Prezentat De Partener Sponsor Principal

Total Page:16

File Type:pdf, Size:1020Kb

Prezentat De Partener Sponsor Principal Prezentat de Partener Sponsor principal TIFF / 12 Transilvania International Film Festival 12th edition Festivalul Internațional de Film Transilvania ediția 12 TIFF 2013 TIFF 2013 TIFF – MANAGEMENT TEAM DTP Coordonare Subtitrare / Protocol Manager Manager Evenimente speciale / Preşedinte festival / Vasile Pipaş, Mihaela Vas Subtitling Coordinator Rareş Holonec Special Events Manager Festival President Andrei Harabagiu Tiberiu Pop Tudor Giurgiu Materiale promoţionale / Asistenţi Subtitrare / Protocol Coordinator Coordonator Logistică / Merchandise Coordinator Subtitling Assistants Greta Oroş Special Logistics Coordinator Director artistic / Emil Vadana Celestin Drăgănescu, Alina Ioana Grad, Dragoş Blaga, Vasile Cojocaru Artistic Director Merchandise Assistant Mihai Man, Ala Mihalaş Guest Transport Asistenţi Logistică / Mihai Chirilov Roxana Părăian Dana Boghean-Melconian Logistics Assistants Traduceri Filme / Andrei Fried, Alex Roşu, Mihai Lup, Director executiv / Autor trofee TIFF / Film Translations Coordonare Birou Acreditări / Augustin Jula, Septimiu Mășcășan Executive Director TIFF trophy designer Coordonator traduceri / Accreditation Office Manager Oana Giurgiu Theo Mureşan Translations Coordinator Alexandra Buzaş Security Manager Ligia Soare Asistent Birou Acreditări / Tudor Şoaită Manager festival / SELECŢIE FILME / PROGRAMMING Traducători / Translators Accreditation Office Assistant Festival manager Selecţioneri principali / Iulia Sîrboiu, Adrian Vasiliu, Alina Stan, Anca Dârjan, Krisztina Czégényi Producător Gale / Special Events Cristian Hordilă Main Programmers Laura Huber, Eric Huber, Carmen Velcu, Welcome Package Coordinator Producer Mihai Chirilov, Anca Grădinariu, Oana Maria Dan Ramona Tripa, Issore Boly Ionuţ Lazar Director financiar / Laura Popescu, Cristi Mărculescu Welcome Package Assistant Financial Director Selecţioner Umbre Scurte / DEPT. INVITAŢI / Maria Cîmpan, Dorin Buduşan Artists & Music Coordinator Amalia Toader Shadows Shorts Programmer GUEST DEPARTMENT Cristi Busuioc Mihai Mitrică Şef Departament Invitaţi / Manager Cazare / Manager program / What’s Up Doc? Head of Guest Office Accommodation Manager Events Tehnical Manager Program manager Ana Maria Sandu Ana Agopian Dora Kiss Mihai Tănase Ştefan Bradea Focus Grecia Relaţii internaţionale / Coordonator cazare / Dimitris Kerkinos International Relations Accommodation Coordinator Expoziţii TIFF / TIFF Exhibitions Asistent preşedinte festival / Hungarian Day Ozana Oancea, Dorina Oargă Teodora Pricopi, Angelica Iagăr Maria Surducan Festival President Assistant Bálint Zágoni - Filmtett Data Loader Provider Greta Oroş EducaTIFF Magda Grama DEPT. INDUSTRIE / INDUSTRY TIFFashion Coordinator Ramona Şărbu DEPARTMENT Silvia Aştilean Protocol special / EcoTIFF Romanian Days Manager Manager departament / Industry Special Protocol Ştefan Bradea Roxana Elekes Manager Transilvania Talent Lab Diana Mărginean Romanian Days Assistant Ileana Cecanu Coordinator Asistent Protocol Special / DEPARTAMENTUL FILM / Cătălina Brânduşoiu Industry Coordinator Iulia Rugină, Oana Răsuceanu Special Protocol Assistant FILM DEPARTMENT Coordonator cineaşti / Dan Lupu Roxana Axinte Coordonator Print Traffic / Filmmakers Coordinator Industry Assistant Let’s Go Digital! Head of Print Traffic Cristina Bîlea Florina Lupu Project Manager DEPT. CREAŢIE / CREATIVE Mihai Mitrică Oana Manole, Geo Stan Graphic Design & Prints Manager Asistenţi Print Traffic / Asistenţi Juriu / Jury Assistant DEPT. SPECIAL EVENTS / LGD Assistant Adriana Răcăşan Print Traffic Assistants Competiţie SPECIAL EVENTS Bogdan Coman Senior Graphic Designer Jose Cabrera, Alex Lungu Oana Sas Manager Evenimente speciale / Carmen Gociu Local Print Traffic Zilele Filmului Românesc Head of Special Events EducaTIFF Coordinator Graphic Designers Paul Viljanen, Tatiana Șonea Andreea Nedelescu Oana Giurgiu Ramona Şărbu Andrei Pastuhov, Florin Chereji Prints Control Mariana Nistor Guest Service Manager Crăiţa Nanu 2 TIFF 2013 EcoTIFF Coordinator Q&A moderators DEPT. MARKETING & Distribuţie AperiTIFF / DEPT. TEHNIC / TECHNIC Ioana Seiche Ioana Moldovan, Boglarka Nagy, SPONSORIZARI / Distribution AperiTIFF Şef departament tehnic / Cristina Barsony, Răzvan Penescu, MARKETING & SPONSORING Ştefan Fekete Technical Manager Diversity Day Coordinator Florin Barbu Manager Vlad Plăiaşu Ioana Seiche Cristian Hordilă, Paula Hotea, DEPT. TRANSPORT Coordonator proiecţii / Screening TIFF LOUNGE moderator Ileana Cecanu Coordonator Transport / Coordinator 10 for Film Coordinator Mihnea Măruţă Head of Marketing & Sponsoring Transport coordinator Sebastian Câmpean, Thomas Maxim Andreea Iacob Cluj Cătălina Pop Coordonator echipa tehnică / Programare website / Alina Cernea Technical crew coordinator DEPT. PRESĂ & PR / PRESS & PR Website programming Sponsors Coordinator DEPT. VOLUNTARI / VOLONTEERS Mihai Kontz Director Comunicare / Fortune Intel Carmen Agudaru Manager Voluntari / Coordonator Proiecţii Open-Air/ Head of Communication Coordonator Conţinut Website / Local Sponsors Officer Volunteers Manager Open-Air Screenings Coordinator Raluca Papanicoglu Website Content Coordinator Corina Buzatu, Ioana Trifu Sabrina Herlo Christopher Mondt Coordonator Presa şi PR / Andrei Agudaru Volunteer Coordinator www.filmprojektion.de PR & Press Coordinator Social Media Coordinator DEPT. FINANCIAR & JURIDIC / Lăcrămioara Timofciuc Proiecţionişti / Projectionists Florentina Ciuverca Flavia Giurgiu FINANCING & LEGAL Screening Assistance Coordinator Merten Houfek, Peter Sprenger, Coordonator PR / Social Media Officer Financial Coordinator Diana Rusu Christian Zagler, Kathika Verhoeven, PR Coordinator Bogdan Dăscălescu Irina Manea Johann Lurf, Martin Effert, Janos Szen, Simona Barbu Coordonator bloggeri / Bloggers Junior Legal Advisor ORGANIZARE LOCAŢII / Costin Şovagău Traducător / Translator Coordinator Ana Maria Nicolae LOCATION MANAGEMENT Codruţa Creţulescu Marian Hurducaş CASA TIFF DEPT. IT Cluj Press Coordinator Coordonator Instagram TIFF OFFICE BUCUREŞTI Andrei Stehan IT Manager Renate Roca Rozenberg Robert Katai Bucharest Office Manager TIFF Piaţa Unirii Andrei Negrean Press Center Coordinator Blog TIFF Coordinator Mihaela Petre Sebastian Crucin, Melinda Boros IT Engineer Ioana Seiche Anca Macoviciuc Office Assistant Cinema Florin Piersic Rafael Oroș, Peter Szocs Video Concept Alexandra Boghiu Vlad Gliga Redactor catalog / Catalog Editor Letiţia Ştefanescu Transport Cinema Victoria DEPT. BILETE / TICKETING Ştefan Dobroiu Video Concept Assistants Paul Dumitru Gabriela Bodea Şef departament bilete / Asistent catalog / Catalog Alexandra Roată, Arthur Birnbaum Cinema Arta Head of Ticketing Assistant Montaj materiale video / DEPT. LOGISTICĂ / LOGISTICS Andrei Orghidan Cristian Hordilă Irina Carmen Drăghici Video editor Manager Logistică / Casa de Cultură a Studenţilor Manager bilete / Pozitiv Film Logistics Manager Andrei Mariş Ticketing Manager Redactor-şef AperiTIFF / Filmare & Montaj Making Of / Ionuţ Husti Institutul Cultural Francez Marius Bălănescu Editor in chief AperiTIFF Making Of Shooting & Editing Coordonator promovare / Raluca Mateiu Coordonator bilete / Laura Popescu Tofilm Studio Promotion Coordinator Mănăştur Open Air Ticketing Coordinator Echipa AperiTIFF / AperiTIFF Team Making Of Reporter Alina Cernea Molnar Levente Carmen Pop-Tiron Anca Grădinariu, Cristi Mărculescu, Bianca Felseghi Asistenţi Logistică / Odeon Cineplex Consultant sistem vânzare bilete / Radu Meza, Cătălin Moise, Bogdan Fotografi / Photographers Logistics Assistants Alina Pop Ticketing System Consultant Minea, Cătălin Mesaru Nicu Cherciu, Chris Nemeş, Tudor Maglaș, Laszlo Benkó Cinema City David Sugar Fotograf AperiTIFF / AperiTIFF Gabriel Aldea, Adi Bulboacă Daily Program Coordinator Adriana Iepure Coordonator Tură / Photographers Octavian Dăncilă Castelul Banffy, Bonţida Shift Coordinator Vlad Gherman, Răzvan Șut Coordonator promoteri / Tiberiu Pop Paula Stan, Alexandra Crişan Promoter Coordinator AperiTIFF TIFF ART Zsolt Vincze-Faragó Claudia Sas 3 TIFF 2013 TGUDOR GIUR IU Președintele festivalului / Festival President Ediţia 12 a Festivalului Internaţional de film Oglinda mea îmi spune că sunt într-o oarecare Transilvania se desfăşoară într-un moment derută. Mai merită să te zbaţi, să te lupţi, să te special şi paradoxal deopotrivă pentru cinema- implici? Sau mai bine te retragi şi te prefaci că tografia română: cineaştii relevanţi ai Noului Val nu îţi pasă? Să fi greşit oare în iarnă cînd am au reuşit să se coalizeze într-un necesar proces cerut public demisia fostului director al CNC? de restart instituţional al filmului autohton. Un Lipsa de solidaritate a multor colegi, preocupaţi prim pas a fost făcut prin convingerea Guvernului mai întîi de gestionarea propriilor interese, a de a-l îndepărta pe precedentul şef al Centrului fost relevantă. Conceptul că noi am putea reuşi Naţional al Cinematografiei (CNC), o figură de împreună e mereu sabotat de „eu”, „al meu”, tristă amintire a ultimilor 6 ani. Paşii următori ţin „pentru mine”. de o reconfigurare a întregului sistem, proces TIFF-ul a fost, nici că se putea altfel, amendat care vizează reformarea CNC, găsirea unor surse pentru atitudinile tranşante ale celor care îl con- suplimentare de finanţare a filmelor roma- duc. Finanţarea de la CNC a scăzut cu 20%, în timp neşti, înfiinţarea unor fonduri regionale pentru ce alte festivaluri fantomatice continuă să pros- producţia de film, crearea de noi săli de cinema pere. Am continuat însă să ne facem treaba şi să şi modernizarea celor existente, digitalizarea ignorăm că succesul
Recommended publications
  • Copyrighted Material
    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle
    [Show full text]
  • Robin Campillo © Veeren Ramsamy / Bestimage - Unifrance
    10 NOUVEAUX TALENTS À SUIVRE 10 RISING TALENTS 10 TO TO WATCH WATCH Ils ont fait l’actualité du dernier Festival de Cannes et seront pour certains présents au 42ème Festival de Toronto. UniFrance fait le pari que vous entendrez parler de ces dix talents. Ils sont le cinéma français d’aujourd’hui et seront sur les écrans de demain. A suivre… There were in the spotlights during the last Cannes Film Festival. Some of them will attend the 42nd Toronto International Film Festival. UniFrance is ready to bet that you will certainly Sept. 2017 hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide. To be continued… ROBIN CAMPILLO © VEEREN RAMSAMY / BESTIMAGE - UNIFRANCE Réalisateur, monteur et scénariste, Robin Campillo, débute sa formation à La Fémis au début des années 80. Il coécrit avec Laurent Cantet L’Emploi du temps en 2001, Vers le sud en 2005 et Entre les murs en 2008, qui remporte cette année-là la Palme d’Or au Festival de Cannes. Robin Campillo obtient également le César de la meilleure adaptation en 2009. Les Revenants, son tout premier film en tant que réalisateur, sort en 2004 et sera le sujet d’inspiration de la série du même nom produite par la chaîne Canal+. En 2013, Robin Campillo réalise son deuxième film, intitulé Eastern Boys, dont il signe également le scénario et le montage. Il obtient le Prix du meilleur film en 2013 dans la catégorie « Orizzonti » à la Mostra de Venise et le Prix du meilleur film en 2014 au Festival de Santa Barbara.
    [Show full text]
  • Downloaded From: Publisher: Taylor & Francis (Routledge) DOI
    Vanderschelden, I (2016) Money for writing: Screenplay development and screenwriters earnings in French cinema. Studies in French Cinema, 16 (2). pp. 118-133. ISSN 1471-5880 Downloaded from: https://e-space.mmu.ac.uk/618584/ Publisher: Taylor & Francis (Routledge) DOI: https://doi.org/10.1080/14715880.2016.1164418 Please cite the published version https://e-space.mmu.ac.uk Money for writing: Screenplay development and screenwriters’ earnings in French cinema Isabelle Vanderschelden1 Department of Languages Information and Communication, Manchester Metropolitan University, 70 Oxford St, Manchester, M1 5NH ABSTRACT The funds allocated to developing screenplays currently constitute on average 2 to 3% of the overall budget of a film in France. Producers are more than ever dependent on presenting attractive draft screenplays to find their financial partners. As a result, screenwriters undoubtedly are active economic partners of production planning, but they do not seem to receive much professional recognition for this vital role. Moreover, their earnings often fail to reflect the amount of work produced and do not reward adequately the risks taken, including the possibility that production could stop after the screenplay is written. This article investigates the place of screenplay development within the economics of French cinema. Using recently published official reports and interviews, we identify different types of screenwriters and address their working conditions – freestanding screenwriters, writing teams, and screenwriters co-writing with the director. We survey some of the contract modalities for the remuneration of professional screenwriters. Finally, we review the proposals made by different professional bodies to improve the remuneration of screenwriters and reform the financing of screenwriting.
    [Show full text]
  • Jiří Menzel Ostre Sledované Vlaky/ Closely Watched Trains 1966 93
    October 16, 2007 (XV:8) Jií Menzel Ostre sledované vlaky/ Closely Watched Trains 1966 93 minutes Directed by Jií Menzel Written by Bohumil Hrabal (also novel), Jirí Menzel Produced by Zdenek Oves and Carlo Ponti Original Music by Jirí Sust Cinematography by Jaromír Sofr Film Editing by Jirina Lukesová Václav Neckár... Trainee Milos Hrma Josef Somr...Train dispatcher Hubicka Vlastimil Brodsk...Counselor Zednicek Vladimír Valenta...Stationmaster Max Alois Vachek...Novak Ferdinand Kruta... Masa's Uncle Noneman Jitka Bendová...Conducteress Masa Jitka Zelenohorská...Zdenka Nada Urbánková...Victoria Freie Libuse Havelková...Max's wife Kveta Fialová...The countess Pavla Marsálková...Mother Milada Jezková...Zdenka's mother Academy Award for Best Foreign Language Film JIÍ MENZEL (23 February 1938, Prague, Czechoslovakia) has directed 26 films and acted in many more. Some of the films he directed are Obsluhoval jsem anglického krále/ I Served the King of England (2006), Zebrácká opera/The Beggar’s Opera (1991), Konec starych casu/The End of Old Times (1989), Postriziny/Cutting it Short (1981), Promeny krajiny/Altered Landscapes (1974), Zlocin v dívcí skole/Crime at the Girls School (1965), and Domy z panelu/Prefabricated Houses (1960). from World Film Directors, Vol. II. Ed. John Wakeman. The H.W. Wilson Company NY 1988 Jií Menzel (February 12, 1938— ), Czech film and theatre director, scenarist, and actor, was born in Prague. He is the son of Josef Menzel, a journalist who became a children’s author and then turned to writing scripts for puppet
    [Show full text]
  • Phoenix Films 1999-2019/20 Sorted by Film Title 10
    Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • Stony Brook University
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque A Dissertation Presented by Lilla T!ke to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University May 2010 Copyright by Lilla T!ke 2010 Stony Brook University The Graduate School Lilla T!ke We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. E. Ann Kaplan, Distinguished Professor, English and Comparative Literary and Cultural Studies, Dissertation Director Krin Gabbard, Professor, Comparative Literary and Cultural Studies, Chairperson of Defense Robert Harvey, Professor, Comparative Literary and Cultural Studies and European Languages Sandy Petrey, Professor, Comparative Literary and Cultural Studies and European Languages Katie Trumpener, Professor, Comparative Literature and English, Yale University Outside Reader This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Communism with Its Clothes Off: Eastern European Film Comedy and the Grotesque by Lilla T!ke Doctor of Philosophy in Comparative Literature Stony Brook University 2010 The dissertation examines the legacies of grotesque comedy in the cinemas of Eastern Europe. The absolute non-seriousness that characterized grotesque realism became a successful and relatively safe way to talk about the absurdities and the failures of the communist system. This modality, however, was not exclusive to the communist era but stretched back to the Austro-Hungarian era and forward into the Postcommunist times.
    [Show full text]
  • Yorgos Mavropsaridis, Ace Editor
    YORGOS MAVROPSARIDIS, ACE EDITOR FILM & TELEVISION THE SILENCE OF MERCY Director: Floria Sigismondi Production Company: Luma Pictures EIGHT FOR SILVER Director: Sean Ellis Production Company: LD Entertainment Official Selection, Sundance Film Festival (2021) THE FAVOURITE Director: Yorgos Lanthimos Production Company: Fox Searchlight Pictures Nominated, Best Editing, Best Picture, Best Director, Academy Awards (2019) Nominated, Best Editing, BAFTA Awards (2019) Nominated, Best Motion Picture, Musical or Comedy and Best Screenplay, Golden Globes (2019) Nominated, Best Edited Feature Film Comedy, Eddie Awards (2019) Winner, Grand Jury and Volpi Cup for Best Actress Venice Film Festival (2018) Official Selection, Toronto Film Festival (2018) Official Selection, London Film Festival (2018) MONOS Director: Alejandro Landes Production Company: No Franja, Mutante Cine, Lemming Films & Le Pacte Nominated, Best International Independent Film, BIFA Awards (2019) Official Selection, Sundance Film Festival (2019) Official Selection, Berlin Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) LUX ARTISTS | 1 PARK Director: Sofia Exarchou Production Company: Faliro House Productions Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2016) MELLOW MUD Director:
    [Show full text]
  • Community Exhibitor Survey Report 2013
    Page 3 Key points 5 Executive summary 8 1 Introduction 8 1.1 Background 8 1.2 Aims 8 1.3 Timescale 8 1.4 Sector 9 2 Methods 9 2.1 Introduction 9 2.2 Responses 10 3 Results 10 3.1 Year of establishment 10 3.2 Membership 11 3.3 Admissions 13 3.4 Provision 15 3.5 Programming 16 3.6 Administration 18 3.7 The benefits of community exhibition 19 3.8 Using BFFS services and resources 20 3.9 Rating BFFS services and resources 22 Appendix 1: 2012/13 film list 27 Appendix 2: Feedback on BFFS Page 2 of 30 Community exhibition is more dynamic than ever, with greater opportunities for audiences to experience films on the big screen through community cinema events, film society activity and innovative pop-up screenings in non-traditional venues: Responding community exhibitors recorded around 213,000 admissions in 2012/13. Theatrical ticket sales on this scale would have generated box office revenues of £1.4 million. Nearly half of responding community exhibitors saw an increase in their annual admissions (46%), and 40% recorded roughly the same number as in the previous year. Three quarters (76%) of membership organisations saw their membership stay the same or increase over the last year, and average membership stood at 154. Responding community exhibitors hosted 4,175 screenings in 2012/13. Community exhibition is run for the benefit of communities, enhancing the quality of life locally, encouraging participation in cultural and communal activities and providing volunteering opportunities: The majority of responding organisations (89%) are run as not-for-profit, and 20% have charitable status.
    [Show full text]
  • Irish Film Institute What Happened After? 15
    Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema.
    [Show full text]
  • A Star Called Henry
    Königs Erläuterungen und Materialien Band 483 Erläuterungen zu Roddy Doyle A Star Called Henry von Hans-Georg Schede übersetzt von Julia Bee Über den Autor der Erläuterung: Hans-Georg Schede, geboren 1968, studierte in Freiburg Germa- nistik sowie Anglistik und promovierte mit einer Werkmono- graphie über den Gegenwartsautor Gert Hofmann (1999). Er hat Unterrichtsmodelle zu Heinrich von Kleist, Gert Hofmann sowie Charlotte Kerner und zahlreiche Erläuterungsbände zu Werken des schulischen Lektürekanons verfasst (u. a. zu Goethe, Schiller, Kleist, Büchner, Fontane, Thomas Mann, William Faulkner, Alfred Uhry und Harper Lee). Weitere Bücher: eine Biographie über Die Brüder Grimm (2004, Neuausgabe 2009) und den Band Heinrich von Kleist in der Reihe „rowohlts monographien“ (2008). Hans-Georg Schede hat als Buchredakteur und Gymnasiallehrer gearbeitet und lebt mit seiner Familie in Freiburg. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages. Hinweis zu § 52 a UrhG: Weder das Werk noch seine Teile dürfen ohne eine solche Einwilligung einges- cannt oder gespeichert und in ein Netzwerk eingestellt wer- den. Dies gilt auch für Intranets von Schulen und sonstigen Bildungseinrichtungen. 1. Auflage 2010 ISBN: 978-3-8044-1888-2 © 2009 by Bange Verlag, 96142 Hollfeld Alle Rechte vorbehalten! Titelabbildung: Roddy Doyle © Isolde Ohlbaum [Foto verfremdet] Druck und Weiterverarbeitung: Tiskárna Akcent, Vimperk 2 Inhalt Preface
    [Show full text]
  • Boletin Indice 36
    BOLETÍN DE SUMARIOS Esta nueva entrega del Boletín de Sumarios recoge 174 nuevos números, correspondientes a 62 títulos distintos, recibidos en la Biblioteca durante los meses de octubre, noviembre y diciembre de 2013. Ordenados alfabéticamente, los títulos van seguidos de los números recibidos que, mediante enlaces, permiten acceder a los sumarios correspondientes. Si desea consultar alguna de estas revistas, puede hacerlo en la Sala de Lectura de la Biblioteca de Cultura. La mayoría de ellas se encuentra también en la Biblioteca Nacional. Si usted se encuentra fuera de Madrid, puede dirigirse a la Red de Bibliotecas de su Comunidad. Confiamos en que la información que ofrecen estos boletines sea de utilidad y rogamos remitan cualquier sugerencia sobre este servicio al buzón [email protected] Secretaría General Técnica Subdirección General de Documentación y Publicaciones Ábaco: Revista de Cultura y Ciencias Sociales. Vol. 75: núm. 1 (2013) ADE Teatro. Núms. 147, 148 (2013) Anales del Museo de América. Vol. XIX (2011) Arquitectura viva. Núm. 156 (2013) Arte y Parte. Núms. 103, 104, 105. 106, 107, 108 (2013) BBF: Bulletin des Bibliothèques de France. Núms. 5, 6 (2013) BJC: Boletín de Jurisprudencia Constitucional. Núm. 377 (2013) Boletín de la Institución Libre de Enseñanza. Núms. 89-90, 91-92 (2013) Clarín: Revista de Nueva Literatura. Núms. 103, 104, 105, 106, 107, 108 (2013) Claves de razón práctica. Núms. 226, 227, 228, 229, 230, 231 (2013) CLIJ: Cuadernos de Literat. Infantil y Juvenil. Núms. 251, 252, 253, 254, 255, 256 (2013) Croquis, El. Núms. 165, 166, 167, 168-169 (2013) Cuadernos Hispanoamericanos. Núms. 760, 761, 762 (2013) Cultural Trends.
    [Show full text]