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Culture and Anarchy
CULTURE AND ANARCHY: AN ESSAY IN POLITICAL AND SOCIAL CRITICISM: BY MATTHEW ARNOLD. L 0 N D ON: SMITH, ELDER AND CO., 15, WATERLOO PLACE. 1869. [The right of Translation is reserved."] PREFACE. MY foremost design in writing this Preface is to address a word of exhortation to the Society for Promoting Christian Knowledge. In the essay which follows, the reader will often find Bishop Wilson quoted. To me and to the members of the Society for Promoting Christian Knowledge his name and writings are still, no doubt, familiar; but.the world is fast going away from old-fashioned people of his sort, and I learnt with consternation lately from a brilliant and distinguished votary of the natural sciences, that he had never so much as heard of Bishop Wilson, and that he imagined me to have invented him. At a moment when the Courts of Law have just taken off the embargo from the recreative religion furnished on Sundays by my gifted acquaintance and others, and when St. Martin's Hall ( iv ) and the Alhambra will soon be beginning again to resound with their pulpit-eloquence, it distresses one to think that the new lights should not only have, in general, a very low opinion of the preachers of the old religion, but that they should have it without knowing the best that these preachers can do. And that they are in this case is owing in part, certainty, to the negligence of the Christian Knowledge Society. In old times they used to print and spread abroad Bishop Wilson's Maxims of Piety and Christianity; the copy of this work which I use is one of their publications, bearing their imprint, and bound in the well-known brown calf which they made familiar to our childhood ; but the date of my copy is 1812. -
From “Counter‑Revolutionary Monuments” to “National Heritage”
Cahiers du monde russe Russie - Empire russe - Union soviétique et États indépendants 54/1-2 | 2013 L’expérience soviétique à son apogée - Culture et société des années Brežnev / Volume I From “counter‑revolutionary monuments” to “national heritage” The Preservation of Leningrad Churches, 1964‑1982 Des « monuments contre‑révolutionnaires » à « l’héritage national » : la préservation des églises de Leningrad, 1964‑1982 Catriona Kelly Electronic version URL: http://journals.openedition.org/monderusse/7928 DOI: 10.4000/monderusse.7928 ISSN: 1777-5388 Publisher Éditions de l’EHESS Printed version Date of publication: 1 January 2013 Number of pages: 131-165 ISBN: 9782713224386 ISSN: 1252-6576 Electronic reference Catriona Kelly, « From “counter‑revolutionary monuments” to “national heritage” », Cahiers du monde russe [Online], 54/1-2 | 2013, Online since 01 January 2016, Connection on 03 May 2019. URL : http:// journals.openedition.org/monderusse/7928 ; DOI : 10.4000/monderusse.7928 2011 CATRIONA KELLY FROM “COUNTER‑REVOLUTIONARY MONUMENTS” TO “NATIONAL HERITAGE” The Preservation of Leningrad Churches, 1964‑19821 On 2 July 1975, the Commission for the History, Preservation, and Restoration of Monuments at the Leningrad Section of the Union of Architects (LOSA) and the Union’s City Planning Commission held a meeting devoted to the proposed reconstruction of Haymarket Square (Sennaya ploshchad´), known from 1952 to 1992 as “Peace Square” (ploshchad´ Mira). The meeting, described in Russian as “extended” (rasshirennoe) was an event that, characterically for the times, called into question the division between “public” and “private.”2 It was unadvertised, and held in a place that was, technically, open only to members. Yet it was typical, at this period, for events held in the creative unions to be attended by the family 1. -
Culture and Anarchy
Culture and Anarchy Matthew Arnold Culture and Anarchy Table of Contents Culture and Anarchy................................................................................................................................................1 Matthew Arnold.............................................................................................................................................1 PREFACE......................................................................................................................................................1 INTRODUCTION.......................................................................................................................................12 CHAPTER I. SWEETNESS AND LIGHT.................................................................................................13 CHAPTER II. DOING AS ONE LIKES.....................................................................................................24 CHAPTER III. BARBARIANS, PHILISTINES, POPULACE..................................................................33 CHAPTER IV. HEBRAISM AND HELLENISM......................................................................................44 CHAPTER V. PORRO UNUM EST NECESSARIUM..............................................................................50 CHAPTER VI. OUR LIBERAL PRACTITIONERS..................................................................................57 CONCLUSION............................................................................................................................................70 -
Fiction and Literary Lawyers in Late Imperial Russia, 1864-1900
Writing Justice: Fiction and Literary Lawyers in Late Imperial Russia, 1864-1900 by Yanina V. Arnold A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Slavic Languages and Literatures) in the University of Michigan 2014 Doctoral Committee: Associate Professor Olga Y. Maiorova, Chair Associate Professor Herbert J. Eagle Associate Professor Sofya Khagi Professor Valerie A. Kivelson ACKNOWLEDGMENTS This dissertation could not have been written without the intellectual support, friendship, and encouragement of a number of my colleagues at the University of Michigan. I am endlessly grateful to my excellent dissertation advisers Olga Maiorova and Valerie Kivelson, who guided me—patiently and selflessly—throughout the long process of research and writing. They spent countless hours reading and commenting on my drafts. Their ability to see the scholarly value of my work, despite the imperfections of first drafts, transformed the dissertation process, exhausting at times, into an exciting intellectual journey. I particularly appreciated our long conversations about my research that we usually conducted over a cup of coffee or a meal. These informal meetings quickly transformed into the most invaluable part of my graduate training. They enriched me as a scholar and individual, provided me with the appropriate vocabulary to express my ideas, and shaped my research and ways of thinking about Russian culture, literature, and history. I could not have wished for better mentors. I also owe a special debt of thanks to the remaining members of my dissertation committee: Herbert Eagle and Sofya Khagi from the Department of Slavic Languages and Literatures. They have read my dissertation in its entirety, and provided a great number of fine and unexpected insights. -
Waiting for the Barbarians: the Magistrate's Identity in a Colonial
International Journal of Humanities and Social Science Vol. 3 No. 10 [Special Issue – May 2013] Waiting for the Barbarians: The Magistrate’s Identity in a Colonial Context Abdullah F. Al-Badarneh Department of English Jerash University P.O. Box 1929 Irbid City (Postal Code 21110), Jordan Abstract This paper puts into analysis the identity of the Magistrate in J. M. Coetzee’s Waiting for the Barbarians from a post-modern perspective. It warns against the terror of colonialism that yields unstable and confused identities such as that of the Magistrate. As the Magistrate spends a long time in the service of the Empire in the colony, his mode of thinking about colonization gets changed especially with the coming of the military Colonel Joll, who represents the aggression and violence of the colonizer. Living in such kind of conflict between his identification with the colonized and his loyalty to the Empire, the Magistrate’s self gets divided and fragmented. Alienation, lack of cultural belonging, and fragmentation are among the post-modern themes this paper analyzes in relation to the Magistrate’s identity. Loss and vagueness are anticipated by the Magistrate to identify the colonial figure in an atmosphere of mess and chaos. Key Words: Postmodernism, colonial identity, fragmentation, hyper-reality, assimilation, conflict, power relations. This article is ultimately dedicated to investigating the Magistrate as a post-modern identity living in a colonial context. The Magistrate establishes his identity in the novel as an intermediary figure between two opposing polemics: the colonizer and the colonized. Though he works for the colonizers and carries out their colonial duties in the unnamed colony, the Magistrate inconsistently appears sympathetic with the natives whom the colonizers usually describe as barbarian. -
The Lower Depths Is a Harrowing, Violent and Uncompromising Portrayal of the Human Sprit at Its Lowest Ebb, with Destitution and Death an Ever Present Spectre
Press Information finborough theatre ‘ The Steam Industry and the finborough theatre present THE LOWER DEPTHS SCENES FROM RUSSIAN LIFE by Maxim Gorky. The world premiere of a new version. Written and Directed by Phil Willmott. Designed by Nicky Bunch. Lighting by Hansjorg Schmidt. Costume Design by Nell Knudsen. Cast: Andrew Colley. James Folan. Victoria Gee. Richard Gofton. Dean Kelly. Scott Macbain. Olivia Macdonald. Ursula Mohan. Peter G Reed. Richard Sandells. Louise Shuttleworth. Neil Stewart. Charlie Watts. Recent productions of Maxim Gorky’s plays have sparked a resurgence of interest in the playwright and social reformer. The multi-award-winning Finborough Theatre now presents a rare opportunity to experience his undisputed masterpiece (“One of this century’s great seminal works” The Guardian) , opening on May 15 for a four week run. Set amongst the whores, alcoholics, cynics and dosshouse dreamers of a Russia on the brink of revolution, The Lower Depths is a harrowing, violent and uncompromising portrayal of the human sprit at its lowest ebb, with destitution and death an ever present spectre. Can this gang of misfits and losers find any nobility in their hand to mouth struggle for survival? With no easy answers, neat plot twists or satisfying resolution, this ruthless depiction of an underclass without hope shocked audiences in infamous Moscow, London and Berlin premieres. Over a hundred years later, it still feels searingly relevant whenever poverty drives ordinary people to addiction and despair… Director Phil Willmott makes his annual visit to the Finborough Theatre following his acclaimed productions of Loyalties and Trelawny of the ‘Wells’ . In 2006, he was awarded a Peter Brook Empty Space award for his productions of Euripides, Brecht, Sophocles and Shaw at The Scoop open-air amphitheatre on the South Bank. -
“T H E Touch O F Civilization”
Comparing American and Russian “T H E Internal TOU C H Colonization O F CIVILIZatiON” Steven Sabol “THE TOUCH OF CIVILIZATIOn” “THE TOUCH O F CIVILIZATIOn” Comparing American and Russian Internal Colonization Steven Sabol UNIVERSITY PRESS OF COLORADO Boulder © 2017 by University Press of Colorado Published by University Press of Colorado 5589 Arapahoe Avenue, Suite 206C Boulder, Colorado 80303 All rights reserved Printed in the United States of America The University Press of Colorado is a proud member of The Association of American University Presses. The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State University, Colorado State University, Fort Lewis College, Metropolitan State University of Denver, Regis University, University of Colorado, University of Northern Colorado, Utah State University, and Western State Colorado University. ∞ This paper meets the requirements of the ANSI/NISO Z39.48-1992 (Permanence of Paper). ISBN: 978-1-60732-549-9 (cloth) ISBN: 978-1-60732-550-5 (ebook) Library of Congress Cataloging-in-Publication Data Names: Sabol, Steven, author. Title: The touch of civilization : comparing American and Russian internal colonization / Steve Sabol. Description: Boulder, Colorado : University Press of Colorado, [2017] | Includes bibliographical references and index. Identifiers: LCCN 2016036164 | ISBN 9781607325499 (cloth) | ISBN 9781607325505 (ebook) Subjects: LCSH: Comparative civilization. | Imperialism—History. | United States—Territorial expansion. | Russia—Territorial expansion. | Collective memory—Russia. | Collective memory—United States. | Dakota Indians—History. | Kazakhs—History. Classification: LCC CB451 .S23 2016 | DDC 909—dc23 LC record available at https://lccn.loc.gov/2016036164 An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. -
The Search for Wholeness in J.M. Coetzee's in the Heart of The
Grand Valley State University ScholarWorks@GVSU Masters Theses Graduate Research and Creative Practice 2009 The eS arch for Wholeness in J.M. Coetzee's In the Heart of the Country, Waiting for the Barbarians, and Disgrace Joanna Buboltz Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/theses Recommended Citation Buboltz, Joanna, "The eS arch for Wholeness in J.M. Coetzee's In the Heart of the Country, Waiting for the Barbarians, and Disgrace" (2009). Masters Theses. 699. http://scholarworks.gvsu.edu/theses/699 This Thesis is brought to you for free and open access by the Graduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. THE SEARCH FOR WHOLENESS IN J.M. COETZEE’S IN THE HEART OE THE COUNTRY, WAITING EOR THE BARBARIANS, AND DISGRACE Joanna Buboltz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts at Grand Valley State University 2009 © Copyright by Joanna Buboltz 2009 THE SEARCH FOR WHOLENESS IN J.M. COETZEE’S IN THE HEART OF THE COUNTRY, WAITING FOR THE BARBARIANS, AND DISGRACE Joanna Buboltz, M.A. Grand Valley State University, 2009 Abstract: Literary critics of South African writer J.M. Coetzee’s novels have examined multiple aspects of the writer’s works, including his linguistic strategies, allegorical features, and depictions of native characters. This thesis attempts to fill a hole in the literary discussion by examining the identities of the main white characters of three of Coetzee’s novels; In the Heart of the Country, Waiting for the Barbarians, and Disgrace. -
Russia's Revolution
Advance Praise for Russia’S Revolution “Leon Aron is one of our very best witnesses to, and analysts of, the new Russia. His collected essays track two decades of the changes within Russia itself and in Russian and Western opinion of them. But they also present a consistent Aron voice that deserves to be heard— judicious, broad (as much at home in literature or the restaurant scene as in arms control or privatization), sanely optimistic, and invariably rendered in graceful yet unpretentious prose.” —TIMOTHY J. COLTON, professor of government and director, Davis Center for Russian and Eurasian Studies, Harvard University “Leon Aron stands out among the West’s top Russia experts as a per- son with a 360-degree vision. He is a political scientist, sociologist, and historian, endowed with a keen understanding of the Russian economy and a passion for Russian literature and the arts. This book is a testimony to his unique breadth, which allows the reader to see ever-changing Russia as an integrated whole.” —DMITRI TRENIN, senior associate and deputy director of the Carnegie Endowment for International Peace’s Moscow Center “In a series of essays that range from the war in Chechnya to the res- taurant scene in the new Moscow, Leon Aron proves himself to be an exceptional guide to Russia’s transformation. His essays are sharp, opinionated, at times provocative, and always a good read. They emphasize the progress that Russia has made despite the ups and downs of the last fifteen years and remind us that Russia’s revolution is far from finished.” —TIMOTHY FRYE, professor of political science, Columbia University RUSSIA’S REVOLUTION RUSSIA’S REVOLUTION Essays 1989–2006 Leon Aron The AEI Press Publisher for the American Enterprise Institute WASHINGTON, D.C. -
Maxim Gorky: a Political Biography
MAXIM GORKY: A POLITICAL BIOGRAPHY TOVAH YEDLIN PRAEGER MAXIM GORKY MAXIM GORKY A POLITICAL BIOGRAPHY TOVAH YEDLIN Library of Congress Cataloging-in-Publication Data Yedlin, Tova. Maxim Gorky : a political biography / Tovah Yedlin. p. cm. Includes bibliographical references and index. ISBN 0–275–96605–4 (alk. paper) 1. Gorky, Maksim, 1868–1936—Political and social views. 2. Gorky, Maksim, 1868–1936. 3. Authors, Russian—20th century Biography. 4. Communism and literature—Soviet Union. I. Title. PG3465.Z9P699 1999 891.78'309—dc21 [B] 99–14383 British Library Cataloguing in Publication Data is available. Copyright ᭧ 1999 by Tovah Yedlin All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 99–14383 ISBN: 0–275–96605–4 First published in 1999 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Copyright Acknowledgments The author and publisher gratefully acknowledge permission for use of the following material: From ‘‘The Letters of Maksim Gor’kij to V. F. Xodasevicˇ, 1922–1925,’’ translated and edited by Hugh McLean in Harvard Slavic Studies, vol. I. Copyright ᭧ 1953 by the President and Fellows of Harvard College. Reprinted by permission of Harvard University Press. TO MISHA in loving memory. CONTENTS Acknowledgments ix Introduction xi Chapter 1. Gorky—The Formative Years 1 Chapter 2. -
The Gulag and Laogai: a Comparative Study of Forced Labor Through Camp Literature
The GULag and Laogai: A Comparative Study of Forced Labor through Camp Literature Distribution of this item is restricted to members of the University of Virginia community. APA Citation: Stepanic, S.(2012). The GULag and Laogai: A Comparative Study of Forced Labor through Camp Literature. Retrieved from http://libra.virginia.edu/catalog/libra-oa:5795 Accessed: October 12, 2015 Permanent URL: http://libra.virginia.edu/catalog/libra-oa:5795 Keywords: Terms: This article was downloaded from the University of Virginia’s Libra institutional repository, and is made available under the terms and conditions applicable as set forth at http://libra.virginia.edu/terms (Article begins on next page) MonJe:. """"" ~ ('111, "",,,,,11<. VA UJ. I'hi'~. St. Vonmo CoIka<. 200~ M An If;~. So. V"'«'"- Colq.. !WI Mlo St.,,, l-""i__ an.! 1._ ...... ~"h<nl') of \. "1'"'"- lOO$ ( ......", •• 0..-: I>' u.."." ToIcl)' 11<_, 111'. ~ .... U,,""" _. 1)0 Marl. U.... _; Dr R<>noW [~ ..... J. Di~ 1""...-1., "'" (~ I....,' 0)( ..... l'o;'mrtl of\l'11i"~ in C..J'""") ~~ "'" r~ of 00< •• of I'h,~. '" M... .,. of A"" Of M-. ofSo:.<n.:. Of ,_<>fF"_ An, I Abstract This is the first comparative study ever undertaken in an investigation of the history of forced labor in the Soviet Union and China. It makes no claims to be exhaustive, and serves mainly as a foundation to further work in this subject in the near future. Various historical works and documents have been utilized to create, firstly, an acceptable overview of the history of the practice of forced labor in both countries, followed by a short history of so-called ‘camp literature’, or memoirs written by survivors of forced labor, generally speaking. -
Chelkash and Other Stories
Chelkash and Other Stories Maksim Gorky Chelkash and Other Stories Table of Contents Chelkash and Other Stories.....................................................................................................................................1 Maksim Gorky...............................................................................................................................................1 Birth of A Man..............................................................................................................................................1 Cain and Artyom...........................................................................................................................................9 Chelkash......................................................................................................................................................34 II..................................................................................................................................................................42 III.................................................................................................................................................................51 Creatures that once were men.....................................................................................................................57 II..................................................................................................................................................................75 Evil−Doers................................................................................................................................................101