Whitefish Bay and an Invaluable Contribution to Our Knowledge of Local History

Total Page:16

File Type:pdf, Size:1020Kb

Whitefish Bay and an Invaluable Contribution to Our Knowledge of Local History T0SrtlQ22 H'ES'EA.'RCtf'E'D, AND COMTILT'D 'By MIMI 2IWD 1982-1992 Majority of photographs 6y Qeorge Xappes, Jr. and Herbert ScfiuCtz JArchivaCmateriaCs, incCuding the aChum, were donated By the lYhitefish Bay foundation _£ (5 COMPILED AND RESEARCHED BY MIMI BIRD, THESE VOLUMES ARE HER LEGACY TO WHITEFISH BAY AND AN INVALUABLE CONTRIBUTION TO OUR KNOWLEDGE OF LOCAL HISTORY. w MIMI BIRD, 1933-2002 Mimi Bird knew just what she wanted for a final resting place. After all, she spent years of her life exploring the Town of Milwaukee Union Cemetery, tucked away north of Bayshore Mall in Whitefish Bay. She remembered running through the cemetery as a girl "to scare ourselves on Halloween". Years later, as a neighbor and a historian, she began tending the little cemetery and quite literally, uncovering its history. Bird died of emphysema Thursday at the Glendale condominium she called home the last four years. She was 69. "She really died from cigarette smoking" said husband John D. Bird. "That's what did it." She was born Miriam Young in Milwaukee. When she was 4, her parents moved to Whitefish Bay. That was where she grew up and spent her adult life. It was also where she became the undisputed expert on local history, both in the village and the greater North Shore area. In her earlier years Bird had worked as a secretary. She met her husband when their mothers—concerned about their two twenty-something children remaining unmarried — managed to fix them up for a date. She spent the next decades in volunteer work, including at their children's schools, and working part time for the Whitefish Bay Public Library. In 1976, she began to research her genealogy and that of her husband's family. As that was winding down in the early 1980s, Bird heard about the Whitefish Bay Historical Society. Her first project involved locating, photographing and researching hundreds of the oldest homes in the village. All kinds of other research followed. Some of the leads took her to the Town of Milwaukee cemetery. There she looked for sunken spots, sticking a spade into the ground. She found dozens of old fallen tombstones, buried by time under the earth. "I just had this wonderful feeling of elation when I'd find an old one," Bird said in a 1983 interview. "The tombstones were the only (surviving) records of births and deaths." Bird filled volumes with everything from real estate records to the early details of village life, its farms, businesses and people. She pored over the minutes of every Village Board meeting from 1892 until 1950. She interviewed old- timers, acquiring old letters and documents. Bird eventually researched the rest of the old Town of Milwaukee, which includes what's now the North Shore area, and the adjacent Town of Granville. And when Whitefish Bay had a 100th anniversary in 1992, she produced a book on local history. In 1991, Bird was recognized by the Milwaukee County Historical Society. Her research continues to be available at the Whitefish Bay Library, the University of Wisconsin-Milwaukee Golda Meir Library, the County Historical Society and the Milwaukee Central Library's local history room. Survivors include her husband, John; sons David J. and Peter E.; brother Carter H. Young; grandchildren; and other relatives...Her ashes will be buried at the Town of Union Cemetery. [Obituary by Amy Rabideau Silvers for the Milwaukee Journal Sentinel 10/14/02.] 1 Home Development in Whitefish Bay Post-1922 I. Map of Area, 1926 II. Real Estate Ads - 1920's, 30's and 40's III. Photographs, Whitefish Bay Development, 1920's - 40's IV. Newspaper Articles, Whitefish Bay Development, 1930's - 60's V. Photographs, Homes in Whitefish Bay, 1980's VI. Newspaper Articles - Recent development in the Bay, 1980's and 90's VII. Appendix - Building Permit Statistics, 1926-57, including a sample permit from 1930 %j ?• Map No. 6 t^ac? SCALE—mjinch to mile. MILWAUKEE TOWNSHIP PAVED ROADS i OZAUKEE COUNTY R.22E. <2^Vt~n^4^ CITY 4 Ttai back the clock on your home (libraryhas fascinating collection of real estate ads from the '20s, J30s By Mary Schuchmann Editor he dollar isn't what it used to be. No Tsurprise there. And nowhere is that clearer than when you compare housing prices over a period of years*. The new property assessments in Whitefish Bay may have some village resi­ dents surprised (pleasantly or otherwise) at what their property is considered to be worth in the real estate market today. (The average house in Whitefish Bay is now assessed at between $185,000 and $190,000.) The shock could be even greater when you consider what it cost to build the house way back when. Among the most intriguing items on the local history shelves at the Whitefish Bay Library is a collection of old real estate construction on Its 50*125-ft. lot. It in-v ~"*s clipped from old newspapers and heated . large living room , . * dining- . with choice of sun room or bedroom 4gazines. drooms or three exceptionally large bed- Many of the ads are from the late and large tile shower stall on second 1920s and early 1930s — the building ur requirements. Brick may be selected boom in Whitefish Bay The population of the village was about 5,000 (today it's about 14,000), and the sound of new- 16,000 home construction was everywhere. Until the post-World War II housing COMPLETE frenzy, the largest number of building per­ The Tudor-style house at 4721 N. mits, 248, was issued in 1929. Woodburn St. was new in 1931 Many of the homes pictured look famil­ iar but have unfamiliar street names or and for sale for $16,000. In the house numbers. That's because house recent revaluation in Whitefish numbers in Whitefish Bay were revised in Bay, it was assessed at $311,000. 1930 and many streets were renamed in 1932. In general, streets that were a continua­ tion of city of Milwaukee streets were "A wonderful value at $14,900," for a The home at 722 East Lake View given new names in Whitefish Bay. North home built in 1927 on East Lexington Avenue is called "a home of extraordinary Holton Street, for example, was renamed Boulevard that is now assessed at beauty and artistic room arrangement .The North Diversey Boulevard. North Richards $247,000. exterior is of expensive vitrified brick Street became North Santa Monica with lannon stone trim and a costly slate Boulevard, and North Fratney Street In fairness, it needs to be noted that rooLAll outside walls and ceilings are thor­ became North Elkhart Avenue. many of the homes built in the '20s and f oughly insulated with a 2-inch layer of One of the ads gives a price — 30s have had substantial additions over cork and the inside walls are plastered on "$16,000 complete" for a home on North 'the years, with an obvious increase in CONTINUED ON PAGE 8 Wbodburn Street that is currently their worth. ped at $311,000. The descriptions of the homes are as interesting as their prices. £-/?. ml 5 4765 N. Woodburn St.^Whitefish Bay;: Vz BlockjSouth t>£ Hampton Roa< 1 .: ? •*'. • ' ••-y*tV*->^ ;?.».•-•/ '«,;. </""v;** *.*-'• ; •*. - '-'••*« , - " You'll want to'sec this beautiful residence which includes a S0xl25-ft. lot. 1 , includes two»car brjtek parage, lawn* trees," shrubs, copper screens, storm? large recreation room, shades and'fixtures,-refrigerator, exceptionally hi? basement, large recreation room, plastered and heated basement, oil burner wit 1,000.gal. tank, 3-bushel Incinerator. On the first floor, there.is a large livin room, dining room, kitchen, large breakfast room with ^ ' "*>.' many cabinets, large clothes'closets, lavatory, and rear C^f ••» "' #\ #^ ^ porch. There are three exceptionally.'large bedrooms »«P. i P%' I II If on thr second floor together with - large, tile bathroom -'•) • I .J ff%#%#lb and tile shower stall. The entire ;v\^b>rt;-?•<•••* : C " • W^ W .w ^* -home is insulated, with 7 •-*jf&*£i8>: .-4% 'V>'t:\!:/y'" ;V.--;./f<l Open for Inspection Sundays 2 to 7 p.ms~-Daily'^ to fFffi^^ 22ffi?E^"^ '* rtTft °£ "f * Mewes. This wealth rtsZessiul experience Jakes Tnn^J > -«W«i«"» the logical choice to design and build yout home, '.Office open evenings by appointment.. •'*•••; ' , < «vt ^f^?*.- *; -< * : .- - s AVC CcntCC and ^hJ^^TT"^^^au improvements paid, at #75 per ft. ' ^ •••-.••, >*,> Ave?.«o , ji <'*' Center,., , in Wamvatosa- ,, including, . ' Apartment site, corner Island Ave. and Concordia,60x120 ft., #6,000! \ • -\ . ' '. ' Choice wooded residence lots in Palo Alto, #65 per ft., all improvements paid. V*, .;' 'V .-" "- V;* ~ Lots on 13th St., 2 blocks north of Capitol Drive, #65 per ft.";''AH improvements paid, * " EWES •?04R ™«ui riAici Aivm ivrMtS*'™' '*«*M'»* and Designing Contractor" 304S.3054 OAKLAND AVENUE «te( «. Wan, D„tg„ or ^emoife/ rw Home>, EDGEWOOD 42SO-42S1 4 —Jf^^^Sdfe^ / ? ^ ^K^u4jt^i^ ^^:r^u' /*• *•* ^JL •* Six New Residences for Whitefish Bay ^^rmits for six residences were ',3d last week by the village of Wiiitefish Bay. They will be erect­ ed at 160 Day av. for R E. Nillerd- ing at a cost of $8,000, at 131 Carl-J isle av. for Adam Schmitt at'a cost of $8,400, at 1595 Twenty-second st. y for Ketter Holzshuh, Inc., at a cost IX to %f&U<ju^c>4 Av*.~u 'Jnio W.WM^txxJAve. of $12,600; at 2027 Lake drive for the Hercules Construction Co. at a cost of $12,500, at 1800 Hollywood M^JUO^P. av. for John R. Blake at a cost of ' ,4oe',\ot- >uu) S97S" y\ > $5,700 and at 2613 Shoreland av.
Recommended publications
  • Course Syllabus Jump to Today Modern American Architecture Columbia University, GSAPP Spring 2020, Mondays 11-1 Professor Jorge Otero- Pailos Ph.D
    Course Syllabus Jump to Today Modern American Architecture Columbia University, GSAPP Spring 2020, Mondays 11-1 Professor Jorge Otero- Pailos Ph.D. TA: Shuyi [email protected] M.S TA: Mariana Ávila [email protected] Course Description: This course is a survey of American Modern Architecture since the country’s first centennial. As America ascended to its current position of hegemony during the late 19th and 20th centuries, its architects helped refashion the built environment to serve the needs of a growing and ever-diverse population. Hand in hand with the satisfaction of pragmatic requirements, American architects were called upon to fulfill deeper psychological wants, such as the country’s desire to have a national History. The American complex about the brevity, artificiality, and exterior dependency of its history, structured, with varying degrees of intensity, the evolution of the architectural discipline. Out of this deep-seated, and by no means exhausted, anxiety about producing, preserving, and identifying American history, came a sophisticated architectural culture; one capable of foiling, exploiting, subverting, and manipulating the various contradictions of modernity. From the standpoint of this relationship between history and modernity, we will analyze the American architectural struggle to be progressive and accepted, exceptional and customary, and to simultaneously capture the future and the past. Each lecture will analyze the production and reception of built (and written) works by renowned figures and anonymous builders. The question of History will help us discern the terms of engagement between architecture and other disciplines over time, such as: preservation, planning, real estate development, politics, health, ecology, sociology, and philosophy.
    [Show full text]
  • Manhattan N.V. Map Guide 18
    18 38 Park Row. 113 37 101 Spring St. 56 Washington Square Memorial Arch. 1889·92 MANHATTAN N.V. MAP GUIDE Park Row and B kman St. N. E. corner of Spring and Mercer Sts. Washington Sq. at Fifth A ve. N. Y. Starkweather Stanford White The buildings listed represent ali periods of Nim 38 Little Singer Building. 1907 19 City Hall. 1811 561 Broadway. W side of Broadway at Prince St. First erected in wood, 1876. York architecture. In many casesthe notion of Broadway and Park Row (in City Hall Perk} 57 Washington Mews significant building or "monument" is an Ernest Flagg Mangin and McComb From Fifth Ave. to University PIobetween unfortunate format to adhere to, and a portion of Not a cast iron front. Cur.tain wall is of steel, 20 Criminal Court of the City of New York. Washington Sq. North and E. 8th St. a street or an area of severatblocks is listed. Many glass,and terra cotta. 1872 39 Cable Building. 1894 58 Housesalong Washington Sq. North, Nos. 'buildings which are of historic interest on/y have '52 Chambers St. 1-13. ea. )831. Nos. 21-26.1830 not been listed. Certain new buildings, which have 621 Broadway. Broadway at Houston Sto John Kellum (N.W. corner], Martin Thompson replaced significant works of architecture, have 59 Macdougal Alley been purposefully omitted. Also commissions for 21 Surrogates Court. 1911 McKim, Mead and White 31 Chembers St. at Centre St. Cu/-de-sac from Macdouga/ St. between interiorsonly, such as shops, banks, and 40 Bayard-Condict Building.
    [Show full text]
  • City of Wauwatosa, Wisconsin
    City of Wauwatosa, Wisconsin Architectural and Historical Intensive Survey Report of Residential Properties Phase 2 By Rowan Davidson, Associate AIA & Jennifer L. Lehrke, AIA, NCARB Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 Project Director Joseph R. DeRose, Survey & Registration Historian Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 Sponsoring Agency Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 2019-2020 Acknowledgments This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to Office of the Equal Opportunity, National Park Service, 1849 C Street NW, Washington, DC 20240. The activity that is the subject of this intensive survey report has been financed entirely with Federal Funds from the National Park Service, U.S. Department of the Interior, and administered by the Wisconsin Historical Society. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the Wisconsin Historical Society, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Wisconsin Historical Society.
    [Show full text]
  • Nineteenth Century
    NiNeteeNth CeNtury VoluMe 33 NuMber 2 Magazine of the Victorian Society in America Contents 3 Winslow Homer’s NiNeteeNth Maine Studio CeNtury James F. O’Gorman Volume 33 • N umber 2 Fall 2013 C. A. Neff Editor 10 William Ayres the education of Consulting Editor a beaux-Arts Architect Sally Buchanan Kinsey Robert Wojtowicz Book Review Editor Karen Zukowski Advertising Manager / Graphic Designer Wendy Midgett 20 The Charles W. Morgan Printed by Triune Color Corporation and the 19th-Century Committee on Publications American Whaling trade Chair Steven M. Purdy William Ayres Anne-Taylor Cahill Christopher Forbes Sally Buchanan Kinsey Erika Kotite Michael J. Lewis James O’Gorman Karen Zukowski 28 Capturing an Era For information on The Victorian Under Glass Society in America, contact the John Whitenight national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Fax (215) 636-9873 [email protected] www.victoriansociety.org Departments Like us on Facebook Follow us on Twitter 36 Preservation Diary 42 The Bibliophilist 47 Victorian Lest We Forget... Barbara J. Mitnick Travel Tales The Battles to Erin E. Eisenbarth Sip and Savour Preserve New York Sally Buchanan Kinsey the Victorian Way City’s Historic Sally Buchanan Kinsey 46 Contributors Rail Stations Gibson Craig A basket of shell work flowers in dome, c. 1868. Private collection. Photo courtesy Alan Kolc Photography. Winslow homer, Artist’s Studio in an Afternoon Fog , 1894. Courtesy memorial Art Gallery, university of rochester, r. t. miller Fund, 41-32. Winslow Homer’s Studio Preserved JAmeS F. o’GormAN For the last twenty-six years of his life Winslow homer become maine’s most famous architect.
    [Show full text]
  • PLAZA HOTEL INTERIOR Designation Report
    PLAZA HOTEL INTERIOR Designation Report New York City Landmarks Preservation Commission July 12, 2005 Designation List 366 LP-2174 PLAZA HOTEL INTERIOR: TABLE OF CONTENTS Site Description 2 Testimony at Public Hearing 2 Essay Summary 3 Fifth Avenue and the Site 4 Construction and Opening of Plaza Hotel 4 Hotel Architecture 5 Frederic Sterry 6 Henry Janeway Hardenbergh 6 Warren & Wetmore 7 The 1905-07 Design of the Plaza Hotel’s Interiors 8 1919-1922 addition and 1929 Grand Ballroom 11 The Hilton Plaza (1943-1953) 13 Plaza Hotel (1953 to present) 14 Plaza Hotel Social History 14 Site Plans 21 Individual Room Entries The Edwardian Room 24 59th Street Lobby 29 Fifth Avenue Lobby and Vestibules 31 Grand Ballroom 35 Corridor and Foyer Main Corridors 44 The Oak Bar 49 The Oak Room 52 The Palm Court 57 Terrace Room 62 Corridor, Foyer Stairways Findings and Designation 72 Report researched and written by Research Department Mary Beth Betts, Director of Research, Michael Caratzas, Gale Harris, Virginia Kurshan, Matthew A. Postal, Donald Presa, and Jay Shockley All photos by Carl Forster PLAZA HOTEL INTERIOR Plaza Hotel, ground floor interior consisting of the Fifth Avenue vestibules, Lobby, corridor to the east of the Palm Court, the Palm Court, Terrace Room, corridor to the north of the Palm Court connecting to the 59th Street Lobby and the Oak Room, foyers to the Edwardian Room from the corridor to the north of the Palm Court and the 59th Street Lobby, the Edwardian Room, 59th Street Lobby and vestibule, the Oak Room and the Oak Bar, corridor
    [Show full text]
  • No 15 Oct 20
    The Oil Can The Award Winning Newsletter of the Cooperstown Rotary Club Vol. 87, No. 15— October 20, 2009 He designed our village library building... Ernest Flagg, architect extraordinary veryone here, Iʹm certain, has walked down Main Street in Cooperstown, and admired the beautiful Village Li‐ brary Building, which also houses the Cooperstown Art E Association and the Village Offices. But have you ever wondered who designed it? Somehow, I never did until very re‐ cently, when I learned that its architect was named Ernest Flagg. What I found surprised me. Ernest Flagg was not just a gifted ar‐ chitect, who designed important American buildings. He was also a social reformer, who helped improve the lives of New York Cityʹs urban poor. He was a city planner, who influenced todayʹs New York City skyline. And he designed what was at the time the tallest building in the world. So what was he doing in a small vil‐ lage in upstate New York? Ernest Flagg was born in Brooklyn in 1857, the son of an Episco‐ pal clergyman who had become an itinerant portrait painter, as well as a speculative land developer. The family was not without its connections. One of Ernestʹs aunts had married Cornelius Van‐ derbilt; his sister Louise married Charles Scribner, the publisher. In 1872, at the age of fifteen, Ernest left school to become an office boy on Wall Street, and two years later ‐‐ with his older brother Jared ‐‐ he opened a small business selling salt codfish at New Yorkʹs Fulton Fish Market. For a time he lived in some of the filthy, ill‐lit, badly ventilated tenements of the Lower West Side.
    [Show full text]
  • Manhattan Parking Garages 1897 – 1930: Signficance and Preservation
    MANHATTAN PARKING GARAGES 1897 – 1930: SIGNFICANCE AND PRESERVATION Hilary Grossman Submitted in Partial Fulfillment of the Requirements for the Degree Master of Science in Historic Preservation Graduate School of Architecture Columbia University May, 2013 Table of Contents Introduction: Abstract ................................................................................................................................... 1 Chapter One: History .................................................................................................................................... 2 1897 – 1906: The Beginnings ................................................................................................................... 4 1907 – 1910: Development of the Automobile Industry and Garage ..................................................... 12 1911 – 1916: The Garage becomes Widespread .................................................................................... 15 1917 – 1930: The Age of the Automobile .............................................................................................. 18 Chapter Two: Survey ................................................................................................................................. 27 Survey: .................................................................................................................................................... 28 Analysis of Survey: ................................................................................................................................
    [Show full text]
  • Fire Engine Company No. 67, 514 West 170Th Street, Manhattan Built 1897-98; Ernest Flagg and Walter B
    Landmarks Preservation Commission February 27, 2001, Designation List 324 LP-2050 Fire Engine Company No. 67, 514 West 170th Street, Manhattan Built 1897-98; Ernest Flagg and Walter B. Chambers, architects. Landmark Site: Borough of Manhattan Tax Map Block 2126, Lot 35. On December 14, 1999, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Fire Engine Company 67 and the proposed designation of the related Landmark Site (Item No. 6). The hearing had been duly advertised in accordance with the provisions oflaw. There were two speakers in support of designation, including representatives of the fire department and the Historic Districts Council. There were no speakers in opposition to designation. In addition, the Commission has received a letter from the Land Use Committee of Community Board 12 in support of designation. Summary The station house for Engine Company 67 was constructed in 1897-98 for a newly-formed fire company established to serve the rapidly­ growing section of New York City known as Washington Heights. Using the specific requirements developed for a firehouse, French-trained architects Ernest Flagg and Walter B. Chambers created a dynamic and lyrical composition which sets it apart from many other firehouse designs of the period. They used classical elements such as a bracketed cornice, a hooded, round arch, an elaborate cartouche, and a pedimented window opening set in a masonry building. They also included modem steel framing which is articulated in the large expanse of glass window openings, creating a unique facade which pays homage to both the past and future.
    [Show full text]
  • CHARLES SCRIBNER's SONS BUILDING, 597 Fifth Avenue, Borough of Manhattan
    Landmarks Preservation Commission March 23, 1982 Designation List153 LP-1100 CHARLES SCRIBNER'S SONS BUILDING, 597 Fifth Avenue, Borough of Manhattan. Bui It 1912-13; architect Ernest Flagg. Landmark Site: Borough of ManhBttan Tax Map Block 1284, Lot 2. On December 11, 1979, the Landmarks Preservation Commission held a pub! ic hearing on the proposed designation as a Landmark of the Charles Scrlbner1 s SonsBui !ding and the proposed designation of the related Landmark Site (Item No. 6). The hearing was continued to January 8, 1980 (Item-No. 1). Both hearings had been duly advertised in accordance with the prov1s1ons of law. A total of six witnesses spoke in favor of designation. There were four speakers in opposition to designation. Description and Analysis The Scribner Bui I ding, bui It in 1912-13, is an elegant Beaux-Arts commercial structure by the eminent American architect Ernest Flagg. This was the second building Flagg designed for the prominent publishing firm of Charles Scribner's Sons and incorporated many of the same design features of the earlier work, expanding and elaborating them for this naw, more fashionable midtown location at Fifth Avenue near 48th Street. The firm of Charles Scribner's Sons has been and remains today one of the leading pub! ishing houses in this country. It came into existence with the partnership of Charles Scribner and lsa ~9 Baker in 1846. The original quarters of the firm were at the former bui !ding of the Old Brick Church on Park Row and Nassau Street, a book trade headquarters at the time.
    [Show full text]
  • Brief Biographies of American Architects Who Died Between 1897 and 1947
    Brief Biographies of American Architects Who Died Between 1897 and 1947 Transcribed from the American Art Annual by Earle G. Shettleworth, Jr., Director, Maine Historic Preservation Commission. Between 1897 and 1947 the American Art Annual and its successor volume Who's Who in American Art included brief obituaries of prominent American artists, sculptors, and architects. During this fifty-year period, the lives of more than twelve-hundred architects were summarized in anywhere from a few lines to several paragraphs. Recognizing the reference value of this information, I have carefully made verbatim transcriptions of these biographical notices, substituting full wording for abbreviations to provide for easier reading. After each entry, I have cited the volume in which the notice appeared and its date. The word "photo" after an architect's name indicates that a picture and copy negative of that individual is on file at the Maine Historic Preservation Commission. While the Art Annual and Who's Who contain few photographs of the architects, the Commission has gathered these from many sources and is pleased to make them available to researchers. The full text of these biographies are ordered alphabetically by surname: A B C D E F G H I J K L M N O P Q R S T U V W Y Z For further information, please contact: Earle G. Shettleworth, Jr., Director Maine Historic Preservation Commission 55 Capitol Street, 65 State House Station Augusta, Maine 04333-0065 Telephone: 207/287-2132 FAX: 207/287-2335 E-Mail: [email protected] AMERICAN ARCHITECTS' BIOGRAPHIES: ABELL, W.
    [Show full text]
  • Kelly Carroll for NYPAP Inspired by Grassroots Stories: Community Architectural Advocacy Jean Prabhu – Iron Hills Civic Associ
    Kelly Carroll for NYPAP Inspired by Grassroots Stories: Community Architectural Advocacy Jean Prabhu – Iron Hills Civic Association July 21, 2021 Kelly Carroll: This is Kelly Carroll for the New York Preservation Archive Project. I am interviewing a series of individuals and groups about their neighborhood preservation campaigns in New York City. I would like to thank the New York State Council on the Arts for making this program possible today and I will be interviewing Jean Prabhu, who will be talking about her neighborhood in Todt Hill and Dongan Hills in Staten Island, New York, and specifically about her campaign to preserve the Flagg Estate there. So, I’m going to jump right in and say hello to Jean, and my first question for you is: when you moved to Staten Island in the ‘80s, can you describe the neighborhood back then, and tell me what it was like and why you were attracted to move there? Jean Prabhu: Well, it was bucolic, it was beautiful. It was filled with—I’m an old house person—grew up in an old house in Brooklyn, my first house was an old house in Brooklyn. And I came to Todt Hill because I found a beautiful old house in Todt Hill that I could afford and I had a parking spot, so, I was happy to be here. And we had beautiful old homes. We had the JP Morgan summer house, we had the Vanderbilt summer house, we had several Ernest Flagg homes, we had Aymar Embury houses it…it was really very beautiful.
    [Show full text]
  • Civic Classicism in New York City's Architecture
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Apotheosis of the Public Realm: Civic Classicism in New York City's Architecture Paul Andrija Ranogajec Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/96 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] APOTHEOSIS OF THE PUBLIC REALM: CIVIC CLASSICISM IN NEW YORK CITY’S ARCHITECTURE by PAUL ANDRIJA RANOGAJEC M.A., University of Virginia, 2005 B.Arch., University of Notre Dame, 2003 A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2014 © 2014 PAUL ANDRIJA RANOGAJEC All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Kevin D. Murphy, Chair of Examining Committee Date Claire Bishop, Executive Officer, Ph.D. Program in Art History Rosemarie Haag Bletter Sally Webster Carol Krinsky Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Apotheosis of the Public Realm: Civic Classicism in New York City’s Architecture by Paul Andrija Ranogajec Adviser: Kevin D. Murphy In the years around the consolidation of Greater New York in 1898, a renewed interest in republican political theory among progressive liberals coincided with a new kind of civic architecture.
    [Show full text]