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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:09 Oliver Host Every episode we invite a guest to join us to talk about a heat rock, AKA an album that sizzles, but today we are going multimedia with a new series where we talk about music and movies. We’re calling it Music and Popcorn—shout-out to Morgan for coming up with that— and we’re kicking it off by taking a trip up north to the Santa Cruz boardwalk, and taking a creepy escalator down into Jordan Peele’s 2019 film, Us. 00:00:35 Music Music “I Got 5 On It (Tethered Mix)” off the album I Got 5 On It by Luniz. Slow, somewhat eerie instrumentals and vocalizations. 00:00:55 Oliver Host If someone in 2016 had asked for your opinion about Jordan Peele, you might be forgiven if you had first asked, “Wait, was he the tall guy or the short guy from Key and Peele?” [Morgan laughs.] Prior to his breakout debut film, Get Out, Peele was best known for his comedy skits, alongside partner Keegan Michael Key. But with Get Out, Peele showcased all manner of talents as a screenwriter and director by crafting one of the most lauded horror-slash-thriller films in recent years. In 2019, Peele was back with Us, a dark and at times darkly funny meditation on race, class, and equality, and the lethal shortcomings of voice-activated smart devices. -
Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Juwelen Hunger in Der Nacht Tschüss, Hochschulstadion!
Ausgabe 11 Februar 2009 gratis Cover Contest Winner Kron(e)juwelen Hunger in der Nacht Tschüss, Hochschulstadion! Mode made in Darmstadt Hörspiel mit Tornado Stoolgang Veranstaltungskalender Stadtkulturmagazin INHALTLICH_ 03 Hallo Darmstadt. Es mit Wohlwollen neckend und mit anarchischem Heiner-Witz hinterfragend stand er auch dem P gegen- über. Ohne ihn wüssten wir zum Beispiel nicht, dass die Darmstädter Trinkhallen lokalidiomatisch „Ständ- sche“ heißen. Schlecht fand er das P nicht, glauben wir. Eher gut. Aber was sind das für Banalitäten, wenn man bedenkt, was der am 30. Dezember 2008 verstorbene „Krone“-Papa Peter Gleichauf seit (mindestens) 1975 für diese unsere Beamtenstadt bedeutet. Gemeinsam mit seinem Freund, Kompangnon und Bruder im Geiste Tili Wenger sowie dem ebenso einzigartigen „Krone“-Türsteher und Sänger Fred Hill, beide im Jahr 2004 gestorben. Man könnte sie Kulturrevolutionäre nennen. Aber keine Sorge. Das gibt jetzt hier keinen (weiteren) Nachruf auf die Darmstädter Fab Three. Den möchten wir nicht schreiben. Da würde einfach immer etwas fehlen. Wir wollen, dass IHR ALLE das macht, liebe P- Leser! Wir wollen Eure „Krone“-Erlebnisse, Eure persönlichen Erinnerungen an Peter, Tili und Fred (und all‘ die anderen), Eure Höhenflüge und Eure Abstürze in Darmstadts erstem Multi-Media-(Kultur-)Haus. Schickt sie uns einfach per E-Mail (an: [email protected]) oder genauso gerne auch als Brief per Post (an: P-Verlag, Schleiermacherstraße 21, 64283 Darmstadt). Die besten drucken wir dann auszugsweise in der nächsten Ausgabe ab. Das P schaut aber auch in die Zukunft der „Krone“. Und es gibt gute Neuigkeiten! Wel- che, erfahrt Ihr auf den Seiten 12 + 13. Ach ja, noch ein Satz zur Hessen-Neuwahl: Lasst uns dieses surreale Geschehnis bitte einfach ignorieren. -
Durabteilung Beginn Auf 1, Eventuell Zweite Molltonika
Vier unterschiedliche Stufen Durabteilung Beginn auf 1, eventuell zweite Molltonika 1234 Parallelprogression Ärzte, Die: Himmelblau (S, G), Beatles, The: Here there and everywhere (S), Culcha Candela: Hamma! (S), Cure, The: Boys don't cry (S, R), Billy Joel: Uptown girl (S 123[45]), Juanes: La camisa negra (R), Mark Forster: Bauch und Kopf (R 123/74) 1235 (Parallelprogression), 1236 (Parallelprogression), 1243 1245 7 Years Bad Luck (Punkrock): A plain guide (to happiness) (I), Aerger (Deutschpop): Kleine Schwester (I, R) Vanessa Amorosi (Bravopop): Shine (R), Tina Arena (Cover): Show me heaven (R), Bachman Turner Overdrive: Hey you (R), Jennifer Brown: Naked (I, R), Joe Cocker: No ordinary world (R), Jude Cole: Madison (S, R), Corrs, The: All the love in the world (S), Counting Crows: Rain king (R), Nelly Furtado: In god’s hands (R), Faith Hill: Breathe (R), Gewohnheitstrinker (Punk): High Society (R), Michael Jackson: My girl (B), Jack Johnson: Upside down (R), Labrinth feat. Emeli Sandé (Reggae): Beneath your beautiful (T), Fady Maalouf (Bravopop): Blessed (Rf), Maroon 5 (Alternativepop): Won’t go home without you (R11224511), Amanda Marshall: Fall from Grace (I, S, R), Don McLean: Vincent (S), Melanie C: If that were me (S, R), Metro Station (Bravopop): Shake it (B), Alanis Morissette: Ur (T), Nena: 99 Luftballons (S, R), Laura Pausini: Il mio sbaglio più grande (I, S, R), Katy Perry: Thinking of you (R bzw. 124-4), Reamon: Josephine (I, S), Reel Big Fish (Skarock): Somebody hates me (Rf), Sell out (I, S, Z1), Savage Garden: I knew -
Ralph Waldo Emerson and the Ever-Evolving Art of Self
RALPH WALDO EMERSON AND THE EVER-EVOLVING ART OF SELF-RELIANT READING BY THEODORE REND BARTON A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December 2012 Winston-Salem, North Carolina Approved by: Eric Wilson, Ph.D., Advisor Barry Maine, Ph.D., Chair Omaar Hena, Ph.D. My efforts and their results are dedicated to my grandmothers Irene Sauban and Jeanne Barton whose lives demonstrated the magnanimous effects of constant reading, and also to my brother William Barton who never hesitates to read from the text of the world. ii ACKNOWLEDGEMENTS This project and I are indebted to innumerable people for their love, support, and patience. I will always have indefatigable gratitude for my time with Eric Wilson, and for his indelible influence on my intellectual development while at Wake Forest University and in London. It must be rare that a graduate student is given the opportunity to study with a mentor whom he truly admires and looks up to, and I am cognizant of how lucky I’ve been. Similarly, it’s difficult to express the extent of my appreciation for Omaar Hena, but it’s clear that Wake is unbelievably lucky to employ him for what is certain to be a ground breaking and distinguished career in post-colonial studies. I also must thank my Cal. State professors Chad Luck, Margaret Doane, Cynthia Cotter, and Julie Sophia Paegle for preparing me for the rigors of graduate school and for their encouragement. -
Qmusic Top500 90S-Top10-Geheim
2021 2020 2019 TITEL ARTIEST JAAR 1 ? ? ? ? 2 ? ? ? ? 3 ? ? ? ? 4 ? ? ? ? 5 ? ? ? ? 6 ? ? ? ? 7 ? ? ? ? 8 ? ? ? ? 9 ? ? ? ? 10 ? ? ? ? 11 18 BABY ONE MORE TIME BRITNEY SPEARS 1999 12 11 NOVEMBER RAIN GUNS N’ ROSES 1991 13 31 WE’RE GOING TO IBIZA VENGABOYS 1999 14 10 HET IS EEN NACHT GUUS MEEUWIS 1995 15 25 LUV U MORE PAUL ELSTAK 1995 16 14 SMELLS LIKE TEEN SPIRIT NIRVANA 1991 17 15 TOEN IK JE ZAG HERO 1997 18 22 BOOM BOOM BOOM BOOM VENGABOYS 1998 19 24 THUNDERSTRUCK AC/DC 1990 20 16 BLUE (DA BA DEE) EIFFEL 65 1999 21 21 NOTHING ELSE MATTERS METALLICA 1992 22 12 SEX ON THE BEACH T-SPOON 1997 23 36 ZOMBIE CRANBERRIES 1994 24 20 BARBIE GIRL AQUA 1997 25 27 MY HEART WILL GO ON CELINE DION 1998 26 7 NOBODY’S WIFE ANOUK 1998 27 23 IK LEEF NIET MEER VOOR JOU MARCO BORSATO 1996 28 40 WHO WANTS TO LIVE FOREVER QUEEN 1986 29 37 ADEMNOOD LINDA, ROOS & JESSICA 1995 30 28 CHILDREN OF THE NIGHT NAKATOMI 1996 31 30 HARDER DAN IK HEBBEN KAN BLOF 1999 32 46 EVERYBODY (BACKSTREET’S BACK) BACKSTREET BOYS 1997 33 33 STIL IN MIJ VAN DIK HOUT 1994 34 32 I WILL ALWAYS LOVE YOU WHITNEY HOUSTON 1992 35 26 SUMMER OF ‘69 BRYAN ADAMS 1984 36 35 KLEINE JONGEN ANDRE HAZES 1990 37 19 DON’T SPEAK NO DOUBT 1997 38 42 GABBERTJE HAKKUHBAR 1996 39 29 BLACK OR WHITE MICHAEL JACKSON 1991 40 39 ‘T DONDERT EN ‘T BLIKSEMT GUUS MEEUWIS 1998 41 38 AS LONG AS YOU LOVE ME BACKSTREET BOYS 1997 42 58 NO LIMIT 2 UNLIMITED 1993 43 43 YOU’LL BE IN MY HEART PHIL COLLINS 1999 44 51 HARDCORE FEELINGS CHARLY LOWNOISE & MENTAL THEO 1996 45 45 BED OF ROSES BON JOVI 1993 46 74 TARZAN AND JANE TOYBOX 1999 47 50 KNOCKIN’ ON HEAVEN’S DOOR GUNS N’ ROSES 1992 48 49 DROMEN ZIJN BEDROG MARCO BORSATO 1994 49 54 CIRCLE OF LIFE ELTON JOHN 1994 50 34 AQUARIUS PARTY ANIMALS 1996 51 41 IRONIC ALANIS MORISSETTE 1996 52 75 ALL I WANT FOR CHRISTMAS IS YOU MARIAH CAREY 1994 53 48 MY NAME IS EMINEM 1999 54 67 WE LIKE TO PARTY VENGABOYS 1998 55 76 I’D DO ANYTHING FOR LOVE (BUT I WON’T DO THAT) MEAT LOAF 1993 56 79 FRIENDS SCOOTER 1995 57 63 LOSING MY RELIGION R.E.M. -
Discolaf-Hitliste 1998-16 Nach Besucherwünschen)
Single Top 50 (DiscOlaf-Hitliste 1998-16 nach Besucherwünschen) 01 Celine Dion: My Heart Will Go On 02 Aqua: My Oh My 03 Madonna: Frozen 04 Basis: Ich liebe mich 05 Backstreet Boys: All I Have To Give 06 Spice Girls: Stop 07 Groove Gangsters: Funky Beats 08 Natalie Imbruglia: Torn 09 Kai Tracid: Your Own Reality 10 Young Deenay: Walk On By 11 N.Y.C.C.: Fight For Your Right (To Party) 12 N-Trance feat. Rod Stewart: Do Ya Think I’m Sexy? 13 Janet Jackson: Together Again 14 Spektacoolär: Du bist abgehau’n 15 Guildo Horn & …: Guildo hat Euch lieb 16 Talla vs. Taucher: Together 17 Will Smith: Gettin’ Jiggy Wit It 18 Modern Talking: You’re My Heart, You’re My Soul 19 The Boyz: One Minute 20 Aqua: Doctor Jones 21 Run DMC vs. Jason Nevins: It’s Like That 22 Bamboo: Bamboogie 23 PUR: Der Dumme 24 Culture Beat: Pay No Mind 25 Five: When The Lights Go Out 26 Jungle Kids: Back To The Jungle 27 Espen Lind: When Susannah Cries 28 *NSYNC: Together Again 29 Solid Harmonie: I’ll Be There For You 30 Koala: Australia 31 All Saints: Never Ever 32 Kosmonova: Take Me Away 33 Era: Ameno 34 Five: Slam Dunk (Da Funk) 35 Westbam: Crash Course 36 666: Alarma! 37 Guano Apes: Open Your Eyes 38 Dru Hill: In My Bed 39 Sweetbox: Everything’s Gonna Be Alright 40 Midge Ure: Breathe 41 Flip Da Scrip: I Never Told You 42 C-Block: Eternal Grace 43 2 Unlimited: Wanna Get Up 44 Die Toten Hosen: Pushed Again 45 Aqua: Barbie Girl 46 Jay-Z feat. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "Demand Side Factors." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 98–122. Bloomsbury Collections. Web. 24 Sep. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 24 September 2021, 02:29 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 7 Demand Side Factors emand side explanations fall into three categories: Articulation and the Culture of Display; Hero Worship and Narcissistic Idealization; Religion, and its Decline in the West. All three identify celebrity as the response to the recognition of some sort of emotional defi cit in personal relationships and public life. Thus, briefl y, Articulation Dand the Culture of Display arise from the demand for social acknowledgement; Hero Worship and Narcissistic Idealization are rooted in a lack of self-esteem; and Religion, and its Decline in the West, refers to the erosion of organized religion and the collapse of conjoining moral integrity that provides a coherent sense of stability and order. 1 Supply-based accounts of celebrity infl ation highlight the issues of leadership and manipulation. They provide a top-down perspective that portrays the enlargement of celebrity to be the result of the combination of the acquisitive motives of celebrity impresarios, the gigantic expansion of channels of communication, especially print, fi lm, cable and satellite and the avaricious business interests of corporations. The PR-Media hub is analysed as the gatekeeper, employed by cultural impresarios and business executives, to ration exposure and stoke the fi res of public interest. -
Qmusic Top500vd90s 2016.Pdf
POS 2016 POS 2015 Titel Artiest 1 1 Rainbow In The Sky PAUL ELSTAK 2 2 Wannabe SPICE GIRLS 3 5 Wonderful Days CHARLY LOWNOISE & MENTAL THEO 4 6 I Want It That Way BACKSTREET BOYS 5 24 Captain Jack CAPTAIN JACK 6 8 Het Regent Zonnestralen ACDA & DE MUNNIK 7 15 Have You Ever Been Mellow PARTY ANIMALS 8 4 Angels ROBBIE WILLIAMS 9 57 We're Going To Ibiza VENGABOYS 10 23 My Heart Will Go On CELINE DION 11 49 No Limit 2 UNLIMITED 12 3 Wonderwall OASIS 13 13 Everybody (Backstreet's Back) BACKSTREET BOYS 14 11 November Rain GUNS N' ROSES 15 34 Hardcore Vibes DUNE 16 29 Het Is Een Nacht GUUS MEEUWIS 17 9 Smells Like Teen Spirit NIRVANA 18 38 Blue (Da Ba Dee) EIFFEL 65 19 47 Baby One More Time BRITNEY SPEARS 20 14 One U2 21 27 Luv U More PAUL ELSTAK 22 21 Nothing Else Matters METALLICA 23 10 Boom Boom Boom Boom VENGABOYS 24 28 Nobody's Wife ANOUK 25 25 As Long As You Love Me BACKSTREET BOYS 26 16 Thunderstruck AC/DC 27 40 Dreams (Will Come Alive) 2 BROTHERS ON THE 4TH FLOOR 28 7 Narcotic LIQUIDO 29 17 Barbie Girl AQUA 30 44 Summer Of '69 BRYAN ADAMS 31 12 Friends SCOOTER 32 356 Toen Ik Je Zag HERO 33 86 Sex On The Beach T-SPOON 34 77 Don't Speak NO DOUBT 35 20 Children Of The Night NAKATOMI 36 45 I Will Always Love You WHITNEY HOUSTON 37 95 Ik Leef Niet Meer Voor Jou MARCO BORSATO 38 26 They Don't Care About Us MICHAEL JACKSON 39 18 Iris GOO GOO DOLLS 40 54 'T Dondert En 'T Bliksemt GUUS MEEUWIS 41 39 I Don't Want To Miss A Thing AEROSMITH 42 89 Aquarius PARTY ANIMALS 43 102 Kleine Jongen ANDRE HAZES 44 90 Gangsta's Paradise COOLIO 45 75 You'll Be In My Heart PHIL COLLINS 46 22 Never Alone 2 BROTHERS ON THE 4TH FLOOR 47 67 Stil In Mij VAN DIK HOUT 48 112 Stars CHARLY LOWNOISE & MENTAL THEO 49 35 Losing My Religion R.E.M.