Ancient Egypt &Egyptology
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Sales 2015 Políticas E Culturas No Antigo Egipto.Pdf
COLECÇÃO COMPENDIUM Chiado Editora chiadoeditora.com Um livro vai para além de um objecto. É um encontro entre duas pessoas através da pa- lavra escrita. É esse encontro entre autores e leitores que a Chiado Editora procura todos os dias, trabalhando cada livro com a dedicação de uma obra única e derradeira, seguindo a máxima pessoana “põe quanto és no mínimo que fazes”. Queremos que este livro seja um desafio para si. O nosso desafio é merecer que este livro faça parte da sua vida. www.chiadoeditora.com Portugal | Brasil | Angola | Cabo Verde Avenida da Liberdade, N.º 166, 1.º Andar 1250-166 Lisboa, Portugal Conjunto Nacional, cj. 903, Avenida Paulista 2073, Edifício Horsa 1, CEP 01311-300 São Paulo, Brasil © 2015, José das Candeias Sales e Chiado Editora E-mail: [email protected] Título: Política(s) e Cultura(s) no Antigo Egipto Editor: Rita Costa Composição gráfica: Ricardo Heleno – Departamento Gráfico Capa: Ana Curro Foto da capa: O templo funerário de Hatchepsut, em Deir el-Bahari, Tebas ocidental. Foto do Autor Revisão: José das Candeias Sales Impressão e acabamento: Chiado Print 1.ª edição: Setembro, 2015 ISBN: 978-989-51-3835-7 Depósito Legal n.º 389152/15 JOSÉ DAS CANDEIAS SALES POLÍTICA(S) E CULTURA(S) NO ANTIGO EGIPTO Chiado Editora Portugal | Brasil | Angola | Cabo Verde ÍNDICE GERAL APRESENTAÇÃO 7 I PARTE Legitimação política e ideológica no Egipto antigo – discurso e práticas 11 1. Concepção e percepção de tempo e de temporalidade no Egipto antigo 17 2. As fórmulas protocolares egípcias ou formas e possibilidades do discurso de legitimação no antigo Egipto 49 3. -
The Ancient Egyptian Books of the Earth Wilbour Studies in Egypt and Ancient Western Asia
THE ANCIEN THE Collections of scenes and texts designated variously as the “Book of the Earth,” “Creation of the Solar Disc,” and “Book of Aker” were inscribed on the walls of royal sarcophagus chambers throughout Egypt’s Ramesside period (Dynasties 19–20). This material illustrated discrete episodes from the The Ancient Egyptian nocturnal voyage of the sun god, which functioned as a model for the resurrection of the deceased T king. These earliest “Books of the Earth” employed mostly ad hoc arrangements of scenes, united E by shared elements of iconography, an overarching, bipartite symmetry of composition, and their GYP Books of the Earth frequent pairing with representations of the double sky overhead. From the Twenty-First Dynasty and later, selections of programmatic tableaux were adapted for use in private mortuary contexts, T I often in conjunction with innovative or previously unattested annotations. The present study collects A and analyzes all currently known Book of the Earth material, including discussions of iconography, BOOKSN OF by Joshua Aaron Roberson grammar, orthography, and architectural setting. Joshua Aaron Roberson is an Assistant Professor in the Department of History, Camden County College. Blackwood, NJ. He has worked as an epigrapher and sigillographer with the University of Pennsylvania expeditions to Saqqara and Abydos and as a sigillographer for the French-Egyptian expedition to the Opet temple at Karnak. He earned his PhD in Egyptology from the University of Pennsylvania. T HE HE EA R T H Joshua Aaron Aaron Joshua Wilbour Studies R o berson Brown University Wilbour Studies in Egypt and Ancient Western Asia, 1 Department of Egyptology and Ancient Western Asian Studies LOCKWOOD PRESS www.lockwoodpress.com LOCKWOOD PRESS Wilbour_cover_template.indd 1 1/27/12 10:24 AM The Ancient Egyptian Books of the Earth Wilbour Studies in Egypt and Ancient Western Asia Series Editors James P. -
Book of Thoth (Butler)
Opening the Way of Writing: ∗ Semiotic Metaphysics in the Book of Thoth Edward P. Butler The editing and publication of the late antique Egyptian text dubbed the Book of Thoth may turn out to be a milestone in our recognition of speculative thought in ancient Egypt. Though much uncertainty attends the reading of a text at once enigmatic and lacunose, and the discovery of additional fragments, to the very degree that they would be likely to upset any ventured interpretation, is most devoutly to be wished, it is incumbent upon us to begin to take stock of this text, with the urgency that comes from appreciating the value of an Egyptian voice speaking in ways and on matters of which it previously has not for us. In the following pages, I hope to shed light on some of the reflections of ancient Egypt’s master scholars on this same subject. The Book of Thoth differs from other texts that we might regard as exhibiting the speculative tendency, the content of which is cosmogonic. A speculative tendency has long been recognized in Egyptian cosmogonic literature.1 The Book of Thoth, however, draws on cosmogonic themes, but for a purpose wholly novel to us: a metaphysics of semiosis, or sign-production. The Book of Thoth, as best we can understand it, presents a manual of scribal initiation. But the text offers a conception of writing, not merely as one occupation amongst others, even as a privileged occupation in the manner of the ‘Satire on the Trades’, but as an intensification of the way of being of the sign-user as such. -
The World of Middle Kingdom Egypt
Te World of Middle Kingdom Egypt (2000-1550 BC) Contributions on archaeology, art, religion, and written sources Volume II Edited by Gianluca Miniaci, Wolfram Grajetzki Middle Kingdom Studies 2 Tis title is published by Golden House Publications Copyright © by the authors if not otherwise stated A catalogue record for this book is avaiable from the British Library Front cover: Model of a scribe from shaft 16L25/1C (2710/144) at Deir el-Bersheh, compare colour plate XIII All rights reserved; no part of this publication may be produced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical photocopying, recording, or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without prior written permission from Golden House Publications. Printed in the United Kingdom by CPI, Anthony Rowe London 2016 ISBN 978-1-906137-48-9 ii Middle Kingdom Studies Series Editor-in-Chief Gianluca Miniaci Advisory Board Bettina Bader, Marilina Betrò, Marleen De Meyer, Juan Carlos Moreno García, Alexander Ilin-Tomich, Patricia Rigault, Stephen Quirke Gloria Rosati, Danijela Stefanović, Pascal Vernus, Paul Whelan v Table of Contents Introduction Wolfram Grajetzki, Gianluca Miniaci ix List of contributors xiii List of Abbreviation xv Tombs in transition: MIDAN.05 and windows in the early Eighteenth Dynasty Marilina Betrò 1 Precious fnds from an early Middle Kingdom tomb in Tebes: reconstructing connections between the dead and their goods Anna Consonni 13 Umm-Mawagir in Kharga Oasis: an Industrial Landscape of the Late Middle Kingdom/Second Intermediate Period John Coleman Darnell, Colleen Manassa Darnell 27 Te tomb of a Governor of Elkab of the Second Intermediate Period Vivian Davies 71 An Isolated Middle Kingdom Tomb At Dayr Al-Barsha Marleen De Meyer 85 Te Transmission of Ofces in the Middle Kingdom Nathalie Favry 117 Te stela of the Tirteenth Dynasty treasurer Senebsumai, Turin Cat. -
Depictions of the Sky–Goddess Nut in Three Royal Tombs of the New Kingdom and Her Relation to the Milky Way*
COSMIC SPACE AND ARCHETYPAL TIME: DEPICTIONS OF THE SKY–GODDESS NUT IN THREE ROYAL TOMBS OF THE NEW KINGDOM AND HER RELATION TO THE MILKY WAY* Amanda–Alice Maravelia ABSTRACT Nut was considered the sky–goddess par excellence in ancient Egypt. Unlike other Mediterranean civilizations the sky was conceived as a female divinity by the Nile dwel- lers. She was thought of as an amniotic cocoon inside which the pharaohs would regain life and immortality in the hereafter. Hence, being perceived as a Universal Mother ar- chetype, she would bestow rebirth in the afterlife to the dead kings, who were conside- red her children. In her virtual identification with the sarcophagus, Nut was considered a nursery and nurse, and was depicted inside sarcophagi and anthropoid coffins alike, stretching her body protectively over the corpse of the deceased. Joining with her would mean return to the womb of eternal space–time continuum and passing victoriously through immortality. The mural and ceiling paintings of the sky–goddess Nut in some royal tombs of the NK in the Valley of the Kings are renowned for their chromatic forms (mainly blue for the sky, golden yellow for the stars and red for the solar disc), as well as for their religiously æsthetic conceptions (cosmogony, theogony and their artistic li- turgical expression). In this paper we discuss the relation between cosmic space and ar- chetypal time, as those were viewed under the prism of ancient Egyptian mythological perceptions and were represented by the former depictions of Nut. The tombs of Phara- ohs Ramesses IV, Ramesses VI and Ramesses IX are examined. -
The Wisdom of Time and Transformation
BESHARA MAGAZINE – ISSUE 13: SUMMER 2019 THE WISDOM OF TIME AND TRANSFORMATION Dr Alison Roberts explains the ancient alchemical knowledge of Egypt Dr Alison Roberts has spent a lifetime studying the sacred traditions of Egypt, drawing out in particular the importance of the feminine and the principles of transformation. Her fourth book, Hathor’s Alchemy, published this year, focuses on the great goddess, Hathor, and the temples dedicated to her at Abu Simbel and Dendara. Subtitled The Ancient Egyptian Roots of the Hermetic Art, it also traces the way in which this ancient wisdom found its way into the mystical and alchemical traditions of Greece, Islam and medieval Europe. Here she talks to David Hornsby about the relevance of these ideas to our modern lives. BESHARA MAGAZINE: THE WISDOM OF TIME AND TRANSFORMATION 1 David: What struck me when reading your book Hathor’s Alchemy [1] is that it reveals the ancient Egyptians as having a completely integrated way of life. All through the day and all through the night, they had awareness of the progression of time, and they had a very human response to it. It is a refreshing perspective as, so often when we talk about Egyptian civilization, it is all about the buildings – the beautiful temples, their extraordinary size, the building techniques used, etc. – but your book explains what their culture was actually about. Alison: You can’t help but be aware of time when you are in Egypt; it is just the whole landscape that you’re living in. As you say, the ancient Egyptians were deeply immersed in every hour of the day, and the changing qualities of light were seen as the journey of the gods Re and Hathor across the sky from dawn to dusk. -
In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2014 In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South Abydos During the Late Middle and New Kingdoms Kevin Michael Cahail University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons, and the Islamic World and Near East History Commons Recommended Citation Cahail, Kevin Michael, "In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South Abydos During the Late Middle and New Kingdoms" (2014). Publicly Accessible Penn Dissertations. 1222. http://repository.upenn.edu/edissertations/1222 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/1222 For more information, please contact [email protected]. In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South Abydos During the Late Middle and New Kingdoms Abstract Kevin M. Cahail Dr. Josef W. Wegner The site of South Abydos was home to royal mortuary complexes of both the late Middle, and New Kingdoms, belonging to Senwosret III and Ahmose. Thanks to both recent and past excavations, both of these royal establishments are fairly well understood. Yet, we lack a clear picture of the mortuary practices of the non- royal individuals living and working in the shadow of these institutions. For both periods, the main question is where the tombs of the non-royal citizens might exist. Additionally for the Middle Kingdom is the related issue of how these people commemorated their dead ancestors. Divided into two parts, this dissertation looks at the ways in which non-royal individuals living at South Abydos during these two periods dealt with burial and funerary commemoration. -
The Egyptian Book of the Dead, Nuclear Physics and the Substratum
The Egyptian Book of the Dead, Nuclear Physics and the Substratum By John Frederick Sweeney Abstract The Egyptian Book of the Dead, a collection of coffin texts, has long been thought by Egyptologists to describe the journey of the soul in the afterlife, or the Am Duat. In fact, the so – called Book of the Dead describes the invisible Substratum, the “black hole” form of matter to which all matter returns, and from which all matter arises. The hieroglyphics of the Papyrus of Ani, for example, do not describe the journey of the soul, but the creation of the atom. This paper gives evidence for the very Ancient Egyptians as having knowledge of a higher mathematics than our own civilization, including the Exceptional Lie Algebras E6 and G2, the Octonions and Sedenions, as well as the Substratum and the nuclear processes that occur there. The Osiris myth represents a general re – telling of the nuclear processes which occur within the Substratum, the invisible “black hole” form of matter. 1 Table of Contents Introduction 3 Book of the Dead / Wikipedia 5 The Papyrus of Ani 11 Octonions 14 Sedenions 15 The Exceptional Lie Algebra G2 19 Conclusion 22 Bibliography 25 Appendix I The Osiris Legend 26 Appendix II 42 Negative Confessions (Papyrus of Ani) 41 Appendix III Fields of Aaru 44 Appendix III The Am Duat 45 Cover Illustration This detail scene, from the Papyrus of Hunefer (ca. 1275 BCE), shows the scribe Hunefer's heart being weighed on the scale of Maat against the feather of truth, by the jackal-headed Anubis. -
Turin King List
Turin King List This article contains Ancient Egyptian Hieroglyphic text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Egyptian hieroglyphs. The Turin King List, also known as the Turin Royal Canon, is an ancient Egyptian hieratic papyrus thought to date from the reign of Pharaoh Ramesses II, now in the Museo Egizio (Egyptian Museum)[1] in Turin. The papyrus is the most extensive list available of kings compiled by the ancient Egyptians, and is the basis for most chronology before the reign of Ramesses II. 1904 version of attempt to assemble parts of the Turin King list Creation and use The papyrus is believed to date from the reign of Ramesses II, during the middle of the New Kingdom, or the 19th Dynasty. The beginning and ending of the list are now lost; there is no introduction, and the list does not continue after the 19th Dynasty. The composition may thus have occurred at any subsequent time, from the reign of Ramesses II to as late as the 20th Dynasty. The papyrus lists the names of rulers, the lengths of reigns in years, with months and days for some kings. In some cases they are grouped together by family, which corresponds approximately to the dynasties of Manethoʼs book. The list includes the names of ephemeral rulers or those ruling small territories that may be unmentioned in other sources. The list also is believed to contain kings from the 15th Dynasty, the Hyksos who ruled Lower Egypt and the River Nile delta. The Hyksos rulers do not have cartouches (enclosing borders which indicate the name of a king), and a hieroglyphic sign is added to indicate that they were foreigners, although typically on King Lists foreign rulers are not listed. -
RELS 203/303 Ancient Religion: Egypt to Mesopotamia
RELS 203/303 Ancient Religion: Egypt to Mesopotamia Pre-Christmas Summer School, 2019 The Opening of the Mouth ceremony (1275 BC), EA 9901 (British Museum) Course Outline & Study Guide 1 COURSE DESCRIPTION RELS 203/303 examines some of the key religious practices, beliefs and texts of ancient Egypt, Mesopotamia and the Levant, ca. 3000–300 BCE. In this paper we explore the religious ideas and practices of three civilisations of the ancient world: their gods and goddesses, their temples and priests, their attempts to communicate with the divine and to exercise power via magic, as well as their foundational myths and their expectations concerning the afterlife. Ancient Egypt, Mesopotamia, and the Levant (Syria-Aram, Palestine/Israel, Phoenicia, Philistia, and the Transjordan) fascinated early European explorers and scholars, their long-lost religious texts shedding light on the world from which Judaism, Christianity, and Islam later evolved. While demonstrating such influences, the paper will focus on understanding Ancient Near Eastern religion in its own right and in relation to debates within recent scholarship. The course will proceed around what is known as the Fertile Crescent in the Ancient Near East, traveling broadly from the east to the west: Lectures 1-9: Mesopotamia Lectures 10-16: The Levant Lectures 17-24: Egypt ABOUT THE LECTURER Deane Galbraith lectures on Judaism, Ancient Religion (Egyptian, Mesopotamian, Levantine), Paganism and Mystery Cults, and the introductory course to Judaism, Christianity and Islam. Deane’s major areas of research include the development of traditions within the Jewish Pentateuch, contemporary Evangelical prophecy movements, and resurrection stories. He is also the founding editor of Relegere: Studies in Religion and Reception, a journal examining the influence and effects of religious traditions within history and modern culture. -
The Decree of Saïs
Underwater Egypt in Region Canopic the in Archaeology OCMA Underwater Archaeology in the Canopic Region in Egypt The Decree of Saïs The Decree of Saïs of Decree The The cover illustrations show the perfectly preserved stele of Thonis-Heracleion, intact after having spent over 1000 years at the bottom of the sea. It is the second known stele containing the text of the decree promulgated by Nectanebo I,founder of the thirtieth dynasty, and announces a permanent donation to the goddess Neith, ‘Mistress of the Floods’, out of the customs dues received in the town of Thonis- Heracleion and out of the taxes on Greek trade in the town of Naukratis. ISBN 978-1-905905-23-2 Published by the Oxford Centre for Maritime Archaeology at the School of Archaeology, University of Oxford Anne-Sophie von Bomhard The Decree of Saïs The Stelae of Thonis-Heracleion and Naukratis Oxford Centre for Maritime Archaeology Monograph Series Series editors: Franck Goddio and Damian Robinson 1 Topography and Excavation of Heracleion-Thonis and East Canopus (1996–2006) by Franck Goddio 2 Geoarchaeology by Jean-Daniel Stanley et al 3 The Naos of the Decades by Anne-Sophie von Bomhard 4 La stèle de Ptolémée VIII Évergète II à Héracléion by Christophe Thiers 5 Alexandria and the North-Western Delta edited by Damian Robinson and Andrew Wilson 6 Maritime Archaeology and Ancient Trade in the Mediterranean edited by Damian Robinson and Andrew Wilson The Underwater Archaeology of the Canopic Region in Egypt The Decree of Saïs The Stelae of Thonis-Heracleion and Naukratis by Anne-Sophie von Bomhard Oxford Centre for Maritime Archaeology: Monograph 7 School of Archaeology, University of Oxford 2012 All rights reserved. -
Kansas City, Missouri Abstract Booklet Layout and Design by Kathleen Scott Printed in San Antonio on March 20, 2017
The 68th Annual Meeting of the American Research Center in Egypt April 21-23, 2017 Intercontinental at the Plaza Hotel Kansas City, Missouri Abstract Booklet layout and design by Kathleen Scott Printed in San Antonio on March 20, 2017 All inquiries to: ARCE US Office 8700 Crownhill Blvd., Suite 507 San Antonio, TX 78209 Telephone: 210 821 7000; Fax: 210 821 7007 E-mail: [email protected] Website: www.arce.org ARCE Cairo Office 2 Midan Simon Bolivar Garden City, Cairo, Egypt Telephone: 20 2 2794 8239; Fax: 20 2 2795 3052 E-mail: [email protected] Photo Credits Cover: Head of Sen-useret III, Egyptian, Middle Kingdom, 12th Dynasty, ca. 1874-1855 B.C.E. Yellow quartzite, 17 3/4 x 13 1/2 x 17 inches. The Nelson- Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill Nelson Trust, 62-11. Photo courtesy of The Metropolitan Museum of Art. Photo opposite: Relief of Mentu-em-hat and Anubis, Egyptian (Thebes), Late Period, late 25th to early 26th Dynasty, 665-650 B.C.E. Limestone with paint. 20 5/16 x 15 13/16 inches. The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill Nelson Trust, 48-28/2. Photo spread pages 10-11: Wall painting inside TT 286, tomb of Niay. Taken dur- ing conservation work by ARCE in November 2016. Photo by Kathleen Scott. Abstracts title page: Statue of Metjetji, Egyptian (Sakkara), 2371-2350 B.C.E. Wood and gesso with paint, copper, alabaster, and obsidian, 31 5/8 x 6 3/8 x 15 5/16 inches.