DOCSLIB.ORG

Alternativo 6 Quinta.Qxp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alternativo 6 Quinta.Qxp 6 Alternativo O Estado do Maranhão - São Luís, 4 de junho de 2015 - quinta-feira Fotos/Divulgação Direção Muse “Não faço disco O diretor Clint Eastwood O Muse revelou mais só para cumprir vai dirigir um filme duas música do tabela, para sobre a história do próximo álbum da piloto Chesley "Sully" banda, “Drones”, cujo entrar na lógica Sullenberger, que em lançamento está do mercado” 2009 fez um pouso de agendado para emergência no rio amanhã na Europa. “Reapers”, divulgada Hudson, em Nova York, com um lyric vídeo de salvando a vida de acompanhamento, 155 passageiros e traz o Muse tocando tripulantes após uma pesado, com o pane no avião. vocalista Matt O anúncio foi feito Bellamy cantando Maria Gadú, cantora e terça-feira por Greg sobre falsos governos, compositora sobre o Silverman, presidente da agências de inteligência e a alienação desumana de novo álbum, “Guelã” Warner Bros Pictures. máquinas mortíferas comandadas por controle remoto. Hoje é dia de... Luar entre as cortinas Joaquim Itapary edutora e faceira, a lua abre seu imenso que rescendem os cheiros de sargaços do mar, bem provável que algumas nuvens desagarra- Ah, é isso mesmo. Se te demoras, decerto te olho amarelo por entre as cortinas da mi- onde lavo meu sexo e enxaguo meus cabelos, das, invejosas do meu bem querer, ancestral estarás condenado a um mês de desencanto e S nha janela como se desejasse anunciar- pede a bebida preferida, uns camarões fritos e preito que os homens me devotam, ponham somente me terás à tua mercê após se preenche- me: ô cara, hoje estou cheia, empanzinada de rem de restaurada luz as curvas pontas do meu luz até no mais profundo da minha mais sotur- diadema, que, tímidas, despontarão de novo no na cratera e tu ficas aí sentado, diante de uma crescente. Entretanto, tu terás apenas a compai- máquina? Não te esqueças da advertência da- Vai, aperta o passo, abre teu coração deixa xão de estrelinhas do meu séquito, de cintilações quele sacerdote, perito no desvendamento dos fugazes, inexperientes ninfas do amor. sortilégios dos astros, de que nesta terra dos ma- que transbordem as espumas do teu copo, Vai, aperta o passo, abre teu coração deixa ranhões até o sol mente. Portanto, não te confies que transbordem as espumas do teu copo, dou- em que estarei eternamente solta nesta imensi- douradas da minha luz radas da minha luz. Umedece os teus lábios e dão azul a iluminar tuas noites, desimpedida e oferece à tua amada o doce e misterioso beijo livre, absolvida do perpétuo fadário cósmico, en- desta noite de mel. Então, hoje gozarás os favo- tregue a teus caprichos. Levanta-te, rápido, ves- te demora a olhar para mim, enamorada e ter- negra fumaça em teus olhos e percas a opor- res femininos de dupla companhia no teu leito te uma camisa listrada e corre para a praia, on- na criatura entregue à tua vontade. Nada fales, tunidade de convidar-me para a tua cama. de percal e te esquecerás do quanto doem as de estarei desnuda para ti. É bem aí; é pertinho. nem pisques sequer, que logo estarei alta, sem Pois,bem sabes que dia de muito sempre será dores intensas da solidão. Assenta-teà mesa de um desses barzinhos mais esteiros de luz sobre o mar, sendo até véspera de pouco. [email protected] Fotos/Divulgação Cancelada Disco Rápidas Não será dessa vez que a cantora Sinéad O'Connor fará a primeira O líder e vocalista do Blur, Damon Albarn, incorpora o sorvete aparição dela em palcos brasileiros. Esperada para a realização de que ilustra a capa do novo disco da banda, “The Magic Whip”, no quatro shows pelo país em junho deste ano, a artista teve de recém-lançado videoclipe de "Ong Ong", faixa do mesmo álbum. cancelar os compromissos. O motivo, segundo comunicado Ele e os companheiros de grupo, Graham Coxon, Alex James e publicado pelos organizadores do show, foi um sério problema de Dave Rowntree, os três fantasiados - aparentemente - de saúde com o filho de 11 anos da cantora, que teria sido insetos, são os “chefões” de fase de um jogo de videogame aconselhada pelos médicos a permanecer ao lado dele no hospital. retrô, nos moldes de Super Mário.The Magic Whip é o primeiro "Sinéad se desculpa profundamente e espera poder reagendar um disco do Blur em 12 anos e com ele os britânicos estão novo tour pela América do Sul assim que seu filho estiver atualmente na estrada. No início de maio, eles se apresentaram recuperado", diz o comunicado. em Nova York, fato que não acontecia desde 2000..
Load more

Recommended publications
  • Blur 13 Mp3, Flac, Wma
    Blur 13 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 13 Country: Canada Released: 1999 Style: Brit Pop MP3 version RAR size: 1778 mb FLAC version RAR size: 1736 mb WMA version RAR size: 1610 mb Rating: 4.5 Votes: 119 Other Formats: AIFF VOC VOC MP2 TTA WAV RA Tracklist Hide Credits Tender 1 7:40 Choir – London Community Gospel Choir 2 Bugman 4:47 3 Coffee & TV 5:58 4 Swamp Song 4:36 5 1992 5:29 6 B.L.U.R.E.M.I. 2:52 Battle 7 7:43 Drums [Additional] – Jason Cox 8 Mellow Song 3:56 Trailerpark 9 4:26 Producer – Blur 10 Caramel 7:38 11 Trimm Trabb 5:37 12 No Distance Left To Run 3:27 13 Optigan 1 2:34 Companies, etc. Phonographic Copyright (p) – EMI Copyright (c) – EMI Marketed By – S.B.A./GALA Records, Inc. Distributed By – S.B.A./GALA Records, Inc. Licensed From – EMI Music Manufactured By – ООО "Си Ди Клуб" Credits Artwork – Graham Coxon, Hans Jenny, Keith Albarn Bass – Alex James Composed By – James*, Albarn*, Rowntree*, Coxon* Drums – Dave Rowntree Engineer – Jason Cox, John Smith (tracks: 1 to 8, 10 to 13), William Orbit (tracks: 1 to 8, 10 to 13) Engineer [Assistant] – Addi 800, Gerard Navarro, Iain Roberton Guitar – Graham Coxon Lyrics By – Albarn* (tracks: 1, 2, 4 to 13), Coxon* (tracks: 1, 3) Producer – William Orbit (tracks: 1 to 8, 10 to 13) Programmed By [Pro-tools] – Damian LeGassick, Sean Spuehler Vocals – Damon Albarn, Graham Coxon Notes 8 page fold out booklet Barcode and Other Identifiers Barcode (Text): 5 099920 608521 Barcode (Scanned): 5099920608521 Matrix / Runout: 2060852 Mastering SID Code: IFPI LW80
    [Show full text]
  • Blur 13 Mp3, Flac, Wma
    Blur 13 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: 13 Country: Japan Released: 2012 Style: Alternative Rock, Lo-Fi, Indie Rock, Experimental MP3 version RAR size: 1597 mb FLAC version RAR size: 1382 mb WMA version RAR size: 1131 mb Rating: 4.7 Votes: 836 Other Formats: MP4 RA WMA APE FLAC MMF VOC Tracklist Hide Credits Disc 1 - '13' 1-1 Tender 7:40 1-2 Bugman 4:48 1-3 Coffee & TV 5:58 1-4 Swamp Song 4:36 1-5 1992 5:29 1-6 B.L.U.R.E.M.I. 2:52 1-7 Battle 7:43 1-8 Mellow Song 3:56 1-9 Trailerpark 4:26 1-10 Caramel 7:38 1-11 Trimm Trabb 5:37 1-12 No Distance Left To Run 3:28 1-13 Optigan 1 2:34 Disc 2 - '13' Bonus Material From 'Tender' Single (February 1999) 2-1 French Song 8:20 2-2 All We Want 4:32 2-3 Mellow Jam 3:56 From 'Coffee & TV' Single (June 1999) X-Offender (Damon/Control Freak's Bugman Remix) 2-4 5:38 Remix – Control Freaks , Damon Albarn Coyote (Dave's Bugman Remix) 2-5 3:50 Remix – Dave Rowntree Trade Stylee (Alex's Bugman Remix) 2-6 5:58 Remix – Alex James , Ben Hillier Metal Hip Slop (Graham's Bugman Remix) 2-7 4:16 Remix – Graham Coxon From 'No Distance Left To Run' Single (November 1999) 2-8 So You 4:11 2-9 Beagle 2 2:54 Tender (Cornelius Remix) 2-10 5:23 Remix – Cornelius Far Out (Beagle 2 Remix) 2-11 3:57 Remix – Alex James , Ben Hillier Bonus Track To Japanese Version Of '13' 2-12 I Got Law (Demo) 2:42 From 'Music Is My Radar' Single (October 2000) 2-13 Music Is My Radar 5:29 2-14 Black Book 8:30 Previously Unreleased 2-15 Caramel (Remix) 4:52 Notes The expanded special edition.
    [Show full text]
  • Henrik Tuxen
    Henrik Tuxen Foredrag & Førstehåndsfortællinger 1 Musik kan rumme alt 'Den som kun ta’r spøg for spøg, og alvor kun alvorligt, han og hun har faktisk fattet begge dele dårligt'. Piet Heins klassiske citat, er - oprindeligt ubevidst - blevet en slags rød tråd, både fagligt som personligt. I mit journalistiske arbejde og som levende, reflekterende menneske. Jeg søger instinktivt en balance mellem det befriende grin, den lette, uhøjtidelige tone, og så at ramme noget med tyngde, mening og dybde, på en måde så begge supplerer hinanden, og man ikke nødvendigvis kan skelne, hvad som er hvad. Som jeg sagde til min søn; 'Når noget bliver for pænt og alvorligt, bliver jeg simpelthen nødt til at sige noget åndssvagt’, og hvis tonen bliver anstrengt positiv og overfladisk, stikker jeg instinktivt i dybden.' Den form for dynamik og nysgerrighed, en slags djævelens advokat, der har det med at vende ting på hovedet, tror jeg, er beskrivende for hvem jeg er, og hvordan jeg tænker og reflekterer, og den måde jeg arbejder, skriver, interviewer og holder foredrag på. Musik som brobygger Så kan musikken noget helt unikt. Den kan indkapsle og definere tid og epoker, såvel fungere som billede på den samtid den opstår i, som lydspor til hvert enkelt menneskes livsforløb. Musik kan samle og forene folk fra vidt forskellige kulturer, opfattelser og orienteringer i fælles glæde, hvor oplevelsen samtidigt er både kollektiv og helt individuel,. Det gælder fra alverdens subkulturer til Roskilde Festival. Noget der er blevet mere, og ikke mindre, væsentligt og aktuelt. Som på en af mine sidste opgaver i forbindelse med åbningen af prestige-projektet, det 50 millioner kroner, dyre Nordic Museum i Seattle, der er led i et større dansk/amerikansk kulturfremstød initieret af Kunststyrelsen.
    [Show full text]
  • The Smiths' Producer Shares His Hit- Making Secrets
    Let us know you We use cookies to give you the best online Accept agree to cookies experience. Please let us know if you agree to all of these cookies. Reject Home UK World Business Politics Tech Science More The Smiths' producer shares his hit- making secrets By Paul Glynn Entertainment & arts reporter 11 February 2020 Entertainment & Arts MAX KNIGHT Stephen Street, the man behind classic records by The Smiths, Blur, The Cranberries and more, will be honoured with the outstanding achievement award at this month's Music Producers Guild Awards . "I do hope it doesn't mean they're putting me out to pasture!" jokes the Brit and Grammy-winner, who is currently working on a new Chrissie Hynde record. "It's funny," he continues. "When I started working as an assistant at Island Records in the studio in the basement back in the 80s, if someone had said to me, 'You're going to get to 2020 and you'll get an award' I would've bitten their hand off." Before he commits such an atrocious act of cannibalism, we asked the 59-year- old to let us in on some of the trade secrets of producing a hit pop record. It's as much about managing egos as recording sounds GETTY IMAGES Recording technology has changed radically since Street's early days in that basement, "demystifying" the process along the way - but the emotional needs of musicians have remained largely the same: They are human and they need to be loved. The producer's job, Street says, is largely "getting the best out of an artist" by "making them feel special".
    [Show full text]
  • Blur the Great Escape Mp3, Flac, Wma
    Blur The Great Escape mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Great Escape Style: Brit Pop MP3 version RAR size: 1695 mb FLAC version RAR size: 1748 mb WMA version RAR size: 1104 mb Rating: 4.8 Votes: 507 Other Formats: MP3 AA XM RA AU WAV DXD Tracklist Hide Credits 1 Stereotypes 3:10 2 Country House 3:57 3 Best Days 4:48 4 Charmless Man 3:35 5 Fade Away 4:19 6 Top Man 4:00 The Universal 7 3:59 Backing Vocals – Angela Murrell, Teresa Jane Davis* 8 Mr.Robinsons' Quango 4:01 9 He Thought Of Cars 4:16 10 It Could Be You 3:12 Ernold Same 11 2:07 Narrator – The Right On Ken Livingstone* 12 Globe Alone 2:23 13 Dan Abnormal 3:24 14 Entertain Me 4:19 Yuko And Hiro 15.1 3:49 Vocals [Additional] – Cathy Gillat 15.2 Untitled 1:01 Credits Bass Guitar – Alex James Cello – Ivan McCermony* Design – Stylorouge, London* Drums – Dave Rowntree Electric Guitar, Acoustic Guitar, Banjo, Backing Vocals, Saxophone [Occasional Saxophone] – Graham Coxon Engineer – John Smith Engineer [Assistant] – Julia Gardner, Tom Girling Handclaps [Pub Hand-claps] – Stephen Street Handclaps [Pub Hand-claps], Chorus [Pub Choruses] – Alex*, Damon*, Dave*, Graham* Lyrics By [Songs] – Albarn* Management [Studio Management] – Jason Cox Music By [Recordings] – James*, Albarn*, Rowntree*, Coxon* Producer – Stephen Street Saxophone – Simon Clarke , Tim Sanders Trombone – Neil Sidwell Trumpet – Roddy Lorimer Viola – John Metcalfe Violin – Louisa Fuller, Rick Koster Vocals, Piano, Organ, Synthesizer [Synthasizers] – Damon Albarn Notes Packaged in a jewel case with a black tray.
    [Show full text]
  • Music Streaming Inquiry
    Written evidence submitted by Anna Neale Music Streaming Inquiry Introduction Anna Neale: I’m a singer/songwriter, composer, session vocalist, producer, and lecturer in music. I’ve toured the world, released three albums and two EP’s independently, to critical acclaim, written songs for other artists, radio and TV advertising, and provided vocals for many TV animations, songs, and adverts. I’ve worked in the music industry professionally for twenty years. My most recent album Wide Sky, received a 5-star review in national music magazine RnR. (Rock n Reel). Much of my current commercial work is commissioned by Global Media (Capital, Radio X, Heart, and Classic FM). My co-writing credits include Dave Rowntree (Blur), John Wozniak (Marcy’s Playground), Jez Larder (David Bowie, Estelle, Amy McDonald), and Canadian songwriter Justin Gray (Joss Stone, Avril Lavine, James Bay). As a music industry professional I’m an elected member of The Ivors Academy Songwriter Committee and The Equality, Inclusion, and Diversity Committee (EID) (formally the British Academy of Songwriters, Composers, and Authors / BASCA), and a member of the Writers Committee for the Musicians Union. I have also been part of Award committees for The Ivors Academy. In 2019 I was one of the first mentors for the SheGrows mentoring scheme in partnerships with the Musicians Union and SheSaidSo. I seek to drive change in the music industry, utilising my networks to support and represent the Independent sector. As well as my composing and performing credits I am also a lecturer in Music Business and Music Production at the University of Kent and a Post Graduate Researcher at Birmingham City University.
    [Show full text]
  • When I Was Sixteen I Wanted to Be Graham Coxon When I Was Sixteen I Wanted to Be Graham Coxon
    When I was Sixteen I wanted to be Graham Coxon When I was Sixteen I wanted to be Graham Coxon Adam Crosland Copyright (c) Adam Crosland 2014 The right of Adam Crosland to be identified as the author of the work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this publication may may be reproduced without prior written consent of the author. Some names and identities have been changed to protect the privacy of the individuals involved. Pond Life Press 2014 www.adamcrosland.com For Dan, Nath and Al 1 When I was sixteen I wanted to be Graham Coxon. All of my friends wanted to be Noel Gallagher, but I just didn't like Noel, or Oasis. Graham was different. He wore geek glasses, odd t-shirts and made a racket on the guitar. Graham was ace. Blur were clever and cool. The first time I took notice of Graham was when their eponymously titled fifth album 'Blur' came out. To be honest, I hated Blur up until them, cos I thought they were too laddy and poppy and everyone liked 'em. They were for the masses. I was a Prince fan, and a proud elitist as he was unpopular with all my teenage mates because he looked a bit gay. And so what if he was. But he wasn't gay. He talked about (vaginal) sex all the time and played mean guitar. But they didn't know that. Anyway, back to Graham. So there Blur were – and they'd changed.
    [Show full text]
  • Shelly Poole Flowering out of the Attic
    AUTUMN 2005 a women in music compendium wears the trousers shelly poole flowering out of the attic diane cluck antifolk’s latest next big thing rockin’ the cradle how kids’ music is growing up plus: pooka beth hirsch rickie lee jones & kamila thompson 40+ in-depth reviews of björk, the fiery furnaces, tori amos, sons & daughters and more... welcome to... wears the trousers “The only way that we’re going to get a wears the trousers good album from [Tori Amos] in this day www.thetrousers.co.uk and age is if someone has the decency to abduct and kill her daughter.” 101 Hornsey Lane London N6 5LW So wrote Stylus Magazine’s associate +44 (0)20 8347 9161 UK editor Dom Passantino earlier this [email protected] year when ‘reviewing’ The Beekeeper, sparking off a furious reaction from fans and non-fans Editor Alan Pedder alike. It also expediated the birth of this, the very first issue of Wears The Trousers. Though such a profound lack Associate Editors of respect or compassion might be considered extreme by Stephen Collings Helen Griffiths anyone’s standards, the existence of a misogynystic ethos Rod Thomas in the music press is difficult to deny. Of course, there are always exceptions, particularly in the US where publica- Wears The Trousers is a completely free, not-for-profit, tions like Venus, ROCKRGRL and a number of others are blood, sweat and tears included setting things to rights. In the UK, however, the coverage of resource for all that is new, female musicians in the press is limited at best.
    [Show full text]
  • Britpop's Common People – National Identity, Popular Music and Young
    Britpop's Common People – National identity, popular music and young people in the 1990's Claudia Lueders Doctor of Philosophy (PhD), Royal Holloway, University of London 18th November 2016 Declaration of Authorship I (Claudia Lueders) hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 | P a g e Britpop's Common People – National identity, popular music and young people in the 1990's Abstract: The thesis discusses the significance of Britpop’s representation of British identity for British youth and their attitude towards British identity in the 1990’s. Taking issue with the dominant academic critique of Britpop as an ‘assertion of white, male, heterosexual Englishness’ (Bennett and Stratton, 2010, p.6; Percival, 2010; Hawkins, 2010; Whiteley, 2010) the thesis argues that Britpop’s representation of national identity was more complex and ambiguous than previously suggested by academia and that Britpop’s positive attitude towards Britain and its nostalgic image of British identity needs to be interpreted as a cultural critique of social, economic and political changes in the United Kingdom in the 90s. The concepts of ‘Imagined communities’ (Anderson, 1983) and of ‘Banal nationalism’ (Billig, 1995) are used as a starting point to explore the significant role of young people and popular music for the construction and reproduction of national identity. Drawing on a qualitative textual analysis of Britpop lyrics, album reviews, and mainstream media coverage alongside data collected from qualitative interviews/surveys with musicians, PR agents, journalists, and fans, it also discusses how national identity is constructed and maintained through cultural references in popular music and related media discourses.
    [Show full text]
  • La Discomòbil Rovellada De Blur Al Primavera Sound
    Cultura i Mitjans | Carles Batalla/Parc del Fòrum | Actualitzat el 25/05/2013 a les 11:12 La discomòbil rovellada de Blur al Primavera Sound El cantant de Blur, Damon Albarn, al Primavera Sound Foto: ACN Deu anys després de la seva darrera visita a Barcelona i de la seva última petjada discogràfica, Blur es presentava al Primavera Sound com una oportunitat per assegurar que el seu retorn va més enllà d'una trobada per interessos econòmics i que el seu llegat té vigència. De la primera qüestió en queda el dubte i de la segona, un trist desencís. El concert d'aquesta matinada al Fòrum a càrrec d'un dels tres puntals del britpop (juntament amb Oasis i Pulp) va reunir tots els ingredients d'un fiasco: so deplorable, descoordinació entre membres de la banda, una veu desafinada que no entrava a temps, guitarres distorsionades, sorolls eixordadors, un criteri erroni en el repertori i, sobretot, la sensació del vull i no puc, d'un passat que pren forma d'ombra allargassada. Amb uns quants quilos de més i un aspecte físic a mig camí entre un boxejador retirat i un hooligan d'un bar decrèpit de suburbi (la seva dent de plata augmentava la caricatura), Damon Albarn (ja lluny del divertimento insuls del projecte Gorillaz) va encetar la vetllada amb "Girls and boys", que va sonar com un hit passat de moda en una discoteca de la costa farcida d'estrangers a altes hores de la matinada. O com aquella discomòbil infernal que serveix d'entreteniment a un barri en una revetlla de Sant Joan.
    [Show full text]
  • P36-37 Layout 1
    lifestyle MONDAY, MARCH 16, 2015 GOSSIP Charli XCX plots world domination harli XCX wants to take over the world. The ‘Boom Clap’ hitmaker - who has how this world works now, and I’m not going to let people walk all over me.”I feel Cworked with the likes of Iggy Azalea, Rita Ora and Gwen Stefani - is keen to blessed to be in this position and I’ve made so many great relationships.” The keep pushing boundaries in her own career, as well as penning pop hits for ‘Fancy’ star credits Swedish pop star Robyn with giving her the best piece of career other artists. Asked what the future holds, she said: “I just want to be continuously advice she has heard. She told Grazia magazine: “We’d just had this epic dance-off making killer songs and mind-blowing videos, as well as writing for other artists.”I in Australia, she is an insane dancer, and I was feeling a bit down and insecure.”She want to change the musical landscape. I think the overall plan is to take over the said, ‘you’ve just gotta be yourself and be nice to everybody because that’s why world. That’s basically it.” The 22-year-old singer has been performing since she people think you’re cool.’ “ was 14 years old and thinks she “deserves” her global success because she has worked so hard she said: “Now that it’s here, I feel like I really deserve it. I know Carey begins recording new album ariah Carey is back in the studio.
    [Show full text]
  • Prospectus 2020 • 2021
    PROSPECTUS 2020 • 2021 icmp.ac.uk Inspiring education for your music career icmp.ac.uk ICMP PROSPECTUS 2020 • 2021 Welcome to ICMP All aspiring musicians need a serious and experienced partner in order to realise their personal goals and ambitions. We’ve developed our provision over 30 years to ensure that, as an ICMP graduate, you’ll enjoy a number of significant advantages as you start out on your chosen musical career path. 06 About ICMP 14 London: music capital of the world 18 What ICMP can offer you 40 Our courses 64 How to apply 4 Prospectus 2020•2021 50 BA (Hons) Creative Music Production 14 London: music capital of the world 18 A collaborative environment “The teachers are legends! They are motivating, challenging, supportive and passionate in what they do and how they teach.” Masters (MMus) in Popular Music Performance 52 PABLO TATO Guitar, BMus degree icmp.ac.uk 5 Our mission We inspire, encourage and equip our students to succeed by delivering relevant and innovative education of the highest quality. For over 30 years, students OUR LONDON LOCATION have been choosing ICMP as ICMP is located in London, at the heart of the the starting point for their global music industry, giving you unrivalled opportunities to showcase your talent and build careers – and you can too! that all-important network. Visit us online or attend one of our Open Days or Backstage PERSONALISED TEACHING AND LEARNING Pass Tours to find out more. ICMP class sizes are small. Advice and support are available at all stages of each course, providing you with opportunities to tailor your own learning to meet your personal needs.
    [Show full text]