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Bacchylides 17: Singing and Usurping the Paean Maria Pavlou
Bacchylides 17: Singing and Usurping the Paean Maria Pavlou ACCHYLIDES 17, a Cean commission performed on Delos, has been the subject of extensive study and is Bmuch admired for its narrative artistry, elegance, and excellence. The ode was classified as a dithyramb by the Alex- andrians, but the Du-Stil address to Apollo in the closing lines renders this classification problematic and has rather baffled scholars. The solution to the thorny issue of the ode’s generic taxonomy is not yet conclusive, and the dilemma paean/ dithyramb is still alive.1 In fact, scholars now are more inclined to place the poem somewhere in the middle, on the premise that in antiquity the boundaries between dithyramb and paean were not so clear-cut as we tend to believe.2 Even though I am 1 Paean: R. Merkelbach, “Der Theseus des Bakchylides,” ZPE 12 (1973) 56–62; L. Käppel, Paian: Studien zur Geschichte einer Gattung (Berlin 1992) 156– 158, 184–189; H. Maehler, Die Lieder des Bakchylides II (Leiden 1997) 167– 168, and Bacchylides. A Selection (Cambridge 2004) 172–173; I. Rutherford, Pindar’s Paeans (Oxford 2001) 35–36, 73. Dithyramb: D. Gerber, “The Gifts of Aphrodite (Bacchylides 17.10),” Phoenix 19 (1965) 212–213; G. Pieper, “The Conflict of Character in Bacchylides 17,” TAPA 103 (1972) 393–404. D. Schmidt, “Bacchylides 17: Paean or Dithyramb?” Hermes 118 (1990) 18– 31, at 28–29, proposes that Ode 17 was actually an hyporcheme. 2 B. Zimmermann, Dithyrambos: Geschichte einer Gattung (Hypomnemata 98 [1992]) 91–93, argues that Ode 17 was a dithyramb for Apollo; see also C. -
Myth, Ritual, and the Labyrinth of King Minos
Armstrong Undergraduate Journal of History Volume 5 Issue 1 Article 1 4-2015 Myth, Ritual, and the Labyrinth of King Minos Nicole Tessmer St. Louis University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/aujh Part of the History Commons Recommended Citation Tessmer, Nicole (2015) "Myth, Ritual, and the Labyrinth of King Minos," Armstrong Undergraduate Journal of History: Vol. 5 : Iss. 1 , Article 1. DOI: 10.20429/aujh.2015.050101 Available at: https://digitalcommons.georgiasouthern.edu/aujh/vol5/iss1/1 This article is brought to you for free and open access by the Journals at Digital Commons@Georgia Southern. It has been accepted for inclusion in Armstrong Undergraduate Journal of History by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Tessmer: Myth, Ritual, and the Labyrinth of King Minos Myth, Ritual, and the Labyrinth of King Minos Nicole Tessmer St. Louis University According to ancient mythology, King Minos built a perplexing labyrinth to house the Minotaur, a monstrous creature to which his wife had given birth. Each year, the myth states, seven girls and seven boys were chosen to enter the labyrinth as tributes to become food for the Minotaur.1 It was not until Theseus entered the labyrinth, and killed the Minotaur that it could be considered a place to leave your childhood behind. Once inside, they wrestled with their demons, experienced a rebirth, and finally, emerged as adults ready to take their places in society. The myth of the labyrinth can thus be understood as a rite of passage or a coming of age ritual in ancient Greece. -
Greek Mythology #23: DIONYSUS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form. -
Phlegethon, a Nearby $75\Deg $-Long Retrograde Stellar Stream
Draft version September 12, 2018 Preprint typeset using LATEX style emulateapj v. 12/16/11 PHLEGETHON, A NEARBY 75◦-LONG RETROGRADE STELLAR STREAM Rodrigo A. Ibata1, Khyati Malhan1, Nicolas F. Martin1,2, and Else Starkenburg3 Draft version September 12, 2018 ABSTRACT We report the discovery of a 75◦ long stellar stream in Gaia DR2 catalog, found using the new STREAMFINDER algorithm. The structure is probably the remnant of a now fully disrupted globular cluster, lies ≈ 3:8 kpc away from the Sun in the direction of the Galactic bulge, and possesses highly retrograde motion. We find that the system orbits close to the Galactic plane at Galactocentric dis- tances between 4:9 and 19:8 kpc. The discovery of this extended and extremely low surface brightness −2 stream (ΣG ∼ 34:3 mag arcsec ) with a mass of only 2580 ± 140 M , demonstrates the power of the STREAMFINDER algorithm to detect even very nearby and ultra-faint structures. Due to its proximity and length we expect that Phlegethon will be a very useful probe of the Galactic acceleration field. Keywords: Galaxy: halo | Galaxy: stellar content | surveys | galaxies: formation | Galaxy: structure 1. INTRODUCTION through astrometric and photometric databases for The arrival of the second data release (DR2) of the stream-like structures. The first results of this algorithm Gaia mission has opened up the field of Galactic Archeol- applied to Gaia DR2 were presented in Malhan et al. ogy to exciting new endeavors that were previously com- (2018, hereafter paper II), but were limited to distances pletely out of reach. The excellent parallax and proper > 5 kpc, a choice that we made in order to reduce the motion measurements (Gaia Collaboration et al. -
Dionysus and Ariadne in the Light of Antiocheia and Zeugma Mosaics
Anatolia Antiqua Revue internationale d'archéologie anatolienne XXIII | 2015 Varia Dionysus and Ariadne in the light of Antiocheia and Zeugma Mosaics Şehnaz Eraslan Electronic version URL: http://journals.openedition.org/anatoliaantiqua/345 DOI: 10.4000/anatoliaantiqua.345 Publisher IFEA Printed version Date of publication: 1 June 2015 Number of pages: 55-61 ISBN: 9782362450600 ISSN: 1018-1946 Electronic reference Şehnaz Eraslan, « Dionysus and Ariadne in the light of Antiocheia and Zeugma Mosaics », Anatolia Antiqua [Online], XXIII | 2015, Online since 30 June 2018, connection on 18 December 2020. URL : http://journals.openedition.org/anatoliaantiqua/345 ; DOI : https://doi.org/10.4000/anatoliaantiqua. 345 Anatolia Antiqua TABLE DES MATIERES Hélène BOUILLON, On the anatolian origins of some Late Bronze egyptian vessel forms 1 Agneta FRECCERO, Marble trade in Antiquity. Looking at Labraunda 11 Şehnaz ERASLAN, Dionysus and Ariadne in the light of Antiocheia and Zeugma Mosaics 55 Ergün LAFLI et Gülseren KAN ŞAHİN, Middle Byzantine ceramics from Southwestern Paphlagonia 63 Mustafa AKASLAN, Doğan DEMİRCİ et Özgür PERÇİN en collaboration avec Guy LABARRE, L’église paléochrétienne de Bindeos (Pisidie) 151 Anaïs LAMESA, La chapelle des Donateurs à Soğanlı, nouvelle fondation de la famille des Sképidès 179 Martine ASSENAT et Antoine PEREZ, Localisation et chronologie des moulins hydrauliques d’Amida. A propos d’Ammien Marcellin, XVIII, 8, 11 199 Helke KAMMERER-GROTHAUS, »Ubi Troia fuit« Atzik-Köy - Eine Theorie von Heinrich Nikolaus Ulrichs (1843) -
H2O and the Waters of Forgetfulness PDF Book
H2O AND THE WATERS OF FORGETFULNESS PDF, EPUB, EBOOK Ivan Illich | 112 pages | 01 Mar 2001 | Marion Boyars Publishers Ltd | 9780714528540 | English | London, United Kingdom H2O and the Waters of Forgetfulness PDF Book Though he drank from the river and was reincarnated as Euphorbus, Hermotius, Pyrrhus and then Pythagoras, he was still able to remember his previous lives and the knowledge he had gained in those incarnations. Goodreads helps you keep track of books you want to read. The first four lines of the poem are:. Not to be confused with Leath or Water of Leith. This critique applies equally to both the so-called developed and the developing nations but in different ways. Sign in. During the s he founded centers for cross-cultural communication, first in Puerto Rico and then in Cuernavaca, Mexico. This legend persisted until BC. Geller - November 7, 0. Achilles island Delos. Follow us. He studied theology, philosophy, history, and natural science. This act proved that the Lima was not as dangerous as the local myths described. Virgil's Aeneid. The French poet Charles Baudelaire referred to the river in his poem "Spleen". Dante, held in the arms of Matilda, is immersed in the Lethe so that he may wipe out all memory of sin Purg. Readers also enjoyed. Lethe was also the name of the personification of forgetfulness and oblivion, with whom the river was often associated. I love the title and the idea and the writer, but was a little disappointed with the actual book. The souls that throng the flood Are those to whom, by fate, are other bodies ow'd: In Lethe's lake they long oblivion taste, Of future life secure, forgetful of the past. -
Phèdre: a Primer
Phèdre: A Primer Prepared by Spencer Smith, Dramaturge and Fourth year DART student Virginia Reh, Director and DART Assistant Professor and David Vivian, Scenographer and Associate Professor, editors. Table of Contents 1) Collaboration 2) Play Synopsis 3) Director’s Notes 4) Scenographer’s Notes 5) The Playwright: Jean-Baptiste Racine 6) The Translator: Ted Hughes 7) Family Tree 8) The Myths: Theseus, Phaedra, and Hippolytus 9) The Labyrinth of Lexicon: People and Places 10) The Many Faces of Phaedra 11) Dramaturge’s Notes 12) List of Figures 13) Bibliography Phèdre: A Primer Department of Dramatic Arts Page 2 of 17 Marilyn I. Walker School of Fine and Performing Arts February 2011 I saw the plot unfolding and me in it, Where we touched like cripples. Your first scene. The surreal mystery of our picnic quarrel Opened your performance quietly. And you had opened the vein. And recognised gold. A cry of bereavement. You had picked up the skein of blood That twitched and led you, ignoring me. Not out of the labyrinth But to the very centre, Where the Minotaur, which was waiting to kill you, Killed you. – Ted Hughes, “The Minotaur 2”i Phèdre: A Primer Department of Dramatic Arts Page 3 of 17 Marilyn I. Walker School of Fine and Performing Arts February 2011 1) Collaboration Written by Jean-Baptiste Racine Translation by Ted Hughes A production of the Department of Dramatic Arts of the Marilyn I. Walker School of Fine and Performing Arts, Brock University February 17, 18, 19, 2011 at 7:30pm; February 18 at 1:00pm. -
The Bee in Greek Mythology Author(S): Arthur Bernard Cook Source: the Journal of Hellenic Studies, Vol
The Bee in Greek Mythology Author(s): Arthur Bernard Cook Source: The Journal of Hellenic Studies, Vol. 15 (1895), pp. 1-24 Published by: The Society for the Promotion of Hellenic Studies Stable URL: http://www.jstor.org/stable/624058 . Accessed: 25/02/2014 19:44 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Society for the Promotion of Hellenic Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Hellenic Studies. http://www.jstor.org This content downloaded from 66.77.17.54 on Tue, 25 Feb 2014 19:44:12 PM All use subject to JSTOR Terms and Conditions THE BEE IN GREEK MYTHOLOGY. 'Apes...cgo divinats bestias puto.' PETRONIUS 56. THE illustration which heads this paper shows a gold ornament in the form of a bee purchased in 1875 by the British Museum. It is a neat specimen of early granulated work; but, beyond the fact that it came from Crete,' nothing is known as to the circumstances of its discovery. Similar finds have, however, been made elsewhere. Furtwingler in the Arch. Zeit. vol. 41, col. 274, notices among the acquisitions of the Berlin Museum for the year 1882 'sundry small plates of gold from the Crimea representing a head of Dionysus, Bees, and a Gorgoneion.' Our own national collection possesses fourteen bodies 2 of bees in gold of late Etruscan workmanship, and also a bee stamped in gold leaf of the same date. -
Cerberus.Pdf
(lP,IIP,U' By Gaynor Borade Greek mythology comprises a huge pantheon, extensive use of anthropomorphism and mythical creatures that ore symbotic. Cerberus, the three headed dog was believed to be the guardian of the reotm of death, or Hades. Cerberus, it was believed, prevented those who crossed the river of death, Styx, from escoping. River Styx was supposed to be the boundory belween the Underworld and Earth. Greek mythology propounded thot Hodes or ihe Underworld wos encircled nine times by River Styx and thot the rivers Phlegethon, Cocytus, Lelhe, Eridanos and Acheron converged with Styx on the 'Great Marsh'. Cerberus guorded the Great Marsh. Importance of Styx in Greek Mythotogy: Hades ond Persephone were believed to be the mortol portals in the Underworld. This reotm wos atso home to Phlegyos or guardian of the River Phlegethon, Charon or Kharon, the ferrymon, ond the living waters of Styx. Styx wos believed to have miraculous powers thot could make o person immorfol, resulting in the grove need for it to be guorded. This reolm relates to the concept of 'hel[' in Christianity and the 'Paradise losf', in the Iiterary genius of 'The Divine Comedy'. In Greek myihology, the ferrymon Charon was in charge of iransporting souls across the Styx, into the Underworld. Here, it was believed thaf the sullen were drowned in Sfyx's muddy waters. Cerberus:The Guardion Cerberus, the mythical guordian of River Styx has been immorlalized through many works of ancient Greek liferoture, ort ond orchitecture. Cerberus is easity recognizabte among the other members of the pontheon due to his three heads. -
Herodotus and the Heroic Age: the Case of Minos
Herodotus and the Heroic Age: The Case of Minos Myth, Truth, and Narrative in Herodotus Emily Baragwanath and Mathieu de Bakker Print publication date: 2012 Print ISBN-13: 9780199693979 Published to Oxford Scholarship Online: September 2012 DOI: 10.1093/acprof:oso/9780199693979.001.0001 Herodotus and the Heroic Age: The Case of Minos Rosaria V. Munson DOI:10.1093/acprof:oso/9780199693979.003.0008 Abstract and Keywords In the fifth century, traditional myths about gods and heroes of a remote age still constituted a shared cultural language for speaking about a variety of more or less specific current issues of a philosophical, ethical, social, and political nature. Other than tragedy and epinician poetry, we should especially remember the role of myth in Thucydides, whose ‘Archaeology’ sets down his fundamental, and ideologically charged, view of history. It is time to reassess Herodotus' participation in this contemporary coded discourse and examine the ways in which he uses the mythical past as well as the cases when he appears to signal his choice not to use it. One dismissive passage in Herodotus (3.122) confirms the significance of Minos — the focus of this chapter — in fifth-century discourse as a precursor or rival of Athenian thalassocracy (Thucydides and Bacchylides). But two additional mentions, in Books 1 and 7 respectively, connect Minos in more interesting ways to present realities of Greeks and non-Greeks in the East and West. How is the treatment of Minos in the Histories representative of Herodotus' ‘myth-speak’? Keywords: Trojan War, heroic age, thucydides, minos, Polycrates, Hearsay, akoê, Historiê, Protesilaus, Theseus I would like to consider the extent to which Herodotus attributes to myth a legitimate role in a work that memorializes the past. -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34 -
Let Us Know How Access to This Document Benefits You
CutBank Volume 1 Issue 81 CutBank 81 Article 30 Fall 2014 Etiology Thomas Mira y Lopez Follow this and additional works at: https://scholarworks.umt.edu/cutbank Part of the Creative Writing Commons Let us know how access to this document benefits ou.y Recommended Citation Mira y Lopez, Thomas (2014) "Etiology," CutBank: Vol. 1 : Iss. 81 , Article 30. Available at: https://scholarworks.umt.edu/cutbank/vol1/iss81/30 This Prose is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in CutBank by an authorized editor of ScholarWorks at University of Montana. For more information, please contact [email protected]. THOMAS MIRA Y LOPEZ ETIOLOGY Whenever my mother and I drive to her house in Pennsylvania, she asks me to take a look at the Ohio buckeye. It is a ritual I am familiar with by now. I carry the bags inside and leave them on the kitchen counter, then move the food from cooler to refrigerator. She takes the black poodle out of his travel crate, praises him for being so patient, eyes him closely as he romps around the field, and when I have slid the ice packs into the freezer and the poodle has discovered for the hundredth time the hundredth smell at the base of the pine, she will call to me through the screen door. “Come, Tom, come see dad’s tree.” She does not know how much I begrudge this ceremony. She does not know that, after two hours in the car next to her, all I want to do is open a bag of tortillas chips, pop the seal of a jar of salsa con queso, and stand over the counter dipping a dozen or so chips into cheese.