DOCSLIB.ORG

Al- Raida Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Al- Raida Issue BEIRUT UNIVERSITY COLLEGE MAY 1, 1985, Vol. IV, No. 32 CONTENTS EDITORIAL Women and Literature (Rose Ghurayyib) ... ............................. 2 PIONEER Thorayya Malhas - Jordan - ......................... 3 ARTICLES Arab Feminine Literature Between 1980 and 1950 ................... .. 4 - 5 POEMS - Liban (Amal Saleeby) .................... ... .. ....." .... 6 - Un mal d'Enfance (Andree Chedid) ............................ ..... 6 - Where is Thy Sting, 0 Death (Lamia Abbas Amara) . .... ....... ....... 7 PROFILES I ) Alifa Rifaat (Egypt).... ...... .. .. ........... .. .. 8 2 ) Dr. Mariam Bagdadi (Saudi Arabia) .. ........ 9 3 ) Souad Abou Sabbah (Kuwait) ................ 10 4 ) Leila Abou Zeid (Morocco) ................... 11 REPORTS FROM AROUND THE WORLD I ) Claire Gel>eyli awarded Edgar Poe Prize ....• 12 2 ) French Minister Feminizes Language ........ 12 ,3 ) New Women's Journal in Sudan ............. 12 LECTURE Contemporary Lebanese Women Writers (;-./aiik Saba Yared) ....................... \3 - 16 ( Editorial ) Women and Literature The «gift of the tongue» has been generally them a unique means for claiming their rights and acknowledged as one of women's chief aptitudes. In expounding their demands and their needs. Literary world mythology and history, women performed several production has the possibility of travelling, of spreading roles requiring eloquence and fluency: those ofpriestess, far and wide and reaching every corner of the world. prophetess, mourner, poetess, sorceress, soothsayer, Through literature women are able to emerge as a world singer, mourner and story-teller (for ex. Scheherazade). power, as a «global sisterhood». In this respect, they may We read that Maysoun, wife of the first Omayyad Caliph, strive for improvement and reform in every field and Mu'awia, longed to return to her Bedouin tent in the claim the instauration of justice and the elimination of desert, which she preferred to the sumptuous Damascene exploitation not only in their own spheres but also in those Palace. She expressed her longing in a famous poem of men. After all, those who commit or permit injustice which so moved the Caliph that he decided to grant her toward women also do it in their dealings with men. It is wish. Another woman poet from Andalusia was commonly accepted now that a really developed country immortalized by a verse which she improvised as a is one which has a single, not a double, standard of complement to an improvised one by King Al-Mutamid justice. of Sevilla. The King was so delighted by her witty As a conclusion, I find it convenient to quote from response that he decided to many her. Robin Morgan, a dedicated feminist, poet, andjournalist, the following paragraph which ends the preface of her A well - known saying warns against indulgence in masterly compilation: «Sisterhood is Global»(*) speech, by quoting a fable attributed to Esop, which says that the tongue is the source of all evils; but those who «Male-led revolutions, so often and so tragically mere quote it forget that part of the fable which affirms that the power exchange in a basically unaltered structure, have tongue is equally the source of all blessings. left dramatic accounts of their crises and heroism .... If such revolutions sometimes seem to have been based on Women of to-day, like those of the past, have been the concept of dying for a cause, woman-conceived using their literary skills for self - expression and self - transformation seems more about daring to live for a assertion, but on a much wider scale. In Third World, as cause, a heroism more difficult because it is daily and in First and Second World, countries, women have ostensibly less dramatic». distinguished themselves as poets, novelists, journalists, Rose Ghurayyib lawyers, educators, lectures, actresses, politicians and other professionals who depend on language and literature for handling their arts. The literary field offers women of "* R. Morgan (ed), Sisterhodd is Global, Anchor Books, today unprecedented opportunities for work. It also gives N.Y. 1984. 2 ( Pioneer Thorayya Malhas a Pioneer from Jordan Thorayya Malhas is widely regarded as the first ambition culminated in a collection of English free verse, Jordanian woman writer to declare her rebellion against «Prisoners of Time», which she published in 1958. While obsolete ideas, and to attack, through her way of life and she took teaching as a career, her love for knowledge led her writings, the «cave-dwellers» who cling to tradition her to continue her study and research in ancient and as a means of preserving their privileges or justifying modem literature. After years of investigation in Arabic their wrong acts. linguistics, she decided to make a historical study of Kushagem, one of the lesser renowned Abbasid poets, When she was still a student preparing a master'! and, for that study, she abtained in 1978 a Ph.D. degree degree at the American University of Beirut, she with honors from the University of St. Joseph. published, in 1949, a collection of free verse, «An-Nasheed-ut-Ta'eh» (The Meandering Song), in Thorayya Malhas's writing is characterized by a which she condemned both traditional forms of writing spontaneous expression of feeling and thought, and by and reactionary ways of thinking. Like many Arab little polish and embellishment. She is one of several intellectuals who chose to live outside their countries, in contemporary women writers who have devoted a spot where they could move and speak-out freely, themselves to so called «committed writing», thus she Thorayya decided to settle in Lebanon where she joined stands out by virtue of her unusual vehemence and hands with a number of socially conscious writers, poets frankness . and journalists; she participated in their efforts to R. G. modernize Lebanon and make it a center point of cultural radiation in the Arab world. While many of her Wonder colleagues and associates quit and went each in a If I could reach the sky different direction, she remained faithful to her ideal. Her I wonder if I writings echoed her interest in social justice, in national My hands will move the earth freedom, in loyalty, but not enslavement to the Arab But If I heritage. If I could find a seed Her keen sense of right and wrong made of her a born A seed of peace feminist, a strong advocate of sexual equality, and she I wonder if I succeeded in inculcating this attitude in her women My heart will weave students at B.U.C. and at the Lebanese University. When Garments of delight president Muammar GadhafI of Libya delivered his But if I speech in which he announced the «Era of Liberation» of the Arab woman», in 1982 she was so entusiastic that she If I could plant a seed published an article in the paper in which she hailed him A seed of love as the awaited hero of woman's freedom. Hatred will be abolished From eyes Her sympathy with suffering Lebanon has inspired her But if I with a number of elegies in which she deplored in highly A sting I felt emotional tones the tragic fate of this country. One From tiny tiny souls example is «The Seagull and the Pen», Published in My strong strong palm A1·Adib magazine, (nos. 8-12, 1983). Stretched like mountains She has written literary research, «Spiritual values in I could not see the tiny Arabic literature» and «Nu'aimy the Mystic Writer»; she Tiny souls also produced numerous collections of lyrical and satirical A chorus sang poems in free verse. In some of those works we can But if I. detect a strain of romantic or mystic longing for ~nion Thorayya Malhas with the Absolute, with nature or with man. Her literary From «Prisoners of Time», p. 149. 3 Article Arab Feminine Literature Between 1850 and 1950 May ~~~~===::::::~~~~~~ Ziadeh The period between 1850 and 1950 covers the era of appeared a few women writers who were more or less Arab Awakening; it can be broken down into two phases: influenced by the new ideas. Zainab Fawwaz emigrated the earlier one, 1850-1900, and the later one, 1900-1950. from South Lebanon to Egypt where she made herself The signs of awakening were more evident in the later known by corresponding with papers and magazines, than in the earlier phase. Those signs were: publishing poems and compiling a biographical work on famous historical women. 1. A pioneering literary activity which includes the study and revival of ancient Arabic literature and the Marianna Marrash, from Aleppo, Syria, contributed promotion and reinstatement of classical Arabic. to magazines, opened a salon for the literary figures of 2. A rising influence of Western culture, particularly as her city and published a collection of traditional poetry. represented by French and English literatures and The women writers of this group, in spite of their other modem subjects taught in the foreign schools relative emancipation, deviated little from traditional which blossomed in Lebanon, Egypt and Syria. lines. 3. The impact of foreign literatures on the Arabic language, leading to the evolution of its prose and the Between 1886 and 1950, a second group of women appearance of journalistic writing, modem fiction and writers flourished in the three countries of early Arab drama. Awakening: Lebanon, Egypt and Syria. May Ziadeh, 4. The use of literature in its various forms to spread Malak Hafni Nassef, Marie Ajami and Salma Sayegh modernism in life and thought, such ideas as freedom fell under the direct influence of Western culture. They of expression, liberal attitudes towards love, marriage, expressed themselves mainly in prose, which was earlier women, government and religion. to evolve than poetry. They contributed to papers and magazines and practiced public speaking, which was at The general revival attracted women and aroused the time a popular art and an efficient tool for the spread interest in their emancipation. The few women poets of of cultural change.
Load more

Recommended publications
  • The Making of a Leftist Milieu: Anti-Colonialism, Anti-Fascism, and the Political Engagement of Intellectuals in Mandate Lebanon, 1920- 1948
    THE MAKING OF A LEFTIST MILIEU: ANTI-COLONIALISM, ANTI-FASCISM, AND THE POLITICAL ENGAGEMENT OF INTELLECTUALS IN MANDATE LEBANON, 1920- 1948. A dissertation presented By Sana Tannoury Karam to The Department of History In partial fulfillment of the requirements for the degree of Doctor of Philosophy In the field of History Northeastern University Boston, Massachusetts December 2017 1 THE MAKING OF A LEFTIST MILIEU: ANTI-COLONIALISM, ANTI-FASCISM, AND THE POLITICAL ENGAGEMENT OF INTELLECTUALS IN MANDATE LEBANON, 1920- 1948. A dissertation presented By Sana Tannoury Karam ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the College of Social Sciences and Humanities of Northeastern University December 2017 2 This dissertation is an intellectual and cultural history of an invisible generation of leftists that were active in Lebanon, and more generally in the Levant, between the years 1920 and 1948. It chronicles the foundation and development of this intellectual milieu within the political Left, and how intellectuals interpreted leftist principles and struggled to maintain a fluid, ideologically non-rigid space, in which they incorporated an array of ideas and affinities, and formulated their own distinct worldviews. More broadly, this study is concerned with how intellectuals in the post-World War One period engaged with the political sphere and negotiated their presence within new structures of power. It explains the social, political, as well as personal contexts that prompted intellectuals embrace certain ideas. Using periodicals, personal papers, memoirs, and collections of primary material produced by this milieu, this dissertation argues that leftist intellectuals pushed to politicize the role and figure of the ‘intellectual’.
    [Show full text]
  • Lebanese and Syrians in Egypt
    Lebanese and Syrians in Egypt ALBERT HOURANI The land which lies to the east of Egypt, across the Sinai Peninsula, was known to previous generations of European travellers and writers as ‘Syria’, and to Egyptians as Barr al-Sham. When those who had been born there emigrated, they usually referred to themselves as ‘Syrians’. This chapter will deal with all of them, whether or not they came from the land which is now the Lebanese Republic, and whether they called themselves Syrians or Lebanese. Syria (in this broader sense) and Egypt lie so close to each other that the movement of people between them has been continuous, although for the most part it has gone from Syria to Egypt rather than in the opposite direction. It has been unlike the movements which are the subject of other chapters in this book, in that it has been, at least for the last millennium or so, a movement within the same world of language, belief and culture. Merchants carried the products of Syria by land across the Sinai peninsula or by sea from the Syrian ports to the Mediterranean ports of Egypt, and students went to study at the great centre of Islamic learning, the Azhar mosque in Cairo. The movement must have increased when the two countries were incorporated in the same empire and therefore the same trading area, as they were during the period of Ayyubid and Mamluk rule from the twelfth to the fifteenth century, and later during that of the Ottomans. Many of those who went from Syria to Egypt remained there.
    [Show full text]
  • 'Elliptical' Interaction Between Kahlil Gibran and Rabindranath Tagore
    DOI: https://dx.doi.org/10.21659/rupkatha.v2n2.02 The 'Blue Flame': An 'Elliptical' Interaction between Kahlil Gibran and Rabindranath Tagore Indrani Datta (Chaudhuri) Vidyasagar University, India Abstract: This paper focuses on certain aporias in the life and works of a Lebanese American writer, Kahlil Gibran, that reveal his idiosyncratic interest in and preoccupation with India, neither his native nor his adopted country. It also charts out the 'elliptical' connection that this Lebanese immigrant forged with the Indian Nobel laureate, Rabindranath Tagore. A "belated" (Behdad 1) reading of these aspects opens up the possibility of critiquing Gibran's life and writings through the theoretical framework of Nico Israel's "outlandish"- ness (ix), a state that exists between, as Israel has stated, "exilic emplacement" and "diasporic self-fashioning" (16-17). This kind of "reading behind" (Behdad 4) rewrites "a kind of philosophical décalage" (2) that ruptures existing West-centric discourses by destabilizing and displacing them through "other locations…other trajectories of subjectivity, and...forms of knowledge" (Behdad 1). My critiquing of Gibran's life and texts, in this manner, show how his sense of identity, generated out of trans-cultural and transnational spaces, not only engenders a counter discursive practice to the West- centric politics of exclusion but also tries to rescue non-Western writers, and their literatures, from the "anamnesiac order" (Behdad 3) of such politics. Keywords: Kahlil Gibran, diasporic identity, transnational, trans-cultural, India, Rabindranath Tagore. This article attempts to analyze the aporias1 in the life and the writings of Kahlil Gibran, a Lebanese who immigrated into the US in 1892 and lived there until his death in 1931.
    [Show full text]
  • Kahlil Gibran (1883–1931), and Are on Loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon
    A free exhibition presented at the State Library of New South Wales 4 December 2010 to 20 February 2011 Exhibition opening hours: 9 am to 8 pm Monday to Thursday, 9 am to 5 pm Friday, 10 am to 5pm weekends Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall The State Library of New South Wales is a statutory authority Exhibition project manager: Phil Verner of, and principally funded by, the NSW State Government Exhibition designers: Beth Steven and Stephen Ryan, The State Library acknowledges the generous support of the Freeman Ryan Design Nelson Meers Foundation Exhibition graphics: Nerida Orsatti, Freeman Ryan Design Print and marketing graphics: Marianne Hawke Names of people and works in this exhibition have been Editor: Theresa Willsteed westernised where appropriate for English-language publication. Unless otherwise stated, all works illustrated in this guide are Conservation services in Lebanon: David Butcher, by Kahlil Gibran (1883–1931), and are on loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon. International freight: Terry Fahey, Global Specialised Services Printed in Australia by Pegasus Print Group Cover: Fred Holland Day, Kahlil Gibran with book, 1897, Paper: Focus Paper Evolve 275gsm (cover) and 120 gsm (text). photographic print, © National Media Museum/Science & Society The paper is 100% recycled from post-consumer waste. Picture Library, UK Print run: 10,000 Above: Fred Holland Day, Portrait of Kahlil Gibran, c. 1898, P&D-3499-11/2010 photographic print, © National Media Museum/Science & Society Picture Library, UK ISBN 0 7313 7205 0 © State Library of New South Wales, November 2010 FOREWORD Kahlil Gibran’s visit to the State Library of Kahlil Gibran had an enormous impact on many Gibran Khalil Gibran — writer, poet, artist From Bsharri to Sydney New South Wales is both timely and fitting.
    [Show full text]
  • This Study Aims to Show How Selma Riza and May Ziadeh, a Turkish and an Egyptian Woman Writer Dealt with the Auestion of Women in Their Works
    Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 42,1-2 (2002) 67-77 The Question of Women in the Works of Selma Riza and May Ziadeh1 Selma Rıza ve Meyy Ziyâde'nin Eserlerinde Kadın Sorunu By Bedrettin Aytaç2 Abstract: This study aims to show how Selma Riza and May Ziadeh, a Turkish and an Egyptian woman writer dealt with the auestion of women in their works. The auestion ofwomen was the main topic, Selma Riza dealt with in her novel, titled "Uhuwet". And May Ziadeh, dealt with this auestion in her essays. Both writers tried to reflect women's status in the society, emphasized the essentiality of education of women and underlined the role of men in women's movement. Öz: Bu çalışma, Türk ve Mısırlı kadın yazarlar, Selma Rıza ve Meyy Ziyâde'nin, eserlerinde kadın sorununu nasıl işlediklerini ele almaktadır .Selma Rıza, Uhuwet adlı romanında kadın sorununu ağırlıklı olarak işlemiştir. Meyy Ziyâde ise,denemelerinde bu soruna yer vermiştir. 1 This paper was submitted on the 8th.DAVO Congress in Göttingen, Germany. 2 Prof.Dr., A.Ü. Dil ve Tarih-Coğrafya Fakültesi Arap Dili ve Edebiyatı Anabilim Dalı. 68 Bedrettin Aytaç Kadının toplum içindeki durumunın nasıl olması gerektiği , kadınların eğitimi, ve kadın hareketinde erkeklerin rolü, her iki yazarın da üzerinde önemle durduğu konulardır. This study aims to show how a Turkish and an Egyptian woman writer dealt with the question of women in their works. The question of women in eastern literatures was covered relatively later in comparison with the western ones. We witness the emergence of a women's movement in Istanbul and Cairo in the late 19th Century.
    [Show full text]
  • May Ziadeh a Biography of Conflict
    "-. .; ( RESEARCH I, . , " ...) May Ziadeh a Biography of Conflict From a convent atmosphere at the Visitation Sisters' identity and refused to be carried off by the tide. I School in Aintoura, Lebanon, May Ziadeh moved, at the listened to the contrasting voices, joined in ttie contro­ age of 22, to the boisterous literary circles of Cairo, versial activities,partook of the varied aspirations and Egypt, in 1908. There she came in contact with high­ experiences, but I was everywhere confronted by ques­ brow Egyptian and Lebanese society. She was able, tions that had no answer: Why do we toil and suffer? however, to adjust to the new environment by refining What is·the meaning of life?" her knowledge of Arabic and starting a successful cor­ Tormented by the romantic search for happiness and respondence with leading Egyptian magazines of the time. the desire for social justice, she wrote her long essay on She confidently took the initiative of founding a literary "Equality" in which she made a review of the numerous salon which was frequented for a long time by Egyptian social systems and political regimes. But she finally came and Lebanese intelligentsia. to the deceptive conclusion that no system has proved its Yet the impact of the convent years continued to excellence or superiority over the rest and that the mark May's life and thinking. Her social contacts were instauration of social justice and welfare is only a dream. dominated by reserve and moderation. Of this peculiarity, Her attitude toward woman's liberation favored a Taha Hussein (a leading Egyptian literary figure who was middle road between two extremes.
    [Show full text]
  • Kahlil Gibran and Other Arab American Prophets Sana Mcharek
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Kahlil Gibran and Other Arab American Prophets Sana McHarek Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF EDUCATION KAHLIL GIBRAN AND OTHER ARAB AMERICAN PROPHETS By SANA MCHAREK A Thesis submitted to the Department of Middle and Secondary School Education In partial fulfillment of the requirements for the degree of Master of Science Degree Awarded Spring Semester, 2006 The members of the committee approve the thesis of Sana Mcharek defended on March 3rd, 2006. ______________________________ Pamela Sissi Carroll Professor Directing Thesis ______________________________ Susan Wood Committee Member _______________________________ Deborah Hasson Committee Member Approved: _________________________________________________ Pamela Sissi Carroll, Chair, Department of Middle and Secondary Education The Office of Graduate Studies has verified and approved the above named committee members. ii To my loving husband, Tarek, who broadened my horizons and supported me throughout this task. and To our precious little daughter, Cyreen, who brightened our world. iii ACKNOWLEDGEMENTS My greatest thanks and sincerest appreciation go to Dr. Pamela Sissi Carroll, chair of my committee. Her comments, advice, and kind assistance enhanced this study. She gave me great freedom to pick my thesis topic and supported me from the time my topic of interest was a mere idea. I also wish to express my sincere gratitude to Dr. Susan Wood, who taught me a lot about teaching writing in secondary schools, and to Dr. Deborah Hasson for their encouragement, for valuing my work, and for gladly serving on my committee.
    [Show full text]
  • The Personality of Gibran Khalil Gibran: a Psychological Study of His Life and Work
    (~ ____BO_O __ K_R_E_V_I_EW ____________________________________________________ -J) The Personality of Gibran Khalil Gibran: A Psychological Study of his life and Work Among the numerous books published this year on the occasion of the "International Year of Gibran", Nahida Taweel Ferzli's study of the life and work ot this renowned writer, poet, and artist stands out. Not on Iy because it is one of the rare books that devotes a large part to G ibran 's relationships with women, but also it is the first of its kind to use psychology to analyze his work, unlike the conventional approach that tends to perceive him solely as a great humanist philo­ sopher. This study of 382 pages in Arabic is an illustrated, revised, and enlarged edition of a thesis written by the author for her Diploma of Higher Education in Psychology, at the Lebanese Un iver­ sity in 1973. It is divided into 2 parts. Thefirst part consists of 3 sections: 1) Gibran's relationship with his family 2) Gibran's relationship with women Self portrait of Gibran 3) The influence of the West on Gibran's personality. his knowledge that "man" is weak and far from The second part, illustrated by h is drawings being perfect. and paintings, consists of the psychological I would like to look now at one of the most interpretation of his ideas, dreams, and the themes interesting chapters in the book, chapter three, recurring in his work. Among the main themes which analyzes Gibran's relationships with women analyzed are: - the image of the "sacred mother" and his and the influence of the mother figu re on these reverence of motherhOOd,.
    [Show full text]
  • The Influence of the Political Situation in Palestine on Arabic Poetry from 1917-1973
    The Influence of the Political Situation in Palestine on Arabic Poetry from 1917-1973- by Khalid Abdullah Sulaiman Mohammad Thesis presented for the degree of Doctor of Philosophy in the University of London School of Oriental and African Studies November 1982 ProQuest Number: 10672742 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672742 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Abstract This work is concerned with Arabic poetry influenced by the Arab-Israeli conflict regarding Palestine from 1917 to 1973. Its main aim is to discuss how the subject of Palestine has, since 1917, been a source of inspiration to Arab poets, and to illuminate the various aspects of influence the conflict had on modern Arabic poetry. The thesis is divided, into two parts. Part, one consists of three chapters and deals with the poetry written up to 194-8. The conclusion reached in this part is that Arab poets1 concern about the'political situation of Palestine in the period between 1917 and 194-8 developed rapidly.
    [Show full text]
  • Kahlil Gibran
    Kahlil Gibran ﺟﺒﺮان ﺧﻠﻴﻞ :Gibran Khalil Gibran (Arabic ,ALA-LC: Jubrān Khalīl Jubrān , ﺟﺒﺮان pronounced [ʒʊˈbraːn xaˈliːl ʒʊˈbraːn], or Jibrān Khalīl Jibrān, pronounced [ʒɪˈbraːn xaˈliːl ʒɪˈbraːn];[a] January 6, 1883 – April 10, 1931), usually referred to in English as Kahlil Gibran[b] (pronounced /kɑːˈliːl dʒɪˈbrɑːn/ kah-LEEL ji-BRAHN),[3] was a Lebanese-American writer, poet and visual artist, also considered a philosopher although he himself rejected the title.[4] He is best known as the author of The Prophet, which was first published in the United States in 1923 and has since become one of the best-selling books of all time, having been translated into more than 100 languages.[c] Born in a village of the Ottoman-ruled Mount Lebanon Mutasarrifate to a Maronite family, the young Gibran immigrated with his mother and siblings to the United States in 1895. As his mother worked as a seamstress, he was enrolled at a school in Boston, where his creative abilities were quickly noticed by a teacher who presented him to photographer and publisher F. Holland Day. Gibran was sent back to his native land by his family at the age of fifteen to enroll at the Collège de la Sagesse in Beirut. Returning to Boston upon his youngest sister's death in 1902, he lost his older half-brother and his mother the following year, seemingly relying afterwards on his remaining sister's income from her work at a dressmaker's shop for some time. Kahlil Gibran ﺟﺒﺮان ﺧﻠﻴﻞ ﺟﺒﺮان Gibran in 1913 Born January 6, 1883 Bsharri, Mount Lebanon Mutasarrifate, Died April 10, 1931 Ottoman Syria (aged 48) New York City, United States Resting place Bsharri, Lebanon Nationality Lebanese and American Occupation Writer, poet, visual artist, philosopher Notable work The Prophet, The Madman, Broken Wings Movement Mahjar (Arabic literature), Symbolism Signature In 1904, Gibran's drawings were displayed for the first time at Day's studio in Boston, and his first book in Arabic was published in 1905 in New York City.
    [Show full text]
  • Al- Raida Issue
    February 1981, vol. IV, no. 15 CONTENTS PIONEERS 1981, Year of Lyna Elias ..................................... 2 Nadeem H. Shweiri. .............•...•..•.. 3 ARTICLE the Handicapped IYDP - Disabled There was a time when, in every part of the world, disabled individuals, or Handicapped? ......................... .4 when not exposed or abandoned by their parents or guardians, were treated by REPORT society as an object of entertainment. Like animals trained to dance and perform Service Rendered to the Disabled certain tricks before the public, men and women who suffered from physical or in the ECWA Region .................... 5 mental deformities were exhibited and exploited as sources of amusement for CONFERENCES those who could pay them a few coins. The blind, the deaf and dumb, the 17th I BBY Conference, feeble-minded, the deformed and other disabled groups, rarely had the chance to Prague ........................................... 8 receive an education or to learn a profession by which they could earn a living. World Conference for Women, It was the Declaration of the Rights of man and the United Nations Charter Copenhagen ................................... 9 (1959) that induced the change in people's attitude toward the disabled. Moved World Peace and Freedom by pragmatic as well as by humanitarian reasons, social leaders and educators at WILPF's Triennial ..................... 9 agreed on the necessity of rehabilitating the disabled and helping them to UNESCO Conference, become useful members of society. The most outstanding success achieved by Beirut .............. _....................... _... 10 promoters of this new trend was the world-known American, Helen Keller, who, Family Planning Week in spite of her three-fold infirmity, (blind, deaf and dumb from birth).
    [Show full text]
  • May Ziadeh 1
    women . have endeavored to assert themselves to establ ish their identity . and to com­ municate their private feelings. The intensity of such effort and its serious purpose deserve social recognition. When discussing the accom­ Study on plishments of these women, art critics attempt to base their evaluation on characteristics a Woman which distinguish them from male artists. These differences have been summarized by the Pioneer Writer: author as follows: May Ziadeh 1. Women are artistically bold­ er, experiment more with different techniques and Rose Ghurayyib* materials, and do not he­ sitate to explore new ideas. Since May Ziadeh's works, and social reform. Some of I n this respect, men are more twelve or more in number, have these works took the form of traditional in the arts. been reedited by Naufal Publish­ lyrics or prose-poems about ing House in Beirut, Rose Ghu­ romantic and metaphysical 2. Men are more politically and rayyib has prepared a study topics. All her writings bear the socially engaged, are more analyzing the personality and mark of an original style, motivated by intellectualism, works of this famous Lebanese characterized by her finesse and ideology and problems of the author who spent most of her sense of humor. human condition. They are life (1886-1941) in Egypt and , , concerned with the world who distinguished herself as an around them, its events and orator, essayist, critic and styl­ * Rose Ghurayyib, a graduate of the physical environment, ist. Her wide culture, reflected the American Junior College, (now whereas women express a in her mastery of five foreign Beirut University College), received more private vision, are more her B.A., then took an M.A.
    [Show full text]