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The Czech EE/Electronics Industry
INVESTMENT OPPORTUNITIES The Czech EE/Electronics Industry Contents 1 Reasons to Invest 12 2 Czech Centres of Excellence The Proud History of the Czech Electronics Robotics Industry 13 4 Czech Centres of Excellence The Czech EE/Electronics Industry Heavy-Current Electrical Engineering A modern electronics hub built on tradition 14 5 Education, Workforce and Labour Costs, Research & Development Business Legislation 8 16 Czech Centres of Excellence Infrastructure and Support Services Electron Microscopy 17 9 Sector Databases and Property Market Czech Centres of Excellence 18 Radio Engineering Business Development Support 10 19 Czech Centres of Excellence CzechInvest – Your one-stop shop Semiconductors for the Czech republic www.czechinvest.org Last update: December 2009 20 1 CzechInvest – Your One-Stop Shop Reasons to Invest for the Czech Republic Most attractive regions over the next 3 years The Czech Republic has attracted a large amount of foreign direct investment (FDI) since 1990, making it one of the most successful transition countries in terms of FDI per capita. As an early reformer in east-central Europe, the Czech Republic led the way in the early 0 10 20 30 40 50 60 1990s in adopting far-reaching stabilisation, liberalisation and privatisation programmes. Central & Eastern Europe 52% The introduction of investment incentives in 1998 stimulated a massive inflow of foreign China 51% direct investment in greenfield and brownfield projects. The Czech Republic’s accession India 48% to the European Union in 2004 further boosted investment. Over 138,000 Czech firms across all sectors are now supported by foreign capital. According to the Czech National Russia 41% Bank, the total amount of EUR 69.6 billion worth of FDI has been recorded since 1993. -
The Social and Economic Impact of Hiv and Aids in Ukraine : a Re-Study
BRITISH COUNCIL UKRAINIAN INSTITUTE FOR SOCIAL RESEARCH This Project was implemented with financial support from the Department of International Development of the United Kingdom (DFID) and the British Council for the Government of Ukraine THE SOCIAL AND ECONOMIC IMPACT OF HIV AND AIDS IN UKRAINE : A RE-STUDY Olga Balakireva Alla Scherbyns’ka Yulia Galustian Yuriy Kruglov Olexander Yaremenko Ukrainian AIDS Centre at the Health Ukrainian Institute of Social Ministry of Ukraine Research Nataliya Levchuk Volodymyr Onikienko Institute of Economy, National Council for Studying Productive Academy of Science of Ukraine Forces, National Academy of Science of Ukraine Lidiya Andruschak UNAIDS In co-operation with international consultants Tony Barnett, University of East Anglia, UK and Alan Whiteside, University of Natal, South Africa Edited by Veena Lakhumalani, The British Council, Ukraine 14 Kyiv City - 2001 Contents INTRODUCTION Executive summary Section 1. THE NATURE OF HIV/AIDS AND THE GLOBAL EPIDEMIC Section 2. HIV AND AIDS DATA 2.1 HIV Data 2.2 AIDS Data 2.3 General conclusions Section 3. METHODOLOGICAL APPROACHES 3.1. Concepts of Susceptibility and Vulnerability 3.2. Description of Models for Projecting the Development of HIV/AIDS Epidemic in Ukraine and Incoming Data 3.3. Projecting the HIV/AIDS Epidemic in Ukraine: main results Section 4. UKRAINE AS A RISK ENVIRONMENT 4.1 Demographic Situation in Ukraine 4.2 Social and Economic Characteristics of the Contemporary Ukrainian Society 4.3 Attitudes to People with HIV and AIDS in Ukraine 4.4 Behavioural Factors Contributing to HIV/AIDS Epidemic 4.5 Bio-Medical Factors and HIV Susceptibility 4.6 Regressive Analysis of Influence of Regional Development Factors on HIV-Infection Prevalence 4.7 Conclusions Section 5. -
Chronic Hepatitis C in the Czech Republic: Forecasting the Disease
Cent Eur J Public Health 2019; 27 (2): 93–98 CHRONIC HEPATITIS C IN THE CZECH REPUBLIC: FORECASTING THE DISEASE BURDEN Soňa Fraňková1, Petr Urbánek2, Petr Husa3, Vratislav Němeček4, Homie Razavi5, Devin Razavi-Shearer5, Roman Chlíbek6, Jan Šperl1 1Department of Hepatogastroenterology, Institute for Clinical and Experimental Medicine, Prague, Czech Republic 2Department of Internal Medicine, First Faculty of Medicine, Charles University and Central Military Hospital, Prague, Czech Republic 3Clinic of Infectious Diseases, University Hospital Brno, Masaryk University, Brno, Czech Republic 4National Reference Laboratory for Hepatitis, National Institute of Public Health, Prague, Czech Republic 5Center for Disease Analysis, Lafayette, Colorado, USA 6Department of Epidemiology, Vaccination Centre, Faculty of Military Health Sciences, University of Defence, Hradec Králové, Czech Republic SUMMARY Objective: Chronic HCV infection is associated with cirrhosis of the liver, hepatocellular carcinoma (HCC), and liver transplantation. HCV disease burden and the impact of new potent direct acting antivirals (DAAs) in the Czech Republic are unknown. Methods: Using a modelling framework, HCV disease progression in the Czech Republic was predicted to 2030 under the current standard of care treatment structure. In addition, two strategies to reduce the future burden of HCV infection were modelled: an incremental increase in treatment annually and WHO targets. Results: The number of viremic infected individuals in the Czech Republic is estimated to peak in 2026 (n = 55,130) and to decline by 0.5% by 2030 (n = 54,840). The number of individuals with compensated cirrhosis (n = 1,400), decompensated cirrhosis (n = 80), HCC (n = 70), and liver- related deaths (n = 60) is estimated to more than double by 2030. -
Cultural Projects Support
Сultural projects support Regarding participation in project contests: +38 (050) 629-18-08 Other issues: +38 (044) 504-22-66 For calls from abroad: +1 365 500-5000 For media representatives: [email protected] Other queries: [email protected] Lavrska St, 10-12, Kyiv, 01010, Ukraine FB.com/ucf.ua Directory CONTENT EU Grant Programmes Cross-border Cooperation Programme Ukraine Grant Programmes Poland-Belarus-Ukraine ENI CBC Hungary-Slovakia-Romania-Ukraine Ministry of Culture of Ukraine Horizon2020 Ministry of Information Policy Creative Europe Ministry of Youth and Sports Erasmus+UA Ukrainian Cultural Foundation Romania-Ukraine Programme Ukrainian Institute Export Promotion Office of Ukraine State Fund for Regional Development Grant Programmes International Renaissance Foundation of Euroregions Bohdan Hawrylyshyn Family Foundation Czech Centre Zagoriy Family Foundation Polish Institute in Ukraine Initiative for the Future British Council in Ukraine Harald Binder Cultural Enterprises Goethe-Institute in Ukraine French Institute Visegrad Fund International programmes Grant Programmes in North America UNESCO International Fund for Cultural Diversity (IFCD) United States Embassy in Ukraine 1 Ministry of Culture of Ministry of Information Policy Main body in the system of central executive bodies, which ensures the formation and implementation of state policy in the fields of culture and arts, Central executive body in the field protection of cultural heritage, export, import and return of cultural values, state of information sovereignty of Ukraine, in particular it deals with the issues language policy, as well as ensures the formation and implementation of state policy of dissemination of socially important information in Ukraine and abroad, in the field of cinematography. -
Culture Report Eunic Yearbook 2011 Culture Report Eunic Yearbook 2011
CULTURE REPORT EUNIC YEARBOOK 2011 CULTURE REPORT EUNIC YEARBOOK 2011 Cultural relations are the glue that holds alliances together. The geopolitics of the 21st century mean we need to see a revival of cultural diplomacy. China and India are already expanding their external cultural policies. Despite Europe‘s huge cultural diversity, the EU has still not developed an adequate cultural strategy for its foreign policy. The establishment of the European External Action Service (EEAS) provides an opportunity to tighten up and co-ordinate the EU‘s existing cultural foreign policy. In this edition of the Culture Report, 30 authors from 20 different countries examine what this all means. Foreword: Crisis and new awakenings by Sebastian Körber 4 CHAPTER 1: EXTERNAL PERSPECTIVES A Brave New World - Globalisation as Europe’s touchstone by Yang Lian 8 All talk and no action by Mai’a K. Davis Cross 20 Art at the heart of mainstream entertainment – an interview by Regis Debray with Frédéric Martel 28 Seizing the day by André Azoulay 38 The cultural revolution by Reem Kassem 45 A gateway to two worlds by Julie Chénot 48 Welcome to the real world by André Lemos 54 A union of double standards by Mahir Namur 60 2 Contents Moving the chairs in the global boardroom by Rajeef Balasubramanyam 64 Europe‘s forgotten fringes by Jurko Prochasko 70 Peeking through the open window by Hela Kamarou 78 CHAPTER 2: EUROPE IN THE WORLD THE WORLD IN EUROPE Now is the time by Robert Palmer 86 Common spaces by Gerhard Sabathil 96 A necessity, not a luxury by Marietje Schaake -
Final Press Release 44. MDVV Lidice 2016
INTERNATIONAL CHILDREN'S EXHIBITION OF FINE ARTS LIDICE FINAL PRESS RELEASE th 44 International Children's Exhibition of Fine Arts 2016 is organized by the Lidice Memorial under the auspices of Minister of Culture of the CR Minister for Foreign Affairs of the CR Minister of Education, Youth and Sports of the CR Chairman of the Czech Commission for UNESCO Director General of Czech Centres Lidice Gallery in Lidice Opening: 31st May 2016, 11.00 a.m. Duration: 31st May - 30th November 2016 Open daily: 10 a.m. - 6 p.m., in November till 4 p.m. Organizer: Lidice Memorial Curator: Ivona Kasalická Exhibition design by: Dintex s.r.o., Milena Burgrová Installation of the exhibition at the Lidice Gallery: Milena Burgrová, Iva Petříčková, Eva Sýkorová Graphic design of printed material by: Milena Burgrová, Tereza Králová Photos by: MartinHomola ABCPhoto Teamwork of children In cooperation with: Dintex s.r.o., JiPrint s.r.o., Dana Heráňová (webmaster), "World of coloured pencils", 7-15 years, AS Mšeno Hana Staňková, Irina Kokarevskaya, Ellen Eldridge and Marie Sophie Höfel (translations), Tiskárna Grafico. On Tuesday, 31 May 2016, at 11 a.m., in the presence of ambassadors and political and cultural figures of the Czech Republic, the Lidice Gallery in Lidice hosted the formal opening of the 44TH INTERNATIONAL CHILDREN’S EXHIBITION OF FINE ARTS LIDICE 2016 featuring the theme SCHOOL? EDUCATION! There were among the guests Minister of Education, Youth and Sports Kateřina Valachová, Minister for Human Rights and Equal Opportunities Jiří Dienstbier, Deputy Minister of Foreign Affairs for Chancery of the Ministry Ivana Červenková, Deputy Minister of Culture for Cultural Heritage Vlastislav Ouroda, Secretary-General of the Czech Commission for UNESCO Karel Komárek, Program Coordinator at the Czech Centres Ljuba Svobodová, Director of Foreign Relations Department of the Ministry of Culture Petr Hnízdo, Member of the Central Bohemia Regional Council Responsible for Culture and National Heritage Zdeněk Štefek and Director of the Agrofert Foundation Zuzana Tornikidis. -
New Directions in Cultural Diplomacy
This is an advance copy of an essay to be published in 2010 by Real Instituto Elcano, Madrid, in a collection entitled “Cultura y Proyección Exterior: Nuevos Valores y Estrategias de Acción”. It is not to be reproduced or circulated without the approval of the author. New Directions Steve Green1 William Gibson’s frequently quoted statement “the future is already here; it’s just not evenly distributed”, applies to cultural diplomacy. The new directions promise to usher in a transformation of cultural diplomacy. They will add new strands of activity, lead to a re-assessment of existing ways of operating and introduce new items to the cultural diplomacy toolkit. This essay surveys the new directions in global cultural diplomacy. A standard difficulty in surveys is the lack of an agreed terminology. Is the field to be referred to as “cultural diplomacy”, “cultural PR”, “public diplomacy”, “nation branding”? Different countries, different organizations, different authors use the terms almost interchangeably. This essay uses “cultural diplomacy” and returns to the terminology issue in its final section. It will be useful to start with a set of opening parameters in mind. Rod Fisher has a seven point list of the principal objectives of a country’s foreign cultural policy. They are: • to promote cultural diplomacy • to develop cultural relations • to support the export of a nation’s cultural products and creative industries • to underpin the development of beneficial new trading arrangements • to attract tourism and perhaps inward investment • to enhance programme aid in developing countries and • To create an informed and primarily favourable picture of a country to the “outside world”.2 1 Steve Green is Team Leader for the EUNIC presidency. -
Cultural-Relations-I
Cultural Relations in the New Normal Handbook of Project Models1 ALTERATION—a programme that consisted of a series of online events for THE UKRAINIAN INSTITUTE professionals in the cultural field running from April to July 2021. It was aimed at The Ukrainian Institute is a public institution affiliated with the Ministry of Foreign defining new, efficient approaches to establishing, building, and developing inter- Affairs of Ukraine. The mission of the Ukrainian Institute is to strengthen Ukraine’s cultural relations and connections between EU and Ukrainian cultural and civil international standing through the means of cultural diplomacy. As such, this insti- society actors in conditions of pandemic-induced uncertainty, changes, and in- tute facilitates international connections between people and institutions, thereby stability. Alteration was the result of a mutual initiative of the EU Delegation to creating opportunities for Ukraine to interact and cooperate with the world. Ukraine and the Ukrainian Institute, supported via the EU-funded Cultural Rela- tions Platform. The strategic goals of the Ukrainian Institute are to: → Improve understanding and the visibility of Ukraine among foreign The programme covered such questions as: how should international cultural audiences; relations adapt to this “new reality?” How should digital tools be used for better Ensure a stable demand for professional interaction with Ukraine; efficiency? What best case practices exist in international cultural relations and → among cultural institutions in the EU and in Ukraine that can be of use to other in- → Build the capacity of Ukrainian actors in the cultural, educational, stitutions? And, lastly, how can cultural initiatives and products be promoted using and scientific spheres—as well as civil society—for international digital tools? cooperation; → Increase Ukraine’s involvement in current global cultural processes; This handbook is also part of the Alteration programme, drawing on key les- → Nurture and expand the usage of the Ukrainian language in the world. -
The Cultural Value Project Cultural Relations in ‘Societies in Transition’
The Cultural Value Project Cultural Relations in ‘Societies in Transition’ Joint Academic Report Helmut Anheier, Marie Gillespie, Malte Berneaud-Kötz, Olga Kononykhina, Regina A. List, Dounia Mahlouly, Eva Nieto McAvoy, Ben O’Loughlin, Olga Onuch, and Colin Wilding November 2018 Table of Contents List of Tables and Figures ...........................................................................................................4 Research Teams ..........................................................................................................................5 Acknowledgements .....................................................................................................................8 Executive Summary .................................................................................................................. 10 1 Introduction ....................................................................................................................... 15 2 Literature Review: Cultural Relations in ‘Societies in Transition’ ...................................... 18 2.1 Defining cultural relations? ......................................................................................... 19 2.2 Summary .................................................................................................................... 25 3 Methodology ...................................................................................................................... 27 3.1 Researching international cultural relations: collaborative synergies -
Business Services Destinations in Central Europe 2017
BUSINESSBUSINESS SERVICES DESTINATIONSDESTINATIONS ININ CENTRAL EUROPECEE 2017 1 © 2017 CBRE | CEE LAND 2017 BSSCEE INLAND CECE 2017 Table of Contents INTRODUCTION CENTRAL EUROPE – SUMMARY 4 POLAND 14 Warsaw Krakow Wroclaw Tri-City CZECH REPUBLIC 24 Prague Brno HUNGARY 30 Budapest Debrecen ROMANIA 36 Bucharest Cluj-Napoca Iasi SLOVAKIA 44 Bratislava ESTONIA 48 Tallinn LATVIA 52 Riga LITHUANIA 56 Vilnius Kaunas 2 1 © 2017 CBRE | BUSINESSCEE LAND 2017SERVICES DESTINATIONS IN CENTRAL EUROPE BSS INTRODUCTION IN CE Globalization, Outsourcing, Offshoring & Nearshoring are common and progressive trends in the modern economy. These contemporary trends have an impact not only on operational costs, but also on real estate and labour markets. Companies’ cost sensitivity supports the decision to move part of the business i.e. back- or mid-office to cost-effective countries. This trend has boosted the development of the Business Services (BPO, SSC, R&D & ITO) and the CEE region, with its well educated workforce and competitive cost base, is one of the main beneficiaries. The aim of this report is to present the whole region for the benefit of foreign investors in the most comprehensive way. 2 3 © 2017 CBRE | BUSINESS SERVICES DESTINATIONS IN CENTRAL EUROPE CE REGION Although, the term ’Central Europe’ has several meanings across different industries, CBRE includes the following countries for the purposes of our report. Tallinn Poland Czech Republic Romania Hungary Slovakia Estonia Latvia Lithuania Riga The above markets are the main destinations for the Business Services Sector, which looks for well qualified staff, employment cost savings and good quality office space. Moreover, membership of the EU and stabilized political Kaunas Vilnius conditions are also essential factors for newcomers. -
Institution / Foundation Type of Grant Website / Contact
FUNDING POSSIBILITIES Country Institution / Foundation Type of grant Website / contact Africa Grants for visual artists from South Africa working in a variety of http://www.transartists.nl/funding/funding_in_af media. rica.58.html Argentina Grants for Arts in Europe, for women [email protected] Arizona Arizona Humanities Council Grants for innovative and community-based projects. http://www.azhumanities.org/ggrants5.php (USA) Australia Australian Council http://www.australiacouncil.gov.au/grants Australia NAVA (National Association of Visual Arts) http://www.visualarts.net.au/ Australia NSW (New South Wales) Grants for cultural projects. http://www.arts.nsw.gov.au/ Austria Austrian Federal Ministry for Education, Arts and Project and production grants/ Scholarship http://www.bmukk.gv.at/kunst/foerderungen/ind Culture ex.xml Austria Austrian Federal Ministry for Education, Arts and Artists/writers in residence http://www.bmukk.gv.at/kunst/foerderungen/ind Culture ex.xml Austria Austrian Federal Ministry for Education, Arts and Artists/ writers in residence http://www.bmukk.gv.at/kunst/foerderungen/ind Culture ex.xml Austria Cultural Department of Vienna’s City Municipality Event participation grants and artists in residence programme http://www.wien.gv.at/amtshelfer/kultur/kulturab - Magistrat der Stadt teilung/foerderungen/interkulturell.html Austria Cultural Department of Vienna’s City Municipality Artists, Writers and Dancers in Residence http://www.kulturkontakt.or.at/en/cultural- - Magistrat der Stadt cooperation--arts-sponsorship/artists- -
Czech Books for Children and Young Adults 2020 Illustration © Daniela Olejníková
Czech Books for Children and Young Adults 2020 Illustration © Daniela Olejníková CONTENTS INTRODUCTION 4 CzechLit – Czech Literary Centre 6 David Böhm 8 'A' FOR THE ANTARCTIC – A VIEW FROM THE OTHER SIDE Bára Dočkalová 12 THE SECRET OF PEBBLE MOUNTAIN Jiří Dvořák, Daniela Olejníková 14 WE LIVE HERE! STRANGE DWELLINGS OF ANIMALS AND PEOPLE Petr Koťátko 16 ANNA, THE TALKING BROOK AND OTHER INMATES OF MRS MAJEROVÁ’S INSTITUTION Robin Král, Aneta Františka Holasová 18 TONI AND THE CIRCUS RIDER Daniela Krolupperová 20 CROWN TRAP Radek Malý, Pavel Dvorský, Jiří Grbavčic 22 AN ENCYCLOPAEDIA OF EXTINCT ANIMALS Vojtěch Matocha 24 DUSTZONE: BLACK MERCURIDE Marka Míková 26 THE HOUSE IN RUGOLO René Nekuda 28 THE STORY MACHINE Markéta Pilátová 30 THE GORILLA’S TALE 2 3 Milada Rezková, Lukáš Urbánek 32 DOCTOR GULL IN FULL Taťána Rubášová, Jindřich Janíček 34 WILLIAM & MERIWETHER: THE UNEXPECTED ROBOT EXODUS Tereza Říčanová 36 THIS IS ISTANBUL Stanislav Setinský 38 THIS IS JERUSALEM Petr Stančík 40 H2O AND THE MAD-EYE TREASURE Ester Stará, Marie Urbánková 42 LET’S GOOO! Petr Svobodný, Robin Král, Nikola Logosová, Zuzana Lednická 44 HERE COMES THE DOCTOR! HISTORY OF MEDICINE IN SEVEN DAYS Grants for publishing Czech literature abroad 48 Travel grants 50 Selected literary awards in the Czech Republic 51 The Moravian Library 52 INTRODUCTION Thirty years ago, President Václav of what is produced (year on year, Havel opened his first New Year’s the number of titles by domestic Address with the words, “Our coun- authors is between 400 and 500). try is not flourishing”. He went on to We have plenty to offer the inter- warn that four decades of commu- national reading public, too, as our nist lies would take at least as long catalogue testifies.