May 2020 Newsletter
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DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
October 2016 to Saturday 12Th November 2016
FROM THE PRESIDENT Dear Friends, I am pleased to report that our new curtain mechanism has been installed. The curtain is now operated by the press of a button! In some ways it was sad to see the old pulley go as it had been a part of the Playhouse Theatre for so long. I was so relieved that the curtain itself didn't fall apart when it came down. The theatre is continually being improved. I would like to welcome Nick Lahey as a Rep director. This is his first play for Hobart Rep. Thank you to Nick cast and crew for their dedication to Up For Grabs. I look forward to seeing the fruits of their labours. President Liz “on duty” in the Box Office during the run of Something’s Afoot We thank our volunteers and supporters. We could not function without you. A SLICE OF THEATRE LIFE You never know who you’ll see at The Playhouse during a theatrical run. Top left, well known actor Jeff Michel selling programs. Top right, Hobart Rep Secretary, Tony Webb and below, Heather Chong, a most beloved Sponsor. (We LOVE our Sponsors!) UP FOR GRABS A Fast Paced Comedy and Maybe a Hint of Satire When Simone Allen, an exclusive art dealer, is given the opportunity to sell a Brett Whitely, her behaviour becomes highly questionable as the pressure mounts. Driven by greed and aesthetics, just how far will Williamson’s characters go when more than just a beautiful work of art is up for grabs in this sexy comedy of manners? A fast paced show about money, greed, unhappy couples and expensive art. -
Police Augment Services to Students SG Offices up for Grabs
. ·L~--·.-·•·.. 'D·, .. ·•. BY STEVE WELGOSS cally and socially," Interim Head Coach Jay Vidovich SPORTS EDITOR said. "He fit right into that His soccer program is a family." ' . Friday, September 2, 1994, started out just like any Vidovich entered the Deacon· program along with · other,day here on campus, with typical North Carolina Chyzowych in 1986 as the top assistant and has been rain coming down for most of the morning and after there ever since. noon. The black clouds.loomed ominous, the port~nt of "I have had a true mentoring situation," he said. "I've tragedy to come. been with the greatest sc;>ccer coach in America for nine Coincidence or not, Friday will years." forever be known as the day that Vidovich met Chyzowych through soccer courses claimed the life of Deacon men's and clinics and got to know hhn better while working soccer coach Walt Chyzowych. with him. Bob Ganzer, a former coach of the U.S. Chyzowych collapsed during a National Jearn with Chyzowych, recommended him tennis match at the Indoor Tennis for the assistant's job when he heard it was available. Center a short while after I p.m. Vidovich talked aboutthe presence that Chyzowych Assistance from Campus Police, had around people. "He was the main man around here the Student Health Center and · ineverybody's life," he said. "He was a legend. In that Emergency services wasimmedi~ sense he was also a regular guy. A lot of people in the· ately summoned, and he was trans" Wake Forest and Winston-Salem communities didn't ported to Baptist Hospital, where relilly know the greatness that he had._,,.,-~:+· "' ··" · .. -
Bhrett Mccabe Headlines Met PGA Fall Meeting, Special Awards Presentation & Fall Forum at Empire City Casino on October 26Th
October 01, 2016 Bhrett McCabe Headlines Met PGA Fall Meeting, Special Awards Presentation & Fall Forum at Empire City Casino on October 26th Our upcoming Fall Meeting & Fall Forum will be at Empire City Casino on Wednesday, Oct. 26th. The Fall Meeting enables the members to celebrate the 2016 season and review the activities of the Section and help set the course for the coming year with the election of officers and the Nominating Committee. In addition we will honor several of our 2016 Metropolitan PGA Special Awards winners at the close of the Fall Meeting including the following: Mike Diffley, Pelham Country Club (Horton Smith Award), Grant Turner, Siwanoy Country Club (Bill Strausbaugh Award), Bill Mackedon, Port Jefferson Country Club (Youth Player Development Award), Kirk Oguri, Greens at Half Hollow (Teacher of the Year), Ben Hoffhine, Wykagyl Country Club (Player Development Award), Paul Glut, Woodside Acres Country Club (Patriot Award), Bruce Zabriski, The Golf Scoreboard Company (Deacon Palmer Award), Sam Wiley, Wee Burn Country Club (Merchandiser-Private), Kevin Smith, Montauk Downs State Park (Merchandiser-Public) The Fall Forum will feature Dr. Bhrett McCabe, a former pitcher for the LSU Tigers, speaking to us about The Mindside and the science behind sports performance and psychology. Dr. McCabe is a Licensed Clinical Psychologist whose academic credentials, professional approach, and understanding of competing in high-pressure environments have served as a foundation for his rapidly growing practice and influence in the field. Dr. McCabe presently works with numerous players from the PGA and LPGA Tours, the developmental tours, serves as the sports and performance psychologist for the University of Alabama Athletic Department, and an NBA basketball team. -
The Effects of Satire and Farce in the Plays of David Williamson
i “Sugared Placebos”? The effects of satire and farce in the plays of David Williamson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Education Faculty of Human Development Victoria University By Elvira Sammut DipTeach(WASTC), BEd(ECU), MEd(ECU), LTCL(Drama) 2008 ii Declaration This Thesis contains no material which has been submitted for examination in any other course or accepted for any degree or diploma in any University. To the best of my knowledge and belief, it contains no material previously published or written by another person, except where due reference is made in the text Signed …………………………………………………………………………… Elvira Sammut. July 2008 iii This Thesis is dedicated to the memory of my Mother, Elena Suarez Gallagher Corbett, whose passion and vision instilled in me her love of reading and her deep belief in education. She travels with me. iv Acknowledgements I would like to express my thanks to Dr. Tarquam McKenna and Dr. Mary Weaven at Victoria University for supervising this thesis. I am very grateful for their generous support, constructive criticism, and many kindnesses. And for the sheer niceness of their manner. This thesis was commenced at Curtin University, Perth, Western Australia. Mention must be made of Dr. Donald Pulford and Dr. Paul Genoni who supervised the drafts of the early chapters. Thank you both. I am grateful to Dr. Felicity Haynes of University of Western Australia for her expertise, help and encouragement in enabling me to complete this project. I am also deeply indebted to Victoria University, Footscray, Victoria, for giving me the opportunity to complete this work. -
Up for Grabs Coprorate Vibes Playtexts 2.P65
i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), Corporate Vibes and Face to Face (both in 1999) and The Great Man (2000). Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
Now for Some COMING EVENTS Around Brisbane
lyt \s-V'i>: w T-t now for some COMING EVENTS around brisbane BRISBANE THIS MONTH-CULTURAL sented by K/G Productions directed by SEMPER SERIOUS SURVEY Do you regard Semper's coverage of EVENTS Hilary Moiton - Schonell Theatre, Uni- ve»i^ of (Queensland, St Luda - also Sat these areas adequate? If not, why not? THEPOrrER'SDEN. 173 Lattobc 20, Thuts 25, Fri 25, and Sat 2 7 April, at Tee. Paddington - (63 3664) - a continuing 8 pjh. - Adults $2; Students $1.20 - Rarely have there occurred attempts exhibition of potteiy by memben of the Bookings at SchoneU Theatre (711879) to gauge student response to and criticism Queondand Pottei's Association - Monday of this publication. However, such a time to Ftidajr, 10.30 ajn. to 2 pjn.: Sat, 10 a.m. AJB.C. ORCHESTRAL CONCERT - is now upon the University. We ask read to 12 noon; and Sun, 2 pjn. to 4 pjn. Sat 20 AptSl - 2nd Red-Series - Queensland ers to fiPin as completely as possible the Symphony Ordtestia conducted by Patrick following questionnaire and return it GEERBAUGH ART GALLERY, 418 Ann Xlioinas, widt Joseph Kalidistein (piano) Stieet a^ - (29 2727) - Display of abod- - Don Juan, (^. 20 by Stiamt; Piano either to Semper Office (first floor. Union ginal baikpaintings, weapons, etc by tribal Concetto No 22 in E flat, K 482 "by^ozart; Building), or to the Union Office counter. artists - Monday to Fiiiuy, 10 ajn. to 4 pjn. and Symphony No 12 by Shostakovich - - continuing into May. City Hall, Biisbane, at 8 pjn. - A Reserve 1. What is your general opinion of the Are there other issues/areas of inter $2.50; B Reserve $1.90; and C Reseive 1974 Publication? est you would like to see Semper cover QUEENSLAND ART GALLERY, $1.50 - Bookings at A.B.C. -
15 September 2010 (Extract from Book 13)
PARLIAMENT OF VICTORIA PARLIAMENTARY DEBATES (HANSARD) LEGISLATIVE ASSEMBLY FIFTY-SIXTH PARLIAMENT FIRST SESSION Wednesday, 15 September 2010 (Extract from book 13) Internet: www.parliament.vic.gov.au/downloadhansard By authority of the Victorian Government Printer The Governor Professor DAVID de KRETSER, AC The Lieutenant-Governor The Honourable Justice MARILYN WARREN, AC The ministry Premier, Minister for Veterans’ Affairs and Minister for Multicultural Affairs....................................................... The Hon. J. M. Brumby, MP Deputy Premier, Attorney-General and Minister for Racing............ The Hon. R. J. Hulls, MP Treasurer, Minister for Information and Communication Technology, and Minister for Financial Services.............................. The Hon. J. Lenders, MLC Minister for Regional and Rural Development, and Minister for Industry and Trade............................................. The Hon. J. M. Allan, MP Minister for Health............................................... The Hon. D. M. Andrews, MP Minister for Energy and Resources, and Minister for the Arts........... The Hon. P. Batchelor, MP Minister for Police and Emergency Services, and Minister for Corrections................................................... The Hon. R. G. Cameron, MP Minister for Community Development.............................. The Hon. L. D’Ambrosio, MP Minister for Agriculture and Minister for Small Business.............. The Hon. J. Helper, MP Minister for Finance, WorkCover and the Transport Accident Commission, Minister -
Ja Ck O F H E a R
David Williamson’s JACK OF HEARTS 29 JANUARY – 2 APRIL 2016 David Williamson’s JACK OF HEARTS PLAYWRIGHT AND DIRECTOR DAVID WILLIAMSON ASSISTANT DIRECTOR SUSANNA DOWLING CREW CAST DESIGNER EMMA ANNA GARDINER PAIGE GARDINER LIGHTING DESIGNER CARL MATTHEW MARSHALL PETER MOCHRIE SOUND DESIGNER KELLI ALISTAIR WALLACE CHRISTA NICOLA STAGE MANAGER STU DANI IRONSIDE CRAIG REUCASSEL WARDROBE COORDINATOR DENYS ALANA CANCERI BROOKE SATCHWELL ASSISTANT STAGE MANAGER (Secondment) NIKKI ERIN SHAW ISABELLA TANNOCK MAKEUP JACK PEGGY CARTER CHRIS TAYLOR RUNNING TIME: 2 HOURS 30 MINUTES INCLUDING INTERVAL DAVID WILLIAMSON – PLAYWRIGHT / DIRECTOR David Williamson has been and Washington (THE CLUB in 1979 and RUPERT in Australia’s best known and most 2013 at the Kennedy Center). UP FOR GRABS went widely performed playwright for on to a West End production starring Madonna in over forty years. His more than the lead role. David’s screen adaptations of his own fifty produced plays include THE REMOVALISTS, plays include THE REMOVALISTS, DON’S PARTY, DON’S PARTY, THE CLUB, TRAVELLING NORTH, THE CLUB, TRAVELLING NORTH, EMERALD CITY, THE PERFECTIONIST, SONS OF CAIN, EMERALD along with his original screenplays for feature films CITY, MONEY AND FRIENDS, BRILLIANT LIES, including LIBIDO, PETERSEN, GALLIPOLI, PHAR LAP, DEAD WHITE MALES, AFTER THE BALL, THE JACK THE YEAR OF LIVING DANGEROUSLY, and BALIBO MANNING TRILOGY, THE GREAT MAN, UP FOR (as co-writer) and for television he adapted ON THE GRABS, SOULMATES, SCARLETT O’HARA AT THE BEACH. David’s many awards include 12 Australian CRIMSON PARROT, NOTHING PERSONAL, WHEN Writers’ Guild Awards, 5 Australian Film Institutes’ DAD MARRIED FURY, MANAGING CARMEN, RUPERT, Award for Best Screenplay and, in 1996, the United CRUISE CONTROL and most recently DREAM Nations Association of Australia Media Peace Award. -
Odd Man out 19 January – 18 March 2017
DAVID WILLIAMSON’S ODD MAN OUT 19 JANUARY – 18 MARCH 2017 Odd Man Out - A5 Program v7.indd 1 20/12/16 2:22 pm DAVID WILLIAMSON’S ODD MAN OUT The action of the play takes place over a period of approximately 12 months. DIRECTOR ASSISTANT DIRECTOR MARK KILMURRY SAMANTHA YOUNG CAST CREW EMILY/POLLY ALICE DESIGNER GAEL BALLANTYNE LISA GORMLEY ANNA GARDINER RYAN EVAN/NEVILLE LIGHTING DESIGNER JUSTIN MATT MINTO CHRISTOPHER PAGE STEWART COTTA GARY/POLICE SOUND DESIGNER CARLA OFFICER ALISTAIR WALLACE RACHEL GORDON BILL YOUNG STAGE MANAGER DANI IRONSIDE WARDROBE COORDINATOR RENATA BESLIK SPECIAL THANKS: THOMAS KUZMA, TOM TUTTON AND JOSHUA DODD RUNNING TIME APPROX 2 HOURS INCLUDING INTERVAL THANK YOU FOR YOUR $2 DONATION, IT HELPS COVER THE PRODUCTION OF OUR PROGRAMS 02 9929 0644 • ensemble.com.au Odd Man Out - A5 Program v7.indd 2 20/12/16 2:22 pm DAVID WILLIAMSON – PLAYWRIGHT David Williamson is Australia’s best known and most widely performed playwright. Some of his more than forty-five produced plays include THE REMOVALISTS, DON’S PARTY, THE CLUB, TRAVELLING NORTH, THE PERFECTIONIST, SONS OF CAIN, EMERALD CITY, MONEY AND FRIENDS, BRILLIANT LIES, DEAD WHITE MALES, AFTER THE BALL, THE JACK MANNING TRILOGY, THE GREAT MAN, UP FOR GRABS, SOULMATES, SCARLETT O’HARA AT THE CRIMSON PARROTT, NOTHING PERSONAL, WHEN DAD MARRIED FURY, MANAGING CARMEN, CRUISE CONTROL, RUPERT, DREAM HOME and JACK OF HEARTS. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington (THE CLUB in 1979 and RUPERT in 2014 at the Kennedy Centre as well as a season at the Theatre Royal, Sydney). -
STUDY GUIDE: Don's Party
CurrenCy Press STUDY GUIDE The performing arts publisher www.currency.com.au DAVID WILLIAMSON’S DON’s PARTY by John McCallum . Introducing the play 1 2. The critics’ views 1 3. Questions for discussion 1 4. Further reading 1. Introducing the play detail which gives a ‘shock of recognition’ to audiences. All the trappings of an Australian Don’s Party arrived on the theatre scene in middle-class, trendy party are there: the beer, the Australia in 1972 with the same sort of impact Twisties, the home-made pizzas, the bawdy jokes that the character Cooley has when he arrives at and cracking-on by the men, the women talking the party in the play. It was energetic and fun; about their husbands in the corner (although it was exhilaratingly frank and, in the process, the details of their conversation were shocking gloriously obscene; and it deflated a lot of the to some in 1972) and the gradual decline into pretensions of the new young professionals who drunken argument. The play caused a national came to the theatres and who are represented in wave of confession by people who said that they’d the play. Above all, for the critics and audiences been to parties just like that. at the time at least, it was Australian. As the The characters are, or were, a perfect selection critic H.G. Kippax said, ‘There isn’t a line, and not a of types of a certain class of Australians. They character, that hasn’t the ring—just off-key—of represent the new professional class of teachers, one part of Australia, larger than life.’ psychologists, lawyers and others whom one This accurate social observation of Australian social commentator has called ‘sons of ocker’. -
Idealism Versus Conservatism in Australian Theatre and Politics At
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Southern Queensland ePrints Facing Reality: Idealism versus Conservatism in Australian Theatre and Politics at the Turn of the Twenty-First Century. PhD Dissertation Ben Payne, BA (Hons). Abstract This dissertation aims to provide an analysis of mainstream Australian playwriting at the turn of the 21st Century. It will argue that mainstream theatre in the 1990s and early 2000s in many ways reflects the concurrent national political developments, in particular the revision of many of the dominant ideals of previous eras, such as those of the sixties. In this dissertation, I will attempt to outline briefly some of the hallmarks of the theatre of the New Wave, and their relation to the broader social movements occurring in Australia at the time. I will trace the beginnings of disillusionment and revising of these ideals in the late seventies and early eighties. The majority of the argument will then discuss the ways in which early nineties theatre engages with and frequently rebuts these earlier ideals, just as nineties politics saw a revision of many of the ideals of the sixties in society as a whole. I will argue that in the latter nineties, mainstream playwrights begin to reverse this conservative shift, reinstating a number of the ideals of the earlier period. I will demonstrate that Australian mainstream theatre at the turn of the century is integrally related to the politics of the society of the time, and that mainstream theatre demonstrates both radical and conservative tendencies through the period under consideration.