A Star Called Henry
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Irish Film Institute What Happened After? 15
Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema. -
A Star Called Henry
Königs Erläuterungen und Materialien Band 483 Erläuterungen zu Roddy Doyle A Star Called Henry von Hans-Georg Schede übersetzt von Julia Bee Über den Autor der Erläuterung: Hans-Georg Schede, geboren 1968, studierte in Freiburg Germa- nistik sowie Anglistik und promovierte mit einer Werkmono- graphie über den Gegenwartsautor Gert Hofmann (1999). Er hat Unterrichtsmodelle zu Heinrich von Kleist, Gert Hofmann sowie Charlotte Kerner und zahlreiche Erläuterungsbände zu Werken des schulischen Lektürekanons verfasst (u. a. zu Goethe, Schiller, Kleist, Büchner, Fontane, Thomas Mann, William Faulkner, Alfred Uhry und Harper Lee). Weitere Bücher: eine Biographie über Die Brüder Grimm (2004, Neuausgabe 2009) und den Band Heinrich von Kleist in der Reihe „rowohlts monographien“ (2008). Hans-Georg Schede hat als Buchredakteur und Gymnasiallehrer gearbeitet und lebt mit seiner Familie in Freiburg. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung einges- cannt oder gespeichert und in ein Netzwerk eingestellt wer- den. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. 1. Auflage 2010 ISBN: 978-3-8044-1888-2 © 2009 by Bange Verlag, 96142 Hollfeld Alle Rechte vorbehalten! Titelabbildung: Roddy Doyle © Isolde Ohlbaum [Foto verfremdet] Druck und Weiterverarbeitung: Tiskárna Akcent, Vimperk 2 Inhalt Preface -
Catalogue 42 Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 C OURTWOOD B OOKS 1 A
Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 C OURTWOOD B OOKS 1 A. E. (Russell, George). Ireland and the Empire at the Court of Conscience. €35.00 ood tw r The Talbot Press, Dublin 1921. 1st separate edition. Post 8vo. (1) + 2-16 pp. Integral u o s k o C o s b Phone: 057 8626384 Courtwood Books, wrapper title. A few small chips & last page somewhat soiled, else a good clean [U.K. 00 353 57 8626384] Vicarstown, copy. Scarce. Denson 42. First published in the Manchester Guardian in September 1921. Email: [email protected] Stradbally, 2 A. E. (Russell, George). The Avatars - A Futurist Fantasy. €65.00 Website: courtwoodbooks.ie Co. Laois. Macmillan, New York 1933. 1st US edition. Crown 8vo. viii + 188 + (2 advts) pp. Blue cloth with lettering in gilt. Trace of rubbing at cover extrems, else a very nice bright copy. Denson A52a. Fifteen hundred copies printed. CATALOGUE 42 3 (Agriculture interest). Stephens, Henry. A Manual of Practical Draining. €75.00 William Blackwood, London 1847. 2nd edition, corrected & enlarged. Medium 8vo. The codeword for this catalogue is "KINCH" which means "please send from xvi + 160 + 8 advts pp. Numerous in-text illustrations throughout. Original green catalogue 42 the following item(s) ..." cloth with paper label on front panel. A very nice clean copy with just a little wear on cover extrems. Scarce in this condition. 4 Allen, F. M. (Downey, Edmund). From the Green Bag. €60.00 The books are described, and faults where they exist, are noted as accurately as Ward & Downey, London 1889. -
CU/FS 260 IRISH CULTURE THROUGH FILM IES Abroad Dublin
CU/FS 260 IRISH CULTURE THROUGH FILM IES Abroad Dublin DESCRIPTION: This course examines the role of film in the construction of Irish cultural identity and notions of Irishness. We will discuss key themes and cinematic representations of Ireland and the Irish and the development of cinematic genres in Irish filmmaking over time. We will explore the evolution of Ireland on film – from early representations of Ireland and the Irish by U.S. and British filmmakers to the emergence of an indigenous Irish film industry in the 1970s and 1980s to contemporary Irish film. CREDITS: 3 credits CONTACT HOURS: 45 hours LANGUAGE OF INSTRUCTION: English METHOD OF PRESENTATION: • Seminars • Film Screenings • Class Discussions • Student Film Reviews/Analyses • Course-related trip to the Irish Film Institute REQUIRED WORK AND FORM OF ASSESSMENT: • Participation - 10% • Mid-term evaluation - 30% • Final evaluation - 30% • Written assignments - 30% Participation 10% of students’ final grade will be awarded for class participation and active engagement with class readings and discussions. Mid-term Evaluation Students will complete a 2000 to 2500 word paper on foreign filmmakers’ cinematic representations of Ireland – 30% of final grade. This take home assignment will be due in Week 6. Final Evaluation Students will complete a final 2000 to 2500 word paper on contemporary Irish filmmakers’ cinematic representations of Ireland – 30% of final grade. This take home assignment will be due in Week 12. Written Assignments Students will complete two written films reviews/analyses of 500 to 800 words (15% of final grade per review – due in Weeks 4 and 10), which they will also present to class – 30% of final grade. -
Irelands: Migration, Media, and Locality in Modern Day Dublin
Imagining Irelands: Migration, Media, and Locality in Modern Day Dublin by Aaron Christopher Thornburg Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Naomi Quinn, Supervisor ___________________________ Lee D. Baker ___________________________ Katherine P. Ewing ___________________________ John L. Jackson, Jr. ___________________________ Suzanne Shanahan Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2011 ABSTRACT Imagining Irelands: Migration, Media, and Locality in Modern Day Dublin by Aaron Christopher Thornburg Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Naomi Quinn, Supervisor ___________________________ Lee D. Baker ___________________________ Katherine P. Ewing ___________________________ John L. Jackson, Jr. ___________________________ Suzanne Shanahan An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2011 Copyright by Aaron Christopher Thornburg 2011 Abstract This dissertation explores the place of Irish-Gaelic language (Gaeilge) television and film media in the lives of youths living in the urban greater Dublin metropolitan area in the Republic of Ireland. By many accounts, there has been a Gaeilge renaissance underway in recent times. The number of Gaeilge-medium primary and secondary schools (Gaelscoileanna) has grown throughout the 1990s and into the twenty-first century, the year 2003 saw the passage of the Official Languages Act (laying the groundwork to assure all public services would be made available in Gaeilge as well as English), and as of January 2007 Gaeilge has become a working language of the European Union. -
Westminsterresearch
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by WestminsterResearch WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch The migrant in contemporary Irish literature and film: representations and perspectives Aisling McKeown School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2013. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE MIGRANT IN CONTEMPORARY IRISH LITERATURE AND FILM: REPRESENTATIONS AND PERSPECTIVES AISLING MCKEOWN A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2013 2 Abstract The transition from the twentieth to the twenty-first century saw Ireland transformed from a homogeneous emigrant nation into a multi-cultural society. A growing body of contemporary Irish literature and film is engaging with the reality of multi-cultural Ireland and representing the challenges of migrant life from a variety of perspectives. -
Hampstead Theatre Announces Full Casting for the World Premiere of the Strange Death of John Doe
Press Release 23 April 2018 Hampstead Theatre announces full casting for the world premiere of The Strange Death of John Doe THE STRANGE DEATH OF JOHN DOE Directed by Edward Hall Written by Fiona Doyle Designed by Michael Pavelka Lighting by Matthew Haskins Sound by Chris Murray 25 May – 30 June 2018 Press Night Tuesday 5 June 7.45pm ‘I mean, where does a person begin and end, and when did they stop being a person?’ Hampstead Theatre presents the world premiere of Fiona Doyle’s The Strange Death of John Doe, inspired by real events. This powerful and poignant new play is a Hampstead Theatre commission and a finalist for The Susan Smith Blackburn Prize 2018. It will be directed by Artistic Director Edward Hall and the cast includes Damola Adelaja, Charlotte Bradley, Benjamin Cawley, Callie Cooke, Maynard Eziashi, Nick Hendrix, Rhashan Stone and Abigail Thaw. London – the present day. The unidentified body of a young man with fatal head injuries is found face down in a suburban street. Who is he and where did he come from? He has no ID and nobody witnessed anything. It’s as if he has just fallen from the sky… Clinically named as ‘John Doe’, the pathologists must uncover the truth and piece his story – and body – back together. A breakthrough sends DC John Kavura into overdrive for answers and as his investigation unravels, he discovers a haunting story of our time. Damola Adelaja plays Felipe/Airport Security/Aviation Official. Theatre work includes Parliament Square (Bush/Royal Exchange); The Immigrant (Rich Mix/British Library); Under Dark Skies (Talawa); Our Country's Good (St James’, Out Of Joint); A Drop to Drink (Soho); Fixer (Oval House); A Raisin in the Sun (Manchester Royal Exchange); Junun Dementia (GBS Theatre); Ruined (Almeida); Slave (Lowry Theatre); The Crossing (Hall For Cornwall/Theatre503); Dreams Come Out to Play (Knavish Speech/Birmingham Rep/UK tour) and Romeo and Juliet (Tower Theatre Islington/UK tour). -
Quick Reads 2015 Ideas Pack
Quick Reads 2015 ideas pack Introduction This short pack provides background to Quick Reads, information about the 2015 campaign, useful web links, and suggestions for how you might use and promote Quick Reads 2015. If you have any particular tips and suggestions for how to make the most of the Quick Reads titles, then please email [email protected] and we will add these to the pack. About Quick Reads 2015 Quick Reads are bite-sized, new books written by bestselling writers and celebrities to help people discover the joys of reading for pleasure. They are perfect for engaging people with reading as they are short and use clear language but still have fast-paced, brilliant storylines. Quick Reads are suitable for adults with a reading age of around nine or ten, but can be read by anyone looking for a short and satisfying read. Quick Reads are ideal for adults with low literacy skills, ESOL learners, reluctant readers, learners with learning difficulties/disabilities, and those at risk from social exclusion including the prison population and homeless people. They are also great for busy people and for people who have fallen out of the habit of reading. Once again the Quick Reads titles are very varied, with something for everyone. The six 2015 titles are: Roddy Doyle Dead Man Talking (Random House) Jojo Moyes Paris for Two One (Penguin) Sophie Hannah Pictures Or It Didn't Happen (Hodder and Stoughton) Fanny Blake Red for Revenge (Orion) Adèle Geras Out of the Dark (Quercus) James Bowen Street Cat Bob (Hodder and Stoughton) Quick Reads 2015 ideas pack Dead Man Talking by Roddy Doyle (Random House) Pat had been best friends with Joe Murphy since they were kids. -
Prezentat De Partener Sponsor Principal
Prezentat de Partener Sponsor principal TIFF / 12 Transilvania International Film Festival 12th edition Festivalul Internațional de Film Transilvania ediția 12 TIFF 2013 TIFF 2013 TIFF – MANAGEMENT TEAM DTP Coordonare Subtitrare / Protocol Manager Manager Evenimente speciale / Preşedinte festival / Vasile Pipaş, Mihaela Vas Subtitling Coordinator Rareş Holonec Special Events Manager Festival President Andrei Harabagiu Tiberiu Pop Tudor Giurgiu Materiale promoţionale / Asistenţi Subtitrare / Protocol Coordinator Coordonator Logistică / Merchandise Coordinator Subtitling Assistants Greta Oroş Special Logistics Coordinator Director artistic / Emil Vadana Celestin Drăgănescu, Alina Ioana Grad, Dragoş Blaga, Vasile Cojocaru Artistic Director Merchandise Assistant Mihai Man, Ala Mihalaş Guest Transport Asistenţi Logistică / Mihai Chirilov Roxana Părăian Dana Boghean-Melconian Logistics Assistants Traduceri Filme / Andrei Fried, Alex Roşu, Mihai Lup, Director executiv / Autor trofee TIFF / Film Translations Coordonare Birou Acreditări / Augustin Jula, Septimiu Mășcășan Executive Director TIFF trophy designer Coordonator traduceri / Accreditation Office Manager Oana Giurgiu Theo Mureşan Translations Coordinator Alexandra Buzaş Security Manager Ligia Soare Asistent Birou Acreditări / Tudor Şoaită Manager festival / SELECŢIE FILME / PROGRAMMING Traducători / Translators Accreditation Office Assistant Festival manager Selecţioneri principali / Iulia Sîrboiu, Adrian Vasiliu, Alina Stan, Anca Dârjan, Krisztina Czégényi Producător Gale / Special Events -
Roddy Doyle's Barrytown Trilogy (1987–1991)
JWST383-c01 JWST383-Harte Printer: Yetto Come October 12, 2013 8:52 Trim: 229mm × 152mm Chapter 1 In the Family Way: Roddy Doyle’s Barrytown Trilogy (1987–1991) I If, as has been claimed, the origins of contemporary Irish drama can be traced to September 28, 1964, the date Brian Friel’s Philadelphia, Here I Come! premiered at Dublin’s Gate Theatre,1 then one might legitimately nominate March 27, 1987, as the inaugurating moment of contemporary Irish fiction, if by “con- temporary” we mean writing that is “characterised by an increasing sense of democratisation, of challenges, from previously marginalised constituencies, to the values and judgements that historically had governed the formation of the literary canon.”2 On that date, a twenty-eight-year-old Dublin schoolteacher named Roddy Doyle published The Commitments, a debut novel that vibrates with the exuberance, enterprise, and humanity of characters previously unheard in Irish fiction: disaffected youths from the impoverished working-class suburbs of 1980s Dublin. Unlike Friel two decades earlier, Doyle could not count on the backing of a major Irish cultural institution to promote his work nor did he have a successful literary apprenticeship behind him. On the contrary, his first novelistic attempt, the unpropitiously titled Your Granny is a Hunger Striker, written during the early 1980s, failed to attract the interest of a single publisher.3 Determined to avoid this fate for his second novel, and in keeping with the entrepreneurial, do-it-yourselfCOPYRIGHTED ethic of the book’s protagonists, MATERIAL Doyle and his friend, John Sutton, decided to bypass the publishing establishment and issue Reading the Contemporary Irish Novel 1987–2007, First Edition. -
Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
SCORING FOR THE SPECTER: DUALITIES IN THE MUSIC OF THE GHOST SCENE IN FOUR FILM ADAPTATIONS OF HAMLET John T. Dunn, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS August 2002 APPROVED: Mark McKnight, Major Professor Margaret Notley, Minor Professor Timothy Jackson, Minor Professor Graham Phipps, Dean of Graduate Studies, College of Music C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Dunn, John, Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet. Master of Music, August 2002, 123 pages, 10 figures, 72 works consulted. This document’s purpose is to analyze dualities found in different films of Shakespeare’s Hamlet. Each director’s version brings different ideas to the play. By analyzing each version and focusing on the Ghost Scene, comparisons of the scene’s symbolism are made among the musical scores. The beginning chapters provide a history of film, film music, the play, and events up to the ghost scene. After these chapters come analyses of the scene itself. Each version uses different parts of the play for its own purposes, but there are many commonalities between them. The score for each version of the Ghost Scene is analyzed independently of the others. This work will contribute to film music research and Shakespeare studies. Copyright 2002 By John Timothy Dunn ii ACKNOWLEDGEMENTS I would like to thank Jessica Avelis, Jonathan Chance, Kevin Neal, and Sara Puryear in their assistance in the completion of this document. I could not have accomplished this if not for them. -
JULIEANN VERONICA ULIN, Ph.D. Associate Professor of Transatlantic
JULIEANN VERONICA ULIN, Ph.D. Associate Professor of Transatlantic Modernism Department of English Florida Atlantic University Email: [email protected] Academic Appointments _____________________________________ _____________ 2015-Present Florida Atlantic University, Associate Professor of Transatlantic Modernism 2009-2015 Florida Atlantic University, Assistant Professor of Transatlantic Modernism 2007-2009 University of Notre Dame, Edward Sorin Postdoctoral Fellow in the Humanities Education________________________________________________ _______________ 2007 Ph.D. in English, University of Notre Dame 2003 M.A. in English, Fordham University (Presidential Fellow) 2001 B.A. in English with honors, Washington and Lee University (Phi Beta Kappa, University Scholar) Publications (in print) ___________________________ Monograph: Medieval Invasions in Modern Irish Literature (Palgrave 2014). 198 pgs. Reviews: Kelly, Joseph. “Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review).” James Joyce Quarterly, Volume 52, Number 1, Fall 2014, pp. 193-197. Doyle, Trista. “Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review).” Irish Literary Supplement. Volume 34, Number 2, Spring 2015, pp. 4-5. Edited Collection: Race and Immigration in the New Ireland (University of Notre Dame Press 2013). 248 pgs. “Introduction: Ireland‟s New Strangers.” 1-19. “An Interview with Pablo Rojas Coppari of the Migrant Rights Centre Ireland.” 39-49. *Finalist, 2013 Foreword Reviews Book of the Year (Social Science Category) *Selected as a recommendation by the American Association of School Librarians (AASL) and the Association of American University Press (AAUP) for the 2014 University Press Books for Public and Secondary School Libraries. Journal Articles: “Not for sale, rent, nor charter”: The Market for Art in Ernest Hemingway‟s Islands in the Stream.