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{PDF EPUB} Primetime Propaganda the True Hollywood Story of How the Left Took Over Your TV by Ben Shapiro Primetime Propaganda
Read Ebook {PDF EPUB} Primetime Propaganda The True Hollywood Story of How the Left Took Over Your TV by Ben Shapiro Primetime Propaganda. Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV is a 2011 book by conservative political commentator Ben Shapiro. In it he argues that producers, executives and writers in the entertainment industry are using television to promote a socialist political agenda. Contents. Content Interview techniques Reception See also References. Content. As one part of the evidence, Shapiro presents statements from taped interviews made by celebrities and TV show creators from Hollywood whom he interviewed for the book. The book include quotes from, among others, the co-creator of Friends , Marta Kauffman, and the creator of Soap and the Golden Girls , Susan Harris. Another argument is that conservatives are shunned in the industry. [1] For example, Vin Di Bona, a producer responsible for many hit television shows, agreed during an interview with Shapiro that Hollywood promotes a liberal political agenda, commenting, "I'm happy about it, actually." Di Bona also said that MacGyver , the cult hit show on which he was a producer, promoted an anti-gun movement position, as the character of MacGyver does not use a gun, but rather his own intelligence. People involved with television shows M*A*S*H and Happy Days told Shapiro that they possessed pacifistic and anti-Vietnam War agendas. [2] Another example is the television show Sesame Street which is accused of deliberately spreading left-wing propaganda to children. [3] Producer Leonard Goldberg stated to Shapiro that in the industry liberalism is "100 percent dominant, and anyone who denies it is kidding, or not telling the truth", and when Shapiro asked if politics are a barrier to entry replied, "Absolutely". -
"VOICJE SEPTEMBER 12, 1975 25C VOL
"VOICJE SEPTEMBER 12, 1975 25c VOL. XVII N0.27 •fc THIS SUNDAY 1st U.S. native to be canonized VATICAN CITY — (NC) — The 15,000 American ticketholders to Mother Elizabeth Seton's canonization Sept. 14 found a special edition of the Vatican newspaper L'Osservatore Romano devoted principally to her, as the first native-born citizen of the United States to be declared a saint. The front page of L'Osservatore Romano's weekly English edition featured a photo of the new saint, a five-day schedule of events and ceremonies, and an account of the canonization itself. A biography of her filled the centerfold. FATHER LAMBERT GREENAN, the Irish Dominican who edits the worldwide English-language weekly, observed: "While it Masses to mark Canonization Many churches throughout the Archdiocese of Miami will observe the canonization of Mother Elizabeth Ann Seton this Sunday. Special Pontifical Mass honoring the first U.S. born saint will be celebrated by Archbishop Coleman F. Carroll at 11 a.m. Sunday Sept. 14, in the Cathedral of St. Mary, 7525 N.W. 2nd. Avenue. is true that Mother Seton's canonization is of greatest interest in America, it is important to the English-speaking world at large." Reserved sections in St. Peter's Square for the 9:30 a.m. ceremonies on Sunday Sept. 14, were set aside for ticketholders, mainly American. The rest of the huge square was left for the St. Elizabeth Seton, the first U.S.-born saint, is depicted by Sister Laura Bench of Seton Hill College. throngs of Romans, the hundreds of pilgrims from the north Italian The canonization will take place Sunday, Sept. -
Cash Box N.Y
August 19. 1978 E-45519. A NEW SINGLE FROM HER FORTHCOMING - ALBUM:Il>i#l^ ### tii€> USA ( 6 E 1 5 5 ) — 14 — August 19, 197 I VOLUME XL NUMBER i^^^N^ERNATIONA^MUSIC^iECORCMWEEKU^ C4SHBCK GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT President and General Manager Flesh And Blood Vice STAN MONTEIRO of Marketing is Director It’s not just a piece of vinyl — it’s flesh and blood. outlet for an artist, although profit intended and DAVE FULTON With the abundance of records being produced expected. Editor In Chief and distributed these days, there is a detachment Physically, a record album is almost always black J.B. CARMICLE between the artistic endeavors and the sale of the and reveals little about what is imprinted in its General Manager, East Coast actual product. People are quick to label a slow- grooves. But many people invested part of them- JIM FOLLIS. Account Executive, West Coast selling album or little-programmed single as stiffs. selves in this effort to be recorded, manufactured East Coast Editorial KEN TERRY. Easf Coast Editor But someone believed in that record or it would not and sold. Songwriters, musicians, engineers, CHARLES PAIKERT LEO SACKS have been produced. producers and many others are necessary for this AARON FUCHS All kinds of music are not for all kinds of people. fantastic creative process to unfold. West Coast Editorial work and sometimes they ALAN SUTTON. West Coast Editor Some albums do reach a broader base, and conse- Sometimes records RANDY LEWIS should not don’t, but in every case there are throbbing minds JEFF CROSSAN quently sales rise accordingly. -
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 from the DIRECTOR
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 FROM THE DIRECTOR The year 2015 marks the 50th anniversary of UCLA Film & Television Archive In the comedy department, we are proud to be able to present the latest and so we are doubly proud to put on our biennial Festival of Preservation results in our ongoing effort to preserve the legacy of Laurel & Hardy, includ- (FOP) to kick off a series of anniversary-related events that will run through- ing the shorts, The Midnight Patrol (1933), and The Music Box (1932). We are out the year. As director of UCLA Film & Television Archive, I’m happy to also screening a new preservation of the comedy hit of last year’s Cinefest in introduce the 17th iteration of our FOP, which again reflects the broad and Syracuse, Bachelor’s Affairs (1932), a pre-Code gem, starring Adolphe Menjou deep efforts of the Archive to preserve and restore our national moving image as a die-hard bachelor who is felled by a ditzy blonde bombshell. heritage. And while the rest of the world has seemingly made the transition to As is standard operating practice, given our close working relationship with a 100 percent digital environment, the Archive is still committed to preserving the Film Noir Foundation, we have again preserved a number of rare and films on film, while we still can, even if our theater will increasingly be project- interesting film noirs, including Too Late for Tears (1949), starring Lizabeth Scott ing digital material. -
Catalogue Affiches.Xlsx
Catalogue des affiches Titre Acteurs Réalisateur Affichiste Imprimeur Genre Format An Etat Prix 077 Intrigue à Lisbonne Brett Halsey Jeanne Valerie Tulio Demicheli Ano Sans Imprimeur Espionnage Belge 1965 A 10 077 intrigue Lisbonne Brett Halsey Marilu Tolo Tulio Demicheli Belinsky Gaillard Espionnage 120 X 160 1965 C 10 101 dalmatiens (les) Glenn Close Stephen Herek Ano Affiche EuropéenneComédie 120 X 160 1996 A 23 12 salopards Ernest Borgnine Lee Marvin Robert Aldrich Ano Lalande Courbet Guerre 120 X 160 1967 A 15 12 travaux d'Astérix (les) . Goscinny et Uderzot Ude. et G. Lalande Courbet Dessin animé 60 X 80 1976 B 23 125 rue Montmartre Andrea Parisy Lino Ventura Gilles Grangier Yves Thos Gaillard Policier 120 X 160 1959 B 40 1er mai Yves Montand Nicole Berger Luis Saslavsky Allard Cinémato Comédie 120 X 160 1957 C 40 2 corniauds en folie Franco Franchi Ciccio Ingrassia Marcello Ciorciolini Faugere G.L.F. Comédie 60 X 80 1967 A 10 2 corniauds en folie Ciccio Ingrassia Franco Franchi Marcello Ciorciolini Faugere G.L.F. Comédie 120 X 160 1967 B 15 2 gamins (les) Joselito Antonio Del Amo Ok Loy Atelier Lalande Comédie dramatiqu120 X 160 1960 A 30 2 intrépides du Karaté (les) Khen Sing Wang Yu Yuch Fung Belinsky Lalande Courbet Arts martiaux 120 X 160 1973 A 10 2 millions de dollars aux CaraïbesRaul Julia Fred Ward Mike Hodges Ano Lalande Courbet Aventure 120 X 160 1987 A 23 2 missionnaires (les) Bud Spencer Terence Hill Franco Rossi Ano Lalande Courbet Action 120 X 160 1974 B 20 2 monsieur de madame (les) Jean Paredes Arlette Poirier Robert -
Xmn MAG TRADE NEWS Broadcasting Only One Aspect of New Policies; Film Policy in April OTTAWA - It Wasn't Exactly Tober National Strategy Has from Second Place
xmn MAG TRADE NEWS Broadcasting only one aspect of new policies; film policy in April OTTAWA - It wasn't exactly tober national strategy has from second place. A consul become firm policies of the Canadian television pro the comprehensive strategy resulted in a far greater role for tative review, the strategy Broadcasting Stra(eg\' for grams ; the reinforcement of that had been expected, but at the private Canadian produc says, is underway on the role Canada.' These up-coming equalized broadcasting ser least it was a start when on tion sector ; "It is essential that of the CBC "and will conti eight thrusts are ; further en vices throughout the coun Mar. 1, Communications min Canadian entrepreneurs be nue over the coming months." couragement to the private try ; a response to the needs ister Francis Fox unveiled able to move quickly and de- The four policy measures sector, primarily the cable of native people , a more flex the cabinet-approved "Towards cisely to seize the opportunities announced in the March stra and related high-technology ible regulatory environment : a new national broadcasting created by the... new environ tegy "constitute the first cru industries : enhancement and revisions to the legislative policy," ment." cial steps." The next eight extension of French-language framework ; and strengthen The 20-page document draws As encouragement, the broad steps are "now at the cpnsul- broadcasting; the establish ing of the performance of the heavily upon the original casting strategy announces the tation stage and as modified ment of a framework for the public broadcasting system. broadcasting strategy leaked creation of the Canadian Broad through public debate, will.. -
Broadcasting O Ar
Getting ready for NATPE: Programing's biggest aspidistra of them all The newsweekly of broadcasting arts o Broadcastingand allied ar)ur 48th Year 1979 n ''THE LIST: - Woody Allen, Tim Conway, Peter Falk, Goldie Hawn, Carroll O'Connor, Frank Sinatra (continued on pages 48 and 49) The Dean averaged a 37% share for his entire nine network seasons. The Best of Dean Martin. 100 very funny half- hours. Ready to strip starting Fall 1979. m CA ..,urce: Nil, subject to survey limitations. NAIPE Hospitality Suite, Penthouse, 26th Floo "SLEUTH" 4 Academy Award nominations! "Totally engrossing entertainment...the kind of mystery we keep saying they don't make anymore." -CHICAGO SUN -TIMES "THE STEPFORD WIVES" 43% network share! "I can promise you an eerie, spine tingling good shiver down the spine. " -NY DAILY NEWS We,01011.ucte Q "JENNY" OR. "Marto Thomas and Alan Alda are first -rate." G`pvi - CHICAGO SUN -TIMES at' "A warm, touching, funny movie...Miss Thomas is remarkably gifted." -NEW YORK MAGAZINE AN ALL -NEW GROUP! 25 movies that are all first -run for syndication. "THE HEARTBREAK KID" "An unequivocal hit -a first-class American comedy, as startling in its way as was 36% AVERAGE The Graduate.' " -THE NEW YORK TIMES NETWORK SHARE! Very competitive when compared with other current releases: Avg. Share Viacom Features VI 36% MCA Champagne Movies 36% Paramount Portfolio 8 32% United Artists Showcase 10 31% (NTI. Weighted average shares for premiere showing of all movies that have appeared on prime -time network television.) LONG RUNNING! All 25 movies suitable for 2 -hour "THE MISSILES OF OCTOBER" or longer time slots. -
TWO LOUIES, Rocktober 2004 Y the End of 1983, Change Was in the Hits Kept Coming
Page 2 - TWO LOUIES, Rocktober 2004 y the end of 1983, change was in the hits kept coming. wind for the Portland music scene. By the dawn of 1984, Greg Sage and the Near Christmas, Billy Rancher and Wipers’ Restless Records release Over Th e Edge, the UnrealB Gods, having signed a contract with had become a certifi able underground hit. Richard Clive Davis and Arista Records— amidst much Burdell, along with guitarist Tod Carver, both late hoopla and snickering from local wags (who either of Cruise Control, were nearing an independent proclaimed Portland to be the next Liverpool or deal for their funk/rock band Silent Treatment. an absolute pawn to the whims of an ever more Cruise Control was more of a funk/jazz powerful corporate music industry. In retrospect, ensemble, featuring Carver and Bur- both views had validity), fl ew to LA to record a dell along with bassist Lester McFar- four song demo for Arista. land and drummer Bruce Carter It was on his return trip to LA, to record (formerly of Pleasure, later of his lead vocal tracks for the demos, that Billy felt Cool‘r). Silent Treatment the a lump in his chest. His lymphatic cancer had rockier vehicle for Carver returned. He had just signed a six-album deal and Burdell, featured Kit with Arista, guaranteeing $500,000 upfront for Carlson (of Wise Guy) the fi rst recording. Th is was not Billy’s fi rst bout on bass and Brian with cancer. Th ree years earlier, while still with Clarke of Nimble the Malchicks, Billy had radical cancer surgery for Darts on drums. -
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 from the DIRECTOR
UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 UCLA FESTIVAL of PRESERVATION 03.05.15 – 03.30.15 1 FROM THE DIRECTOR The year 2015 marks the 50th anniversary of UCLA Film & Television Archive In the comedy department, we are proud to be able to present the latest and so we are doubly proud to put on our biennial Festival of Preservation results in our ongoing effort to preserve the legacy of Laurel & Hardy, includ- (FOP) to kick off a series of anniversary-related events that will run through- ing the shorts, The Midnight Patrol (1933), and The Music Box (1932). We are out the year. As director of UCLA Film & Television Archive, I’m happy to also screening a new preservation of the comedy hit of last year’s Cinefest in introduce the 17th iteration of our FOP, which again reflects the broad and Syracuse, Bachelor’s Affairs (1932), a pre-Code gem, starring Adolphe Menjou deep efforts of the Archive to preserve and restore our national moving image as a die-hard bachelor who is felled by a ditzy blonde bombshell. heritage. And while the rest of the world has seemingly made the transition to As is standard operating practice, given our close working relationship with a 100 percent digital environment, the Archive is still committed to preserving the Film Noir Foundation, we have again preserved a number of rare and films on film, while we still can, even if our theater will increasingly be project- interesting film noirs, including Too Late for Tears (1949), starring Lizabeth Scott ing digital material. -
Vladimir Zworykin, Father of Electronic Television Tells What He Likes Most About Television
/;°Febrtfáry 1980 Vol. 24 No. 2 INTERNATIONAL Vladimir Zworykin, Father of Electronic Television tells what he likes most about television. OVER 800 HOURS OF PROGRAMMING 300 Features -OffNetwork/ 1st Runs/Reruns 38 Horror/Sci-/Fi X 100 Westerns The Adventures of Jim Bowie 76 Half Hours Make Room For Daddy 161 Half Hours My Little Margie Weiss Global Enterprises has the formula for delivering 126 Half Hours audiences at prices that make sense in today's market. Let us fill your needs with our product at a cost that will increase your profits. Waterfront 78 Half Hours Come see us at NATPE '80. Suite 1715, San Francisco Hilton (main building) AND OTHER PRODUCT THAT MAY FILL YOUR NEEDS Foreign rights available on select product. We155 GLOßc7L er1TCRPRISCS 333 South Beverly Drive, Beverly Hills, California 90212, (213) 553-5806, Cable WEISSPICT Our 24th Year vol. 24. no. 1-february, 1980 INTERNATIONAL Read by television program executives in 142 countries. 4 Book information on the latest in literature for the television executive. 7 Programming in the 80's, the state of the industry and the need for change discussed by veteran programmer, Elizabeth Bain. 8 The NATPE Conference '80 offers more of the same, programming that is! Survey of the syndicators reveals new product being announced in San Francisco. 10 Some syndication "sizzlers" begin to fizzle in the Los Angeles marketplace according to this panel of programming experts at the recent INTV Convention. 14 Father of electronic Television, Vladimir Zworykin tells what he likes most about television in this exclusive interview February 1, 1980.