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The Critical Arabesque
Originalveröffentlichung in: Ruhl, Carsten ; Dähne, Chris ; Hoekstra, Rixt (Hrsgg.): The death and life of the total work of art : Henry van de Velde and the legacy of a modern concept, Berlin 2015, S. 195-216 THE CRITICAL ARABESQUE On Jean-Luc Godard's Nouvelle Vague (1990) Regine Prange The Motion Picture as a Total Work of Art The transformation of the proletarian penny arcades and nickelodeons into movie theaters that were also recognized by a middle-class audience was accompanied by the elaborate commercial construction of gigantic premiere houses, whose mag- nificent fa^ade design and fantastic and eclectic interior decor created experiential spaces that complemented the narrative space of the films being presented and exponentially increased their illusionistic effect. Siegfried Kracauer commented on those “palaces of distraction ” in 1926: 195 A glittering, revue-like creature has crawled out ofthe movies: the total artwork (Gesamt- kunstwerk) of ejfects. / This total artwork of effects assaults every one of the senses using every possible means. Spotlights shower their beams into the auditorium, sprinkling across festive drapes or rippling through colorful, growth-like glass fixtures. The orchestra asserts it- selfas an independentpower, its acousticproduction buttressed by the responsory ofthe light- ing. Every emotion is accorded its own acoustic expression, its color value in the spectrum —a visual and acoustic kaleidoscope which provides the settingfor the physical activity on stage: pantomime and ballet. Untilfinally the white surface descends and the events ofthe three- dimensional stage blend imperceptibly into two-dimensional illusions. 1 In addition to this critical perspective toward a “false totality ” of the movie the- ater that serves entertainment and is suggestive of the “upscale and sacral” of the art tradition, which, in Kracauer ’s opinion, contests the artistic independence of film, the metaphor of the total work of art is also employed for genuine cinematic art. -
International Sales Autumn 2017 Tv Shows
INTERNATIONAL SALES AUTUMN 2017 TV SHOWS DOCS FEATURE FILMS THINK GLOBAL, LIVE ITALIAN KIDS&TEEN David Bogi Head of International Distribution Alessandra Sottile Margherita Zocaro Cristina Cavaliere Lucetta Lanfranchi Federica Pazzano FORMATS Marketing and Business Development [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Mob. +39 3351332189 Mob. +39 3357557907 Mob. +39 3334481036 Mob. +39 3386910519 Mob. +39 3356049456 INDEX INDEX ... And It’s Snowing Outside! 108 As My Father 178 Of Marina Abramovic 157 100 Metres From Paradise 114 As White As Milk, As Red As Blood 94 Border 86 Adriano Olivetti And The Letter 22 46 Assault (The) 66 Borsellino, The 57 Days 68 A Case of Conscience 25 At War for Love 75 Boss In The Kitchen (A) 112 A Good Season 23 Away From Me 111 Boundary (The) 50 Alex&Co 195 Back Home 12 Boyfriend For My Wife (A) 107 Alive Or Preferably Dead 129 Balancing Act (The) 95 Bright Flight 101 All The Girls Want Him 86 Balia 126 Broken Years: The Chief Inspector (The) 47 All The Music Of The Heart 31 Bandit’s Master (The) 53 Broken Years: The Engineer (The) 48 Allonsanfan 134 Bar Sport 118 Broken Years: The Magistrate (The) 48 American Girl 42 Bastards Of Pizzofalcone (The) 15 Bruno And Gina 168 Andrea Camilleri: The Wild Maestro 157 Bawdy Houses 175 Bulletproof Heart (A) 1, 2 18 Angel of Sarajevo (The) 44 Beachcombers 30 Bullying Lesson 176 Anija 173 Beauty And The Beast (The) 54 Call For A Clue 187 Anna 82 Big Racket (The) -
Sexo, Amor Y Cine Por Salvador Sainz Introducción
Sexo, amor y cine por Salvador Sainz Introducción: En la última secuencia de El dormilón (The Sleeper, 1973), Woody Allen, desengañado por la evolución polí tica de una hipotética sociedad futura, le decí a escéptico a Diane Keaton: “Yo sólo creo en el sexo y en la muerte” . Evidentemente la desconcertante evolución social y polí tica de la última década del siglo XX parecen confirmar tal aseveración. Todos los principios é ticos del filósofo alemá n Hegel (1770-1831) que a lo largo de un siglo engendraron movimientos tan dispares como el anarquismo libertario, el comunismo autoritario y el fascismo se han desmoronado como un juego de naipes dejando un importante vací o ideológico que ha sumido en el estupor colectivo a nuestra desorientada generación. Si el siglo XIX fue el siglo de las esperanzas el XX ha sido el de los desengaños. Las creencias má s firmes y má s sólidas se han hundido en su propia rigidez. Por otra parte la serie interminable de crisis económica, polí tica y social de nuestra civilización parece no tener fin. Ante tanta decepción sólo dos principios han permanecido inalterables: el amor y la muerte. Eros y Tá natos, los polos opuestos de un mundo cada vez má s neurótico y vací o. De Tánatos tenemos sobrados ejemplos a cada cual má s siniestro: odio, intolerancia, guerras civiles, nacionalismo exacerbado, xenofobia, racismo, conservadurismo a ultranza, intransigencia, fanatismo… El Sé ptimo Arte ha captado esa evolución social con unas pelí culas cada vez má s violentas, con espectaculares efectos especiales que no nos dejan perder detalle de los aspectos má s sombrí os de nuestro entorno. -
Russian Cinema Now, an 11-Film Showcase of Contemporary Films, May 31— Jun 13
BAMcinématek presents the 30th anniversary of Andrei Tarkovsky’s Nostalghia for two weeks in a new 35mm print, alongside Russian Cinema Now, an 11-film showcase of contemporary films, May 31— Jun 13 In association with TransCultural Express: American and Russian Arts Today, a partnership with the Mikhail Prokhorov Fund to promote cultural exchange between American and Russian artists and audiences Three North American premieres, three US premieres, and special guests including legendary Fugees producer John Forté and friends and acclaimed directors Sergei Loznitsa and Andrey Gryazev The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/May 10, 2013—From Friday, May 31 through Thursday, June 13, BAMcinématek presents a two-week run of Russian master Andrei Tarkovsky’s Nostalghia in a new 35mm print for its 30th anniversary, alongside Russian Cinema Now, a series showcasing contemporary films with special guests and Q&As. Both programs are part of TransCultural Express: American and Russian Arts Today, a collaborative venture to promote cultural exchange and the Mikhail Prokhorov Fund’s inaugural artistic alliance with a US performing arts institution. For more information on TransCultural Express, download the program press release. A metaphysical exploration of spiritual isolation and Russian identity, Tarkovsky’s (Solaris, Stalker) penultimate film Nostalghia (1983) follows Russian expat and misanthropic poet Andrei (Oleg Yankovsky, The Mirror) as he travels to Italy to conduct research on an 18th-century composer. In the course of his study, he is overcome by melancholy and a longing for his home country—a sentiment reflective of the exiled Tarkovsky’s own struggle with displacement, this being his first film made outside of the USSR (the film’s Italian title translates as “homesickness”). -
Pdf Ennio Flaiano Y Rafael Azcona: Historia De Un Universo Compartido / Giovanna Zanella Leer Obra
Università degli Studi di Udine Ennio Flaiano y Rafael Azcona Historia de un universo compartido Giovanna Zanella Memoria de Licenciatura Facultad: Lengua y Literatura extranjera Directora: Dott. Renata Londero 2000-2001 UNIVERSITÀ DEGLI STUDI DI UDINE FACOLTÀ DI LINGUE E LETTERATURE STRANIERE Corso di Laurea in Lingue e Letterature Straniere Tesi di Laurea ENNIO FLAIANO Y RAFAEL AZCONA HISTORIA DE UN UNIVERSO COMPARTIDO Relatore: Laureanda: Dott. Renata Londero Giovanna Zanella ANNO ACCADEMICO 2000-2001 AGRADECIMIENTOS Durante la realización del presente trabajo he estado principalmente en la Universidad de Alicante, donde he podido contar en todo momento con la valiosa colaboración y los imprescindibles consejos de Juan Antonio Ríos, y con la disponibilidad de la Biblioteca Virtual Miguel de Cervantes, que precisamente este año ha abierto un portal de autor dedicado a Rafael Azcona (consultable en cervantesvirtual.com), cuyo material ha sido fundamental para mi estudio. Asimismo, por lo que concierne el material sobre Ennio Flaiano, he utilizado las numerosas publicaciones de la “Associazione Culturale Ennio Flaiano” de Pescara, cuyos volúmenes siempre han sido el apoyo más valioso en toda investigación sobre la figura y la obra del italiano. Por lo que respecta a la difícil labor de conseguir películas de los años 50, 60 y 70, tengo que agradecer a Cristina Ros de la Universidad de Alicante por haberme ofrecido la oportunidad de ver El Anacoreta, de Juan Esterlich; a la “Cineteca del Friuli”, que me ha facilitado la visión de La cagna de Marco Ferreri; al “Laboratorio Cinema e Multimedia” de la Universidad de Udine y a la “Filmoteca del Museo” de la Universidad de Alicante. -
Hay Muchos “12S” Que Pueden Ser Muy, Pero Muy Importantes… Pero Como Éstos, Difícil
Hay muchos “12s” que pueden ser muy, pero muy importantes… Pero como éstos, difícil. Si hubo “combos” de la promo anterior que le gustaron y no alcanzó a comprar, ahora es su oportunidad… Gran cantidad de “combos” musicales nuevos para elegir… Ahora también “combos” de cine… Todos por sólo $ 10.000. Desde el lunes 30 de mayo hasta el sábado 4 de junio. ¡Más tiempo para elegir y participar! Consulte (sin compromiso) su “combo” personal. Si podemos, se lo hacemos. Sólo películas, no incluye series. Combos de Cine En cada eje temático, se incluye 12 de las mejores películas del género, de diversas épocas, tratando de entregar un panorama lo más amplio posible de la filmografía existente. Elija el que más le interese, e inicie o complete una colección… 01. El Western Un jinete que se pierde en el horizonte, una bala que silba, hombres rudos que se juegan la vida por dinero, tierras o aburrimiento… Una época legendaria de Estados Unidos que ha dado origen a todo un género narrativo. Películas del pack: Gunfight At The O.K. Corral (Duelo de Titanes) (1957, con Kirk Douglas y Burt Lancaster. Dir.: John Sturges) / Unforgiven (Los Imperdonables), (1992, con Clint Eastwood, Gene Hackman, Morgan Freeman y Richard Harris. Dir: Clint Eastwood) (4 Premios Oscar) / Stagecoach (La Diligencia) (1939, con John Wayne, Claire Trevor y John Carradine. Dir: John Ford) (2 Premios Oscar) / Shane (Shane, el desconocido) (1953, con Alan Ladd, Van Heflin, Jean Arthur y Jack Palance. Dir: George Stevens) (1 Premio Oscar) / Rio Bravo (1959, con John Wayne, Dean Martin, Angie Dickinson y Ricky Nelson. -
Handbuch in Der Stilart Klassisch
Medienliste Vet 3 (K)ein DVD (K)ein besonderes Bedürfnis / Regie: Carlo Zoratti. Darst.: Enea Gabino, Alex Nazzi, Carlo Zoratti .... - Lighthouse, 2015. - 1 DVD <78 Min.> SciFi & Fantasy T DVD 10 Cloverfield Lane / Regie: Dan Trachtenberg. Darst.: John Goodman, Mary Elizabeth Winstead, John Gallagher Jr. .... - Paramount Pictures, 2016. - 1 DVD (ca.99 Min.) DVD 10.000 [Ten thousand] BC / Regie: Roland Emmerich. Darst.: Steven Strait. Camilla Belle. Cliff Curtis. - Warner, 2008. - 1 DVD <ca. 104 Min.> : farb. Historisches N DVD 1900 [Neunzehnhundert] / Regie: Bernardo Bertolucci. Drehb.: Franco Arcalli ... Kamera: Vittorio Storaro. Musik: Ennio Morricone. Darst.: Burt Lancaster ; Sterling Hayden ; Robert De Niro .... - München : Concorde Home Entertainment, 2013. - 2 DVDs <303Min.> DVD; Komödie & Humor D DVD; Komödie & Humor D DVD 30 über Nacht : jede Frau hat ein Geheimnis - ihres ist wirklich zauberhaft / [Regie:] Gary Winick ; [Darsteller:] Jennifer Garner, Mark Ruffalo [und weitere]. - München : Columbia, 2004. - 1 DVD (circa 94 min) & Beih. Drama & Gesellschaft A DVD 8 1/2 [Achteinhalb] / Regie: Federico Fellini. Mit Marcello Mastroianni, Claudia Cardinale, Anouk Aimée .... - Leipzig : Kinowelt Home, 2007. - 1 DVD <132 Min.> - (Arthaus Close-Up) Action & Spannung N DVD 96 {Ninety-six] hours - Taken / Regie: Pierre Morel. Darst.: Liam Neeson. Maggie Grace. Leland Orser. - Twentieth Century Fox, 2009. - 1 DVD <ca. 90 Min.> : farb. Drama & Gesellschaft G DVD A ghost story : Zeit ist alles. / [Regie:] David Lowery ; [Darsteller:] Casey Affleck, Rooney Mara, Brea Grant [und weitere]. - Hamburg : Universal Studios, 2018. - 1 DVD (circa 89 min) Komödie & Humor M DVD A million ways to die in the west / Regie: Seth MacFarlaine. Darst.: Charlize Theron, Amanda Seyfried, Liam Neeson, Giovanni Ribisi. -
Film Visti Nel 2014 (In Ordine Alfabetico)
film visti nel 2014 (in ordine alfabetico) quelli con sfondo giallo mi sono piaciuti in particolar modo 21 Days Basil Dean 1940 Vivien Leigh, Leslie Banks, Laurence Olivier 3 Idiots Rajkumar Hirani 2009 Aamir Khan, Madhavan, Mona Singh, Kareena Kapoor 55 days in peking Nicholas Ray 1963 Charlton Heston, Ava Gardner, David Niven 9 songs Michael Winterbottom 2004 Kieran O'Brien, Margo Stilley, Huw Bunford | A Bronx Tale Robert De Niro 1993 Robert De Niro, Chazz Palminteri A Life at Stake Paul Guilfoyle 1954 Angela Lansbury, Keith Andes, Douglass Dumbrille A Serious Man Joel Coen 2009 Michael Stuhlbarg, Richard Kind, Sari Lennick A Tale Of Two Cities Ralph Thomas 1958 Dirk Bogarde, Dorothy Tutin, Cecil Parker A.T.M.: ¡¡A toda máquina!! Ismael Rodríguez 1951 Pedro Infante, Luis Aguilar, Aurora Segura After hours Martin Scorsese 1985 Griffin Dunne, Rosanna Arquette Alma gitana Chus Gutiérrez 1996 Amara Carmona, Pedro Alonso, Peret Amores Perros Aleja. Gonzalez Inarritu 1999 E. Echevarría, G. García Bernal, G. Toledo Ana y Los Lobos Carlos Saura 1973 G. Chaplin, F. Fernán Gómez, J. M. Prada And Then There Were None René Claire 1945 Barry Fitzgerald, Walter Huston, Louis Hayward Andalucía chica José Ulloa 1988 Antonio Molina, Mara Vador, Raquel Evans Another Man's Poison Irving Rapper 1951 Bette Davis, Gary Merrill, Emlyn Williams Asphalt Joe May 1929 Albert Steinrück, Else Heller, Gustav Fröhlich Aventurera Alberto Gout 1950 Ninón Sevilla, Tito Junco, Andrea Palma Awaara Raj Kapoor 1951 Prithviraj Kapoor, Nargis, Raj Kapoor, K.N. Singh Bajo -
Ant Movie Catalog
Biblioteca di Città Studi CATALOGO FILM IN DVD Le schede dei film sono tratte da: www.cinematografo.it N.B. Le schede riportano la trama completa del film Titolo Regista A n n o Collocazione Scheda n. 1999 - conquista della terra J. Lee Thompson 1972 F DVD 107 5 0 2 single a nozze David Dobkin 2005 F DVD 186 6 0 2001: odissea nello spazio Stanley Kubrick 1968 F DVD 18 1 A beautiful mind Ron Howard 2001 F DVD 44 2 A proposito di schmidt Alexander Payne 2002 F DVD 192 4 A.i. intelligenza artificiale Steven Spielberg 2001 F DVD 60 5 Amadeus Milos Forman 1984 F DVD 127 7 Amarcord Federico Fellini 1973 F DVD 132 8 American beauty Sam Mendes 1999 F DVD 85 9 Amici miei Mario Monicelli 1975 F DVD 64 1 0 Amici miei atto II Mario Monicelli 1982 F DVD 65 1 1 Amici miei atto III Nanni Loy 1985 F DVD 66 1 2 Anno 2670 ultimo atto J. Lee Thompson 1973 F DVD 108 2 6 Apocalypse now redux Francis Ford Coppola 2001 F DVD 63 1 3 Arancia meccanica Stanley Kubrick 1971 F DVD 17 1 4 Assassinio sul nilo John Guillermin 1978 F DVD 120 1 6 Assassinio sull'orient express Sidney Lumet 1974 F DVD 119 1 7 Bagdad cafè Percy Adlon 1987 F DVD 53 2 0 Balla coi lupi Kevin Costner 1990 F DVD 32 2 2 Balle spaziali Mel Brooks 1987 F DVD 150 2 3 Band of Brothers. Fratelli al fronte Vari F DVD 202-207 2 4 Barry lyndon Stanley Kubrick 1975 F DVD 23 2 5 Belva di guerra Kevin Reynolds 1988 F DVD 163 2 7 Billy elliot Stephen Daldry 2000 F DVD 122 2 8 Black hawk down - black hawk abbattuto Ridley Scott 2001 F DVD 201 2 9 Blade runner Ridley Scott 1982 F DVD 1 3 0 Blade: trinity David S. -
March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 Minutes
March 24, 2009 (XVIII:10) Andrei Tarkovsky, NOSTALGHIA, 1983 125 minutes Directed by Andrei Tarkovsky Screenplay by Andrei Tarkovsky &Tonino Guerra Produced by Franco Casati Cinematography by Giuseppe Lanci Film Editing by Erminia Marani and Amedeo Salfa Oleg Yankovsky...Andrei Gorchakov Erland Josephson...Domenico Domiziana Giordano...Eugenia Patrizia Terreno...Andrei's Wife Laura De Marchi...Chambermaid Delia Boccardo...Domenico's Wife Milena Vukotic...Civil Servant Raffaele Di Mario Rate Furlan Livio Galassi Elena Magoia Piero Vida Holmes and Dr. Watson: The Hound of the Baskervilles (1981), Tot samyy Myunkhgauzen/Theat Munchhausen (1979), ANDREI TARKOVSKY (April 4, 1932, Zavrazhe, Ivanono, Povorot/The Turning Point (1978), Moy laskovyy i nezhnyy zver/A USSR—December 29, 1986, Paris, France, lung cancer) directed Hunting Accident (1978), Sladkaya zhenshchina/A Sweet Woman 11 films: Offret/The Sacrifice (1986), Nostalghia (1983), Tempo (1976), Sentimentalnyy roman (1976), Zerkalo/The Mirror (1975), di viaggio/Voyage in Time (1983), Stalker (1979), Zerkalo/The Premiya (1974), Rasplata/Reckoning (1970), and O lyubvi/A Mirror (1975), Solyaris/Solaris (1972), Andrey Rublyov/Andrei Ballad of Love (1966). Rublev (1966), Ivanovo detstvo/Ivan’s Childhood (1962), Katok i skripka/The Skating Rink and the Violin (1961), Segodnya ERLAND JOSEPHSON (June 15, 1923, Stockholm, Stockholms län, uvolneniya ne budet/There Will Be No Leave Today (1959), and Sweden) has been in several Ingmar Bergman films. He has 98 Ubiytsy/The Killers (1958). acting credits, -
Impression De Catalogue Vidã©Othã¨Que
Catalogue Vidéothèque API - Edition du 06/01/2019 A CHE SERVONO QUESTI QUATTRINI 0683 Comédie sur le thème de l'argent. Genre : Commedia Durée : 0 mn Année : 1942 De : Esodo Pratelli Note : 10/10 Avec : Eduardo De Filippo, Peppino De Filippo, Paolo Stoppa, Clelia Matania, Nerio Pays : Bernardi, Italia Marchesini, Edwige Maul, Nino Marchesini Support : VHS A OGNI COSTO doc di FOLCO QUILICI 0948 Viaggio alla scoperta dei sistemi rituali e tradizionali per il difficile trasporto di beni primi Genre : Antropologico e sacrali. Durée : 0 mn Documentaire de Folco QUILICI ... Année : 1991 De : Note : 10/10 Avec : Pays : Support : VHS ABBADO Claudio 0860 Docum. su Claudio Abbado, uno dei migliori direttori d'orchestra al mondo. E' nato nel Genre : Arte 1933, comincia alla Scala a solo 27 anni. Durée : 0 mn Année : 1989 De : Note : 10/10 Avec : Pays : Support : VHS ACQUE DI FUOCO doc di FOLCO QUILICI 0912 Exploration de la zone volcanique au sud de la Sicile. Découverte d'une cité engloutie Genre : Archeologia probablement suite à l'éruption d'un volcan. Durée : 0 mn Documentaire de Folco QUILICI ... Année : 1990 De : Note : 10/10 Avec : Pays : Support : VHS AD OVEST DI PAPERINO 0684 Tre giovani a zonzo incrociano l'assurdo, la fantasia, un po' di rabbia e molta malinconia. Genre : Comico Ma il film non decolla. Durée : 0 mn Année : 1982 De : Alessandro Benvenuti Note : 10/10 Avec : Alessandro Benvenuti, Francesco Nuti, Athina Cenci, Paolo Hendel Pays : Support : VHS Agente matrimoniale 1098 Giovanni viene licenziato dal suo posto di lavoro a Milano ed è costretto a tornare in Genre : Commedia Sicilia da dove era partito. -
Open Nostalghia Mariajguzman.Pdf
The Pennsylvania State University The Graduate School College of Arts and Architecture SPATIAL PERCEPTION AND IMAGINATION THROUGH ANDREI TARKOVSKY’S NOSTALGHIA A Thesis in Architecture by Maria Jimena Guzman © 2013 Maria Jimena Guzman Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture December 2013 The thesis of Maria Jimena Guzman was reviewed and approved by the following: Jawaid Haider Professor Thesis Advisor Jodi La Coe Assistant Professor of Architecture Kevin Hagopian Senior Lecturer in Media Studies Mehrdad Hadighi Department Head and Professor Stuckeman Chair of Integrative Design *Signatures are on file in the Graduate School. ii ABSTRACT Taking the uncanny tone of Maurice Merleau-Ponty’s concept of the “flesh of the world” as its point of departure, this thesis bridges film and architecture through a spatial exploration of Andrei Tarkovsky’s film Nostalghia. Based on a poetic depiction of five scenes from Nostalghia, this work considers how incorporating time into the production of space reveals that architecture is not an expression of the debates regarding spatial experience, but an agent of a spatial phenomenon capable of shaping and enhancing the lived experience. In order to consider the relationship between filmic and architectonic space, the scenes are considered within the framework of three categories: (1) space subordinating time, (2) time subordinating space, and (3) space and time as equal factors. The first category depicts how collective and private spatial manifestations affect time through an analysis of the La Madonna del Parto and Domenico house scenes. The second category explains how time affects space through a comparison iii of the camera eye (kino-eye) to the dissection of space (poché) through an analysis of the Hotel and Pool scenes.