Quick Reads 2015 Ideas Pack
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A Star Called Henry
Königs Erläuterungen und Materialien Band 483 Erläuterungen zu Roddy Doyle A Star Called Henry von Hans-Georg Schede übersetzt von Julia Bee Über den Autor der Erläuterung: Hans-Georg Schede, geboren 1968, studierte in Freiburg Germa- nistik sowie Anglistik und promovierte mit einer Werkmono- graphie über den Gegenwartsautor Gert Hofmann (1999). Er hat Unterrichtsmodelle zu Heinrich von Kleist, Gert Hofmann sowie Charlotte Kerner und zahlreiche Erläuterungsbände zu Werken des schulischen Lektürekanons verfasst (u. a. zu Goethe, Schiller, Kleist, Büchner, Fontane, Thomas Mann, William Faulkner, Alfred Uhry und Harper Lee). Weitere Bücher: eine Biographie über Die Brüder Grimm (2004, Neuausgabe 2009) und den Band Heinrich von Kleist in der Reihe „rowohlts monographien“ (2008). Hans-Georg Schede hat als Buchredakteur und Gymnasiallehrer gearbeitet und lebt mit seiner Familie in Freiburg. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung einges- cannt oder gespeichert und in ein Netzwerk eingestellt wer- den. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. 1. Auflage 2010 ISBN: 978-3-8044-1888-2 © 2009 by Bange Verlag, 96142 Hollfeld Alle Rechte vorbehalten! Titelabbildung: Roddy Doyle © Isolde Ohlbaum [Foto verfremdet] Druck und Weiterverarbeitung: Tiskárna Akcent, Vimperk 2 Inhalt Preface -
Catalogue 42 Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 C OURTWOOD B OOKS 1 A
Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 Courtwood Books Catalogue 42 C OURTWOOD B OOKS 1 A. E. (Russell, George). Ireland and the Empire at the Court of Conscience. €35.00 ood tw r The Talbot Press, Dublin 1921. 1st separate edition. Post 8vo. (1) + 2-16 pp. Integral u o s k o C o s b Phone: 057 8626384 Courtwood Books, wrapper title. A few small chips & last page somewhat soiled, else a good clean [U.K. 00 353 57 8626384] Vicarstown, copy. Scarce. Denson 42. First published in the Manchester Guardian in September 1921. Email: [email protected] Stradbally, 2 A. E. (Russell, George). The Avatars - A Futurist Fantasy. €65.00 Website: courtwoodbooks.ie Co. Laois. Macmillan, New York 1933. 1st US edition. Crown 8vo. viii + 188 + (2 advts) pp. Blue cloth with lettering in gilt. Trace of rubbing at cover extrems, else a very nice bright copy. Denson A52a. Fifteen hundred copies printed. CATALOGUE 42 3 (Agriculture interest). Stephens, Henry. A Manual of Practical Draining. €75.00 William Blackwood, London 1847. 2nd edition, corrected & enlarged. Medium 8vo. The codeword for this catalogue is "KINCH" which means "please send from xvi + 160 + 8 advts pp. Numerous in-text illustrations throughout. Original green catalogue 42 the following item(s) ..." cloth with paper label on front panel. A very nice clean copy with just a little wear on cover extrems. Scarce in this condition. 4 Allen, F. M. (Downey, Edmund). From the Green Bag. €60.00 The books are described, and faults where they exist, are noted as accurately as Ward & Downey, London 1889. -
The Guts As Illustration of the Importance of Humour in Life
The Guts as Illustration of the Importance of Humour in Life Trabajo de Fin de Grado presentado por la alumna Laura Álvarez Machado bajo la supervisión de la Dra. Aída Díaz Bild. Dpto. Filología Inglesa y Alemana Grado en estudios Ingleses Curso 2015-2016 Convocatoria de Marzo de 2016 Table of Contents. Abstract. 1. Introduction 2. Humour, an Approach to the History of Laughter. 3. Introduction to the Comic Hero. Tragic Hero vs. Comic Hero. 4. Coping Function of Humour. 5. The Guts as Illustration of the Relevance of Humour in Life. 6. Conclusion. 7. Works Cited Abstract: This final degree work has the purpose of discuss the transcendence of humour in our lives. This topic is really underestimated since not everyone is able to understand comedy and its derivatives. However, many authors have discussed humour’s relevance and how it is important not only individually but socially. Other authors have considered humour as a useful therapy to apply in psychoanalysis. From the many comic books that exist nowadays, I have chosen The Guts, a novel written by the Irish author Roddy Doyle (1958). Published in 2013, The Guts aims to show not only the importance of laughing, but also its beneficial features in many aspects of our lives. I use different theories from a variety of authors from different periods of history in order to illustrate the evolution and importance of humour. Thus, I emphasize the transcendence of the comic vision of life. Throughout this dissertation we may explore the history of humour and its evolution, along with its presence and influence in society. -
A Star Called Henry
Königs Erläuterungen und Materialien Band 483 Erläuterungen zu Roddy Doyle A Star Called Henry von Hans-Georg Schede übersetzt von Julia Bee Über den Autor der Erläuterung: Hans-Georg Schede, geboren 1968, studierte in Freiburg Germa- nistik sowie Anglistik und promovierte mit einer Werkmono- graphie über den Gegenwartsautor Gert Hofmann (1999). Er hat Unterrichtsmodelle zu Heinrich von Kleist, Gert Hofmann sowie Charlotte Kerner und zahlreiche Erläuterungsbände zu Werken des schulischen Lektürekanons verfasst (u. a. zu Goethe, Schiller, Kleist, Büchner, Fontane, Thomas Mann, William Faulkner, Alfred Uhry und Harper Lee). Weitere Bücher: eine Biographie über Die Brüder Grimm (2004, Neuausgabe 2009) und den Band Heinrich von Kleist in der Reihe „rowohlts monographien“ (2008). Hans-Georg Schede hat als Buchredakteur und Gymnasiallehrer gearbeitet und lebt mit seiner Familie in Freiburg. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung einges- cannt oder gespeichert und in ein Netzwerk eingestellt wer- den. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. 1. Auflage 2010 ISBN: 978-3-8044-1888-2 © 2009 by Bange Verlag, 96142 Hollfeld Alle Rechte vorbehalten! Titelabbildung: Roddy Doyle © Isolde Ohlbaum [Foto verfremdet] Druck und Weiterverarbeitung: Tiskárna Akcent, Vimperk 2 Inhalt Preface -
Books for Courses 2015
PENGUIN PUBLISHING GROUP IRISH STUDIES books for courses 2015 Examination copies can be ordered at: www.penguin.com/examcopyorder IRISH KEVIN BIRMINGHAM STUDIES THE MOST DANGEROUS BOOK The Battle for James Joyce’s Ulysses 2015 “A brilliant study.”—The New Yorker. “[This] new book Contents Ulysses braids eight or nine good stories into one about the longmighty censorship strand.”— fightThe over New James York Joyce’sTimes. HISTORY & MEMOIR 3 See Fiction & Literature, page 6 ANTHOLOGIES & MYTHOLOGY 4 FICTION & LITERATURE 4 IRISH AMERICA IN HISTORY 11 & LITERATURE SEBASTIAN BARRY COLLEGE FACULTY 12 THE TEMPORARY GENTLEMAN “One of the best writers in the English language.... EXAMINATION & DESK COPY POLICY 13 INFORMATION SERVICE (CFIS) prose...are powerful canvases of the human spirit.” —[Barry’s]The Washington soul-wrenching Post. narratives and incantatory Click on the 13-digit ISBN for more See Fiction & Literature, page 4 information on any title. To order examination copies of any of the titles listed in this catalog, visit: UALA ONNOR www.penguin.com/examcopyorder N O’C MISS EMILY “A triumph of a novel.”—Robert Olen Butler. “T For personal service, adoption Dickinson crosses class, national, and religious lines to reach assistance, and complimentary out to her Irish maid Ada with compassion, empathy,his fictionalized and hu- examination copies, please sign manity....Eloquent prose.”—Dr. Paraic Finnerty, University of up for our College Faculty Infor- Portsmouth, author of Emily Dickinson’s Shakespeare. mation Service at: See Fiction & Literature, page 7 www.penguin.com/facinfo JAMES R. BARRETT THE IRISH WAY Becoming American in the Multiethnic City PENGUIN HISTORY OF AMERICAN LIFE SERIES “An excellent, bottom-up survey of the Irish experience over the past two centuries....A superior ethnic study that will have value for both scholars and general readers.”—Booklist. -
Irelands: Migration, Media, and Locality in Modern Day Dublin
Imagining Irelands: Migration, Media, and Locality in Modern Day Dublin by Aaron Christopher Thornburg Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Naomi Quinn, Supervisor ___________________________ Lee D. Baker ___________________________ Katherine P. Ewing ___________________________ John L. Jackson, Jr. ___________________________ Suzanne Shanahan Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2011 ABSTRACT Imagining Irelands: Migration, Media, and Locality in Modern Day Dublin by Aaron Christopher Thornburg Department of Cultural Anthropology Duke University Date:_______________________ Approved: ___________________________ Naomi Quinn, Supervisor ___________________________ Lee D. Baker ___________________________ Katherine P. Ewing ___________________________ John L. Jackson, Jr. ___________________________ Suzanne Shanahan An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Cultural Anthropology in the Graduate School of Duke University 2011 Copyright by Aaron Christopher Thornburg 2011 Abstract This dissertation explores the place of Irish-Gaelic language (Gaeilge) television and film media in the lives of youths living in the urban greater Dublin metropolitan area in the Republic of Ireland. By many accounts, there has been a Gaeilge renaissance underway in recent times. The number of Gaeilge-medium primary and secondary schools (Gaelscoileanna) has grown throughout the 1990s and into the twenty-first century, the year 2003 saw the passage of the Official Languages Act (laying the groundwork to assure all public services would be made available in Gaeilge as well as English), and as of January 2007 Gaeilge has become a working language of the European Union. -
Roddy Doyle's Barrytown Trilogy (1987–1991)
JWST383-c01 JWST383-Harte Printer: Yetto Come October 12, 2013 8:52 Trim: 229mm × 152mm Chapter 1 In the Family Way: Roddy Doyle’s Barrytown Trilogy (1987–1991) I If, as has been claimed, the origins of contemporary Irish drama can be traced to September 28, 1964, the date Brian Friel’s Philadelphia, Here I Come! premiered at Dublin’s Gate Theatre,1 then one might legitimately nominate March 27, 1987, as the inaugurating moment of contemporary Irish fiction, if by “con- temporary” we mean writing that is “characterised by an increasing sense of democratisation, of challenges, from previously marginalised constituencies, to the values and judgements that historically had governed the formation of the literary canon.”2 On that date, a twenty-eight-year-old Dublin schoolteacher named Roddy Doyle published The Commitments, a debut novel that vibrates with the exuberance, enterprise, and humanity of characters previously unheard in Irish fiction: disaffected youths from the impoverished working-class suburbs of 1980s Dublin. Unlike Friel two decades earlier, Doyle could not count on the backing of a major Irish cultural institution to promote his work nor did he have a successful literary apprenticeship behind him. On the contrary, his first novelistic attempt, the unpropitiously titled Your Granny is a Hunger Striker, written during the early 1980s, failed to attract the interest of a single publisher.3 Determined to avoid this fate for his second novel, and in keeping with the entrepreneurial, do-it-yourselfCOPYRIGHTED ethic of the book’s protagonists, MATERIAL Doyle and his friend, John Sutton, decided to bypass the publishing establishment and issue Reading the Contemporary Irish Novel 1987–2007, First Edition. -
JULIEANN VERONICA ULIN, Ph.D. Associate Professor of Transatlantic
JULIEANN VERONICA ULIN, Ph.D. Associate Professor of Transatlantic Modernism Department of English Florida Atlantic University Email: [email protected] Academic Appointments _____________________________________ _____________ 2015-Present Florida Atlantic University, Associate Professor of Transatlantic Modernism 2009-2015 Florida Atlantic University, Assistant Professor of Transatlantic Modernism 2007-2009 University of Notre Dame, Edward Sorin Postdoctoral Fellow in the Humanities Education________________________________________________ _______________ 2007 Ph.D. in English, University of Notre Dame 2003 M.A. in English, Fordham University (Presidential Fellow) 2001 B.A. in English with honors, Washington and Lee University (Phi Beta Kappa, University Scholar) Publications (in print) ___________________________ Monograph: Medieval Invasions in Modern Irish Literature (Palgrave 2014). 198 pgs. Reviews: Kelly, Joseph. “Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review).” James Joyce Quarterly, Volume 52, Number 1, Fall 2014, pp. 193-197. Doyle, Trista. “Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review).” Irish Literary Supplement. Volume 34, Number 2, Spring 2015, pp. 4-5. Edited Collection: Race and Immigration in the New Ireland (University of Notre Dame Press 2013). 248 pgs. “Introduction: Ireland‟s New Strangers.” 1-19. “An Interview with Pablo Rojas Coppari of the Migrant Rights Centre Ireland.” 39-49. *Finalist, 2013 Foreword Reviews Book of the Year (Social Science Category) *Selected as a recommendation by the American Association of School Librarians (AASL) and the Association of American University Press (AAUP) for the 2014 University Press Books for Public and Secondary School Libraries. Journal Articles: “Not for sale, rent, nor charter”: The Market for Art in Ernest Hemingway‟s Islands in the Stream. -
The Uses and Abuses of Comedy in Novels from Northern Ireland and the Republic of Ireland (1988-Present)
Lynne Victoria Crook MA, BA Hons BORDERING ON LAUGHTER: THE USES AND ABUSES OF COMEDY IN NOVELS FROM NORTHERN IRELAND AND THE REPUBLIC OF IRELAND (1988- PRESENT) This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. I declare that this thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. September 2007 ProQuest Number: 11003626 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003626 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT Lynne Victoria Crook: MA, BA Hons. Submission for Ph.D. September 2007. Bordering on Laughter: the uses and abuses of comedy in novels from Northern Ireland and the Republic of Ireland (1988-present) This study will argue that the distinct social and political changes which have occurred in Northern Ireland and the Republic of Ireland during the last twenty years have altered the choice and treatment of the targets of comedy in different ways for writers from either side of the border. -
Dublin: One City, One Book Doyle’S Three Acclaimed Novels Dublin: One City, One Book Is Admission Free
Coolock Library, Barryscourt Road. Wednesday 15th and Wednesday TAISPEÁNTAIS/ LÉAMHA/ DUBLIN: 29th April at 6pm EXHIBITIONS READINGS Admission free. Booking not Those Were the Days - the days Visit the National Library of ONE CITY, necessary. Tel: 01 8477781 of disco, urban decay and leg- Ireland for public readings from warmers, unforgettable World Cup The Barrytown Trilogy during the County Library, Tallaght ONE BOOK fever and Eurovision highs and month of April. See www.nli.ie Wednesday 15th, Wednesday lows. Take a virtual walk down this for details. 22nd and Wednesday www.dublinonecityonebook.ie particular memory lane by visiting 29th April at 12:30pm www.dublincitypubliclibraries. CEARDLANN/ Admission free. Booking com. See images of Dublin in the advisable. Tel: 01 4620073 WORKSHOPS 1980s taken from the Dublin City Email: [email protected] Saturday 18th and Saturday Council Photographic Collection. 25th April 3:30-5pm Donaghmede Library, Where Were You? a photographic The Real Deal: A two-day creative ABOUT THE LORD MAYOR’S DUBLIN: Donaghmede Shopping Centre, exhibition from Garry O’Neill’s writing workshop for teenagers Grange Road book of the same title, celebrating 15-18 yrs with Dave Lordan. BOOK MESSAGE ONE CITY, Thursday 16th and Thursday the youth culture, street style and Central Library, Ilac Centre, Here, in one volume, are Roddy 2015 is the 10th year of the ONE BOOK 23rd April at 6pm teen life of Dublin in the 80s and Henry St. Admission free. Dublin: One City, One Book Doyle’s three acclaimed novels Dublin: One City, One Book is Admission free. Booking 90s. Library opening hours apply. -
PRESS RELEASE Thursday, 1St October
PRESS RELEASE Thursday, 1st October 2015 Top Irish footballer Stephanie Roche finds her Wicklow ancestors – National Library of Ireland’s Parish Registers website reveals family history of famous footballer – The National Library of Ireland (NLI) recently commissioned research in line with the launch of the Parish Registers website, revealing that the ancestors of Irish football star Stephanie Roche hailed from Co.Wicklow. The Dublin-born striker, currently playing for Sunderland Ladies and the Republic of Ireland women’s national football team, discovered through research undertaken by a member of Accredited Genealogists Ireland, that her grandfather, great-grandfather, and great-great-grandfather were all born in Co Wicklow. It was discovered that Stephanie Roche’s grandfather, was born in Ballynerrin, a townland in the civil parish of Rathnew – the same civil parish in which Wicklow Town is located. Stephanie’s great-grandfather and his father before him, were both baptised in Avoca in 1887 and 1858 respectively. At the time of the censuses in 1901 and 1911, the Roche family was residing in the townland of Templerainey in the civil parish of Kilbride (Arklow). The Parish Registers website was launched by the NLI in July and presents a digital repository of parish records, dating from the 1740s to the 1880s. The NLI’s holding of parish registers is considered to be the single most important source of information of Irish family history prior to the 1901 Census. Up until July 2015, parish records were only accessible on microfilm and, as such, those interested in accessing the records had to travel to the National Library of Ireland. -
Pregnancy, Privacy, and Domesticity in the Snapper
Pregnancy, Privacy, and Domesticity in The Snapper Mary McGlynn New Hibernia Review, Volume 9, Number 1, Earrach/Spring 2005, pp. 141-156 (Article) Published by Center for Irish Studies at the University of St. Thomas DOI: 10.1353/nhr.2005.0024 For additional information about this article http://muse.jhu.edu/journals/nhr/summary/v009/9.1mcglynn.html Access provided by City University of New York (19 Sep 2013 15:05 GMT) Mary McGlynn Pregnancy, Privacy, and Domesticity in The Snapper The back cover of the current Penguin paperback edition of The Snapper lauds the novel for its “wit, candor, and surprising authenticity” in its account of an unplanned pregnancy and its effect on family life, and many critics—charmed by Roddy Doyle’s supposed working-class authenticity—emphasize the realism and populism of the novel. Yet, The Snapper is hardly a warm story. A less com- pliant reading of Doyle’s story could characterize the plot thus: the acquaintance rape of Sharon Rabbitte, a young woman who braves neighborhood jibes as she carries her baby, is interwoven with the tale of her father, Jimmy, and his efforts to come to terms with her pregnancy. As she tries to conceal that the baby’s father is a neighbor and the father of a friend, Sharon must allay her own father’s fears of his personal humiliation, which he eventually represses through an intrusive and biologically explicit interest in Sharon’s pregnancy. The text encourages oedipal readings, especially as the two men who force themselves on her body—her father and her rapist—are, demographically, almost identical.