H2O and the Waters of Forgetfulness PDF Book
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Who-Let-The-Gods-Out-Chapter-By-Chapter-Resources.Pdf
WHO LET THE GODS OUT? Maz Evans CHAPTER-BY-CHAPTER RESOURCES CREATED BY: Ashley Booth @MrBoothY6 www.maz.world @maryaliceevans chickenhousebooks.com Chapter Comprehension Writing Cross Curricular Questions Opportunities Opportunities 1 • What does the author mean when referring to the body odour Write a conversation ART • Draw what you think as ‘weapons grade’? between a naughty pupil Elliot, Call Me Graham and • What does ‘jubilantly’ mean? Can you do an impression of and a headteacher in the Mr Boil look like. ‘lumbering jubilantly’? style of Elliot and Mr Boil. • Is Elliot often in trouble? How do you know? Use shifts in formality to DRAMA • Use drama to act • Why do you think Mr Boil has no respect for Call Me Graham? make it effective. out the scene in Call Me • Is Elliot a good student? How do you know? Graham’s office. • Where does Elliot go to school? • How old is Elliot? 2 • What does the text mean when it says the farm had been the Write the next part of the ART • Create your own family home for ‘generations’? story, predicting where Mum horrible neighbour in the • What words show that Elliot doesn’t want to speak to Patricia has gone. style of Patricia Porshley- Porshley-Plum? Plum. • Why might Elliot like the walk home so much? • Why does Elliot lie about his mum being ill? • Why does Elliot get so panicked? • Predict where Mum has gone. • What impression do you get of Patricia in this chapter? www.maz.world @maryaliceevans CREATED BY: Ashley Booth @MrBoothY6 chickenhousebooks.com Chapter Comprehension Writing Cross Curricular Questions Opportunities Opportunities 3 • Explain what a zodiac is. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
The Eros-Thanatos Conflict in DH Lawrence's Women in Love
J. Appl. Environ. Biol. Sci. , 5(8S )555 -560 , 2015 ISSN: 2090-4274 Journal of Applied Environmental © 2015, TextRoad Publication and Biological Sciences www.textroad.com The Eros-Thanatos Conflict in D.H. Lawrence’s Women in Love : A Psychoanalytic Study Rahim Noori Khaneghah Ph.D.in English Literature, Department of English, University of Maragheh, Iran. Received: March 8, 2015 Accepted: May 10, 2015 ABSTRACT The present essay is interdisciplinary in nature and touches two-subject areas: literature and psychoanalysis. In Women in Love , Ursula-Birkin relationship is regarded as representation of life drive (Eros) and Gudrun-Gerald relationship as a finest example of the victory of the death drive (Thanatos) over the life drive (Eros). The death and live drives are present in every living creature, but these two opposite drivesshould be in normal mixture. Some traumatic situations and repressed wishes cause the imbalance of this regular mixture of life and death drives and make one drive more possessive than the other drive. Eros-Thanatos struggle is an inner one and the victory of one drive over the other may cause the death of the individual. The essay makes an attempt to bring to light the struggles of the four major characters of the novel (Ursula, Birkin, Gerald and Gudrun) between Eros and Thanatos with the help of Freudian and Lacanian psychoanalytic perspectives. KEYWORDS: Struggle, Death drive, Life drive, Possessiveness, Regular mixture 1. INTRODUCTION Women in Love is regarded as the finest novel of D. H. Lawrence which was published in the USA in 1920. This novel is in fact the story of two Brangwen sisters, Ursula and Gudrun, and their love experience with Birkin and Gerald respectively. -
Greek Mythology #23: DIONYSUS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form. -
Phlegethon, a Nearby $75\Deg $-Long Retrograde Stellar Stream
Draft version September 12, 2018 Preprint typeset using LATEX style emulateapj v. 12/16/11 PHLEGETHON, A NEARBY 75◦-LONG RETROGRADE STELLAR STREAM Rodrigo A. Ibata1, Khyati Malhan1, Nicolas F. Martin1,2, and Else Starkenburg3 Draft version September 12, 2018 ABSTRACT We report the discovery of a 75◦ long stellar stream in Gaia DR2 catalog, found using the new STREAMFINDER algorithm. The structure is probably the remnant of a now fully disrupted globular cluster, lies ≈ 3:8 kpc away from the Sun in the direction of the Galactic bulge, and possesses highly retrograde motion. We find that the system orbits close to the Galactic plane at Galactocentric dis- tances between 4:9 and 19:8 kpc. The discovery of this extended and extremely low surface brightness −2 stream (ΣG ∼ 34:3 mag arcsec ) with a mass of only 2580 ± 140 M , demonstrates the power of the STREAMFINDER algorithm to detect even very nearby and ultra-faint structures. Due to its proximity and length we expect that Phlegethon will be a very useful probe of the Galactic acceleration field. Keywords: Galaxy: halo | Galaxy: stellar content | surveys | galaxies: formation | Galaxy: structure 1. INTRODUCTION through astrometric and photometric databases for The arrival of the second data release (DR2) of the stream-like structures. The first results of this algorithm Gaia mission has opened up the field of Galactic Archeol- applied to Gaia DR2 were presented in Malhan et al. ogy to exciting new endeavors that were previously com- (2018, hereafter paper II), but were limited to distances pletely out of reach. The excellent parallax and proper > 5 kpc, a choice that we made in order to reduce the motion measurements (Gaia Collaboration et al. -
Talismans Against Tsunamis: Apollonius of Tyana and the Stelai of the Herakleion in Gades (VA 5.5) Manuel Álvarez Martí-Aguilar
Talismans against Tsunamis: Apollonius of Tyana and the stelai of the Herakleion in Gades (VA 5.5) Manuel Álvarez Martí-Aguilar HE HERAKLEION IN GADES was a religious centre famous throughout the ancient world.1 According to T the local accounts collected by Posidonius of Apamea and transmitted by Strabo (3.5.5–6), the origin of the sanctuary dated back to the time of the city’s foundation by colonists from Tyre, which is currently dated to the ninth century B.C.2 The sanctuary was dedicated to Melqart, the most important god of the metropolis and the new colony, who is identified in 1 Among the extensive bibliography, the most notable are A. García y Bellido, “Hércules Gaditanus,” ArchEsp 36 (1963) 70–153; D. van Berchem, “Sanctuaires d’Hercule-Melqart. Contribution à l’étude de l’expansion phénicienne en Méditerranée,” Syria 44 (1967) 80–87; J. M. Blázquez, “El Herakleion Gaditano, un templo semita en Occidente,” in Imagen y mito. Estudios sobre religiones mediterráneas e ibéricas (Madrid 1977) 17–28; C. Bonnet, Melqart. Cultes et mythes de l’Héraclès tyrien en Méditerranée (Leuven/Namur 1988) 203–229; A. T. Fear, “A Journey to the End of the World,” in J. Elsner and I. Rutherford (eds.), Pilgrimage in Graeco-Roman and Early Christian Antiquity (Oxford 2005) 319–331; M. C. Marín, “Les contacts entre Phéniciens et Grecs dans le territoire de Gadir et leur formulation religieuse,” in S. Ribichini et al. (eds.), La questione delle influenze vicino-orientali sulla religione greca (Rome 2001) 315–331; M. C. Marín and A. -
Fate and Death Through a Daimonic Lens
FATE AND DEATH THROUGH A DAIMONIC LENS FATE AND DEATH THROUGH A DAIMONIC LENS By JASON SOLOMON BINDER, B.A.Sc., B.A. Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jason Solomon Binder, September 2014 MA Thesis – J. Binder; McMaster University – Classics. McMaster University MASTER OF ARTS (2014) Hamilton, Ontario (Classics) TITLE: Fate and Death through a Daimonic Lens AUTHOR: Jason Solomon Binder, B.A.Sc., B.A. (McMaster University) SUPERVISOR: Dr. Sean Corner NUMBER OF PAGES: vi, 101 ii MA Thesis – J. Binder; McMaster University – Classics. Abstract This thesis is concerned with the ancient Greek conceptualization of fate and death, as explored through the figure of the daimon in literature from Homer and Hesiod to Plato and Euripides. Filling a gap in scholarship, I elucidate the spectrum of meaning inherent in the word daimon, and how it shifts over time. From the Archaic to the Classical period the word daimon is found as a synonym for theos, “god”, as a vocative address, or in reference to “fate” and the generalized “will of heaven.” At the same time, a particular group of divine personifications, including Thanatos, Moira, Ker, and Erinys are counted as daimones. We also find the term used to designate unnamed but individuated lesser divinities, guardian spirits, and demonic possessors, and even as the divine aspect of the self. In the early Archaic poets these latter categories are only nascent. The individuated daimon becomes the focus of the lyric poets and pre-Socratic philosophers; in the later pre-Socratics the daimon begins to be internalized, moving from possessive spirit to psychic force. -
Eris Goddess of Discord © Emmanuella Kozas
The Order of the White Moon Goddess Gallery Presents A Level III Final Project by Priestess Ajna DreamsAwake for The Sacred Three Goddess School (© 2013. All original material in this Project is under copyright protection and is the intellectual property of the author.) Eris Goddess of Discord © Emmanuella Kozas Image used with permission from the artist Eris is the Greek Goddess of Chaos and Discord, and, in the confusion that surrounds Her origins, She certainly live up to the name. She is referred to either a minor spirit, or eldest daughter of Nyx (Night) and Zeus, or daughter of Zeus and Hera and twin to Ares. She is depicted as a beautiful young woman, a skeletal crone or winged daemon. Hesiod describes two Goddesses who go by the name Eris, the Erites. The first is a benign Goddess who promotes healthy competition, and can be a catalyst for bettering oneself. This "Good Eris" provides the incentive for individuals to create the change they want to see in themselves. It is Eris who gives us the proverbial "kick in the butt" we all require, at times, when we become lethargic, complacent or prone to procrastination. The second Eris is the one we are most familiar with. As the daughter of Hera and Zeus, and companion to Ares, She fosters evil, war and cruelty. Her epithets include Infernal Monster, Lady of Sorrows and Nurse of War. The poet Virgil writes that Eris lives in a cavern, surrounded by mountains, at the entrance to Hades. Eris begins as a small and insignificant Spirit who thrives on Chaos, striding through battlefields growing stronger and larger as She feeds on the slaughter. -
Kennedy and the Tail of Minos J
Louisiana Law Review Volume 69 | Number 3 Spring 2009 Kennedy and the Tail of Minos J. Richardson Broughton Repository Citation J. Richardson Broughton, Kennedy and the Tail of Minos, 69 La. L. Rev. (2009) Available at: https://digitalcommons.law.lsu.edu/lalrev/vol69/iss3/4 This Article is brought to you for free and open access by the Law Reviews and Journals at LSU Law Digital Commons. It has been accepted for inclusion in Louisiana Law Review by an authorized editor of LSU Law Digital Commons. For more information, please contact [email protected]. Kennedy and the Tail of Minos J RichardBroughton* I. INTRODUCTION In Dante's Inferno, Minos sat as the ultimate judge of human sin.' Dante explains in Canto V that when the damned appeared in Hell, they would confess their sins to Minos, who would then wrap his tail around his body.2 The circle to which the soul was assigned was determined by the number of times that Minos wrapped his tail.3 Dante's recognition of Minos in this role was no accident: Minos, son of Zeus and Europa and king of Crete, was known as a wise and just ruler and lawgiver,4 and his role as a leading judge in the Underworld is described by Virgil 5 (who guides Dante's main character through Hell in the Inferno). Dante's description of the punishment in Hell and the procedure for receiving it provides important lessons for us with respect to the definition and administration of the criminal law. Of course, it reminds us that punishment matters, that who and to what extent we punish tells us about our morality, humanity, and our commitment to safeguarding the political community. -
Cerberus.Pdf
(lP,IIP,U' By Gaynor Borade Greek mythology comprises a huge pantheon, extensive use of anthropomorphism and mythical creatures that ore symbotic. Cerberus, the three headed dog was believed to be the guardian of the reotm of death, or Hades. Cerberus, it was believed, prevented those who crossed the river of death, Styx, from escoping. River Styx was supposed to be the boundory belween the Underworld and Earth. Greek mythology propounded thot Hodes or ihe Underworld wos encircled nine times by River Styx and thot the rivers Phlegethon, Cocytus, Lelhe, Eridanos and Acheron converged with Styx on the 'Great Marsh'. Cerberus guorded the Great Marsh. Importance of Styx in Greek Mythotogy: Hades ond Persephone were believed to be the mortol portals in the Underworld. This reotm wos atso home to Phlegyos or guardian of the River Phlegethon, Charon or Kharon, the ferrymon, ond the living waters of Styx. Styx wos believed to have miraculous powers thot could make o person immorfol, resulting in the grove need for it to be guorded. This reolm relates to the concept of 'hel[' in Christianity and the 'Paradise losf', in the Iiterary genius of 'The Divine Comedy'. In Greek myihology, the ferrymon Charon was in charge of iransporting souls across the Styx, into the Underworld. Here, it was believed thaf the sullen were drowned in Sfyx's muddy waters. Cerberus:The Guardion Cerberus, the mythical guordian of River Styx has been immorlalized through many works of ancient Greek liferoture, ort ond orchitecture. Cerberus is easity recognizabte among the other members of the pontheon due to his three heads. -
February Edition 2021
1 The Chariot Valentine’s Day / Black History Month Edition February 2021 ——————————————————————————————————————— unmeasurable courage that made Celebrating for More Than Just a Barack’s presidency possible, it is equally Month important to acknowledge that this fight is By: Katie Schadler far from over. That as a nation, for every three steps forward, we find ourselves taking Black History month is a time of two steps back. We suffocate a man for pride and glory. A time of embracing a nearly five minutes, catalyzing months of culture and a history that is such an integral glorious protest and political unrest to part of America’s culture and history. demand justice. But as we shed light on Though as we honor and celebrate black underrepresented groups in America, we lives and black legacies, we must also turn on the television to watch our neighbors recognize and reflect on America’s raid our capital. We watch our nation prevailing flaws and unsolved problems. We become less united by the day. How can we cannot simply look at this time as a month- admire America’s progress and celebrate the long celebration. We must be willing to care inspiring achievements of past and present for longer than a month. We must continue leaders when we resort to this debilitating to educate ourselves beyond the single and shameful division? paragraph within the history textbook, stand up for black lives even when their names are no longer a trending hashtag, and sustain conversation regarding racial inequities even when these conversations become difficult or uncomfortable, for uncomfortable conversations are needed conversations. -
Greco-Roman Gods and Goddesses
GRECO -ROMAN GODS AND GODDESSES THE OLYMPIANS : THE “T WELVE ” Of the many major and minor gods in the Olympian dynasty the most important are the Twelve, a group chosen by the Greeks themselves as the key figures in the Olympian group and the basis for most of their religious observances. Greek law is also to some extent derived from the concept of the Twelve, and Greeks in both court proceedings and in ordinary conversation took their oath “by the Twelve.” The divinities constituting this group were: Zeus (Jupiter, Jove) Leader of the Olympians, god of lightening, and representative of the power principle. Hera (Juno) Wife of Zeus and goddess of marriage and domestic stability. Poseidon (Neptune) God of the sea. Often called “the earth shaker,” possibly because the Greeks attributed earthquakes to marine origin. Hades (Pluto, Dis) God of the Underworld and presider over the realm of the dead. Also connected with the nature myth by his marriage to Persephone (Proserpine), who spent half of her time on earth (the growing season) and half in the underworld (the winter period). Hades does not represent death itself, that function being relegated to a lesser divinity Thanatos. Pallas Athena, Athena (Minerva) Goddess of wisdom, but also associated with many other concepts from warfare to arts and crafts. Her birth was remarkable, since she sprang fully-armed from the forehead of Zeus. She was the patron goddess of Athens and to the Athenians represented the art of civilized living. Phoebus Apollo Son of Zeus and Leto, daughter of the Titans Krios and Phoebe.