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Center of Controversy
See Story See Story Interview with ‘The L Word’ We’ve Got on Back on page Q2 Star Katherine Moenning Sonny & Cher, Babe Cover White Party Revenue Falls Slightly Short of Goal Care Resource Programs will not be Affected by Shortfall January 12, 2004 Volume 5, Number 2 See story on page 10 Center of Controversy Plan to Sell GLCCSF Property Stirs Storm of Criticism By Phil LaPadula But critics say that the new space would Managing Editor be too small to accommodate big events and “Save Our Center!” says the e-mail other community needs. They point out that circulated late last week by Doug White, the plan includes only 46 parking spaces, president of the South Florida Social Circle. compared with the current center’s 100-plus White is one of several prominent members spaces. Furthermore, they object to the of the local gay and lesbian community who center’s board proceeding with the sale are speaking out against the proposed sale without consulting with the community, of the gay community center’s property on including the donors who support the center. Andrews Avenue in Fort Lauderdale to a “The community center is not just a piece developer. But some other high-profile of concrete, it is the living, breathing and community members say that the sale may growing heart of our community,” White told be the best—or only—option available to The Express. White pointed out that the new the financially troubled center. center would have a capacity of only 200 Last month, Bill Peters, executive director people compared with 430 people in the of the Gay & Lesbian Community Center of current center. -
Tandem Productions & Bernero Productions in Coproduction With
Tandem Productions & Bernero Productions in coproduction with TF1 Production and in association with Sony Pictures Television Networks present A WORLD WITHOUT BORDERS NEEDS JUSTICE WITHOUT BORDERS WILLIAM FICHTNER MARC LAVOINE GABRIELLA PESSION TOM WLASCHIHA RICHARD FLOOD is CARL HICKMAN is LOUIS DANIEL is EVA VITTORIA is SEBASTIAN BERGER is TOMMY MCCONNELL (Teenage Mutant Ninja Turtles, (The Good Thief, Deception) (Rossella, Capri) (Game of Thrones, Brideshead Revisited) (Titanic: Blood & Steel, Three Wise Women) Prison Break) Introducing new recurring guest stars in Season 2 LARA ROSSI and DONALD SUTHERLAND CARRIE-ANNE MOSS and RAY STEVENSON is ARABELA SEEGER is MICHEL DORN as AMANDA ANDREWS as MILES LENNON (Life of Crime, Murder: Joint Enterprise) (The Hunger Games, (Vegas, Matrix, Chocolat) (Dexter, The Book of Eli) The Pillars of the Earth, Path to War) THE STORY THE FACTS Crossing Lines is a unique, global action/crime series that taps into the charter of the International TITLE: CROSSING LINES Criminal Court (ICC), to mandate a special crime unit functioning as a European-based FBI, to GENRE: ACTION CRIME DRAMA investigate serialized crimes that cross over European borders and to hunt down and bring criminals to justice. FORMAT: 22 x APPROX. 45 MIN. SERIES BUDGET: USD 3 MILLION/EPISODE It is also a story of redemption and revenge. CARL HICKMAN, a wounded and disgraced New York cop, pulled from the edge by a group of unlikely saviors – LOUIS DANIEL, heading an elite cross PRODUCTION COMPANIES: border police unit, hunting down the world’s most brutal criminals, but ultimately seeking revenge for TANDEM PRODUCTIONS his son’s murder. -
Japanese Animation Guide: the History of Robot Anime
Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Commissioned by Japan's Agency for Cultural Affairs Manga, Animation, Games, and Media Art Information Bureau Japanese Animation Guide: The History of Robot Anime Compiled by Mori Building Co., Ltd. 2013 Addition to the Release of this Report This report on robot anime was prepared based on information available through 2012, and at that time, with the exception of a handful of long-running series (Gundam, Macross, Evangelion, etc.) and some kiddie fare, no original new robot anime shows debuted at all. But as of today that situation has changed, and so I feel the need to add two points to this document. At the start of the anime season in April of 2013, three all-new robot anime series debuted. These were Production I.G.'s “Gargantia on the Verdurous Planet," Sunrise's “Valvrave the Liberator," and Dogakobo and Orange's “Majestic Prince of the Galactic Fleet." Each was broadcast in a late-night timeslot and succeeded in building fanbases. The second new development is the debut of the director Guillermo Del Toro's film “Pacific Rim," which was released in Japan on August 9, 2013. The plot involves humanity using giant robots controlled by human pilots to defend Earth’s cities from gigantic “kaiju.” At the end of the credits, the director dedicates the film to the memory of “monster masters” Ishiro Honda (who oversaw many of the “Godzilla” films) and Ray Harryhausen (who pioneered stop-motion animation techniques.) The film clearly took a great deal of inspiration from Japanese robot anime shows. -
VILNIAUS DAILĖS AKADEMIJA VILNIUS ACADEMY of ARTS TOMAS DAUKŠA Meno Projektas IŠ PUSIAUSVYROS IŠVESTA SISTEMA SU GRĮŽTAMUO
VILNIAUS DAILĖS AKADEMIJA VILNIUS ACADEMY OF ARTS TOMAS DAUKŠA Meno projektas IŠ PUSIAUSVYROS IŠVESTA SISTEMA SU GRĮŽTAMUOJU RYŠIU Art Project SYSTEM DERIVED FROM EQUILIBRIUM WITH THE FEEDBACK LOOP Meno doktorantūra, Vaizduojamieji menai, Dailės kryptis (V 002) Art Doctorate, Visual Arts, Fine Arts (V 002) Vilnius, 2019 Meno projektas rengtas Vilniaus dailės akademijoje 2014–2019 metais KŪRYBINĖS DALIES VADOVAS: Prof. Konstantinas Bogdanas Vilniaus dailės akademija, dailė V 002 TIRIAMOSIOS DALIES VADOVĖ: Doc. dr. Agnė Narušytė Vilniaus dailės akademija, humanitariniai mokslai, menotyra H 003 KONSULTANTAS Prof. Henrik B. Andersen Vilniaus dailės akademija, dailė V 002 Meno projektas ginamas Vilniaus dailės akademijoje Meno doktorantūros dailės krypties gynimo taryboje: PIRMININKAS: Dr. Darius Žiūra Vaizduojamieji menai, dailė V 002 NARIAI: Doc. dr. Žygimantas Augustinas Vilniaus dailės akademija, vaizduojamieji menai, dailė V 002 Anders Kreuger Direktorius, Kohta kunsthalė, Helsinkis (Suomija) Dr. Tojana Račiūnaitė Vilniaus dailės akademija, humanitariniai mokslai, menotyra H 003 Prof. dr. Artūras Tereškinas Vytauto Didžiojo universitetas, socialiniai mokslai, sociologija S 005 Meno projektas ginamas viešame Meno doktorantūros dailės krypties gynimo tarybos posėdyje 2019 m. lapkričio 29 d. 14 val. Kūrybinių industrijų centre „Pakrantė“ (Vaidilutės g. 79, 10100-Vilnius). Su meno projektu galima susipažinti Lietuvos nacionalinėje Martyno Mažvydo, Vilniaus dailės akademijos bibliotekose. ISBN 978-609-447-326-5 2 The Artistic Research Project -
The BG News March 10, 1975
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 3-10-1975 The BG News March 10, 1975 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News March 10, 1975" (1975). BG News (Student Newspaper). 3081. https://scholarworks.bgsu.edu/bg-news/3081 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Tl THeBGnews Monday Match 10, 1975 close Vok.rn.5INumb.f88 •oge 1 /The 8G N.wi, Monday, March 10, 1975 Ch/ppewas cop iMAC crown By Mark Glover fest itself inside the players ing -a scorching 56 per cent with two seconds left He limped from the floor to a he maintained a deadpan Sporti Editor The early minutes saw a lot and the other positive factor fired a 40-foot bomb that standing ovation manner while answering of turnovers, few points and was McElroy bounced hard off the right As Montgomery hobbled questions 6"' The game or THE GAME, plenty of unsteady hands side of the rim-overtime A from the dismal Falcon impending on how you feel The two squads were THE STRONG 6-3 back- 77-77 tie locker room after the game, "OUR MOVEMENT was I jsbout it, certainly lived up to deadlocked with 20 meager court performer almost As far as the overtime is coach Haley extended his poor, especially in the 'its billing. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Exponentjune 7, 1985 Volume 76
EXPONENTJune 7, 1985 Volume 76. umber 54 An ASMSU Publication Women's Exhibit at high school Senior women's art show draws criticism, and expresses not because she is a female. by SANFORD EDWARD When the only criteria for a show is that the artist be a women and a senior, The MSU Senior Women's Art one wonders what type of aesthetic dis Exhibition opened last Thursday, May crimination, if any, is taking place. Is the 30th, at the Bozeman Senior High TC.$Ult first and foremost a collection of School Gallery. fine an, or is it a social statement? The show has caused a bit of a local While I have no doubt that all good stir with an article appearing in the art is capable of making some type of Bozeman Chronicle on May 28th. social statement, I wonder if every social Uofonunately, it's not the an that has statement is capable of being classified evoked the response, but rather the as good art. format. The logical outcome of a format that A few of the male artists on campus becomes too broad (no pun intended) in have been very vocal expressing a view scope is that it tends to weaken the exhi point that the exclusive inclusion of bition, owing to its generalized nature. women in the show is a form of reverse Still, in spite of the logistical difficul discrimination. Essentially. rather than ties imposed by the program, there is ' \' probiding a positive platform for the some very commendable work in the ex l/ ,, women's movement, the male artists ibit. -
{PDF EPUB} Primetime Propaganda the True Hollywood Story of How the Left Took Over Your TV by Ben Shapiro Primetime Propaganda
Read Ebook {PDF EPUB} Primetime Propaganda The True Hollywood Story of How the Left Took Over Your TV by Ben Shapiro Primetime Propaganda. Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV is a 2011 book by conservative political commentator Ben Shapiro. In it he argues that producers, executives and writers in the entertainment industry are using television to promote a socialist political agenda. Contents. Content Interview techniques Reception See also References. Content. As one part of the evidence, Shapiro presents statements from taped interviews made by celebrities and TV show creators from Hollywood whom he interviewed for the book. The book include quotes from, among others, the co-creator of Friends , Marta Kauffman, and the creator of Soap and the Golden Girls , Susan Harris. Another argument is that conservatives are shunned in the industry. [1] For example, Vin Di Bona, a producer responsible for many hit television shows, agreed during an interview with Shapiro that Hollywood promotes a liberal political agenda, commenting, "I'm happy about it, actually." Di Bona also said that MacGyver , the cult hit show on which he was a producer, promoted an anti-gun movement position, as the character of MacGyver does not use a gun, but rather his own intelligence. People involved with television shows M*A*S*H and Happy Days told Shapiro that they possessed pacifistic and anti-Vietnam War agendas. [2] Another example is the television show Sesame Street which is accused of deliberately spreading left-wing propaganda to children. [3] Producer Leonard Goldberg stated to Shapiro that in the industry liberalism is "100 percent dominant, and anyone who denies it is kidding, or not telling the truth", and when Shapiro asked if politics are a barrier to entry replied, "Absolutely". -
Bowling, a Pastime Long Associated with Blue-Collar Americans
36 2 0 1 1 N UMBER 4 | E NGLISH T EACHING F ORUM by Phyllis McIntosh Art might seem to have little in common with bowling, a pastime long associated with blue-collar Americans. A bowling alley (the traditional name for a bowling establishment) is the last place one would expect to find an art gallery. But Lucky Strike, a chain of chic upscale bowling centers, proudly claims its passion for the arts. Its lanes and lounges in 22 cities nationwide are famous for their ever-changing video displays of works by dozens of emerging artists. Lucky Strike’s innovation is just one example of bowling’s dramatic transformation over the past few decades. Once a no-frills sport played mostly by lower-middle-income workers in sponsored leagues, bowling has become the centerpiece of high-tech family entertainment complexes and fancy clubs that appeal to trendy urbanites. As a result, bowling is enjoying a resurgence in popularity, especially among the young. According to the United States Bowling Congress (USBC), more than 70 million Americans bowl each year, which makes bowling one of the most popular participation sports in the United States. The Golden Age of Bowling Of all American pastimes, bowling is one of the easiest to pursue. Just show up at Bowlers are required to the neighborhood bowling center, rent the required shoes, use the balls provided, and wear shoes like these, which won’t mar the floor of the pay a reasonable fee to bowl as many games as you like. The game itself—rolling a bowling alley. -
The Question Concerning the Cooptation of the Sundance Film Festival: an Analysis of the Commodification of Independent Cinema
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2009 The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema Matt Dee Cottrell Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Sociology Commons Recommended Citation Cottrell, Matt Dee, "The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema" (2009). All Graduate Theses and Dissertations. 485. https://digitalcommons.usu.edu/etd/485 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THE QUESTION CONCERNING THE COOPTATION OF THE SUNDANCE FILM FESTIVAL: AN ANALYSIS OF THE COMMODIFICATION OF INDEPENDENT CINEMA by Matt Dee Cottrell A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in Sociology Approved: _______________________ _______________________ Christy Glass Richard S. Krannich Major Professor Committee Member _______________________ _______________________ Richley Crapo Byron R. Burnham Committee Member Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2009 ii Copyright Matt Dee Cottrell 2009 All Rights Reserved iii ABSTRACT The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema by Matt Dee Cottrell, Master of Science Utah State University, 2009 Major Professor: Dr. Christy Glass Department: Sociology, Social Work & Anthropology The Sundance Film Festival has transformed from being a fringe festival to a leading showcase for independent cinema. -
KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W. -
"VOICJE SEPTEMBER 12, 1975 25C VOL
"VOICJE SEPTEMBER 12, 1975 25c VOL. XVII N0.27 •fc THIS SUNDAY 1st U.S. native to be canonized VATICAN CITY — (NC) — The 15,000 American ticketholders to Mother Elizabeth Seton's canonization Sept. 14 found a special edition of the Vatican newspaper L'Osservatore Romano devoted principally to her, as the first native-born citizen of the United States to be declared a saint. The front page of L'Osservatore Romano's weekly English edition featured a photo of the new saint, a five-day schedule of events and ceremonies, and an account of the canonization itself. A biography of her filled the centerfold. FATHER LAMBERT GREENAN, the Irish Dominican who edits the worldwide English-language weekly, observed: "While it Masses to mark Canonization Many churches throughout the Archdiocese of Miami will observe the canonization of Mother Elizabeth Ann Seton this Sunday. Special Pontifical Mass honoring the first U.S. born saint will be celebrated by Archbishop Coleman F. Carroll at 11 a.m. Sunday Sept. 14, in the Cathedral of St. Mary, 7525 N.W. 2nd. Avenue. is true that Mother Seton's canonization is of greatest interest in America, it is important to the English-speaking world at large." Reserved sections in St. Peter's Square for the 9:30 a.m. ceremonies on Sunday Sept. 14, were set aside for ticketholders, mainly American. The rest of the huge square was left for the St. Elizabeth Seton, the first U.S.-born saint, is depicted by Sister Laura Bench of Seton Hill College. throngs of Romans, the hundreds of pilgrims from the north Italian The canonization will take place Sunday, Sept.