Absolute Interrogative Intonation Patterns in Buenos Aires Spanish
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CUASI NOMÁS INGLÉS: PROSODY at the CROSSROADS of SPANISH and ENGLISH in 20TH CENTURY NEW MEXICO Jackelyn Van Buren Doctoral Student, Linguistics
University of New Mexico UNM Digital Repository Linguistics ETDs Electronic Theses and Dissertations Fall 11-15-2017 CUASI NOMÁS INGLÉS: PROSODY AT THE CROSSROADS OF SPANISH AND ENGLISH IN 20TH CENTURY NEW MEXICO Jackelyn Van Buren Doctoral Student, Linguistics Follow this and additional works at: https://digitalrepository.unm.edu/ling_etds Part of the Anthropological Linguistics and Sociolinguistics Commons, and the Phonetics and Phonology Commons Recommended Citation Van Buren, Jackelyn. "CUASI NOMÁS INGLÉS: PROSODY AT THE CROSSROADS OF SPANISH AND ENGLISH IN 20TH CENTURY NEW MEXICO." (2017). https://digitalrepository.unm.edu/ling_etds/55 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Linguistics ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Jackelyn Van Buren Candidate Linguistics Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Chris Koops, Chairperson Dr. Naomi Lapidus Shin Dr. Caroline Smith Dr. Damián Vergara Wilson i CUASI NOMÁS INGLÉS: PROSODY AT THE CROSSROADS OF SPANISH AND ENGLISH IN 20TH CENTURY NEW MEXICO by JACKELYN VAN BUREN B.A., Linguistics, University of Utah, 2009 M.A., Linguistics, University of Montana, 2012 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Linguistics The University of New Mexico Albuquerque, New Mexico December 2017 ii Acknowledgments A dissertation is not written without the support of a community of peers and loved ones. Now that the journey has come to an end, and I have grown as a human and a scholar and a friend throughout this process (and have gotten married, become an aunt, bought a house, and gone through an existential crisis), I can reflect on the people who have been the foundation for every change I have gone through. -
Pitch Contour Stylization by Marking Voice Intonation
(IJACSA) International Journal of Advanced Computer Science and Applications, Vol. 12, No. 3, 2021 Pitch Contour Stylization by Marking Voice Intonation Sakshi Pandey1, Amit Banerjee2, Subramaniam Khedika3 Computer Science Department South Asian University New Delhi, India Abstract—The stylization of pitch contour is a primary task [10], parabolic [11], and B-splines [12]. In addition, low-pass in the speech prosody for the development of a linguistic model. filtering is also used for preserving the slow time variations The stylization of pitch contour is performed either by statistical in the pitch contours [6]. Recently, researchers have studied learning or statistical analysis. The recent statistical learning the statistical learning models, using hierarchically structured models require a large amount of data for training purposes deep neural networks for modeling the F0 trajectories [13] and and rely on complex machine learning algorithms. Whereas, the sparse coding algorithm based on deep learning auto-encoders statistical analysis methods perform stylization based on the shape of the contour and require further processing to capture the voice [14]. In general, the statistical learning models require a intonations of the speaker. The objective of this paper is to devise large amount of data and uses complex machine learning a low-complexity transcription algorithm for the stylization of algorithms for training purposes [13], [14]. On the other hand, pitch contour based on the voice intonation of a speaker. For the statistical analysis models decompose the pitch contours this, we propose to use of pitch marks as a subset of points as a set of functions based on the shape and structure of for the stylization of the pitch contour. -
Saxony: Landscapes/Rivers and Lakes/Climate
Freistaat Sachsen State Chancellery Message and Greeting ................................................................................................................................................. 2 State and People Delightful Saxony: Landscapes/Rivers and Lakes/Climate ......................................................................................... 5 The Saxons – A people unto themselves: Spatial distribution/Population structure/Religion .......................... 7 The Sorbs – Much more than folklore ............................................................................................................ 11 Then and Now Saxony makes history: From early days to the modern era ..................................................................................... 13 Tabular Overview ........................................................................................................................................................ 17 Constitution and Legislature Saxony in fine constitutional shape: Saxony as Free State/Constitution/Coat of arms/Flag/Anthem ....................... 21 Saxony’s strong forces: State assembly/Political parties/Associations/Civic commitment ..................................... 23 Administrations and Politics Saxony’s lean administration: Prime minister, ministries/State administration/ State budget/Local government/E-government/Simplification of the law ............................................................................... 29 Saxony in Europe and in the world: Federalism/Europe/International -
Vocal Expression in Recorded Performances of Schubert Songs
Musicae Scientiae © 2007 by ESCOM European Society Fall 2007, Vol XI, n° 2, 000-000 for the Cognitive Sciences of Music Vocal expression in recorded performances of Schubert songs RENEE TIMMERS Nijmegen Institute for Cognition and Information University of Nijmegen •ABSTRACT This exploratory study focuses on the relationship between vocal expression, musical structure, and emotion in recorded performances by famous singers of three Schubert songs. Measurement of variations in tempo, dynamics, and pitch showed highly systematic relationships with the music’s structural and emotional characteristics, particularly as regards emotional activity and valence. Relationships with emotional activity were consistent across both singers and musical pieces, while relationships with emotional valence were piece-specific. Clear changes in performing style over the twentieth century were observed, including diminishing rubato, an increase followed by a decrease of the use of pitch glides, and a widening and slowing of vibrato. These systematic changes over time concern only the style of performance, not the strategies deployed to express the structural and emotional aspects of the music. 1. INTRODUCTION Recordings form a rich source of information about musical performances from the past, and are especially indispensable as a source for histories of performing style (e.g., Philip, 1992; Day, 2000; Fabian, 2003). These investigations have highlighted changes in performance characteristics such as tempo, rubato, or the use of vibrato and glissandi in singing and string performances. For example, a change in attitude towards rubato was observed in the first half of the twentieth century (Philip, 1992; Hudson, 1994; Brown, 1999): tempo fluctuations in recorded performances show a trend related to this change in attitude from frequent tempo changes to smaller and gradual tempo modifications. -
ICOMOS Advisory Process Was
Background A nomination under the title “Mining Cultural Landscape Erzgebirge/Krušnohoří Erzgebirge/Krušnohoří” was submitted by the States (Germany/Czechia) Parties in January 2014 for evaluation as a cultural landscape under criteria (i), (ii), (iii) and (iv). The No 1478 nomination dossier was withdrawn by the States Parties following the receipt of the interim report. At the request of the States Parties, an ICOMOS Advisory process was carried out in May-September 2016. Official name as proposed by the States Parties The previous nomination dossier consisted of a serial Erzgebirge/Krušnohoří Mining Region property of 85 components. ICOMOS noticed the different approaches used by both States Parties to identify the Location components and to determine their boundaries; in some Germany (DE), Free State of Saxony; Parts of the cases, an extreme atomization of heritage assets was administrative districts of Mittelsachsen, Erzgebirgskreis, noticed. This is a new, revised nomination that takes into Meißen, Sächsische Schweiz-Osterzgebirgeand Zwickau account the ICOMOS Advisory process recommendations. Czechia (CZ); Parts of the regions of Karlovy Vary (Karlovarskýkraj) and Ústí (Ústeckýkraj), districts of Consultations and technical evaluation mission Karlovy Vary, Teplice and Chomutov Desk reviews have been provided by ICOMOS International Scientific Committees, members and Brief description independent experts. Erzgebirge/Krušnohoří (Ore Mountains) is a mining region located in southeastern Germany (Saxony) and An ICOMOS technical evaluation mission visited the northwestern Czechia. The area, some 95 km long and property in June 2018. 45 km wide, is rich in a variety of metals, which gave place to mining practices from the Middle Ages onwards. In Additional information received by ICOMOS relation to those activities, mining towns were established, A letter was sent to the States Parties on 17 October 2018 together with water management systems, training requesting further information about development projects academies, factories and other structures. -
Do We Know the Answer? – Variation in Yes-No-Question Intonation* Frank Kügler University of Potsdam
Do we know the answer? – Variation in yes-no-question intonation* Frank Kügler University of Potsdam 1. Introduction It is generally assumed that a question intonationally is accompanied with a certain question tune, usually characterized by a final rise in pitch (e.g. Bolinger 1978). Haan (2001) in a production study of Dutch question intonation, for instance, has shown that in 86.6 % of the cases a question is realized with a final rise. In particular, yes-no- questions with declarative syntax are marked with this feature to a 100 % (cf. (1a)), whereas 94 % of the yes-no-questions with question syntax (cf. (1b)), and only 64 % of the wh-questions exhibit a final rise (cf. (1c)). Since Haan’s aim is to compare several acoustic features generally associated with the intonation of questions with those of statements, her study is not concerned with the intonational variation within a certain question type. In other words, the study does not discuss why speakers do have an intonational choice with respect to the final rise. Yet, 6 % of the syntactically inverted yes-no-questions have not been produced with a final rise. * The present study is part of the author’s doctoral dissertation on comparative intonational phonology and phonetics in two German dialects – Swabian and Upper Saxon. The work here has been part of a paper presented at the Second International Conference on Language Variation in Europe (ICLaVE 2), June 2002, Uppsala, Sweden (Kügler (to appear)). The assistance of Kristina Vath is greatly acknowledged. For discussion and comments on this paper I am grateful to Caroline Féry, Peter Gilles, Andreas Haida, Jörg Mayer and Ruben van de Vijver. -
THEORETICAL PHONETICS Study Guide for Second Year Students
ФЕДЕРАЛЬНОЕ АГЕНТСТВО ПО ОБРАЗОВАНИЮ THEORETICAL PHONETICS Study Guide for second year students Учебно-методическое пособие для вузов Составители: О.О. Борискина Н.В. Костенко Воронеж 2007 2 Утверждено научно-методическим советом факультета романо-германской филологии от 12.12.2006 протокол №10 Рецензент: А.А. Кретов Учебно-методическое пособие подготовлено на кафедре английской филологии Факультета романо-германской филологии Воронежского государственного университета. Рекомендуется для студентов 2-го курса дневного и вечернего отделений. Для специальностей 031201 (022600) «Теория и методика преподавания иностранных языков и культур», 031202 (022900) «Перевод и переводоведение», 031000(520300) «Филология». 3 Contents COURSE DESCRIPTION…………………………………………………….4 PART 1 ENGLISH SPEECH SOUNDS…………………………...................6 PART 2 THE FUNCTIONAL ASPECT OF SPEECH SOUND……………………………..………………...……………………....24 PART 3 PNONETIC MODIFICATIONS OF SOUNDS IN DISCOURSE……………………………………………………………....27 PART 4 WORD STRESS…………………………………………………….34 PART 5 INTONATION IN DISCOURSE…………………………………...37 INTROSPECTING ABOUT YOUR OWN LANGUAGE LEARNING…….47 SELECTION OF READING MATERIALS (SRM)…………………………48 REFERENCE LIST…………………………………………………………………………..78 4 To the Student The Study Guide has three aims: (1) to help Russian learners of English specializing in Cross-cultural Communication organize their Self-study sessions by learning and using the fundamental principles of Phonetics and the Phonological system of the English language (as lingua franca), and by understanding the basic segmental and suprasegmental linguistic phenomena involved in constructing spoken English, (2) to provide access to different scholars’ opinions on phonetic phenomena in excerpts of Selection of Reading Materials Packet which are not otherwise available, and (3) to develop practical segmental and prosodic analysis skills through fluency-oriented tasks, leading to better performance in interactive situations and in decision-making about the diagnosis and treatment of pronunciation and spelling issues in TESL/TEFL. -
Direct and Indirect Speech Interrogative Sentences Rules
Direct And Indirect Speech Interrogative Sentences Rules Naif Noach renovates straitly, he unswathes his commandoes very doughtily. Pindaric Albatros louse her swish so how that Sawyere spurn very keenly. Glyphic Barr impassion his xylophages bemuse something. Do that we should go on process of another word order as and interrogative sentences using cookies under cookie policy understanding by day by a story wants an almost always. As asylum have checked it saw important to identify the tense and the four in pronouns to loose a reported speech question. He watched you playing football. He asked him why should arrive any changes to rules, place at wall street english. These lessons are omitted and with an important slides you there. She said she had been teaching English for seven years. Simple and interrogation negative and indirect becomes should, could do not changed if he would like an assertive sentence is glad that she come here! He cried out with sorrow that he was a great fool. Therefore l Rules for changing direct speech into indirect speech 1 Change. We paid our car keys. Direct and Indirect Speech Rules examples and exercises. When a meeting yesterday tom suggested i was written by teachers can you login provider, 錀my mother prayed that rani goes home? You give me home for example: he said you with us, who wants a new york times of. What catch the rules for interrogative sentences to reported. Examples: Jack encouraged me to look for a new job. Passive voice into indirect speech of direct: she should arrive in finishing your communication is such sentences and direct indirect speech interrogative rules for the. -
For Peer Review
Language and Speech Aren’t prosodyFor and Peer syntax Reviewmarking bias in questions? Journal: Language and Speech Manuscript ID LAS-18-0085.R2 Manuscript Type: Original Article Date Submitted by the n/a Author: Complete List of Authors: Arnhold, Anja; University of Alberta Faculty of Arts, Department of Linguistics; University of Konstanz, Linguistics Braun, Bettina; University of Konstanz, Linguistics Romero, Maribel; University of Konstanz, Linguistics Keywords: yes-no question, speaker certainty, bias, Ladd's ambiguity As first observed by Ladd (1981. A first look at the semantics and pragmatics of negative questions and tag questions. Proceedings of Chicago linguistic society 17, pp. 164–171), English polar questions with high negation (HiNQ, e.g. Aren’t they adding a menu item?) can be used both to check the speaker’s belief that the proposition p is true (e.g. p = they are adding a menu item) and to check the addressee’s belief that p is not true (¬p). We hypothesized that this ambiguity can be disambiguated prosodically. We further hypothesized that the prosodic disambiguation is absent in German, because the checked proposition can be marked morpho-syntactically, with HiNQs checking p and low negation questions (LowNQ, e.g. Are they not adding a menu item?) checking ¬p. Abstract: A production study tested these hypotheses with 24 speakers of Western Canadian English and German each (764 and 767 utterances total, respectively). The results showed that, when the speaker originally believed p and the addressee implied ¬p, English speakers preferred HiNQs over LowNQs, confirming Ladd’s observation, and used intonation to mark whose proposition they were checking, as hypothesized. -
The Phonology of Tone and Intonation
This page intentionally left blank The Phonology of Tone and Intonation Tone and Intonation are two types of pitch variation, which are used by speak- ers of many languages in order to give shape to utterances. More specifically, tone encodes morphemes, and intonation gives utterances a further discoursal meaning that is independent of the meanings of the words themselves. In this comprehensive survey, Carlos Gussenhoven provides an up-to-date overview of research into tone and intonation, discussing why speakers vary their pitch, what pitch variations mean, and how they are integrated into our grammars. He also explains why intonation in part appears to be universally understood, while at other times it is language-specific and can lead to misunderstandings. The first eight chapters concern general topics: phonetic aspects of pitch mod- ulation; typological notions (stress, accent, tone, and intonation); the distinction between phonetic implementation and phonological representation; the paralin- guistic meaning of pitch variation; the phonology and phonetics of downtrends; developments from the Pierrehumbert–Beckman model; and tone and intona- tion in Optimality Theory. In chapters 9–15, the book’s central arguments are illustrated with comprehensive phonological descriptions – partly in OT – of the tonal and intonational systems of six languages, including Japanese, French, and English. Accompanying sound files can be found on the author’s web site: http://www.let.kun.nl/pti Carlos Gussenhoven is Professor and Chair of General and Experimental Phonology at the University of Nijmegen. He has previously published On the Grammar and Semantics of Sentence Accents (1994), English Pronunciation for Student Teachers (co-authored with A. -
Expressing Concession by Means of Nuclear Pitch Accent
Nima Sadat-Tehrani Centennial College, Canada Expressing Concession by Means of Nuclear Pitch Accent The purpose of this research is to introduce a certain function of the nuclear pitch accent in Persian, i.e., the expression of concession. A nuclear pitch accent in this usage serves as a preface to a following statement, in which the speaker offers an alternative or contradictory point of view towards a previously highlighted discourse. This nuclear pitch accent is on a final verbal element in the utterance, and crucially, this final element is not associated with any pitch accent in the normal declarative reading of the same utterance, and it is only in this structure that it becomes nuclear-accented. Thus, the nuclear pitch accent behaves here as an intonational morpheme, but one that is bound to its location in the utterance. The paper also investigates the occurrence of this phenomenon in monoclausals, biclausals, and scrambled sentences, and identifies the constraints on its realization. Keywords: Persian, intonation, nuclear pitch accent, concession, contrast. 1. Introduction This paper explores an intonation pattern in modern colloquial Persian. The meaning conveyed by this pattern is that of concession or contradiction directed towards a proposition highlighted in the previous discourse, and it acts as an introduction to an upcoming assertion. What makes this pattern unique is the location of the nuclear pitch accent (NPA), i.e., the last pitch accent in an intonational phrase, a.k.a. sentence stress. Consider the ordinary declarative in Example (1) accompanied by its pitch track and wave form in Figure 1. The stressed syllable in each accentual phrase (AP) is shown with an accent mark, and the NPA is underlined.1 (1) hævá æbrí !od–". -
Types of Interrogative Sentences an Interrogative Sentence Has the Function of Trying to Get an Answer from the Listener
Types of Interrogative Sentences An interrogative sentence has the function of trying to get an answer from the listener, with the premise that the speaker is unable to make judgment on the proposition in question. Interrogative sentences can be classified from various points of view. The most basic approach to the classification of interrogative sentences is to sort out the reasons why the judgment is not attainable. Two main types are true-false questions and suppletive questions (interrogative-word questions). True-false questions are asked because whether the proposition is true or false is not known. Examples: Asu, gakkō ni ikimasu ka? ‘Are you going to school tomorrow?’; Anata wa gakusei? ‘Are you a student?’ One can answer a true-false question with a yes/no answer. The speaker asks a suppletive question because there is an unknown component in the proposition, and that the speaker is unable to make judgment. The speaker places an interrogative word in the place of this unknown component, asking the listener to replace the interrogative word with the information on the unknown component. Examples: Kyō wa nani o taberu? ‘What are we going to eat today?’; Itsu ano hito ni atta no? ‘When did you see him?” “Eating something” and “having met him” are presupposed, and the interrogative word expresses the focus of the question. To answer a suppletive question one provides the information on what the unknown component is. In addition to these two main types, there are alternative questions, which are placed in between the two main types as far as the characteristics are concerned.