African American Women's Resistance in the Aftermath
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Journal of Terrorism Research, Volume 5, Issue 3 (2014)
ISSN: 2049-7040 This work is licensed under a Creative Commons Attribution 3.0 License. Contents Articles 3 Drones, The US And The New Wars In Africa 3 by Philip Attuquayefio The Central Intelligence Agency’s Armed Remotely Piloted Vehicle-Supported Counter-Insurgency Campaign in Pakistan – a Mission Undermined by Unintended Consequences? 14 by Simon Bennett Human Bombing - A Religious Act 31 by Mohammed Ilyas Entering the Black Hole: The Taliban, Terrorism, and Organised Crime 39 by Matthew D. Phillips, Ph.D. and Emily A. Kamen The Theatre of Cruelty: Dehumanization, Objectification & Abu Ghraib 49 by Christiana Spens Book Review 70 Andrew Silke, et al., (edited by Andrew Silke). Prisons, Terrorism and Extremism: Critical Issues in Management, Radicalisation and Reform.Routledge: Oxon UK, 2014. pp. 282. £28.99. ISBN: 978-0-415- 81038-8. 70 reviewed by Robert W. Hand About JTR 74 JTR, Volume 5, Issue 3 – September 2014 Articles Drones, The US And The New Wars In Africa by Philip Attuquayefio This work is licensed under a Creative Commons Attribution 3.0 License. Introduction ince the early 20th Century, Africa has witnessed varying degrees of subversion from the Mau Mau nationalist campaigners in Kenya in the 1950s to acts by rebel groups in the infamous intrastate wars Sof Sub-Saharan Africa. While the first movement evolved mainly from political acts geared towards the struggle for independence, the latter was mostly evident in attempts to obtain psychological or strategic advantages by combatants in the brutal civil wars of Liberia, Sierra Leone, the African Great Lakes region and a number of such civil war theatres in Africa. -
Exhibiting Racism: the Cultural Politics of Lynching Photography Re-Presentations
EXHIBITING RACISM: THE CULTURAL POLITICS OF LYNCHING PHOTOGRAPHY RE-PRESENTATIONS by Erika Damita’jo Molloseau Bachelor of Arts, Western Michigan University, 2001 Master of Arts, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2008 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This dissertation was presented August 8, 2008 by Erika Damita’jo Molloseau It was defended on September 1, 2007 and approved by Cecil Blake, PhD, Department Chair and Associate Professor, Department of Africana Studies Scott Kiesling, PhD, Department Chair and Associate Professor, Department of Linguistics Lester Olson, PhD, Professor, Department of Communication Dissertation Advisor, Ronald Zboray, PhD, Professor and Director of Graduate Study, Department of Communication ii Copyright © by Erika Damita’jo Molloseau 2008 iii EXHIBITING RACISM: THE CULTURAL POLITICS OF LYNCHING PHOTOGRAPHY RE-PRESENTATIONS Erika Damita’jo Molloseau, PhD University of Pittsburgh, 2008 Using an interdisciplinary approach and the guiding principles of new historicism, this study explores the discursive and visual representational history of lynching to understand how the practice has persisted as part of the fabric of American culture. Focusing on the “Without Sanctuary: Lynching Photography in America” exhibition at three United States cultural venues I argue that audiences employ discernible meaning making strategies to interpret these lynching photographs and postcards. This examination also features analysis of distinct institutional characteristics of the Andy Warhol Museum, Martin Luther King Jr. National Historic Site, and the Charles H. Wright Museum of African American History, alongside visual rhetorical analysis of each site’s exhibition contents. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Towards a Theory of Digital Necropolitics Permalink https://escholarship.org/uc/item/1059d63h Author Romeo, Francesca Maria Publication Date 2021 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ TOWARDS A THEORY OF DIGITAL NECROPOLITICS A dissertation submitted in partial satisfaction Of the requirements for the degree of DOCTOR OF PHILOSOPHY in FILM AND DIGITAL MEDIA by Francesca M. Romeo June 2021 The Dissertation of Francesca M. Romeo is approved: _______________________________________________ Professor Neda Atanasoski, chair _______________________________________________ Professor Shelley Stamp _______________________________________________ Professor Banu Bargu _______________________________________________ Professor Kyle Parry _______________________________________________ Professor Lawrence Andrews ____________________________________________ Quentin Williams Interim Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS INTRODUCTION 1.1 Towards a Theory of Digital Necropolitics…………………………………………… ...1 1.2 Digital Necropolitics and Digitally enabled Necroresistance……………………5 1.3 Charting the Digital Revolution, Digital Necropolitics and the Rise of Necroresistance…………………………………………………………………………………………..9 1.4 Digital Necropolitics and the Construction of New Social Imaginaries…….29 1.5 Chapter -
Bitter-Sweet Home: the Pastoral Ideal in African-American Literature, from Douglass to Wright
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2011 Bitter-Sweet Home: The Pastoral Ideal in African-American Literature, from Douglass to Wright Robyn Merideth Preston-McGee University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Literature in English, North America Commons Recommended Citation Preston-McGee, Robyn Merideth, "Bitter-Sweet Home: The Pastoral Ideal in African-American Literature, from Douglass to Wright" (2011). Dissertations. 689. https://aquila.usm.edu/dissertations/689 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi BITTER-SWEET HOME: THE PASTORAL IDEAL IN AFRICAN-AMERICAN LITERATURE, FROM DOUGLASS TO WRIGHT by Robyn Merideth Preston-McGee Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2011 The University of Southern Mississippi BITTER-SWEET HOME: THE PASTORAL IDEAL IN AFRICAN-AMERICAN LITERATURE, FROM DOUGLASS TO WRIGHT by Robyn Merideth Preston-McGee May 2011 Discussions of the pastoral mode in American literary history frequently omit the complicated relationship between African Americans and the natural world, particularly as it relates to the South. The pastoral, as a sensibility, has long been an important part of the southern identity, for the mythos of the South long depended upon its association with a new “Garden of the World” image, a paradise dependent upon slave labor and a racial hierarchy to sustain it. -
Tung Tried: Agricultural Policy and the Fate of a Gulf South Oilseed Industry, 1902-1969
Automated Template B: Created by James Nail 2011V2.01 Tung tried: agricultural policy and the fate of a Gulf South oilseed industry, 1902-1969 By Whitney Adrienne Snow A Dissertation Submitted to the Faculty of Mississippi State University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History in the Department of History Mississippi State, Mississippi May 2013 Copyright by Whitney Adrienne Snow 2013 Tung tried: agricultural policy and the fate of a Gulf South oilseed industry, 1902-1969 By Whitney Adrienne Snow Approved: _________________________________ _________________________________ Mark D. Hersey Alison Collis Greene Associate Professor of History Assistant Professor of History (Director of Dissertation) (Committee Member) _________________________________ _________________________________ Stephen C. Brain Alan I Marcus Assistant Professor of History Professor of History (Committee Member) (Committee Member) _________________________________ _________________________________ Sterling Evans Peter C. Messer Committee Participant of History Associate Professor of History (Committee Member) (Graduate Coordinator) _________________________________ R. Gregory Dunaway Professor and Interim Dean College of Arts & Sciences Name: Whitney Adrienne Snow Date of Degree: May 11, 2013 Institution: Mississippi State University Major Field: History Director of Dissertation: Mark D. Hersey Title of Study: Tung tried: agricultural policy and the fate of a Gulf South oilseed industry, 1902-1969 Pages in Study: -
An Obligation to Do One's Best by Dana Smessaert May 2020
An Obligation to do One’s Best by Dana Smessaert May 2020 Director of Thesis: Angela Wells Major Department: School of Art and Design An Obligation to do One's Best is an exploration of myth and reality at home in a small southern town. The artist is calling into question whose history we are referencing when it comes to art, economics, and culture. In these liminal landscapes, the viewer/spectator becomes a collaborator in the mythos of racism in the Southern narrative—the denial of not only its racist past but also the strides of the Civil Rights protests. The research explores the agency of history and cultural capital through a site-specific installation with images, video, sculpture, and sound. Creating a liminal landscape of the American South through physical and metaphysical readings of its trauma, history, and understanding the “...south as a noun that behaves like a verb.”1 The South is entwined with history, politics, economics, and racism, a link that can never be severed, this paper consorts with classic literature, history, cinema, demographics, and philosophy. The American South, the house, the name, and the family's history are complicated and seemingly transparent to those on the outside. However, the stories of those who live here still exist in the space between myth and reality. 1 Romine, Scott. The Real South: Southern Narrative in the Age of Cultural Reproduction. Baton Rouge: Louisiana State University Press, 2008. An Obligation to do One’s Best A Thesis Presented to the Faculty of the School of Art and Design East -
Reopening the Emmett Till Case: Lessons and Challenges for Critical Race Practice
REOPENING THE EMMETT TILL CASE: LESSONS AND CHALLENGES FOR CRITICAL RACE PRACTICE MargaretM. Russell* INTRODUCTION Oh, what sorrow, Pity, pain, That tears and blood Should mix like rain In Mississippi! And terror, fetid hot, Yet clammy cold Remain.1 On May 10, 2004, the United States Department of Justice and the Mississippi District Attorney's Office for the Fourth District * Professor of Law, Santa Clara University School 'of Law. A.B., Princeton University; J.D., Stanford Law School; J.S.M., Stanford Law School. The author extends deep thanks to the following people for support ard assistance: symposium organizer Sheila Foster; symposium co-panelists Anthony Aifieri, Sherrilyn Ifill, and Terry Smith; research assistants Rowena Joseph and Ram Fletcher (both of the Santa Clara University School of Law, Class of 2005); research assistant Daniel Lam (Georgetown University Law Center, Class of 2006); Lee Halterman; Kimiko Russell- Halterman; Donald Polden; and Stephanie Wildman. The following entities deserve special praise for sponsoring this symposium: the FordhamLaw Review and Fordham University School of Law's Louis Stein Center for Law & Ethics. Finally, I am grateful to the Santa Clara University School of Law, particularly the Center for Social Justice & Public Service, for supporting the research project that produced this Essay. The author dedicates this Essay to the memory of Herman Levy, colleague extraordinaire. 1. Langston Hughes, Mississippi-1955 (1955), reprinted in The Lynching of Enumett Till: A Documentary Narrative 294 (Christopher Metress ed., 2002) [hereinafter The Lynching of Emmett Till]; see also Christopher Metress, Langston Hughes's "Mississippi-1955": A Note on Revisions and an Appeal for Reconsideration, 37 Afr.-Am. -
Teaching the Modern Civil Rights Movement (1954-1985) Through Media
Teaching the Modern Civil Rights Movement (1954-1985) through Media Conceptualized, Researched, Compiled, and Designed by Xosé Manuel Alvariño, Teacher Miami-Dade County Public Schools Miami, Florida [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact The Education Fund at 305-892-5099, Ext. 18, E-mail: [email protected], Web site: www.educationfund.org 1 For Mrs. Fannie Lou Hamer 626 E. Lafayette Street Ruleville, Mississippi http://www.youtube.com/watch?v=OC3pQfLOlkQ ―I'm sick and tired of being sick and tired.‖ Not even a brutal beating in jail stopped Mrs. Fannie Lou Hamer (1917-1977) from fighting to secure black people’s constitutional right to vote. Her powerful testimony about how she and other African Americans were mistreated influenced passage of the Voting Rights Act of 1965. 2 Here you’ll find … Dear Colleague letter …………………………………………………………………………………………… 4 What is ―Eyes on the Prize?‖ …………………………………………………………………………………..8 Emmett Louis Till-An Introductory Unit……………………………………………………………………….9 Resources for Teaching the Movement through Media …………………………………………………..25 Blogs…………………………………………………………...26 Films …………………………………………………………...27 Images …………………………………………………………31 Literature………………………………………………………34 Articles…………………................34 Books………………………………35 Poetry……………………………...37 Music……………………………………………………………38 Music Resources…………………42 The Movement in Florida………………………………………………………………………………………..43 Florida Movement Images………….45 Florida Civil Rights Oral Histories...47 -
Lynched for Drinking from a White Man's Well
This site uses cookies. By continuing to browse this site you are agreeing to our use of cookies.× (More Information) Back to article page Back to article page Lynched for Drinking from a White Man’s Well Thomas Laqueur This April, the Equal Justice Initiative, a non-profit law firm in Montgomery, Alabama, opened a new museum and a memorial in the city, with the intention, as the Montgomery Advertiser put it, of encouraging people to remember ‘the sordid history of slavery and lynching and try to reconcile the horrors of our past’. The Legacy Museum documents the history of slavery, while the National Memorial for Peace and Justice commemorates the black victims of lynching in the American South between 1877 and 1950. For almost two decades the EJI and its executive director, Bryan Stevenson, have been fighting against the racial inequities of the American criminal justice system, and their legal trench warfare has met with considerable success in the Supreme Court. This legal work continues. But in 2012 the organisation decided to devote resources to a new strategy, hoping to change the cultural narratives that sustain the injustices it had been fighting. In 2013 it published a report called Slavery in America: The Montgomery Slave Trade, followed two years later by the first of three reports under the title Lynching in America, which between them detailed eight hundred cases that had never been documented before. The United States sometimes seems to be committed to amnesia, to forgetting its great national sin of chattel slavery and the violence, repression, endless injustices and humiliations that have sustained racial hierarchies since emancipation. -
The Florida Terror: Race Relations in the Early Twentieth-Century
The Florida Terror: Race Relations in the Early Twentieth-Century Summary Many years before the Civil Rights Movement of the 1950’s and 1960’s brought nationwide attention to the plight of African-Americans in the South, racial violence was a fact of life. Many whites held firm to an unwritten code that demanded brutal punishment for individual blacks, or entire communities, that “stepped out of line.” In this lesson, students will: read about race relations in the post-WWI years and the Ku Klux Klan; explore individual incidents of racial violence in Florida before the Civil Rights era; and create annotated maps/timelines of these incidents. Objectives Students will: 1) Understand how demographic changes after World War I led to strained relations between whites and blacks in the North and the South; 2) Read an account of the origins and reformation of the Ku Klux Klan, from the early 1900’s to the present; 3) Explore five incidents of racial violence from 1920 to 1944. U.S. History Event This lesson could be used within the context of any unit on the 1920’s, including racial unrest in the post-WWI years and the nativism movement. It could also be used as am opening lesson to the Civil Rights Movement. Grade Level This lesson can be implemented in a middle school or high school American history classroom, but because of the sensitive subject matter may be more appropriate for high school. Materials AAA AutoClub maps of Florida (optional), maps of Florida found at http://fcit.usf.edu/florida/maps/state/64000.htm (optional), a transparency of the lyrics to “Strange Fruit,” a transparency or copies of one of several pictures from http://www.liu.edu/cwis/cwp/library/african/2000/lynching.htm , one copy of Reading Passage #1 and Reading Passage #2 for each pair, one copy of Exhibits A-E for each pair, one copy of “Matrix for Information about Florida Racial Violence” for each student (or pair), Lesson Time This lesson can be completed in one block period. -
Lynching and Postmemory in Lashawnda Crowe Storm's "Her Name Was Laura Nelson"
TO BE A WITNESS: LYNCHING AND POSTMEMORY IN LASHAWNDA CROWE STORM'S "HER NAME WAS LAURA NELSON" Viola Ratcliffe A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2015 Committee: Allison Terry-Fritsch, Advisor Rebecca L. Skinner Greene ii ABSTRACT Allison Terry-Fritsch, Advisor The literal reframing of the lynching postcard The Lynching of Laura Nelson within the medium of quilting allows for a visual re-contextualization of this image’s history. In LaShawnda Crowe Storm’s Quilt I: Her Name Was Laura Nelson the confrontation between viewers and the lynched body of an African American woman addresses an often neglected phenomenon, the lynching of black women in the United States during the late 19th and early 20th century. The literal reframing of the lynching postcard The Lynching of Laura Nelson within the medium of quilting allows for a visual re-contextualization of this image’s history. In the act of quilting Crowe Storm has removed this image from its original intention, a form of propaganda used to fuel racist ideology, and has now placed it within a context of feminism, activism, and communal art making. The selection of the medium of quilting in this work was intentional. In quilting LaShawnda Crowe Storm situates the work, and its attendant imagery, within a dialogue regarding female identity, the construction of community and the history of racial violence in the United States. As a community leader and activist in the city of Indianapolis, Indiana, LaShawnda Crowe Storm developed The Lynch Quilts Project as a means to bring people from across the country together to have an honest dialogue about the legacy of lynching and racial violence in the United States. -
Learning About White Supremacy: Resources for All Ages
P a g e | 1 of 6 Learning About White Supremacy and How to Talk about It Compiled by Marilyn Saxon-Simurro Learning about White Supremacy and How to Talk About it Resources for All Ages Wondering how to talk with your children, students and/or adult peers about race, racism, and white supremacy? Start here with these resources for children, teens, and adults. Items 1-9 offer resources to help adults communicate with children and teens about race, racism, and white supremacy. They are meant for parents, teachers, and mentors. Items 10-20 include information for adults about the lives of Black people that may not have been known or considered. It is hoped that this list will be used to increase knowledge about, empathy for, and effective allyship with Black people. This list with its many links is not meant for people to read in one sitting. Think of it as a menu from which you can choose one issue at a time. These issues together reveal the definition and subtle perniciousness of systemic racism. 1. Into America with Trymaine Lee Podcast: “Into an American Uprising: Talking to Kids about Racism. June 4, 2020. This 27-minute interview of Dr. Beverly Daniel Tatum gives great word-for-word scripts parents, teachers and mentors can use in discussing race. You can listen here https://www.nbcnews.com/podcast/into-america/american- uprising-talking-kids-about-racism-n1225316 or on other podcast platforms such as Stitcher, Spotify, or iTunes. The full transcript is here: https://www.nbcnews.com/podcast/into-america/transcript-talking-kids-about-racism- n1226281.