Whitefish Bay and an Invaluable Contribution to Our Knowledge of Local History
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Course Syllabus Jump to Today Modern American Architecture Columbia University, GSAPP Spring 2020, Mondays 11-1 Professor Jorge Otero- Pailos Ph.D
Course Syllabus Jump to Today Modern American Architecture Columbia University, GSAPP Spring 2020, Mondays 11-1 Professor Jorge Otero- Pailos Ph.D. TA: Shuyi [email protected] M.S TA: Mariana Ávila [email protected] Course Description: This course is a survey of American Modern Architecture since the country’s first centennial. As America ascended to its current position of hegemony during the late 19th and 20th centuries, its architects helped refashion the built environment to serve the needs of a growing and ever-diverse population. Hand in hand with the satisfaction of pragmatic requirements, American architects were called upon to fulfill deeper psychological wants, such as the country’s desire to have a national History. The American complex about the brevity, artificiality, and exterior dependency of its history, structured, with varying degrees of intensity, the evolution of the architectural discipline. Out of this deep-seated, and by no means exhausted, anxiety about producing, preserving, and identifying American history, came a sophisticated architectural culture; one capable of foiling, exploiting, subverting, and manipulating the various contradictions of modernity. From the standpoint of this relationship between history and modernity, we will analyze the American architectural struggle to be progressive and accepted, exceptional and customary, and to simultaneously capture the future and the past. Each lecture will analyze the production and reception of built (and written) works by renowned figures and anonymous builders. The question of History will help us discern the terms of engagement between architecture and other disciplines over time, such as: preservation, planning, real estate development, politics, health, ecology, sociology, and philosophy. -
Manhattan N.V. Map Guide 18
18 38 Park Row. 113 37 101 Spring St. 56 Washington Square Memorial Arch. 1889·92 MANHATTAN N.V. MAP GUIDE Park Row and B kman St. N. E. corner of Spring and Mercer Sts. Washington Sq. at Fifth A ve. N. Y. Starkweather Stanford White The buildings listed represent ali periods of Nim 38 Little Singer Building. 1907 19 City Hall. 1811 561 Broadway. W side of Broadway at Prince St. First erected in wood, 1876. York architecture. In many casesthe notion of Broadway and Park Row (in City Hall Perk} 57 Washington Mews significant building or "monument" is an Ernest Flagg Mangin and McComb From Fifth Ave. to University PIobetween unfortunate format to adhere to, and a portion of Not a cast iron front. Cur.tain wall is of steel, 20 Criminal Court of the City of New York. Washington Sq. North and E. 8th St. a street or an area of severatblocks is listed. Many glass,and terra cotta. 1872 39 Cable Building. 1894 58 Housesalong Washington Sq. North, Nos. 'buildings which are of historic interest on/y have '52 Chambers St. 1-13. ea. )831. Nos. 21-26.1830 not been listed. Certain new buildings, which have 621 Broadway. Broadway at Houston Sto John Kellum (N.W. corner], Martin Thompson replaced significant works of architecture, have 59 Macdougal Alley been purposefully omitted. Also commissions for 21 Surrogates Court. 1911 McKim, Mead and White 31 Chembers St. at Centre St. Cu/-de-sac from Macdouga/ St. between interiorsonly, such as shops, banks, and 40 Bayard-Condict Building. -
City of Wauwatosa, Wisconsin
City of Wauwatosa, Wisconsin Architectural and Historical Intensive Survey Report of Residential Properties Phase 2 By Rowan Davidson, Associate AIA & Jennifer L. Lehrke, AIA, NCARB Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 Project Director Joseph R. DeRose, Survey & Registration Historian Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 Sponsoring Agency Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 2019-2020 Acknowledgments This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to Office of the Equal Opportunity, National Park Service, 1849 C Street NW, Washington, DC 20240. The activity that is the subject of this intensive survey report has been financed entirely with Federal Funds from the National Park Service, U.S. Department of the Interior, and administered by the Wisconsin Historical Society. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the Wisconsin Historical Society, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Wisconsin Historical Society. -
Nineteenth Century
NiNeteeNth CeNtury VoluMe 33 NuMber 2 Magazine of the Victorian Society in America Contents 3 Winslow Homer’s NiNeteeNth Maine Studio CeNtury James F. O’Gorman Volume 33 • N umber 2 Fall 2013 C. A. Neff Editor 10 William Ayres the education of Consulting Editor a beaux-Arts Architect Sally Buchanan Kinsey Robert Wojtowicz Book Review Editor Karen Zukowski Advertising Manager / Graphic Designer Wendy Midgett 20 The Charles W. Morgan Printed by Triune Color Corporation and the 19th-Century Committee on Publications American Whaling trade Chair Steven M. Purdy William Ayres Anne-Taylor Cahill Christopher Forbes Sally Buchanan Kinsey Erika Kotite Michael J. Lewis James O’Gorman Karen Zukowski 28 Capturing an Era For information on The Victorian Under Glass Society in America, contact the John Whitenight national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Fax (215) 636-9873 [email protected] www.victoriansociety.org Departments Like us on Facebook Follow us on Twitter 36 Preservation Diary 42 The Bibliophilist 47 Victorian Lest We Forget... Barbara J. Mitnick Travel Tales The Battles to Erin E. Eisenbarth Sip and Savour Preserve New York Sally Buchanan Kinsey the Victorian Way City’s Historic Sally Buchanan Kinsey 46 Contributors Rail Stations Gibson Craig A basket of shell work flowers in dome, c. 1868. Private collection. Photo courtesy Alan Kolc Photography. Winslow homer, Artist’s Studio in an Afternoon Fog , 1894. Courtesy memorial Art Gallery, university of rochester, r. t. miller Fund, 41-32. Winslow Homer’s Studio Preserved JAmeS F. o’GormAN For the last twenty-six years of his life Winslow homer become maine’s most famous architect. -
PLAZA HOTEL INTERIOR Designation Report
PLAZA HOTEL INTERIOR Designation Report New York City Landmarks Preservation Commission July 12, 2005 Designation List 366 LP-2174 PLAZA HOTEL INTERIOR: TABLE OF CONTENTS Site Description 2 Testimony at Public Hearing 2 Essay Summary 3 Fifth Avenue and the Site 4 Construction and Opening of Plaza Hotel 4 Hotel Architecture 5 Frederic Sterry 6 Henry Janeway Hardenbergh 6 Warren & Wetmore 7 The 1905-07 Design of the Plaza Hotel’s Interiors 8 1919-1922 addition and 1929 Grand Ballroom 11 The Hilton Plaza (1943-1953) 13 Plaza Hotel (1953 to present) 14 Plaza Hotel Social History 14 Site Plans 21 Individual Room Entries The Edwardian Room 24 59th Street Lobby 29 Fifth Avenue Lobby and Vestibules 31 Grand Ballroom 35 Corridor and Foyer Main Corridors 44 The Oak Bar 49 The Oak Room 52 The Palm Court 57 Terrace Room 62 Corridor, Foyer Stairways Findings and Designation 72 Report researched and written by Research Department Mary Beth Betts, Director of Research, Michael Caratzas, Gale Harris, Virginia Kurshan, Matthew A. Postal, Donald Presa, and Jay Shockley All photos by Carl Forster PLAZA HOTEL INTERIOR Plaza Hotel, ground floor interior consisting of the Fifth Avenue vestibules, Lobby, corridor to the east of the Palm Court, the Palm Court, Terrace Room, corridor to the north of the Palm Court connecting to the 59th Street Lobby and the Oak Room, foyers to the Edwardian Room from the corridor to the north of the Palm Court and the 59th Street Lobby, the Edwardian Room, 59th Street Lobby and vestibule, the Oak Room and the Oak Bar, corridor -
No 15 Oct 20
The Oil Can The Award Winning Newsletter of the Cooperstown Rotary Club Vol. 87, No. 15— October 20, 2009 He designed our village library building... Ernest Flagg, architect extraordinary veryone here, Iʹm certain, has walked down Main Street in Cooperstown, and admired the beautiful Village Li‐ brary Building, which also houses the Cooperstown Art E Association and the Village Offices. But have you ever wondered who designed it? Somehow, I never did until very re‐ cently, when I learned that its architect was named Ernest Flagg. What I found surprised me. Ernest Flagg was not just a gifted ar‐ chitect, who designed important American buildings. He was also a social reformer, who helped improve the lives of New York Cityʹs urban poor. He was a city planner, who influenced todayʹs New York City skyline. And he designed what was at the time the tallest building in the world. So what was he doing in a small vil‐ lage in upstate New York? Ernest Flagg was born in Brooklyn in 1857, the son of an Episco‐ pal clergyman who had become an itinerant portrait painter, as well as a speculative land developer. The family was not without its connections. One of Ernestʹs aunts had married Cornelius Van‐ derbilt; his sister Louise married Charles Scribner, the publisher. In 1872, at the age of fifteen, Ernest left school to become an office boy on Wall Street, and two years later ‐‐ with his older brother Jared ‐‐ he opened a small business selling salt codfish at New Yorkʹs Fulton Fish Market. For a time he lived in some of the filthy, ill‐lit, badly ventilated tenements of the Lower West Side. -
Manhattan Parking Garages 1897 – 1930: Signficance and Preservation
MANHATTAN PARKING GARAGES 1897 – 1930: SIGNFICANCE AND PRESERVATION Hilary Grossman Submitted in Partial Fulfillment of the Requirements for the Degree Master of Science in Historic Preservation Graduate School of Architecture Columbia University May, 2013 Table of Contents Introduction: Abstract ................................................................................................................................... 1 Chapter One: History .................................................................................................................................... 2 1897 – 1906: The Beginnings ................................................................................................................... 4 1907 – 1910: Development of the Automobile Industry and Garage ..................................................... 12 1911 – 1916: The Garage becomes Widespread .................................................................................... 15 1917 – 1930: The Age of the Automobile .............................................................................................. 18 Chapter Two: Survey ................................................................................................................................. 27 Survey: .................................................................................................................................................... 28 Analysis of Survey: ................................................................................................................................ -
Fire Engine Company No. 67, 514 West 170Th Street, Manhattan Built 1897-98; Ernest Flagg and Walter B
Landmarks Preservation Commission February 27, 2001, Designation List 324 LP-2050 Fire Engine Company No. 67, 514 West 170th Street, Manhattan Built 1897-98; Ernest Flagg and Walter B. Chambers, architects. Landmark Site: Borough of Manhattan Tax Map Block 2126, Lot 35. On December 14, 1999, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Fire Engine Company 67 and the proposed designation of the related Landmark Site (Item No. 6). The hearing had been duly advertised in accordance with the provisions oflaw. There were two speakers in support of designation, including representatives of the fire department and the Historic Districts Council. There were no speakers in opposition to designation. In addition, the Commission has received a letter from the Land Use Committee of Community Board 12 in support of designation. Summary The station house for Engine Company 67 was constructed in 1897-98 for a newly-formed fire company established to serve the rapidly growing section of New York City known as Washington Heights. Using the specific requirements developed for a firehouse, French-trained architects Ernest Flagg and Walter B. Chambers created a dynamic and lyrical composition which sets it apart from many other firehouse designs of the period. They used classical elements such as a bracketed cornice, a hooded, round arch, an elaborate cartouche, and a pedimented window opening set in a masonry building. They also included modem steel framing which is articulated in the large expanse of glass window openings, creating a unique facade which pays homage to both the past and future. -
CHARLES SCRIBNER's SONS BUILDING, 597 Fifth Avenue, Borough of Manhattan
Landmarks Preservation Commission March 23, 1982 Designation List153 LP-1100 CHARLES SCRIBNER'S SONS BUILDING, 597 Fifth Avenue, Borough of Manhattan. Bui It 1912-13; architect Ernest Flagg. Landmark Site: Borough of ManhBttan Tax Map Block 1284, Lot 2. On December 11, 1979, the Landmarks Preservation Commission held a pub! ic hearing on the proposed designation as a Landmark of the Charles Scrlbner1 s SonsBui !ding and the proposed designation of the related Landmark Site (Item No. 6). The hearing was continued to January 8, 1980 (Item-No. 1). Both hearings had been duly advertised in accordance with the prov1s1ons of law. A total of six witnesses spoke in favor of designation. There were four speakers in opposition to designation. Description and Analysis The Scribner Bui I ding, bui It in 1912-13, is an elegant Beaux-Arts commercial structure by the eminent American architect Ernest Flagg. This was the second building Flagg designed for the prominent publishing firm of Charles Scribner's Sons and incorporated many of the same design features of the earlier work, expanding and elaborating them for this naw, more fashionable midtown location at Fifth Avenue near 48th Street. The firm of Charles Scribner's Sons has been and remains today one of the leading pub! ishing houses in this country. It came into existence with the partnership of Charles Scribner and lsa ~9 Baker in 1846. The original quarters of the firm were at the former bui !ding of the Old Brick Church on Park Row and Nassau Street, a book trade headquarters at the time. -
Brief Biographies of American Architects Who Died Between 1897 and 1947
Brief Biographies of American Architects Who Died Between 1897 and 1947 Transcribed from the American Art Annual by Earle G. Shettleworth, Jr., Director, Maine Historic Preservation Commission. Between 1897 and 1947 the American Art Annual and its successor volume Who's Who in American Art included brief obituaries of prominent American artists, sculptors, and architects. During this fifty-year period, the lives of more than twelve-hundred architects were summarized in anywhere from a few lines to several paragraphs. Recognizing the reference value of this information, I have carefully made verbatim transcriptions of these biographical notices, substituting full wording for abbreviations to provide for easier reading. After each entry, I have cited the volume in which the notice appeared and its date. The word "photo" after an architect's name indicates that a picture and copy negative of that individual is on file at the Maine Historic Preservation Commission. While the Art Annual and Who's Who contain few photographs of the architects, the Commission has gathered these from many sources and is pleased to make them available to researchers. The full text of these biographies are ordered alphabetically by surname: A B C D E F G H I J K L M N O P Q R S T U V W Y Z For further information, please contact: Earle G. Shettleworth, Jr., Director Maine Historic Preservation Commission 55 Capitol Street, 65 State House Station Augusta, Maine 04333-0065 Telephone: 207/287-2132 FAX: 207/287-2335 E-Mail: [email protected] AMERICAN ARCHITECTS' BIOGRAPHIES: ABELL, W. -
Kelly Carroll for NYPAP Inspired by Grassroots Stories: Community Architectural Advocacy Jean Prabhu – Iron Hills Civic Associ
Kelly Carroll for NYPAP Inspired by Grassroots Stories: Community Architectural Advocacy Jean Prabhu – Iron Hills Civic Association July 21, 2021 Kelly Carroll: This is Kelly Carroll for the New York Preservation Archive Project. I am interviewing a series of individuals and groups about their neighborhood preservation campaigns in New York City. I would like to thank the New York State Council on the Arts for making this program possible today and I will be interviewing Jean Prabhu, who will be talking about her neighborhood in Todt Hill and Dongan Hills in Staten Island, New York, and specifically about her campaign to preserve the Flagg Estate there. So, I’m going to jump right in and say hello to Jean, and my first question for you is: when you moved to Staten Island in the ‘80s, can you describe the neighborhood back then, and tell me what it was like and why you were attracted to move there? Jean Prabhu: Well, it was bucolic, it was beautiful. It was filled with—I’m an old house person—grew up in an old house in Brooklyn, my first house was an old house in Brooklyn. And I came to Todt Hill because I found a beautiful old house in Todt Hill that I could afford and I had a parking spot, so, I was happy to be here. And we had beautiful old homes. We had the JP Morgan summer house, we had the Vanderbilt summer house, we had several Ernest Flagg homes, we had Aymar Embury houses it…it was really very beautiful. -
Civic Classicism in New York City's Architecture
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Apotheosis of the Public Realm: Civic Classicism in New York City's Architecture Paul Andrija Ranogajec Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/96 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] APOTHEOSIS OF THE PUBLIC REALM: CIVIC CLASSICISM IN NEW YORK CITY’S ARCHITECTURE by PAUL ANDRIJA RANOGAJEC M.A., University of Virginia, 2005 B.Arch., University of Notre Dame, 2003 A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2014 © 2014 PAUL ANDRIJA RANOGAJEC All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Kevin D. Murphy, Chair of Examining Committee Date Claire Bishop, Executive Officer, Ph.D. Program in Art History Rosemarie Haag Bletter Sally Webster Carol Krinsky Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Apotheosis of the Public Realm: Civic Classicism in New York City’s Architecture by Paul Andrija Ranogajec Adviser: Kevin D. Murphy In the years around the consolidation of Greater New York in 1898, a renewed interest in republican political theory among progressive liberals coincided with a new kind of civic architecture.