October 2016 to Saturday 12Th November 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
May 2020 Newsletter
May 2020 Issue 138 $1 www.charlton.vic.au [email protected] Charlton’s Only Dedicated News Resource Above: The newly renovated weir completed just in time for a big rain. The old timber boards have been replaced with aluminium boards. This will stop leaks and enable easier removal of boards when necessary. Photo by Alan Getley. Tormey’s IGA plus Liquor 28 High St, Charlton VIC 3525 Tel: (03) 5491 1909 Proud Sponsor of the Fax: (03) 5491 1007 Charlton Community Newsletter 2 May 2020 Inside the CCN Editorial May 2020 Edition Carolyn Olive Page 1 Weir Renovations Completed Hello everyone, Page 2 Upcoming Events Page 3 Bendigo Bank News Well here we are again. Another month has gone by and not Page 5 Sign of the Times much has changed. Well done to Charlton and also the Page 6 Now We’re Home Alone Buloke Shire. We have remained COVID-19 free. We are Charlton Bowling Club delivering the newsletters again to each mailbox. Thank you to Troy, Beck and crew for doing this for us. Charlton Men’s Shed Page 7 Golden Grains Museum News Welcome to our new sponsors the Charlton Quality Meats, Stahl Electrical & Park Lane Jewellery. Page 8-9 ANZAC Day 2020 The rain has been great—what a terrific start to the season. Page 10 Buy Local Cropping is well underway and we look forward to a good Page 11 Beating the Bug—Learning at “Corona year. College” Justin is still essentially in isolation awaiting Coronavirus One Door Closes and Another Changes test results. -
Tropical North Queensland Tourism Opportunity Plan
Tropical North Queensland Tourism Opportunity Plan 2 0 1 0 - 2 0 2 0 DISCLAIMER – Tourism Tropical North Queensland and Tourism Queensland makes no claim as to the accuracy of the information contained in the Tropical North Queensland Tourism Opportunity Plan. The document is not a prospectus and the information provided is general in nature. The document should not be relied upon as the basis for financial and investment related decision. DISCLAIMER – STATE GOVERNMENT The Queensland Government makes no claim as to the accuracy of the information contained in the Tropical North Queensland Tourism Opportunity Plan. The document is not a prospectus and the information provided is general in nature. The document should not be relied upon as the basis for financial and investment related decisions. This document does not suggest or imply that the Queensland State Government or any other government, agency, organisation or person should be responsible for funding any projects or initiatives identified in this document. Executive Summary Dunk Island Purpose Catalyst Projects The purpose of this Tourism Opportunity Plan (TOP) is to Through the consultation and review process the following provide direction for the sustainable development of tourism in 18 catalyst projects have been identified for the Tropical North the Tropical North Queensland region. Queensland region. These projects are tourism investment or infrastructure projects of regional significance which are The TOP aims to: expected to act as a catalyst to a range of other investment, marketing and product development opportunities. < Identify new and upgraded tourism product that meets future visitor expectations and demands; 1 . Cairns Arts, Cultural and Events Precinct < Identify the need for new investment in infrastructure that 2 . -
The Marloovian Official Newsletter of the Darlington Theatre Players Inc (Founded 1956)
The Marloovian Official Newsletter of The Darlington Theatre Players Inc (Founded 1956) www.marlootheatre.com NOVEMBER 2013 The Darlington Theatre Players at MARLOO THEATRE Marloo Road, Greenmount www.marlootheatre.com by Stuart Ardern & Bob Heather Cinderella November Fri 8 Sat 9 Sun 10* Wed 13 Fri 15 Sat 16 Sun 17* Wed 20 Fri 22 Sat 23 Sun 24* Wed 27 Fri 29 Sat 30 December Sun 1* Wed 4 Fri 6 Curtain up 7:30pm, *Matinees 2:00pm BOOKINGS: Gwyne 9255 1783 ADULT $22 CONC/CHILD $20 Directed by Brendan Tobin MEMBERS $18 FAMILY (2 ad & 2 ch) $70 Musical director S-J Lewendon-Lowe November 8 ~ December 6 2013 a community theatre production by arrangement with Lazy Bee Scripts The Marloovian 1 Darlington Arts Festival CINDERELLA, SCONES AND SHOES that someone else was able to milk the cows that provided the glorious thick cream. Marjorie and Richard together with their team raised well over $2000 for the theatre and made a welcome return after a couple of years break. Greg and Liz Rusha were largely instrumental in making the return possible and were a great liaison with the DAF Committee. THE DARLINGTON THEATRE PLAYERS has a As well as selling long history with the Darlington Arts Festival. scones, tea and coffee the Festival is an opportunity In 1961 artist Guy Grey Smith was to promote the theatre in burning off at the back of his Darlington general and the end of year studio and the fire got out of control. The production in particular. Darlington Volunteer Fire Brigade saved his home and studio so, as a ‘thank you’ This year with our panto and fundraiser he organised an exhibition Cinderella it was easy to of his and other local artists’ work. -
AFRICAN AMERICAN HISTORIC PLACES in SOUTH CAROLINA ////////////////////////////// September 2015
AFRICAN AMERICAN HISTORIC PLACES IN SOUTH CAROLINA ////////////////////////////// September 2015 State Historic Preservation Office South Carolina Department of Archives and History should be encouraged. The National Register program his publication provides information on properties in South Carolina is administered by the State Historic in South Carolina that are listed in the National Preservation Office at the South Carolina Department of Register of Historic Places or have been Archives and History. recognized with South Carolina Historical Markers This publication includes summary information about T as of May 2015 and have important associations National Register properties in South Carolina that are with African American history. More information on these significantly associated with African American history. More and other properties is available at the South Carolina extensive information about many of these properties is Archives and History Center. Many other places in South available in the National Register files at the South Carolina Carolina are important to our African American history and Archives and History Center. Many of the National Register heritage and are eligible for listing in the National Register nominations are also available online, accessible through or recognition with the South Carolina Historical Marker the agency’s website. program. The State Historic Preservation Office at the South Carolina Department of Archives and History welcomes South Carolina Historical Marker Program (HM) questions regarding the listing or marking of other eligible South Carolina Historical Markers recognize and interpret sites. places important to an understanding of South Carolina’s past. The cast-aluminum markers can tell the stories of African Americans have made a vast contribution to buildings and structures that are still standing, or they can the history of South Carolina throughout its over-300-year- commemorate the sites of important historic events or history. -
David Williamson's the Club
THE CLUB BY DAVID WILLIAMSON TEACHER’S NOTES BY PETER FITZPATRICK CurrenCy Press STUDY GUIDE The performing arts publisher www.currency.com.au DAVID WILLIAMSON’S THE CLUB by Peter Fitzpatrick . Introducing the play 1 2. The playwright comments 1 3. The critics’ views 1 4. Questions for discussion 1 5. Further reading 1. Introducing the play disparaged, figure in contemporary Australian theatre. He is, in a non-pejorative sense, an old- In 1976 some jeremiahs greeted the news fashioned playwright; his plays are not avant- that Australia’s most popular playwright was garde in their forms or expectations, and only working on a play about football—Australia’s in his unexpurgated dialogue does he take any most consuming form of popular theatre—with developed advantage of the freedoms won for his mutterings about the dangers of sacrilege, or generation of writers. All his plays are naturalistic of pandering to the public. But it didn’t take in form, suited to the proscenium stages and an expert to tip the success of The Club at the convincingly solid sets of the subsidised State box office. The degree of success has, however, companies who have found a new Williamson play exceeded anyone’s expectations, even in a godsend. Melbourne, the football culture in which the play Williamson’s earliest work was performed in is set. The Club, in its premiere season which 1970 at the tiny La Mama theatre in Melbourne, opened on 24 May 1977 at the Russell Street perhaps the main focus of the so-called ‘new Theatre, played to packed houses for an extended wave’ in Australian theatre in the late 1960s and four-month run, and brought unprecedented early 1970s; but since 1971, when The Removalists profits to the Melbourne Theatre Company; and Don’s Party were taken up by ‘establishment’ twenty months later it was back again, the laughs companies, all of his plays have first appeared in and full houses showing no signs of flagging. -
Year Play Director (**Unsure)
Year Play Director (**unsure) AT THE MENTONE CITY HALL 1945 Cuckoo in the Nest 1946 The House of Thrills Apple Pie Order Indoor Fireworks AT THE MECHANICS INSTITUTE HALL – MORDIALLOC Leave It To Leander The Evil That Men Do The Crimson Coconut Ladies In Waiting Postal Orders 1948 The Blue Goose Wise Tomorrow Strange Parallel Love In A Mist Down On The Farm 1949 Lady-Killer Candied Peel Five Minutes Quiet Weekend The Press Desires 1950 Fools Rush In Good Morning, Bill The Camel’s Back We Were Dancing Night Must Fall Rebecca It’s Quicker To Telephone 1951 Arsenic And Old Lace The Happiest Days of Your Life Jack Lawson Dark Victory Love From A Stranger Rookery Nook The Startled Saint 1952 The Girl In Question That Woman Fly Away Peter Lorraine Madsen Who Lies There? 1953 Message For Margaret Margaret Flynn Murder At The Vicarage A Woman’s Place 1954 The White Sheep Of The Family Audrey Downe Gaslight The Hollow One Wild Oat 1955 Blithe Spirit See How They Run Audrey Downe/Edna Robinson Freida Graham Hunter 1956 The Shop At Sly Corner Baa Baa Black Sheep Black Chiffon 1957 Intent To Murder Eric Heyes Madam Tic Tac Lorraine Madsen Man From Toronto As Long As They’re Happy 1958 The Secret Tent The Browning Version Running Riot Bill McLorinan Mad About Men Eric Heyes Bonaventure Master Dudley 1959 The House By The Lake The Gentle Rain The Pigeon With The Silver Foot Sailor Beware Edmund Thornton The Whole Truth Eric Heyes Dry Rot 1960 Toad In The Hole No Man’s Land The Girl Who Couldn’t Quite Something To Hide The Reluctant Debutant Edmund Thornton -
Living Lessons in Australia
LIVING LESSONS IN AUSTRALIA Established 1960 Phone for an 2015-16 EDUCATIONAL TOURS PROGRAM obligation free quote 1300 660 825 www.getours.com.au Why travel Australia with G.E.T Educational Tours? G.E.T Educational Tours sets the benchmark in the educational travel industry, with over 50 years of experience providing “Living Lessons” to Australian students. We have developed strong relationships with program partners throughout the country, ensuring we consistently deliver the highest quality product and service. Australia is a vast, diverse and fascinating nation, rich with opportunities for students to deepen their knowledge and understanding of its unique history, culture, people and environment. At G.E.T Educational Tours, our philosophy is to offer learning through a broad range of exciting, interactive, innovative, fun and challenging activities. Our range of Australian tour experiences includes the opportunity to explore Canberra’s inspiring landmarks, Tasmania’s pristine environment, Victoria’s wild shipwreck coast and historic goldfields, Queensland’s stunning coastline, Sydney and Melbourne’s exciting city life and Central Australia’s vast outback. With programs designed around the Australian Curriculum by experienced teachers, we have a number of tour packages available for you to choose from. With flexible group sizes and tour dates, we can also tailor-make an itinerary to suit your school’s specific requirements. You can rest assured that you will have the full support of an experienced, specialist educational tour consultant to make the tour planning process as smooth and stress-free as possible. t 1SJDFT CBTFE PO HSPVQT PG TUVEFOUT BOE UFBDIFSTFTDPSUT USBWFMMJOH GSPN Melbourne, Sydney and Canberra t 5PVSDPTUTGPSHSPVQTUSBWFMMJOHGSPN"EFMBJEF #SJTCBOF 1FSUIBOESFHJPOBMBSFBT available on request t 'MFYJCMFHSPVQTJ[FT UPVSEBUFTBOEJUJOFSBSJFT UFBDIFSFTDPSUUPTUVEFOUSBUJP t .FBMTBTTQFDJGJFE.FBMT,FZ#CSFBLGBTU-MVODI%EJOOFS Airfares Airfares can be included as an option, either as one-way or return flights. -
Lller. in the Vat I ' ' '•• '
:flL STUFF # 7 1 Cover Z Contents lumber 7, September 1996 3 Editorial Hfirthur Chrenkoff, Marcus Salisbury, Marcus 4 Letters to the editor I .lustin Kerr, Crazy Doug .tting^and design: Uniuersity of Queensland Union 5 World according to Kent ^tions Deparlment^ A 6-7 Wildside 2 King: Kerrod Trott (041 117 4713) 8-9 Science-fiction 3: Australian Prouincial Newspapers 10-11 Forum redevelopment utors: Marcus Brown, Kent LUorsley, Justin lS-13 Time to kill ten from the Area 51, Marcus Salisbury, Michael 14 Secrets for sale t^Srthur Chrenkoff., Stephen Cameron, De ^ 15 In defence of irrationality "Mi*6, Francis flnog, Snoops, Rands, Ferns, Jeff 1 ^ " > . ' . • \ ^ 16-17 Caring Understanding an, e.black, Jesse Kappler, Tracy Morrison, Nineties Tjrpe .trrr'eil, P.Scptt, Chrjssa Georgiades, Rndi-eiU, ^ ^bcroft, F^.T., Chj-is Jabs, RndreW UJright, Daniel 18-19 Poetry- Ian, Craig^ Paula, Dan S;tone, Rfidy, JBK, Gilda 1 i • • I I / ' 20-21 Short stories t, Robert Bell, ^odi Ulilliahfis,tlizabeth Centrefold ' I ', '" y'^:> '-• • ]'' ' o, ' •' ^• " 22-23 — ^•Jl'TtWC:r fTSandra UJybroui, Suzanne Strong, Ross s < 24-25 Kan.dinsky VL, Dennis Gregg, Forrest Onion,iRose Fit^heilu, 26 Colleges Lller. In the vat I ' ' '•• ' . 27 •r Floreat" is a publication of the Uniuersity of 28 Theatre 4and Union. Vou'ue problems ujith 'at? President 29 Schonell ipmpson is responsible for euerything inside. s: Semper Floreat, UQ Union, St Lucia 4067 30-31 Film reviews ..tB7) 33772237 32-33 Book reviews V- UQ UNion ) (07)'33772220 34-35 CD reviews m around Lue mon't giue you any instructions ^fet to "Semper" by foot. -
DAVID WILLIAMSON Study Guide
What I Wrote David Williamson Teacher’s Notes Introduction This study guide to accompany What I Wrote: David Williamson has been written for senior secondary students. It provides information and suggestions for learning activities in English, Literature, Theatre Studies and Drama. What I Wrote: David Williamson is a DVD on Australian playwright David Williamson. Dr Tess Brady interviews Williamson and provides a critical introduction to The Removalists (1972), Don’s Party (1973), The Club (1978), Travelling North (1980), Gallipoli (1981) Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), The Great Man (2000), The Jack Manning Trilogy (2002), Soulmates (2003), and Influence (2005). The DVD also in� cludes an investigation of Williamson’s approach to writing for the stage. What I Wrote: David Williamson is one title from a series of DVDs spotlighting Australian playwrights. The series offers students information about the ideas and processes of the playwrights, as well as the opportunity to hear what the writers have to say about their work. Other titles available in the What I Wrote series include: Series 1: • What I Wrote: Matt Cameron • What I Wrote: Louis Nowra • What I Wrote: Hannie Rayson • What I Wrote: Katherine Thomson Series 2: • What I Wrote: Debra Oswald • What I Wrote: Andrew Bovell How to Buy the DVDs • What I Wrote: �������������oanna Murray������Smith The DVDs are available from Ronin Films at: http://www.roninfilms.com.au Find Out More Info Further information about the series and film trailers How to Buy the Play Scripts can be found at: http://www.whatiwrote.com.au or on The play scripts are available from Currency Press at: YouTube http://www.youtube.com/pinkcat1 http://www.currency.com.au/ About the Filmmakers Dr Tess Brady interactive websites and advertising.