1 Vitaly Chernetsky ACADEMIC APPOINTMENTS EDUCATION DISSERTATION
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230-Newsletter.Pdf
$5? The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Macgregor Card Monday Night Talk Series Coordinator: Josef Kaplan Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Brett Price Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Stephen Rosenthal Archivist: Will Edmiston Box Office: Courtney Frederick, Vanessa Garver, Jeffrey Grunthaner Interns/Volunteers: Nina Freeman, Julia Santoli, Alex Duringer, Jim Behrle, Christa Quint, Judah Rubin, Erica Wessmann, Susan Landers, Douglas Rothschild, Alex Abelson, Aria Boutet, Tony Lancosta, Jessie Wheeler, Ariel Bornstein Board of Directors: Gillian McCain (President), Rosemary Carroll (Treasurer), Kimberly Lyons (Secretary), Todd Colby, Mónica de la Torre, Ted Greenwald, Tim Griffin, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Evelyn Reilly, Christopher Stackhouse, Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
Kazakhstan Jumps 15 Spots on IMD World
+31° / +17°C WEDNESDAY, JUNE 14, 2017 No 11 (125) www.astanatimes.com Major events such as AEF Astana EXPO 2017 kicks off with and EAMF are coming up in June. Reports, opinions dazzling show, concert and fireworks on pages A6, A8. The most anticipated event of the year launches on June 9. Nur Alem, the centerpiece pavilion of EXPO 2017 and the world’s largest ball of glass with a diametre of 80 metres, is lit up by spectacular fireworks. For in-depth coverage please check Section C. India, Pakistan join SCO; anti-extremism convention tops agenda at Astana summit the heads of state who arrived in By Dmitry Lee the run up to the summit. During the meeting of the Coun- ASTANA – The Kazakh capital cil of the SCO Heads of State, he hosted the 17th Shanghai Coopera- noted the accession of India and tion Organisation (SCO) summit Pakistan would give new impetus June 8-9, with the accession of In- to the growing-in-numbers organi- dia and Pakistan and anti-extrem- sation and raise its international ism convention topping the agenda status. Nazarbayev added this was amid hopes of bolstering the or- the last time the heads of only the ganisation’s presence in Eurasia. six states – China, Kazakhstan, While the world had its collec- Kyrgyz Republic, Russia, Tajik- tive eyes on the Kazakh capital as istan and Uzbekistan – would be it held the summit and launched seated at the negotiating table, as EXPO 2017 June 9, President Nur- the next summit will include the sultan Nazarbayev conducted a two new member nations. -
Rainian Uarter
e rainian uarter A JOURNAL OF UKRAINIAN AND INTERNATIONAL AFFAIRS Volume LXIV, Numbers 1-2 Spring-Summer 2008 This issue is a commemorative publication on the 75th anniversary of the Stalin-induced famine in Ukraine in the years 1932-1933, known in Ukrainian as the Holodomor. The articles in this issue explore and analyze this tragedy from the perspective of several disciplines: history, historiography, sociology, psychology and literature. In memory ofthe "niwrtlered millions ana ... the graves unknown." diasporiana.org.u a The Ukrainian uarter'7 A JOURNAL OF UKRAINIAN AND INTERNATIONAL AFFAIRS Since 1944 Spring-Summer 2008 Volume LXIV, No. 1-2 $25.00 BELARUS RUSSIA POLAND ROMANIA Territory of Ukraine: 850000 km2 Population: 48 millions [ Editor: Leonid Rudnytzky Deputy Editor: Sophia Martynec Associate Editor: Bernhardt G. Blumenthal Assistant Editor for Ukraine: Bohdan Oleksyuk Book Review Editor: Nicholas G. Rudnytzky Chronicle ofEvents Editor: Michael Sawkiw, Jr., UNIS Technical Editor: Marie Duplak Chief Administrative Assistant: Tamara Gallo Olexy Administrative Assistant: Liza Szonyi EDITORIAL ADVISORY BOARD: Anders Aslund Carnegie Endowment for International Peace Yaroslav Bilinsky University of Delaware, Newark, DE Viacheslav Brioukhovetsky National University of Kyiv-Mohyla Academy, Ukraine Jean-Pierre Cap Professor Emeritus, Lafayette College, Easton, PA Peter Golden Rutgers University, Newark, NJ Mark von Hagen Columbia University, NY Ivan Z. Holowinsky Rutgers University, New Brunswick, NJ Taras Hunczak Rutgers University, Newark, NJ Wsewolod Jsajiw University of Toronto, Canada Anatol F. Karas I. Franko State University of Lviv, Ukraine Stefan Kozak Warsaw University, Poland Taras Kuzio George Washington University, Washington, DC Askold Lozynskyj Ukrainian World Congress, Toronto Andrej N. Lushnycky University of Fribourg, Switzerland John S. -
UNIVERSITY of CALGARY the Kootenay School of Writing: History
UNIVERSITY OF CALGARY The Kootenay School of Writing: History, Community, Poetics Jason Wiens A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH CALGARY, ALBERTA SEPTEMBER, 200 1 O Jason Wiens 200 1 National Library Bibliothèque nationale 1+1 of canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellingion Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KIA ON4 Canada Canada Your lils Votre r6Orence Our file Notre rdfdtencs The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/^, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être implimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract Through a method which combines close readings of literary texts with archiva1 research, 1provide in this dissertation a critical history of the Kootenay School of Writing (KSW): an independent, writer-run centre established in Vancouver and Nelson, British Columbia in 1984. -
U.S. Scholars and Students in Ukraine 2019-2020
U.S. Scholars and Students in Ukraine 2019-2020 NEWSLETTER #24 September 2019 1 Fulbright Program in Ukraine Institute of International Education • Kyiv Office 20 Esplanadna Street, Suite 904, Kyiv, 01001, Ukraine Tel.: +380 (44) 287 07 77 [email protected] www.iie.org • www.fulbright.org.ua /Fulbright.Ukraine @fulbrightua /fulbright_ukraine 2 3 Dear Friends and Colleagues: Warm autumn greetings and a heartfelt This year is a banner year for the Institute of welcome to all our U.S. Fulbright scholars, International Education, the administrator fellows, students/researchers and English of the Fulbright Program in Ukraine, which teaching assistants in Ukraine for the 2019- celebrates its centennial as a global 20 academic year. educational institution. We will also toast 100 years of Ukraine’s cultural diplomacy, 2019 was a year of change, as Ukrainians as we mark the centennial of Leontovych’s elected a new president, went to the polls “Shchedryk”, (Carol of the Bells) with a gala to cast their votes for a new parliament concert in October. There will be many more and now have a new government; your events throughout the year which will show year promises to be interesting, as the richness of Ukraine’s history, the wealth Ukraine continues on its path of European and diversity of its culture. We will be happy integration, democracy building and to inform you of all these celebrations. economic reform, and as its citizens continue strengthening civil society, striving We wish you a stimulating and successful to build a better life for themselves and year in your professional endeavors and their children. -
235-Newsletter.Pdf
The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Simone White Monday Night Talk Series Coordinator: Corrine Fitzpatrick Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Matt Longabucco Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Lezlie Hall Archivist: Will Edmiston Box Office: Aria Boutet, Courtney Frederick, Gabriella Mattis Interns/Volunteers: Mel Elberg, Phoebe Lifton, Jasmine An, Davy Knittle, Olivia Grayson, Catherine Vail, Kate Nichols, Jim Behrle, Douglas Rothschild Volunteer Development Committee Members: Stephanie Gray, Susan Landers Board of Directors: Gillian McCain (President), John S. Hall (Vice-President), Jonathan Morrill (Treasurer), Jo Ann Wasserman (Secretary), Carol Overby, Camille Rankine, Kimberly Lyons, Todd Colby, Ted Greenwald, Erica Hunt, Elinor Nauen, Evelyn Reilly and Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs and publications are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The Poetry Project’s programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
Television Beyond and Across the Iron Curtain
Television Beyond and Across the Iron Curtain Television Beyond and Across the Iron Curtain Edited by Kirsten Bönker, Julia Obertreis and Sven Grampp Television Beyond and Across the Iron Curtain Edited by Kirsten Bönker, Julia Obertreis and Sven Grampp This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Kirsten Bönker, Julia Obertreis, Sven Grampp and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9740-X ISBN (13): 978-1-4438-9740-2 TABLE OF CONTENTS Introduction ............................................................................................... vii Kirsten Bönker and Julia Obertreis I. Transnational Perspectives and Media Events Chapter One ................................................................................................. 2 Looking East–Watching West? On the Asymmetrical Interdependencies of Cold War European Communication Spaces Andreas Fickers Chapter Two .............................................................................................. 25 Campaigning Against West Germany: East German Television Coverage of the Eichmann Trial Judith Keilbach Chapter -
Mikhail Bulgakov, Mykola Kulish, and Soviet Theater: How Internal
0LNKDLO%XOJDNRY0\NROD.XOLVKDQG6RYLHW7KHDWHU +RZ,QWHUQDO7UDQVQDWLRQDOLVP5HPDGH&HQWHUDQG 3HULSKHU\ 0D\KLOO&)RZOHU Kritika: Explorations in Russian and Eurasian History, Volume 16, Number 2, Spring 2015 (New Series), pp. 263-290 (Article) 3XEOLVKHGE\6ODYLFD3XEOLVKHUV DOI: 10.1353/kri.2015.0031 For additional information about this article http://muse.jhu.edu/journals/kri/summary/v016/16.2.fowler.html Access provided by Florida Atlantic University (13 Jul 2015 18:36 GMT) Articles Mikhail Bulgakov, Mykola Kulish, and Soviet Theater How Internal Transnationalism Remade Center and Periphery MAYHILL C. FOWLER Most studies of Soviet culture are, without explicitly stating so, studies of culture in Moscow, taking what happened culturally in Moscow (and occasionally Leningrad) as metonymy for the cultural production and reception of the entire Soviet Union. The prevalent model of Soviet culture is therefore one of diffusion, which assumes that the best cultural products were created in Moscow and transported to or copied by the periphery. The diffusion model assumes the provinces as peripheral to Moscow or, to put it differently, the periphery as provincial.1 Explicitly or implicitly refuting the assumption of Moscow as metonym, studies of culture in the Soviet republics often present an alternate model, tracing a well-established teleological trajectory of qualitatively good non- Russian culture created locally under korenizatsiia (indigenization) followed by Russification spread from an increasingly oppressive center.2 Soviet culture Earlier drafts of this article were presented at the DC Russian History kruzhok, the Ukraine Research Group at the University of Toronto, McMaster University, the Harriman Institute at Columbia University, and the Association for Slavic, East European, and Eurasian Studies convention. -
Schultz CV 2015
DR. KATHY LOU SCHULTZ, MFA, PhD 547 South Cox Street • Memphis, TN 38104 • (901) 722-5023 • [email protected] web site: www.kathylou.com EDUCATION University of Pennsylvania Ph.D. in English, 2006 Dissertation: “In the Modern Vein”: Afro-Modernist Poetry and Literary History Chair: Bob Perelman. Readers: Herman Beavers, Charles Bernstein Outside Reader: Aldon Nielsen, Pennsylvania State University San Francisco State University M.F.A. in Creative Writing (Poetry), American Literature, 1996 Thesis: Re dress Chair: Myung Mi Kim. Readers: Robert Glück, Frances Mayes Oberlin College B.A. in English: Creative Writing and Women's Studies (Black Studies Emphasis), 1990 Columbia University, 1985-1987 HONORS, AWARDS, AND FELLOWSHIPS Faculty Professional Development Award (Competitively Awarded Paid Research Leave), University of Memphis, 2010-11 Finalist, FuturePoem Book Contest, 2010 Faculty Research Grant for “Uncovering the Tolson Archive,” University of Memphis, 2008, $6,000 Authors’ & Editors’ Recognition Award, American Literature Association: African American Literature and Culture Society, 2007 Center for Africana Studies Dissertation Fellowship, University of Pennsylvania, 2005-2006 Critical Writing Teaching Fellow, University of Pennsylvania, 2005-2006 (declined) Fence Books Alberta Prize, Runner-up, 2005 School of Arts and Sciences Dissertation Fellowship, University of Pennsylvania, 2004-2005 Gilchrist-Potter Prize for Oberlin College Alumni, 2004 Adelia A. F. Johnston Graduate Fellowship for Oberlin College Alumni, 2004 University Fellow, University of Pennsylvania, 2003-2004 University of Pennsylvania Course Review “Hall of Fame.” Spring 2003 poetry course listed among the most highly rated courses at the university Travel Grant, School of Arts and Sciences, University of Pennsylvania, Fall 2003 Rosenberg Fellow, University of Pennsylvania, 2002-2003 Teaching Fellow, University of Pennsylvania, 2000-2001, 2001-2002 Adelia A. -
The Self in the Song: Identity and Authority in Contemporary
The Self in the Song: Identity and Authority in Contemporary American Poetry by David William Lucas A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2014 Doctoral Committee: Professor Linda K. Gregerson, Chair Professor Yopie Prins Associate Professor Gillian Cahill White Professor John A. Whittier-Ferguson for my teachers ii Acknowledgments My debts are legion. I owe so much to so many that I can articulate only a partial index of my gratitude here: To Jonathan Farmer and At Length, in which an adapted and excerpted version of “The Nothing That I Am: Mark Strand” first appeared, as “On Mark Strand, The Monument.” To Steven Capuozzo, Amy Dawson, and the Literature Department staff of the Cleveland Public Library for their assistance with my research. To the Department of English Language and Literature and the Rackham Graduate School at the University of Michigan for the financial and logistical support that allowed me to begin and finish this project. To the Stanley G. and Dorothy K. Harris Fund for a summer grant that allowed me to continue my work without interruption. To the Poetry & Poetics Workshop at the University of Michigan, and in particular to Julia Hansen, for their assistance in a workshop of the introduction to this study. To my teachers at the University of Michigan, and especially to Larry Goldstein and Marjorie Levinson, whose interest in this project, support of it, and suggestions for it have proven invaluable. To June Howard, A. Van Jordan, Benjamin Paloff, and Doug Trevor. -
Literary Herald ISSN: 2454-3365 an International Refereed/Peer-Reviewed English E-Journal Impact Factor: 3.019(IIJIF)
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 3.019(IIJIF) Shakespeare under the Soviet Bloc Oumeima Mouelhi Assistant Professor/ PhD holder in English Literature The High Institute of Human Sciences of Tunis Tunisia Abstract Under the Eastern European theatre, a number of allusions and inferences endeavored to raise the curtain of silence over the true character of totalitarian society. Situating Shakespeare within the ideological and cultural debates and conflicts of Eastern Europe, Shakespeare‟s plays were a politically subversive tool mirroring the absolutism of the state and the anxiety of the people namely in East Germany and the Soviet Bloc. Sometimes appropriating his works freely for the purpose, the new productions of Shakespeare were fraught with all kinds of contemporary allusions to political events subtly criticizing the political system, just to add a facet of “political Shakespeare”. This paper seeks to explore the appropriation of Shakespeare‟s play, Macbeth, in Ukraine in an avan-gardist production by Les Kurbas, a play that has proved, uncommonly, responsive to the circumstances of a torn country. Les Kurbas‟s appropriation was appropriated to reflect the political turmoil and the general unease hovering over the country during the obscure days of the Second World War. Key Words: Shakespeare, Eastern Europe, Soviet Bloc, appropriation, Les Kurbas‟s Macbeth. Vol. 4, Issue 3 (October 2018) Dr. Siddhartha Sharma Page 58 Editor-in-Chief www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 3.019(IIJIF) Shakespeare has been appropriated to the ever-changing circumstances finding an echo in almost every sphere of the world thanks to the very elasticity of his plays and their ability to adapt to various situations. -
In Early March 1981, Lyn Sent a Letter to Barrett, Bob, Charles Bernstein, Ron, and Steve, Proposing That Each Would Write A
In early March 1981, Lyn sent a letter to Barrett, Bob, Charles Bernstein, Ron, and Steve, proposing that each would write a page on a topic that she named, the whole to serve as an introduction to a selection of Language writings in French translation that would appear in Change magazine, as part of the March 1982 issue focused on “L’espace amérique,” edited (with an additional introduction) by Nanos Valaoritis. In 1989, our same six-person introduction was retranslated into Serbian and published in an issue of Delo, in Yugoslavia. Here is the six-person introduction. Ron Silliman, Barrett Watten, Steve Benson, Lyn Hejinian, Charles Bernstein, Bob Perelman Begun in the sixties, the writing of the American poets gathered here for Change matured into an organized, ongoing literary discourse in the following decade, a period of significant transition for the United States. From the perspective of capital, the war in Indochina was lost, a critical blow to national military prestige. More importantly, 1974 marked the end of capital’s longest “boom,” the expansionist years following the Second World War (on top of which the essential optimism of every variety of “New American” poetry had been constructed). Simultaneously, the largest generation in U.S. history, the “baby boom” of the 40’s and early 50’s, passed from college to the daily practices of material life. Tied to that generation and crippled from the beginning by its rejection of historical knowledge, the American New Left rapidly dissolved, although several of its veterans were to re-emerge as leaders of cross-class movements based on forms of personal oppression, as women or as gays of either sex.