Noah East Ari. Ari. Plus
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
2018 Barndance Program.Indd
Celebrating 19 Years of Cancer Awareness PROCEEDS TO BENEFIT CANCER AWARENESS | EDUCATION TREATMENT | RESEARCH THE BEST 7 HOURS OF SUMMER LIVE AUCTION ITEMS 1. White Sox Diamond Skybox for 20 Chicago White Sox vs. Cleveland Indians | Sunday, August 12 | 1:10pm • Luxury Diamond Suite for 20 at Guaranteed Rate Field • Food and beverages included: buffalo chicken wings, roast beef & turkey sandwiches, Caesar salad, hot dogs, peanuts and fresh fruit, along with 3 cases of beer and soda to enjoy during the game. • 2 parking passes. Thank you to 3 Brothers Restaurant, Murphy’s Flooring, Consolidated Electric Distributors (CED) and World Security & Control for underwriting this package. 2. They Always Go in 3’s | Final Tours of Music Icons Package Lynyrd Skynyrd - Friday, August 3 | Joan Baez - Friday, October 5 Elton John - Saturday, October 27 • 4 tickets to Lynyrd Skynrd | Last of the Street Survivors Farewell Tour on Friday, August 3 at Hollywood Casino Amphitheatre in Tinley Park, IL at 6:00 pm. End seats in section 100 with special guests: The Marshall Tucker Band, .38 Special and Jamey Johnson. • 2 rooms at the Fairfield Inn & Suites Chicago Tinley Park. • Bonus item for this package: a sealed original first LP Lynyrd Skynrd record from 1973 containing many of their iconic hits. Plus, a Marshal Tucker and .38 special albums. • 2 tickets to Joan Baez | Fare Thee Well…Tour 2018 at the beautiful Chicago Theater on Friday, October 5 at 8:00 pm. Tickets on the main floor, front row AA behind pit seating, end seats 401 & 403. • A $250 Visa card to use to book your overnight stay at the Chicago Theatre. -
Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
Illustration by Brian Bean April 1989 Sunstone
PAGE 20 ILLUSTRATION BY BRIAN BEAN APRIL 1989 SUNSTONE Zion vs. Babylon: The Game Has Always Been Money By Hugh Nibley THEnRsT THING TO NOTE IS THAT ZION 1s PERFECT. FLAW- the goal toward which all the labor of the Church is a less, and complete-not a structure in the.process of building. preparation. We work for the building up of the kingdom of God on earth "Blessed are they who shall seek to bring forth my Zion at and the establishment of Zion. The first stop makes the second that dayy'(1 Nephi 13:37). If they are obedient, "they shall have possible. Zion has been on the earth before in its perfection, power after many days to accomplish all things pertaining to as (we are told) it is to be found in other worlds. When the Zion" (D&C 105:37). "My people must be tried in all things, world has been ready to receive it at various happy times in that they may be prepared to receive the glory . of Zion" the past, Zion has been brought down from above; and we which lies ahead (D&C 136:31). have the joyful promise that at some future time it will again When all the accidentals and incidentals are snipped away, descend to earth. When men are no longer capable of supporting what remains that is quintessentially Zion? Buildings, walls, Zion on earth, it is bodily removed- taken up to heaven; whence streets, and gates-even of gold and jasper-do not make Zion; go forth the sayings, "Zion is fled and "Zion is no more." It neither do throngs in shining robes. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
{Dоwnlоаd/Rеаd PDF Bооk} Street: the Human Clay
STREET: THE HUMAN CLAY PDF, EPUB, EBOOK Lee Friedlander | 217 pages | 15 Nov 2016 | Yale University Press | 9780300221770 | English | New Haven, United States Street: The Human Clay PDF Book That moment when the landscape speaks to the observer. Human Clay Help Learn to edit Community portal Recent changes Upload file. The exhibition, which was curated by John Szarkowski, has figured as a formative influence on the visual vocabulary of subjective documentary style photography until today. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain. Thank you for your support! Description American photographer Lee Friedlander b. Issue 14 September Total length:. Music Canada. The palette and perspectives capture the objective building style, whose reduced forms follow from function and material. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. You must send the images in jpg format to px and 72dpi and quality 9. ON OFF. Show less Show more Advertising ON OFF We use cookies to serve you certain types of ads , including ads relevant to your interests on Book Depository and to work with approved third parties in the process of delivering ad content, including ads relevant to your interests, to measure the effectiveness of their ads, and to perform services on behalf of Book Depository. Previous Year's Human Clay. Marshall later reunited with the band in Rolling Stone. The special honorees comments and guest stories shared that evening will reflect on our beginnings in and look towards our future in helping make homelessness rare, brief and non-recurring. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
The Ucsd Ari)
SPORTS HIATUS A.S. Council at a Glance 1 Opinion 4 Kills for kids letters to the Editor 5 Women's Wilde at heart Hiatus Calendar 10 volleyball donates a court at a Sex, intrigue and society highlight "Gross Indecency; The 3 Trials of Thursday Coupons 11 Mexico school. Oscar Wilde" at San Diego's Diversionary Theatre. page 9 C1assifieds 16 page 20 1iversity Archivist (2) Attn : Sandy 0175-S THE UCSD ARI) THURSDAY, JANUARY 30, 2003 A.S. considers Price UCSD facilities fail Kaplan survey Cener ice cream parlor MeAT conditions ranked fourth to la t l1ext to hear plan By MATT SCHRADER 1ll.lke ... urc our chance .. of g-eltlllg' trrhulcd to L'C~ f)'" poor I.lnklll:!, UCAB Sen ior Staff Wr iter IntO med ,chool ,Iren't hIgher" "\ \ 'c s[.lrted 1l1lILh lOll I.ltc, ,III ()ther~ have compl.lIn~d lhat the extr.1 lc,t \la, p,l.,.,ed OU[ Inti By CLAYTON WORFOLK \ til Isorr Board "'"ppons Ice Kaplan -Ih t Prcp Jnnounced on f.lcrlllles are lI1adequ,lle due to the hlamed on ,I student II ho h.lll 1\111 ,I> 2 1 wa~ If It wcre her fJult," ,.1Id ,I ,tudent Senior Staff Writer ere.11ll ule.l'" III lhe g.lIl1C roo III \, Jan. IhH UCSD amongst out"de dl<,trJCllOllS of t.lkll1g the lCM rello\'atlOIl .Il1d lh.1l the COlll l1l1tl ee lhe fll'c-worst location, In the 111 .1 \'cry puhlrt hUlldll1g on campu,. who filed ,I l'I)lllplJlI1t .Igalll'>[ the In .1 Spl,tI,11 pre,clll.HulIl to lhl' \\111 Sllhlllll .1 for II l.I I propo,.d to country for ,tudents 10 [Jkc the "l'eter. -
A Blank Space Where You Write Your Name: Taylor Swift's Early Late Voice
Richard Elliott, ‘A Blank Space Where You Write Your Name’, conference paper, 2016 A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice Richard Elliott [Paper presented at the 2016 EMP Pop Conference, ‘From a Whisper to a Scream: The Voice in Music’, APRIL 14-17 2016, Seattle] Introduction: Late Voice Pop musicians offer a privileged site for the witnessing and analysis of ageing. In my recent work, I use the concept of ‘late voice’ as a way of articulating this and I’ve been exploring issues of time, memory, innocence and experience in modern popular song, with an emphasis on singers and songwriters.1 Lateness, as I’ve used it, refers to five primary issues: chronology (the stage in an artist’s career); the vocal act (the ability to convincingly portray experience); afterlife (the posthumous careers made possible by recorded sound); retrospection (how voices ‘look back’ or anticipate looking back); and the writing of age, experience, lateness and loss into song texts. As part of this work I use the idea of ‘sounded experience’, a term intended to describe how music reflects upon and helps to mediate life experience over extended periods of time (indeed, over lifetimes). Early Late Voice While my initial thoughts about the late voice concept were mainly connected to older singers and the work they produced in the later parts of their careers, I became interested in the possibility of lateness recognised at earlier stages in the life course. In other words, while there’s often a good fit between chronologically late work and Richard Elliott, ‘A Blank Space Where You Write Your Name’, conference paper, 2016 themes of time, age and experience, there’s nothing to exclude such a connection with artists at much earlier stages in their lives.