or initiatives identified in this document. Executive Summary Dunk Island Purpose Catalyst Projects The purpose of this Tourism Opportunity Plan (TOP) is to Through the consultation and review process the following provide direction for the sustainable development of tourism in 18 catalyst projects have been identified for the Tropical North the Tropical North Queensland region. Queensland region. These projects are tourism investment or infrastructure projects of regional significance which are The TOP aims to: expected to act as a catalyst to a range of other investment, marketing and product development opportunities. < Identify new and upgraded tourism product that meets future visitor expectations and demands; 1 . Cairns Arts, Cultural and Events Precinct < Identify the need for new investment in infrastructure that 2 . -
October 2016 to Saturday 12Th November 2016
FROM THE PRESIDENT Dear Friends, I am pleased to report that our new curtain mechanism has been installed. The curtain is now operated by the press of a button! In some ways it was sad to see the old pulley go as it had been a part of the Playhouse Theatre for so long. I was so relieved that the curtain itself didn't fall apart when it came down. The theatre is continually being improved. I would like to welcome Nick Lahey as a Rep director. This is his first play for Hobart Rep. Thank you to Nick cast and crew for their dedication to Up For Grabs. I look forward to seeing the fruits of their labours. President Liz “on duty” in the Box Office during the run of Something’s Afoot We thank our volunteers and supporters. We could not function without you. A SLICE OF THEATRE LIFE You never know who you’ll see at The Playhouse during a theatrical run. Top left, well known actor Jeff Michel selling programs. Top right, Hobart Rep Secretary, Tony Webb and below, Heather Chong, a most beloved Sponsor. (We LOVE our Sponsors!) UP FOR GRABS A Fast Paced Comedy and Maybe a Hint of Satire When Simone Allen, an exclusive art dealer, is given the opportunity to sell a Brett Whitely, her behaviour becomes highly questionable as the pressure mounts. Driven by greed and aesthetics, just how far will Williamson’s characters go when more than just a beautiful work of art is up for grabs in this sexy comedy of manners? A fast paced show about money, greed, unhappy couples and expensive art. -
Living Lessons in Australia
LIVING LESSONS IN AUSTRALIA Established 1960 Phone for an 2015-16 EDUCATIONAL TOURS PROGRAM obligation free quote 1300 660 825 www.getours.com.au Why travel Australia with G.E.T Educational Tours? G.E.T Educational Tours sets the benchmark in the educational travel industry, with over 50 years of experience providing “Living Lessons” to Australian students. We have developed strong relationships with program partners throughout the country, ensuring we consistently deliver the highest quality product and service. Australia is a vast, diverse and fascinating nation, rich with opportunities for students to deepen their knowledge and understanding of its unique history, culture, people and environment. At G.E.T Educational Tours, our philosophy is to offer learning through a broad range of exciting, interactive, innovative, fun and challenging activities. Our range of Australian tour experiences includes the opportunity to explore Canberra’s inspiring landmarks, Tasmania’s pristine environment, Victoria’s wild shipwreck coast and historic goldfields, Queensland’s stunning coastline, Sydney and Melbourne’s exciting city life and Central Australia’s vast outback. With programs designed around the Australian Curriculum by experienced teachers, we have a number of tour packages available for you to choose from. With flexible group sizes and tour dates, we can also tailor-make an itinerary to suit your school’s specific requirements. You can rest assured that you will have the full support of an experienced, specialist educational tour consultant to make the tour planning process as smooth and stress-free as possible. t 1SJDFT CBTFE PO HSPVQT PG TUVEFOUT BOE UFBDIFSTFTDPSUT USBWFMMJOH GSPN Melbourne, Sydney and Canberra t 5PVSDPTUTGPSHSPVQTUSBWFMMJOHGSPN"EFMBJEF #SJTCBOF 1FSUIBOESFHJPOBMBSFBT available on request t 'MFYJCMFHSPVQTJ[FT UPVSEBUFTBOEJUJOFSBSJFT UFBDIFSFTDPSUUPTUVEFOUSBUJP t .FBMTBTTQFDJGJFE.FBMT,FZ#CSFBLGBTU-MVODI%EJOOFS Airfares Airfares can be included as an option, either as one-way or return flights. -
Theatre Australia Historical & Cultural Collections
University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T. -
Have We Found
ON STAGE The Summer 2005 newsletter of Vol.6 No.1 Have we found it? When offered the opportunity to be directly involved in the new musical production, Eureka, Darien Sticklen found himself asking with many others: Might this be the one? ow many of us over the years about five years—and list the creative team, have wanted to see a truly including Gale Edwards (directing and Horiginal Australian musical make co-authoring a new book with John it to hit status? Countless numbers have Senzcuk), Max Lambert and Michael Tyack tried. Here are selected extracts from (music), Peter England and Gabriella Darien Sticklen's Eureka Diary… Coslovich (set and costume design), Tony March 2004 Bartuccio (choreography) Trudy Dagleish (lighting design)…a talented team indeed. Seemingly out of the blue, I’m given a They’ve just had a workshop of the message that Simon Gallaher would like me new Act I script in Sydney and are to call him. After days of phone tag, we also planning a workshop of Act II finally speak. there in July, before rehearsals start. Simon wonders what my work schedule Their enthusiasm for the new is like in the later part of this year but is musical is infectious, of course. I very mysterious about the ‘acorn of an make it clear that I am not available idea’. Eventually he explains that on behalf during the Act II workshop period— of the producers of Eureka, he wants to this is not seen as a ‘deal- know if I’d be interested in taking the role breaker’. -
Culture and Customs of Australia
Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Culture and Customs of Australia Culture and Customs of Australia LAURIE CLANCY GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Clancy, Laurie, 1942– Culture and customs of Australia / Laurie Clancy. p. cm. Includes bibliographical references and index. ISBN 0–313–32169–8 (alk. paper) 1. Australia—Social life and customs. I. Title. DU107.C545 2004 306'.0994 —dc22 2003027515 British Library Cataloguing in Publication Data is available. Copyright © 2004 by Laurie Clancy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003027515 ISBN: 0–313–32169–8 First published in 2004 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Neelam Contents Preface ix Acknowledgments xiii Chronology xv 1 The Land, People, and History 1 2 Thought and Religion 31 3 Marriage, Gender, and Children 51 4 Holidays and Leisure Activities 65 5 Cuisine and Fashion 85 6 Literature 95 7 The Media and Cinema 121 8 The Performing Arts 137 9 Painting 151 10 Architecture 171 Bibliography 185 Index 189 Preface most americans have heard of Australia, but very few could say much about it. -
Australia Driving Guide
Australia Destination Guide 1300 656 601 www.autoeurope.com.au 1 Contents With so much to see and explore, the best way to discover Australia’s diversity is to travel by road. Auto Europe’s Self Drive Guide will help you plan your next driving holiday in Australia. Packed full of information about car hire and the rules of the road, you’ll also find great touring ideas and self drive suggestions. Taking a driving holiday by car or motorhome will give you the freedom to travel your preferred route at your own pace! Contents Page Renting A Car In Australia 3 Rental Vehicle Insurance 4 Driving in Australia 5 Australian Driving Laws & Car Rental FAQs 6 Australian Regions 7 New South Wales & Sydney 8 Self Drive Tours: Hunter Valley & Blue Mountains 9 Self Drive Tours: North & South Coasts, NSW 10 Self Drive Tours: Country NSW 11 Victoria & Melbourne 12 Self Drive Tours: Great Ocean Road & Yarra Valley 13 Self Drive Tours: The Grampians & Gippsland 14 Queensland 15 Self Drive Tours: Airlie Beach - Townsville & Cairns - Port Douglas 16 South Australia 17 Self Drive Tours: Mount Gambia - Victor Harbour & Port Augusta - Nullarbor 18 Tasmania 19 Self Drive Tours: Hobart - Port Arthur & Launceston - Wineglass Bay 20 Western Australia 21 Self Drive Tours: Perth - Margaret River & The Pilbara Coast 22 Northern Territory 23 Self Drive Tours: Darwin - Kakadu & Alice Springs - Uluru 24 Auto Europe - How to Book 25 1300 656 601 www.autoeurope.com.au 2 Renting a Car in Australia Class Fuel Capacity Type Transmission Fuel/Air Cond. M = Mini 0.8 - 1.0 B -
Fatal Journeys Tracking Lives Lost During Migration
IOM is committed to the principle that humane and orderly migration benefits migrants and society. As an intergovernmental organization, IOM acts with its partners in the international community to: assist in meeting the operational challenges of migration; advance understanding of migration issues; encourage social and economic development through migration; and uphold the human dignity and well-being of migrants. The opinions expressed in the book are those of the authors and do not necessarily reflect the views of the International Organization for Migration (IOM). The designations employed and the presentation of material throughout the book do not imply the expression of any opinion whatsoever on the part of IOM concerning the legal status of any country, territory, city or area, or of its authorities, or concerning its frontiers or boundaries. Publisher: International Organization for Migration 17 route des Morillons 1211 Geneva 19 Switzerland Tel: + 41 22 717 91 11 Fax: + 41 22 798 61 50 E-mail: [email protected] Website: www.iom.int ISBN 978-92-9068-698-9 © 2014 International Organization for Migration (IOM) Cover Photo: Overlooking the Mediterranean Sea from Lampedusa’s coastline stands Porta di Lampedusa - Porta d’Europa. Created by artist Mimmo Paladino in 2008, this monument is dedicated to those migrants who have died in search of a new life. Photo by Paolo Todeschini, 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of the publisher. -
DAVID WILLIAMSON Study Guide
What I Wrote David Williamson Teacher’s Notes Introduction This study guide to accompany What I Wrote: David Williamson has been written for senior secondary students. It provides information and suggestions for learning activities in English, Literature, Theatre Studies and Drama. What I Wrote: David Williamson is a DVD on Australian playwright David Williamson. Dr Tess Brady interviews Williamson and provides a critical introduction to The Removalists (1972), Don’s Party (1973), The Club (1978), Travelling North (1980), Gallipoli (1981) Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), The Great Man (2000), The Jack Manning Trilogy (2002), Soulmates (2003), and Influence (2005). The DVD also in� cludes an investigation of Williamson’s approach to writing for the stage. What I Wrote: David Williamson is one title from a series of DVDs spotlighting Australian playwrights. The series offers students information about the ideas and processes of the playwrights, as well as the opportunity to hear what the writers have to say about their work. Other titles available in the What I Wrote series include: Series 1: • What I Wrote: Matt Cameron • What I Wrote: Louis Nowra • What I Wrote: Hannie Rayson • What I Wrote: Katherine Thomson Series 2: • What I Wrote: Debra Oswald • What I Wrote: Andrew Bovell How to Buy the DVDs • What I Wrote: �������������oanna Murray������Smith The DVDs are available from Ronin Films at: http://www.roninfilms.com.au Find Out More Info Further information about the series and film trailers How to Buy the Play Scripts can be found at: http://www.whatiwrote.com.au or on The play scripts are available from Currency Press at: YouTube http://www.youtube.com/pinkcat1 http://www.currency.com.au/ About the Filmmakers Dr Tess Brady interactive websites and advertising.